Knowledge (XXG)

Julie Robinson (curator)

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64:, described it as a "powerful survey which goes to show that photography isn't dead". He noted that when Robinson curated her first photographic survey in 1990, "it was a more straightforward affair – pictures simply stared back at audiences" and went on to add, speaking of the Biennial, that "the 20 artists she has brought together in Adelaide explode the idea of what photography can be". Featured artists included 88:
Robinson also curated Five Centuries of Genius: European Master Printmaking (2000), Ann Newmarch: The Personal is Political (1997), Durer And German Renaissance Printmaking (1996), The Age of Rubens & Rembrandt: Old Master Prints From The Art Gallery of South Australia (1993), Hans Heysen: The
34: 281: 205: 191: 177: 163: 149: 135: 121: 107: 309: 57: 37:(2010) and A Century in Focus: South Australian Photography 1840s-1940s (2007). Writing about the latter while national arts critic of 393: 388: 26: 235: 378: 305:
University of Adelaide, "Graduate Studies in Art History and Curatorial & Museum Studies, List of Teaching Staff",
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University of Adelaide, "Graduate Studies in Art History and Curatorial & Museum Studies, MA & PhD programs"
251: 329:"The Anarchy of Silence. John Cage and Experimental Art". Notes by Julia Robinson, curator of the exhibition 383: 30: 333: 89:
Creative Journey (1992) and Fragmentation & Fabrication: Recent Australian Photography (1991).
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said: "If you are at all interested in Australian photography, whether or not you are from
353: 343: 313: 239: 61: 50: 69: 46: 42: 38: 372: 293: 232: 65: 33:, where she offers supervision in Art History. Her curatorial projects include 358: 73: 60:: Contemporary Photomedia. The arts critic for the South Pacific edition of 29:, where she has worked since 1988, and is also on the teaching staff at the 53:, you will want to see this show, or at least get hold of the catalogue". 22: 265:
Smee, Sebastian "Unreliable Witness" The Australian, 8 December 2007
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McDonald, Patrick "The Way We Were" The Advertiser, 20 May 2010
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Michael Fitzgerald, "Not Dying, Changing" Time, 17 March 2004
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Fragmentation & fabrication: recent Australian photography
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Reid, Chris "Photomedium As Message" RealTime, December 2003
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A Century in Focus: South Australian Photography 1840s-1940s
116:, South Australian Touring Exhibitions Programme, 1990, 114:
Landscapes, visions in print by South Australian artists
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Art Gallery of South Australia exhibition booklet. 2010
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Five centuries of genius: European master printmaking
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Faculty of Humanities & Social Sciences website
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Faculty of Humanities & Social Sciences website
