Knowledge (XXG)

Jaijaivanti

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308:, Jaijaivanti (àšœà©ˆàšœàšŸàš”à©°àš€à©€) expresses the feeling of happiness and satisfaction of achievement, while simultaneously conveying the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put duty first. The duality of the emotions of joy and sorrow prevents overreacting to good or bad news. Raga 1823: 770:
theatre tradition. It rubs shoulders with Sahana(carnatic), in certain phraseology. Desh ang or Sorath ang is not used in dwijavanti.There is absolutely no use or very less use of
1816: 1809: 2363: 1474: 498:. Whereas if more focus is applied to the Komal Ga and Komal Ni notes in the same raga, the characteristics of the Kafi Thaat are highlighted. 1598: 1046: 774:* {Kakali nishadam(carnatic)/Shuddh nishad(Hindustani)}. Rendition of Dwijavanti is usually done with incorporating shades of 1615: 1193: 963: 938: 247: 2358: 512:
Pa Re Ga (komal) Re Sa, Ma Pa Ni (shuddha) Re (tar saptak) Ni (komal) Dha Pa, Dha Ma Ga Re, Re Ga (komal) Re Sa.
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Ghazal: "Ghuncha-e-Shoq, Laga Hai Khilnay" (Singer: Ustad Mehdi Hasan, Notes: Re ga (komal) Re Sa Ma)
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and with its signature phrase : M₁ G₃ M₁ R₂ G₂ R₂ S.
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of the night—from 6:00 to 9:00  pm. It is generally recited in the summer or
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appears in the latter section in Gurbani, as only four hymns were composed by
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is not mentioned in any Indian classical scriptures on music nor in the
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and that has additional notes that allow it to qualify under another
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Ghazal: "Dost Ban Kar Bhi Nahin" (Singer: Ustad Ghulam Ali)
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Ni usage as well. If more stress or focus is put on the
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With more focus on Komal Ga this could be put under the
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It is classified as a "Paramel Praveshak Raga", i.e. a
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Kapoor, Sukhbir Singh; Kapoor, Mohinder Kaur (2002).
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It is also known as Jujāvanti (formerly)/ 728: 721: 701: 666: 640: 632: 616: 608: 582: 578: 546: 542: 534: 30: 1824: 1810: 1802: 1502:Sanjay Ramakrishnan - Vijay Veerapandiyan 1404: 1335:Vadasi Yadi Kinchidapi Priye Chaaruseele 1233: 797: 738: 676: 636: 1452: 1005: 732: 717: 709: 697: 628: 620: 604: 586: 570: 562: 554: 538: 494:shows the characteristics of the Khamaj 391: 387: 379: 349: 345: 341: 337: 137: 133: 125: 93: 89: 85: 81: 1566: 1539:"Jaijaivanti" is sung during the first 1475:Sandham- Symphony Meets Classical Tamil 713: 624: 574: 566: 550: 357: 