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2011 — it felt like a breath of fresh air. Saturated by French collections of West
African studio photography, seeing outdoor images of every day life in Ghana in black and white, through the eyes of a Ghanaian rather than a white photographer, was a revelation. Discovering Barnor's colour work from
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After finishing the apprenticeship he set up his own freelance photographic practice ("I did a lot of developing and printing for friends, as well as taking photos. I called my company FS James Barnor's Quick Photo
Service — FS are my initials, for Frederick Seton. If you bring me the negatives, you
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127, made of plastic". In 1947, Barnor started an apprenticeship with his cousin J. P. Dodoo, a well-known portrait photographer, "mostly taking pictures of people because when you take pictures of flowers and places there's nobody to pay for them. I did that for two years but I had always wanted to
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In
September 2016, the October Gallery hosted an exhibition of Barnor's work alongside that of Daniele Tamagni (b. 1975), an Italian photographer who trained as an art historian before travelling worldwide to document style and fashion subcultures, which pairing was described as giving "a sumptuous
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The rediscovery of Barnor's images today reveals how photographs have a diasporic life of their own. By virtue of mechanical reproduction, which undercuts the distinction between the original and the copy, photographs are vulnerable to a process of decontextualisation – making them orphans, thrown
398:, graduating in 1961. Subsequent to this course, he stayed on in the UK and continued working as a photographer and technician. His images from this period document Africans in Britain, notably his work as a fashion photographer with black models against London backdrops, often for the covers of
546:"Barnor captures the mood of a nation on the cusp of self-determination.... Cutting across the divide between periphery and metropolis, Barnor’s images suggest that 'Africa' has never been a static entity, confined to the boundaries of geography, but has always had a diasporic dimension....
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area of the capital, using a backdrop outside his rented room. When his landlord wanted to reclaim the room, from 1953 Barnor began to operate his Ever Young Studio. Its name derives from the subject of an
English comprehension extract he had studied as a schoolboy, entitled
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that created "a narrative of two societies in transition". Sarah
Preston, who initiated the production of the book about Barnor that was launched alongside the exhibition, says: "When I discovered James Barnor's work for the first time — on Baudoin Lebon's stand at
239:, West Africa. Giving an insight on how he came to choose his career, he said: "Photography was in my family. My two uncles were photographers. My cousin was a photographer, and I found out later when I got into it that another cousin was also a photographer."
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into the world without a fixed 'home'. But in the research process of retrieval and reassembly that has unified Barnor’s disparate images into a holistic body of work, we have a kind of homecoming in which previously orphaned images are given a second life."
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in 1966) as well as later decades, the exhibition received wide and favourable coverage within the UK media. As one reviewer noted, "The pictures have become slices of history, documenting race and modernity in the post-colonial world." For art historian
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After a decade in
England, Barnor went back to Ghana, where he set up the country's first colour processing facilities. For the following 24 years in Ghana he worked as a professional photographer, was the official African representative for
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the 70s was the icing on the cake. Why had I never seen this before? Why had it not been exhibited? The question of the importance of showing archival material comes to mind. But also one wonders: how much stuff are we missing?"
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led to Barnor's first show; he has said: "She was the first curator/ writer to organize a show of my work, and she is the first one who suggested I should do a book." From 24 April to 24 June 2007 the exhibition entitled
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photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his
153:, and London becoming a multicultural metropolis. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England
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Located close to the once-famous
Seaview Hotel, the studio "soon drew a mixture of clients from families to night revellers and dignitaries". Among those whom he photographed were Ghana's future first president
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in London from
September to November 2010, curated by Renée Mussai of Autograph ABP's Archive and Research Centre. Documenting life in Ghana from the late 1940s to 1950s, and African life during London's
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were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing
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be a policeman. I applied to be a police photographer and was accepted, but before I could start my training my uncle gave me the camera he used for photography."
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415:(at the time the leading company for imaging technology), and was also given work by the American embassy and Ghanaian government agencies under the auspices of
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Barnor's 91st birthday on 6 June 2020 was celebrated with #StillEverYoung, an online exhibition of his work. A major retrospective of his work at London's
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988:(Ghana UK-Based Achievement) special "Lifetime Achievement" award. On receiving it, he revealed that it was the first award he had ever been given.