212:Candid Camera: Australian Photography 1950s–1970s 35:Candid Camera: Australian Photography 1950s–1970s 261: 259: 144:, Art Gallery Board of South Australia, 1993, 130:, Art Gallery Board of South Australia, 1992, 102:, Art Gallery Board of South Australia, 1990, 25:of Prints, Drawings & Photographs at the 8: 276: 274: 186:, Art Gallery of South Australia, 1997, 172:, Art Gallery of South Australia, 2000, 158:, Art Gallery of South Australia, 1996, 156:Dürer and German Renaissance printmaking 224: 184:Ann Newmarch: the personal is political 7: 58:Adelaide Biennial of Australian Art 14: 142:The age of Rubens & Rembrandt 128:Hans Heysen: the creative journey 126:Julie Robinson, Sir Hans Heysen, 294:2004 Adelaide Biennial, RealTime 200:AGSA/Thames & Hudson. 2007, 27:Art Gallery of South Australia 1: 410: 56:Robinson curated the 2004 394:Australian women curators 338:Stateline South Australia 389:Photography in Australia 354:Biennial Education Pack 267:The Australian website 31:University of Adelaide 296:Retrieved 25 May 2011 312:7 April 2011 at the 379:Australian curators 359:"Biennial snapshot" 252:AdelaideNow website 238:5 June 2011 at the 78:Patricia Piccinini 206:978-0-7308-3070-2 192:978-0-7308-3042-9 178:978-0-7308-3004-7 164:978-0-7308-3002-3 150:978-0-7308-3016-0 136:978-0-7308-0782-7 122:978-0-646-00797-7 108:978-0-7308-0775-9 84:Other exhibitions 401: 316: 303: 297: 290: 284: 278: 269: 263: 254: 248: 242: 229: 210:Julie Robinson, 196:Julie Robinson, 182:Julie Robinson, 168:Julie Robinson, 154:Julie Robinson, 140:Julie Robinson, 112:Julie Robinson, 98:Julie Robinson, 45:-winning critic 409: 408: 404: 403: 402: 400: 399: 398: 369: 368: 365:, Jena Woodburn 344:"Candid Camera" 334:"Candid camera" 325: 320: 319: 314:Wayback Machine 304: 300: 291: 287: 279: 272: 264: 257: 249: 245: 240:Wayback Machine 230: 226: 221: 95: 86: 12: 11: 5: 407: 405: 397: 396: 391: 386: 381: 371: 370: 367: 366: 356: 351: 341: 331: 324: 323:External links 321: 318: 317: 298: 285: 270: 255: 243: 223: 222: 220: 217: 216: 215: 208: 194: 180: 166: 152: 138: 124: 110: 94: 91: 85: 82: 70:Tracey Moffatt 47:Sebastian Smee 43:Pulitzer Prize 39:The Australian 19:Julie Robinson 13: 10: 9: 6: 4: 3: 2: 406: 395: 392: 390: 387: 385: 384:Living people 382: 380: 377: 376: 374: 364: 360: 357: 355: 352: 349: 345: 342: 340:, 28 May 2010 339: 335: 332: 330: 327: 326: 322: 315: 311: 308: 302: 299: 295: 289: 286: 283: 277: 275: 271: 268: 262: 260: 256: 253: 247: 244: 241: 237: 234: 228: 225: 218: 213: 209: 207: 203: 199: 195: 193: 189: 185: 181: 179: 175: 171: 167: 165: 161: 157: 153: 151: 147: 143: 139: 137: 133: 129: 125: 123: 119: 115: 111: 109: 105: 101: 97: 96: 92: 90: 83: 81: 79: 75: 71: 67: 63: 59: 54: 52: 48: 44: 40: 36: 32: 28: 24: 20: 16: 362: 347: 337: 301: 288: 282:Time website 246: 227: 211: 197: 183: 169: 155: 141: 127: 113: 99: 93:Publications 87: 55: 18: 17: 15: 363:Realtime 61 350:, Issue 115 66:Bill Henson 373:Categories 21:is Senior 348:The Blurb 74:Mike Parr 310:Archived 236:Archived 23:Curator 204:  190:  176:  162:  148:  134:  120:  106:  219:Notes 202:ISBN 188:ISBN 174:ISBN 160:ISBN 146:ISBN 132:ISBN 118:ISBN 104:ISBN 76:and 62:Time 375:: 361:, 346:, 336:, 273:^ 258:^ 80:. 72:, 68:, 51:SA 41:,

Index

Curator
Art Gallery of South Australia
University of Adelaide
Candid Camera: Australian Photography 1950s–1970s
The Australian
Pulitzer Prize
Sebastian Smee
SA
Adelaide Biennial of Australian Art
Time
Bill Henson
Tracey Moffatt
Mike Parr
Patricia Piccinini
ISBN
978-0-7308-0775-9
ISBN
978-0-646-00797-7
ISBN
978-0-7308-0782-7
ISBN
978-0-7308-3016-0
ISBN
978-0-7308-3002-3
ISBN
978-0-7308-3004-7
ISBN
978-0-7308-3042-9
ISBN
978-0-7308-3070-2

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