312:bears the closest resemblance to raga: 101: 855:Zindagi Aaj Mere Nam Se Sharamati Hai 771: 680: 648: 421: 399: 169: 145: 29: 1505:Sreekanth Hariharan, Amirt K Narayan 375: 121: 7: 1110:"Mazhai Mega Vanna" (Charanam only) 705: 670: 612: 590: 558: 383: 353: 129: 97: 1729:"PandavaVanavasamuHimagiriSogasulo" 1591:Guru Granth Sahib: an advance study 1047:Madhuraiyai Meetta Sundharapandiyan 644: 530: 433: 407: 329: 181: 153: 73: 651:*S D₂ N₂ R₂ S 445: 425: 417: 403: 395: 333: 193: 173: 165: 149: 141: 77: 27:Raga in Hindustani classical music 25: 1067:"Anbae Sughama (Sahana Traces)" 744:It is a janya ragam of the 28th 654:It is a janya ragam of the 28th 1755:"BhaktaJayadevaPriyeCharuseele" 1614:Mani, Charulatha (2013-07-05). 2364:Ragas in the Guru Granth Sahib 815:Mausam Suhana Dil Hai Deewana 1: 835:Yeh Dil Ki Lagi Kam Kya Hogi 1687:/raga-dwijawanti-jaijaiwanti 1660:/raga-dwijawanti-jaijaiwanti 1593:. New Delhi: Hemkunt Press. 1499:Unnai Konjum Neram - Single 915:Suni Suni Saaj Ki Sitar Par 267:is a mixture of two others: 1251:Nee Needalona Nilichenuraa 939:Phir Teri Kahani Yaad Aayee 2380: 1470:"Yayum Nyayum Yarakiyaro" 1376:Aadave andala surabhamini 1136: 1074: 935:Dil Deta Hai Ro Ro Duhai 859:Son of India (1962 film) 1835:as per performance time 1785:youtube(videostreaming) 1759:youtube(videostreaming) 1733:youtube(videostreaming) 1707:youtube(videostreaming) 1703:"KanaveraMunirajaMouli" 470:. Jaijaivanti has both 1390:S. P. Balasubrahmanyam 1185:"Unnai Kaanadhu Naan" 1143:S. P. Balasubrahmanyam 1091:"Mannapenin Sathiyam" 895:Manmohana Bade Jhuthe 1496:"Unnai Konjum Neram" 1431:Khwaja Khurshid Anwar 1422:"Dil Ka Diya Jalaya" 1369:Ghantasala (musician) 1349:Ghantasala (musician) 1329:Ghantasala (musician) 1305:Ghantasala (musician) 1300:Ghantasala (musician) 490:Ga and Ni notes, the 1701:pandurangamahatyam. 1205:"Rukku Rukku Rukku" 1150:"Poi Solla Kudathu" 1129:"Mouname Paarvayai" 979:Baapu Sehat Ke Liye 875:Bairan Ho Gai Raina 727:Jeeva swaram : 665:Jeeva swaram : 523:Jaijaivanthi : 248:Hindustani classical 43:This raga is in the 1490:Pragathi Guruprasad 1291:Himagiri Sogasulo 1275:Panduranga Mahatyam 1271:Kanavera Muni Raja 1071:Paarthale Paravasam 955:Main Radha Tu Sham 760:Dvijāvanti) in the 737:Anya swaram : 675:Anya swaram : 259:. According to the 205:Re (poorvanga vadi) 32: 1616:"A complex beauty" 1481:Rajan Somasundaram 1355:Ee Mooga Choopela 1319:Doctor Chakravarty 1260:P. Adinarayana Rao 1194:Shankar–Ehsaan–Loy 1043:"Amutha Tamizhil" 1037:M. S. Subbulakshmi 995:& Sartaz Khan 964:Shankar–Ehsaan–Loy 824:P. Adinarayana Rao 762:Carnatic tradition 692:avarohanam : 686:Dwijavathi : 291:in 1705 A.D. This 2346: 2345: 2317:Vrindavani Sarang 2085:Puriya Dhanashree 1781:"EeMoogaChoopela" 1779:GhantasalaTopic. 