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In 1994, Barnor returned to London, where his work latterly began to be discovered by a new wider audience, through exhibitions at venues such as
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At the age of 17, Barnor was teaching basket weaving at a missionary school and the headmaster gave him a camera "to play around with––it was a
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It has been said of him: "Photographer James Barnor is to decolonizing Ghana (and later to 1960s black
Britain) what Oumar Ly is to Senegal or
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1460:"Upcoming exhibition of James Barnor's Photography at Harvard University's WEB DuBois Institute starting on Thursday, January 28th, 2010"
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and Black lifestyle photographer has been further heightened since 2010 when a major solo retrospective exhibition of his photographs,
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1485:"James Barnor: Snapshots of Emerging Africa" (caption for 3, "Beatrice With Trademark Figurine, Ever Young Studio, Accra, c. 1955")
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1528:"James Barnor, Ghana's first full-time newspaper photographer and one of the first to introduce colour processing to Ghana"
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779:, Black Artists' Network in Dialogue (BAND) in partnership with Autograph, BAND Gallery, Toronto, Canada (28 April–29 May)
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2217:"Legendary Ghanaian Photographer James Barnor’s Portraits Of Post-Colonial Ghana & Black London’s ‘Swinging Sixties’"
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450:, West London. Barnor continues to exhibit and give talks on his work, including in 2016 at the V&A (as part of the
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1665:"James Barnor and the Mayor of Hounslow at his 85th birthday and photographic held at the Library in the Treaty Centre"
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In
October 2015, Barnor's work was shown in Paris at the Galerie Clémentine de la Féronnière in an exhibition entitled
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1586:"Medway Ghanaian Association Celebrations to mark the 57th Anniversary of Ghanaian Independence Day, 8th March, 2014"
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In October 2016, in recognition of his outstanding contribution to the development of Ghana, Barnor was awarded the
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took place from 30 March to 24 October 2021. Discussing his Serpentine exhibition with critic Will Fenstermaker in
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goddess giving out magic apples to grant eternal youthfulness; it was also an allusion to the expected practice of
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1949:"James Barnor: Crossing Continents – The Fashion Photographer and Photojournalist Who Chronicled a Changing World"
458:. He said in a 2019 interview: "Sometimes the more you give, the more you get. That's why I'm still going at 90!"
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In December 1959 he travelled to England to develop his skills, working at Colour Processing Laboratories Ltd,
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Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator
704:– an expanded form of the retrospective held at Serpentine Galleries – on show between May 28 and October 15.
612:, showcasing a number of black British photographers and images of black Britain from the 1950s to the 1990s.
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In February 2022, Barnor was named in CasildART's list of the top six Black British photographers, alongside
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Electric Avenue: a special photo essay curated by the NS, "Introduction: Electric avenues" by Sukhdev Sandhu
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1962:"People get ready – A new exhibition of James Barnor’s photography provides a route-map of Afro-Modernism"
1930:"James Barnor", Past Present Future London – Chronicling arts, culture and lifestyle over the last century
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942:, the first monograph of his work, was published in 2015 (Clémentine de la Féronnière / Autograph ABP,
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2013:
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1852:"Black Cultural Archives Launches Exciting Heritage Programme to Commemorate Ghana's Golden Jubilee"
1237:"Black Cultural Archives Launches Exciting Heritage Programme to Commemorate Ghana's Golden Jubilee"
950:) alongside his Paris exhibition, including an extensive interview with Barnor in conversation with
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and in 2011 became part of the new Archive and Research Centre for Culturally Diverse Photography.
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Group. Barnor also sold photographs to other publications, notably the South African magazine
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At the same time as freelancing, Barnor became the first staff photographer employed by the
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to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what
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309:(when he attended Ghana's Independence ceremony in March 1957), as well as boxing champion
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existed you would use a pencil. I would retouch the pictures to make people look younger."
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Qirv Ventures Brings GUBA award winning Photographer James Barnor On a Triumphant return
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149:, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward
2988:"James Barnor: 'Comme photographe noir, vous ne pouviez pas faire de la photo de mode'"
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that opened in 2015, the culmination of a seven-year collaborative project between the
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623:(9 May–12 July 2015), and was included alongside that of such iconic photographers as
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in 2013. His 85th birthday in June 2014 was marked with a showcase of his work in the
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1899:"Photography, Diaspora and James Barnor's Transatlantic Archive: A Missing Chapter"
1413:"Picture This – Photographer James Barnor Looks Back at 60 Years Behind the Camera"
1392:, London, UK, and Paris, France: Clémentine de la Ferronière; Autograph ABP, 2015.
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902:, Foam Fotografiemuseum Amsterdam, Amsterdam, the Netherlands (11 June–2 September)
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219:, was published in 2015, including an extensive conversation between Barnor and
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2288:"James Barnor: A Major Photographer At The Serpentine, 01/03/2021 – 30/06/2021"
2204:"Prolific works by Ghanaian photographer, James Barnor go on exhibit in France"
786:, Rebuild Foundation, Stony Island Arts Bank, Chicago, US (23 June–3 September)
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Barnor's photographs have also in recent years had showings in Ghana, France (
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2594:"James Barnor: Accra/London: A Retrospective review – deft African innovator"
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was announced for 2021, having been postponed from June 2020. The exhibition
370:, with whom Barnor established an ongoing relationship, using the magazine's
3000:"Celebrating James Barnor – the first photographer to shoot Ghana in colour"
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James Barnor; Francis Hodgson, Margaret Busby; Renée Mussai, Kobena Mercer,
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2820:"James Barnor recognised at the Ghana National Honours and Awards Ceremony"
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VIDEO: Nowhere Else But Here - Nana Oforiatta-Ayim > Africa is a Country
1218:"James Barnor: 'My advice to young photographers: fall in love with books'"
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386:, and attending evening and other part-time classes before being awarded a
1634:"Black & White Memories: Colonialism Through the Lens of James Barnor"
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2647:"Another London: International Photographers Capture City Life 1930–1980"
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Aarti wa Njoroge, "In Conversation with James Barnor, in Comparison with
909:, BCA (15 January–30 June) and V & A (16 February–24 May), London, UK
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Another London: International Photographers Capture London Life 1930–1980
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Another London: International Photographers Capture London Life 1930–1980
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486:(BCA), curated by Oforiatta-Ayim, as part of BCA's Ghana Jubilee Season.
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photography and film exhibition season), at Photonook Bristol and at the
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1709:"Ghanaian photographer James Barnor in Conversation with Margaret Busby"
438:"At the age of 79, I was recognised," he told his audience at a talk at
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will get the photos the next day.") in a makeshift street studio in the
2659:"Staying Power: Photographs of Black British Experience, 1950s – 1990s"
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at Piccadilly Circus, London" featuring on the cover of the catalogue.
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The first major solo retrospective exhibition of Barnor's photographs,
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2671:"Staying Power: Photographs of Black British Experience - in pictures"
2263:"Africa Shines in the Photographs of Daniele Tamagni and James Barnor"
1111:"Party time! The photographer who captured the other swinging sixties"
1992:"Exhibition Ever Young: James Barnor — Iziko Museums of South Africa"
811:, Mupho Musée de la Photographie de Saint-Louis, Saint Louis, Sénégal
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It’s great to be young, photographies de James Barnor et Marc Riboud
1864:"Ever Young: James Barnor, Street and Studio Photography, Ghana/UK"
1253:"Colour me beautiful: James Barnor's photographs for Drum magazine"
1201:"Secret History of the Black Pinup: Drum Magazine and James Barnor"
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2011, Galerie Baudoin Lebon; Galerie Clémentine de la Féronnière),
1982:(7 September 2011 – 29 January 2012), Iziko Museums, South Africa.
1386:"A conversation: James Barnor, Margaret Busby and Francis Hodgson"
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Staying Power: Photographs of Black British Experience 1950s-1990s
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Staying Power: Photographs of Black British Experience 1950s-1990s
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James Barnor: Ever Young, Street and Studio Photography, Ghana/UK
2790:"GUBA 2011 - Legendary photographer James Barnor says thank you"
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Work, Rest and Play: British Photography from the 1960s to Today
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Work, Rest and Play: British Photography from the 1960s to Today
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Barnor's photographs are represented in the collections of the
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2940:, recorded at Impressions Gallery on Saturday, 10 August 2013.