1600:978-81-7010-317-2 1509: 1508: 1441: 1440: 1395: 1394: 1315:Manasuna Manasai 1295:Pandava Vanavasam 1224: 1223: 1199:Shankar Mahadevan 1174:Himesh Reshammiya 1104:Latha Rajinikanth 1052:M. S. Viswanathan 1032:S. V. Venkatraman 999: 998: 969:Shankar Mahadevan 924:Shankar–Jaikishan 904:Shankar–Jaikishan 899:Seema (1955 film) 519:In Carnatic music 306:Guru Granth Sahib 289:Guru Gobind Singh 281:Guru Tegh Bahadur 261:Guru Granth Sahib 237: 236: 63:6 pm to 9 pm 16:(Redirected from 2371: 2359:Hindustani ragas 2241:Malkauns Pancham 1989:Madhyamad Sarang 1826: 1819: 1812: 1803: 1796: 1795: 1793: 1791: 1776: 1770: 1769: 1767: 1765: 1753:SaregamaTelugu. 1750: 1744: 1743: 1741: 1739: 1727:SaregamaTelugu. 1724: 1718: 1717: 1715: 1713: 1698: 1692: 1691: 1688: 1686: 1684: 1682: 1680: 1678: 1676: 1671: 1665: 1664: 1661: 1659: 1657: 1655: 1653: 1651: 1649: 1644: 1638: 1637: 1635: 1634: 1611: 1605: 1604: 1586: 1580: 1579: 1571: 1453: 1405: 1398:Language : 1344:S. Rajeswara Rao 1324:S. Rajeswara Rao 1234: 1227:Language : 1179:Sadhana Sargamam 1006: 879:Dekh Kabira Roya 798: 791:Language : 773: 740: 734: 730: 723: 719: 715: 711: 707: 703: 699: 695: 682: 678: 672: 668: 650: 646: 642: 638: 634: 630: 626: 622: 618: 614: 610: 606: 602: 592: 588: 584: 580: 576: 572: 568: 564: 560: 556: 552: 548: 544: 540: 536: 532: 478:Ga. It also has 447: 443: 439: 435: 431: 427: 423: 419: 409: 405: 401: 397: 393: 389: 385: 381: 377: 373: 363: 359: 355: 351: 347: 343: 339: 335: 331: 195: 191: 187: 183: 179: 175: 171: 167: 155: 151: 147: 143: 139: 135: 131: 127: 123: 119: 107: 103: 99: 95: 91: 87: 83: 79: 75: 33: 21: 2379: 2378: 2374: 2373: 2372: 2370: 2369: 2368: 2349: 2348: 2347: 2342: 2321: 2265: 2119: 2023: 1962: 1888:Bilaskhani Todi 1858:Bairagi Bhairav 1836: 1830: 1800: 1799: 1789: 1787: 1778: 1777: 1773: 1763: 1761: 1752: 1751: 1747: 1737: 1735: 1726: 1725: 1721: 1711: 1709: 1700: 1699: 1695: 1673: 1672: 1668: 1646: 1645: 1641: 1632: 1630: 1613: 1612: 1608: 1601: 1588: 1587: 1583: 1573: 1572: 1568: 1563: 1537: 1527: 1514: 1451: 1446: 1403: 1385:K. Chakravarthy 1339:Bhakta Jayadeva 1255:Suvarna Sundari 1232: 1057:P. Jayachandran 1023:"Enathullamae" 1004: 909:Lata Mangeshkar 849:Lata Mangeshkar 829:Lata Mangeshkar 819:Suvarna Sundari 796: 788: 756:(modern name) ( 521: 504: 415: 369: 327: 322: 28: 23: 22: 15: 12: 11: 5: 2377: 2375: 2367: 2366: 2361: 2351: 2350: 2344: 2343: 2341: 2340: 2335: 2329: 2327: 2323: 2322: 2320: 2319: 2314: 2309: 2304: 2299: 2294: 2289: 2284: 2279: 2273: 2271: 2267: 2266: 2264: 2263: 2258: 2253: 2248: 2243: 2238: 2233: 2228: 2223: 2218: 2213: 2208: 2203: 2198: 2193: 2188: 2183: 2178: 2173: 2168: 2166:Chandani Kedar 2163: 2158: 2153: 2148: 2143: 2138: 2133: 2127: 2125: 2121: 2120: 2118: 2117: 2112: 2107: 2102: 2097: 2092: 2087: 2082: 2077: 2072: 2067: 2062: 2057: 2052: 2047: 2042: 2037: 2031: 2029: 2025: 2024: 2022: 2021: 2016: 2011: 2006: 2001: 1996: 1991: 1986: 1981: 1976: 1970: 1968: 1964: 1963: 1961: 1960: 1955: 1950: 1945: 1940: 1935: 1930: 1925: 1920: 1915: 1910: 1905: 1900: 1895: 1890: 1885: 1880: 1875: 1870: 1865: 1863:Basant Mukhari 1860: 1855: 1850: 1844: 1842: 1838: 1837: 1831: 1829: 1828: 1821: 1814: 1806: 1798: 1797: 1771: 1745: 1719: 1693: 