2618:"James Barnor: Stories. Pictures from the Archive (1947–1987)"
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2325:"From Ghana to London: James Barnor given major retrospective"
2185:"Swinging Sixties London — Photography in the Capital of Cool"
1606:"Getting To Know Legendary Ghanaian Photographer James Barnor"
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In spring 2010, Barnor's first US exhibition was presented by
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2963:"Preserving the past to inspire the future:everyoungjba.org"
2312:"James Barnor: James Barnor: Accra/London – A Retrospective"
1696:"Switching The Lens – Ever Young and Portraits of Modernity"
1619:"Preserving the past to inspire the future:everyoungjba.org"
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Swinging Sixties London - Photography in the Capital of Cool
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James Barnor: Stories. Pictures from the Archive (1947–1987)
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Swinging Sixties London - Photography in the Capital of Cool
2926:"James Barnor at Galerie Baudoin Lebon (Paris Photo 2011)".
2631:"James Barnor, ever young – An interview with Renée Mussai"
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Hutchins Center for African & African American Research
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Hutchins Center for African & African American Research
176:, who organised the first exhibition of his photographs at
1729:"Daniele Tamagni and James Barnor: 8 - 30 September 2016"
196:. His photographs were collated by the non-profit agency
180:(BCA). Appreciation of his work as a studio portraitist,
2956:"For EVER YOUNG: The Iconic Photography of James Barnor"
2063:"On the hoof and shooting from the hip – Another London"
1883:"Renée Mussai of Autograph ABP to lecture at Light Work"
285:(pictured kicking a football in one of Barnor's shots),
2841:"Honorary Fellowship of the Royal Photographic Society"
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2394:"The Man Who Pictured Ghana's Rise at Home and Abroad"
1854:, Community Archives and Heritage Group, 7 March 2007.
1239:, Community Archives and Heritage Group, 7 March 2007.
765:, Impressions Gallery, Bradford, UK (5 July–31 August)
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newspaper when it was established in Ghana in 1950 by
2862:"Top Six Black British Photographers You Should Know"
1508:"Ghanaian photographer features in London exhibition"
793:, 11e biennale des Rencontres de Bamako, Bamako, Mali
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included work by Barnor, with his 1967 photograph of
3040:"(FOR)EVER YOUNG: HAPPY 91ST BIRTHDAY JAMES BARNOR!"
2808:"Mahama confers national honors on 33 personalities"
1271:"Work of Medway-trained photographer in new archive"
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at the National Honours and Awards Ceremony held at
916:, Photographers' Gallery, London, UK (9 May–12 July)
895:, at Tate Britain, London, UK (27 July–18 September)
772:, Galerie Clémentine de la Féronnière, Paris, France
647:, Eric Swayne and Philip Townsend in the exhibition
3029:"Meet 90-year-old photographic legend James Barnor"
529:, who defended his world heavyweight title against
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2244:"Africa’s Fashion Tribes and London’s Subcultures"
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362:, which covered news, politics and entertainment.
3022:"James Barnor: 'I’m finally getting recognition'"
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1006:Barnor was awarded an Honorary Fellowship of the
676:view of the continuing legacy of African style".
374:office as his base when he first went to London.
2913:"James Barnor: legendary Ghanaian photographer"
2368:"A Retrospective of James Barnor's Photography"
2148:"‘Staying Power’ at Victoria and Albert Museum"
2034:"James Barnor: Ever Young, Impressions Gallery"
1911:"1960s London seen through an immigrant’s eyes"
1314:"Ghana – A Heritage Ever Young", GHStreets.com.
446:, where he lives in sheltered accommodation in
297:(last British governor of the Gold Coast), the
3011:"Photographer James Barnor – Ever Young at 90"
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2007:
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1073:"Photographer James Barnor – Ever Young at 90"
923:, October Gallery, London, UK (8–30 September)
2687:"British Photography from the 1960s to Today"
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1162:". Originally in AfricanColours, 8 May 2012.
829:, Galerie Clémentine de la Férronnière, Paris
604:(V&A) and the Black Cultural Archives in
554:The exhibition was subsequently shown at the
8:
3096:Journalists from Gold Coast (British colony)
2689:, Photographers' Gallery Blog, 13 July 2015.
2175:, The Photographers' Gallery, 26 March 2015.
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1474:at Autograph shop, audio of Barnor speaking.
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930:, Galerie Clémentine de la Féronnière, Paris
873:James Barnor: Accra/London – A Retrospective
852:James Barnor: Accra/London – A Retrospective
702:James Barnor: Accra/London – A Retrospective
685:James Barnor: Accra/London – A Retrospective
273:sitters' faces to perfection — "Long before
215:. The first monograph of his work, entitled
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574:, exhibited from 5 July to 31 August 2013.
473:In 2007, the interest taken in his work by
2548:, Scotiabank CONTACT Photography Festival.
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1044:"The Ever Young Photographer James Barnor"
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3076:Fellows of the Royal Photographic Society
2418:, Detroit Institute of Arts Museum, 2023.
231:Frederick Seton James Barnor was born in
200:during a four-year project funded by the
2754:, Africa Is a Country, 26 November 2010.
2120:"Black Cultural Archives: Staying Power"
1801:"Curating Cultures: Nana Oforiatta Ayim"
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1050:, The Museum of Modern Art, 3 June 2020.
1570:"Ghanaian photographer to exhibit work"
1390:Ever Young: Photographs of James Barnor
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461:He has set up a UK-registered charity,
402:, then the leading magazine in Africa.
2517:"Opening of James Barnor "Ever Young""
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1686:(In A Different Light), Autograph ABP.
1621:. The Ade Sawyerr Blog, 8 August 2014.
1048:post: notes on art in a global context
2661:, Media Diversified, 13 January 2015.
2649:, Press Release, Tate, 19 April 2012.
2506:, Press Release, Impressions Gallery.
1825:"Icon(ic): Photographer James Barnor"
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1001:Accra International Conference Centre
836:, Gerard Sekoto Gallery, Johannesburg
615:His work was also represented in the
596:Barnor is featured in the exhibition
7:
3121:Recipients of the Order of the Volta
2822:, Future of Ghana, 31 October 2016.
2233:, at RRB PhotoBooks, 5 October 2015.
1360:"James Barnor, Flash-Backs Ghanéens"
1325:"Paris Photo 2011: Analogue Nirvana"
984:In 2011, Barnor was honoured with a
2765:"GUBA Awards - Awarding Excellence"
2454:"James Barnor: Crossing Continents"
2047:"James Barnor 'Ever Young': Review"
2001:, Artslink.co.za, 9 September 2011.
1283:"Photos: James Barnor 'Ever Young'"
2286:Oceane Kinhouande (21 July 2020).
2097:, Black Book News, 21 August 2012.
1227:, Photobook Bristol, 9 March 2016.
1203:, Coffee Rhetoric, 23 August 2012.
390:scholarship to study full-time at
14:
3136:21st-century Ghanaian journalists
3131:20th-century Ghanaian journalists
2975:Video interview with James Barnor
2958:, ACCRA ALT Radio, 29 June 2012.
2950:"The Photography of James Barnor"
2922:, Community Channel, 27 May 2012.
2206:, EbonyLife TV, 10 November 2015.
1517:, Africa Briefing, 30 March 2015.
16:Ghanaian photographer (born 1929)
2810:, Citifmonline, 30 October 2016.
2718:Rudi Thoemmes (5 October 2015).
2366:Will Fenstermaker (6 May 2021).
2219:, Okayafrica, 10 September 2015.
2110:, Brixton Blog, 9 February 2015.
2095:"Another London at Tate Britain"
1901:, Iziko Museums, September 2011.
1767:"The Prize | First Edition 2022"
1462:, Modern Ghana, 25 January 2010.
1334:, Lomography, 27 September 2011.
1143:"Lucky Jim, still working at 81"
921:Daniele Tamagni and James Barnor
747:, Boston, US (28 January–26 May)
715:Mr Barnor's Independence Diaries
480:Mr Barnor's Independence Diaries
2392:D'Souza, Aruna (30 June 2023).
1873:, Hutchins Center, Spring 2010.
1655:, Studio 700, Hounslow Library.
822:, Kempinski Hotel, Accra, Ghana
653:Foam Fotografiemuseum Amsterdam
651:, which opened in June 2015 at
2971:at Victoria and Albert Museum.
2579:, Clémentine de la Féronnière.
2249:British Journal of Photography
2166:"Work, Rest and Play ... Info"
2075:Another London at Tate Britain
2014:Exhibitions past: "Ever Young"
1608:, Global Fusion, 4 April 2011.