1666: 1639: 1606: 1599: 1581: 1576:The Gramophone 1565: 1564: 1562: 1559: 1536: 1533: 1532: 1531: 1526: 1523: 1522: 1521: 1518: 1513: 1510: 1507: 1506: 1503: 1500: 1497: 1493: 1492: 1483: 1478: 1471: 1467: 1466: 1463: 1460: 1457: 1450: 1447: 1445: 1442: 1439: 1438: 1433: 1428: 1423: 1419: 1418: 1415: 1412: 1409: 1402: 1396: 1393: 1392: 1387: 1382: 1377: 1373: 1372: 1366: 1364:T. G. Lingappa 1361: 1356: 1352: 1351: 1346: 1341: 1336: 1332: 1331: 1326: 1321: 1316: 1312: 1311: 1302: 1297: 1292: 1288: 1287: 1282: 1277: 1272: 1268: 1267: 1262: 1257: 1252: 1248: 1247: 1244: 1241: 1238: 1231: 1225: 1222: 1221: 1216: 1211: 1209:Avvai Shanmuki 1206: 1202: 1201: 1196: 1191: 1186: 1182: 1181: 1176: 1171: 1166: 1162: 1161: 1156: 1151: 1147: 1146: 1140: 1135: 1130: 1126: 1125: 1116: 1111: 1107: 1106: 1097: 1092: 1088: 1087: 1085:Sadhana Sargam 1078: 1073: 1068: 1064: 1063: 1054: 1049: 1044: 1040: 1039: 1034: 1029: 1024: 1020: 1019: 1016: 1013: 1010: 1003: 1000: 997: 996: 990: 985: 980: 976: 975: 966: 961: 956: 952: 951: 946: 941: 936: 932: 931: 926: 921: 916: 912: 911: 906: 901: 896: 892: 891: 886: 881: 876: 872: 871: 866: 861: 856: 852: 851: 846: 841: 836: 832: 831: 826: 821: 816: 812: 811: 808: 805: 802: 795: 789: 787: 784: 520: 517: 516: 515: 514: 513: 510: 503: 502:Possible notes 500: 428: S,  414: 411: 368: 365: 348: R,  326: 323: 321: 318: 235: 234: 229: 225: 224: 221: 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Kalyan 2033: 2032: 2030: 2026: 2020: 2019:Shuddh Sarang 2017: 2015: 2012: 2010: 2007: 2005: 2002: 2000: 1997: 1995: 1992: 1990: 1987: 1985: 1982: 1980: 1977: 1975: 1972: 1971: 1969: 1965: 1959: 1956: 1954: 1951: 1949: 1946: 1944: 1941: 1939: 1936: 1934: 1931: 1929: 1926: 1924: 1921: 1919: 1916: 1914: 1911: 1909: 1906: 1904: 1901: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1879: 1876: 1874: 1871: 1869: 1866: 1864: 1861: 1859: 1856: 1854: 1851: 1849: 1846: 1845: 1843: 1839: 1834: 1827: 1822: 1820: 1815: 1813: 1808: 1807: 1804: 1786: 1782: 1775: 1772: 1760: 1756: 1749: 1746: 1734: 1730: 1723: 1720: 1708: 1704: 1697: 1694: 1690: 1670: 1667: 1663: 1643: 1640: 1629: 1625: 1621: 1617: 1610: 1607: 1602: 1596: 1592: 1585: 1582: 1577: 1570: 1567: 1560: 1558: 1556: 1553:aang and the 1552: 1548: 1547: 1542: 1534: 1529: 1528: 1524: 1519: 1516: 1515: 1511: 1504: 1501: 1498: 1495: 1494: 1491: 1487: 1484: 1482: 1479: 1477: 1476: 1472: 1469: 1468: 1464: 1461: 1458: 1455: 1454: 1448: 1443: 1437: 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1007: 1001: 994: 991: 989: 986: 984: 983:Dangal (film) 981: 978: 977: 974: 970: 967: 965: 962: 960: 957: 954: 953: 950: 947: 945: 942: 940: 937: 934: 933: 930: 929:Kishore Kumar 927: 925: 922: 920: 917: 914: 913: 910: 907: 905: 902: 900: 897: 894: 893: 890: 887: 885: 882: 880: 877: 874: 873: 870: 869:Mohammad Rafi 867: 865: 862: 860: 857: 854: 853: 850: 847: 845: 842: 840: 839:Mughal-e-Azam 837: 834: 833: 830: 827: 825: 822: 820: 817: 814: 813: 809: 806: 803: 800: 799: 794: 790: 785: 783: 781: 777: 769: 768: 763: 759: 755: 751: 747: 742: 735: 725: 690: 687: 684: 673: 663: 661: 657: 652: 598: 594: 528: 524: 518: 511: 508: 507: 506: 505: 501: 499: 497: 493: 489: 485: 481: 477: 473: 469: 465: 461: 457: 453: 448: 412: 410: 366: 364: 324: 319: 317: 315: 311: 307: 304:According to 302: 300: 299: 294: 290: 286: 282: 278: 274: 270: 266: 262: 258: 255:belonging to 254: 253: 249: 245: 241: 233: 230: 226: 222: 218: 214: 212: 208: 204: 202: 198: 164: 162: 158: 116: 114: 110: 72: 70: 66: 62: 58: 52: 48: 46: 42: 41: 40: 38: 34: 19: 2338:Miyan Malhar 2200: 2171:Chandrakauns 2115:Yaman Kalyan 2055:Hamsa Kalyan 1883:Bhoopal Todi 1848:Ahir Bhairav 1788:. Retrieved 1784: 1774: 1762:. Retrieved 1758: 1748: 1736:. Retrieved 1732: 1722: 1710:. Retrieved 1706: 1696: 1669: 1642: 1631:. Retrieved 1619: 1609: 1590: 1584: 1575: 1569: 1544: 1538: 1473: 1359:Gaali Medalu 1189:Vishwaroopam 1145:,Chandrayee 1119:K. S. Chitra 1076:A. R. Rahman 973:Kamal Haasan 765: 753: 750:Harikambhoji 743: 736: 726: 691: 688: 685: 674: 664: 660:Harikambhoji 653: 595: 525: 522: 495: 491: 487: 483: 479: 475: 471: 467: 463: 459: 455: 451: 449: 416: 370: 328: 303: 296: 292: 283:, the ninth 276: 264: 257:Khamaj Thaat 250: 243: 239: 238: 45:Khamaj Thaat 2333:Gaud Malhar 2261:Tilak Kamod 2256:Shivranjani 2201:Jaijaivanti 2090:Sham Kalyan 1979:Gaud Sarang 1943:Nat Bhairav 1738:20 December 1712:15 November 1677:.musicaloud 1650:.musicaloud 1535:Performance 1426:Koel (film) 1309:P. Susheela 1265:P. Susheela 1219:kamalahasan 1061:Vani Jairam 993:Sarwar Khan 949:Alka Yagnik 919:Lal Patthar 884:Madan Mohan 764:and in the 754:Dwijavanthi 593:*N₃ áč  320:Composition 310:Jaijaiwanti 244:Jaijaiwanti 240:Jaijaivanti 223:Dwijavanthi 60:Time of day 31:Jaijaivanti 18:Jaijaiwanti 2353:Categories 2282:Charukeshi 2070:Maru Bihag 2050:Hansdhwani 1984:Madhuvanti 1974:Bhimpalasi 1633:2022-09-05 1561:References 1436:Noor Jehan 1280:T. V. Raju 1138:Vidyasagar 1133:Anbe Sivam 1100:Haricharan 959:Vishwaroop 786:Film songs 767:Yakshagana 758:pronounced 597:avarohanam 220:Equivalent 51:Kafi Thaat 2206:Jhinjhoti 2176:Chhayanat 1967:Afternoon 1933:Kalingada 1628:0971-751X 1620:The Hindu 1525:Malayalam 1462:Composer 1414:Composer 1243:Composer 1159:Hariharan 1015:Composer 944:Anu Malik 889:Manna Dey 807:Composer 746:melakarta 656:melakarta 285:Sikh guru 113:Avarohana 2277:Bhairavi 2251:Rageshri 2236:Malkauns 2226:Malgunji 2211:Kalavati 2136:Bageshri 2095:Shankara 2040:Bhoopali 1923:Jaunpuri 1878:Bhatiyar 1555:Bageshri 1417:Singers 1380:Yamagola 1285:P. 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Index

Jaijaiwanti
Thaat
Khamaj Thaat
Kafi Thaat
Arohana
Avarohana
Pakad
Vadi
Samavadi
Gara
Hindustani classical
raga
Khamaj Thaat
Guru Granth Sahib
Bilaval
Sorath
Guru Tegh Bahadur
Sikh guru
Guru Gobind Singh
Ragmala
Guru Granth Sahib
Jaijaiwanti
Gara
ārohanam
avarohanam
melakarta
Harikambhoji
melakarta
Harikambhoji
pronounced

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