1190:at Victoria and Albert Museum.
756:South African National Gallery
556:South African National Gallery
423:Return to London: 1994–present
1:
3081:Ghanaian emigrants to England
2890:James Barnor Foundation (JBF)
2484:Iziko Museums of South Africa
2134:, Victoria and Albert Museum.
1951:, Nowness, 25 September 2010.
1769:. The James Barnor Foundation
1742:"The James Barnor Foundation"
1643:, Creolita, 11 December 2013.
1442:, NewsAfrica, 6 January 2011.
841:James Barnor: A Retrospective
2416:"James Barnor: Accra/London"
1273:, BBC Kent, 7 December 2010.
62:Frederick Seton James Barnor
3061:Black British photographers
2720:"James Barnor - Ever Young"
2699:"James Barnor – Ever Young"
2546:"Ever Young — James Barnor"
2122:, The Africa Channel, 2015.
1285:, Okayafrica, 28 June 2012.
501:at the Rudenstine Gallery,
463:The James Barnor Foundation
388:Ghana Cocoa Marketing Board
3152:
2944:"Ever Young: James Barnor"
2931:James Barnor's Artist Talk
2558:"James Barnor, Ever Young"
2504:"James Barnor: Ever Young"
2480:"Ever Young: James Barnor"
2108:"Staying Power at the BCA"
1980:"Ever Young: James Barnor"
1595:, The Lieutenancy of Kent.
1008:Royal Photographic Society
964:Victoria and Albert Museum
602:Victoria and Albert Museum
495:W. E. B. Du Bois Institute
444:London Borough of Hounslow
3111:Photographers from London
3091:Ghanaian photojournalists
3066:Documentary photographers
3042:, Autograph, 5 June 2020.
2908:at Autograph ABP website.
2230:James Barnor - Ever Young
2049:, NewFocus, 19 July 2013.
995:, conferred by President
968:Government Art Collection
888:2004: Acton Arts Festival
877:Detroit Institute of Arts
834:La vie selon James Barnor
816:La vie selon James Barnor
809:La vie selon James Barnor
791:La vie selon James Barnor
777:Ever Young — James Barnor
758:, Cape Town, South Africa
698:Detroit Institute of Arts
577:In August 2012, the show
41:
2952:, Voices of East Anglia.
2918:29 November 2014 at the
2704:16 February 2016 at the
2563:27 February 2021 at the
2268:22 December 2016 at the
1806:16 February 2017 at the
1698:, V&A, 10 June 2016.
1682:27 November 2020 at the
1653:"Photography Exhibition"
1639:29 November 2014 at the
1557:James Barnor: Ever Young
1438:11 February 2011 at the
1330:29 November 2014 at the
1170:15 November 2017 at the
1149:, April 2011, pp. 80–82.
940:James Barnor: Ever Young
784:James Barnor: Ever Young
763:James Barnor: Ever Young
752:James Barnor: Ever Young
726:James Barnor: Ever Young
564:Ever Young: James Barnor
525:" (famous faces include
514:Ever Young: James Barnor
493:in association with the
217:James Barnor: Ever Young
186:Ever Young: James Barnor
136:(born 6 June 1929) is a
2990:(interview in French),
2965:. The Ade Sawyerr Blog.
2826:13 October 2022 at the
2750:12 January 2012 at the
958:Recognition and honours
804:, vitrine jardin, Paris
719:Black Cultural Archives
484:Black Cultural Archives
435:(2010), and elsewhere.
429:Black Cultural Archives
366:was founded in 1951 by
332:Barnor looking through
235:, in what was then the
178:Black Cultural Archives
3116:Portrait photographers
3086:Ghanaian photographers
2906:James Barnor portfolio
2745:"James Barnor's Ghana"
2171:13 August 2015 at the
2023:, Impressions Gallery.
1513:11 August 2015 at the
1188:James Barnor biography
617:Photographers' Gallery
552:
339:
223:with Francis Hodgson.
3071:Fashion photographers
2314:, Serpentine Gallery.
2065:, Tate, 23 July 2012.
1830:26 April 2012 at the
1823:Nana Oforiatta Ayim,
1591:11 March 2016 at the
1300:19 April 2018 at the
954:and Francis Hodgson.
610:Heritage Lottery Fund
544:
331:
317:Photojournalism with
202:Heritage Lottery Fund
169:and African cinema."
3126:Street photographers
3006:, 22 September 2016.
2980:4 March 2016 at the
2936:4 March 2016 at the
2769:www.gubaawards.co.uk
2276:, 21 September 2016.
2190:4 March 2016 at the
2080:3 March 2016 at the
2019:1 April 2019 at the
1997:1 April 2019 at the
1935:24 December 2012 at
1919:, 19 September 2010.
1869:29 June 2016 at the
1490:20 July 2013 at the
1419:, 25 September 2010.
1365:19 June 2018 at the
1358:Clémentine Mercier,
1304:, GUBA, 7 June 2012.
1223:10 June 2016 at the
1093:Serpentine Galleries
856:Serpentine Galleries
802:Musée du Quai Branly
295:Charles Arden-Clarke
52:, Netherlands (2016)
3035:, 21 November 2019.
3015:Mail & Guardian
2635:Africa is a Country
2620:, LUMA Arles, 2022.
2527:on 24 February 2019
2521:Agence Germain Pire
2156:, 20 February 2015.
2153:The Financial Times
1970:, 10 November 2010.
1746:www.jamesbarnor.org
1713:Trumpet Media Group
1433:"Following Nkrumah"
1375:, 13 November 2015.
1176:Digital Photo Times
1119:, 29 November 2019.
1077:Mail & Guardian
997:John Dramani Mahama
608:, supported by the
568:Impressions Gallery
475:Nana Oforiatta Ayim
354:London Daily Mirror
265:'s Grove", about a
174:Nana Oforiatta-Ayim
2996:, 14 October 2015.
2677:, 9 February 2015.
2399:The New York Times
2372:The New York Times
1799:Korantemaa Larbi,
1731:, October Gallery.
1534:. 25 December 2019
1261:, 7 December 2010.
1109:Alexandra Genova,
993:Order of the Volta
745:Harvard University
681:Serpentine Gallery
507:Harvard University
482:took place at the
394:College of Art in
340:
147:studio photography
3106:People from Accra
2892:official website.
2868:. 7 February 2022
1939:, 5 October 2010.
1814:, 26 August 2013.
1576:, 28 August 2012.
1506:Angela Cobbinah,
1472:James Barnor page
1431:Angela Cobbinah,
1346:at Baudoin Lebon.
883:Group exhibitions
845:Nubuke Foundation
587:BBC World Service
516:, was mounted at
251:Ever Young Studio
188:, was mounted at
159:colour processing
124:
123:
36:
3143:
2902:, 1 August 2012.
2878:
2877:
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2586:
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2536:
2534:
2532:
2523:. Archived from
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2331:, 11 March 2021.
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2195:
2194:, Amsterdam Art.
2182:
2176:
2163:
2157:
2141:
2135:
2129:
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2117:
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2098:
2093:Tricia Wombell,
2091:
2085:
2084:, One Stop Arts.
2072:
2066:
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2050:
2043:
2037:
2030:
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2011:
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1989:
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1560:, Autograph ABP.
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1080:
1069:
1042:Léllé Demertzi,
1015:Charlie Phillips
708:Solo exhibitions
637:Norman Parkinson
523:Swinging Sixties
384:Edenbridge, Kent
120:
117:
115:
75:
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21:
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3046:
3045:
3024:, 28 June 2019.
3020:Riason Naidoo,
3017:, 21 June 2019.
3009:Riason Naidoo,
2982:Wayback Machine
2938:Wayback Machine
2920:Wayback Machine
2886:
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2629:Riason Naidoo,
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2592:(21 May 2021).
2588:
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2565:Wayback Machine
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2270:Wayback Machine
2260:
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2252:, 24 June 2016.
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2198:
2192:Wayback Machine
2183:
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2173:Wayback Machine
2164:
2160:
2142:
2138:
2132:"Staying Power"
2130:
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2082:Wayback Machine
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2021:Wayback Machine
2012:
2005:
1999:Wayback Machine
1990:
1986:
1978:
1974:
1960:Kobena Mercer,
1959:
1955:
1947:
1943:
1928:Chloe Hayward,
1927:
1923:
1909:
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1897:
1893:
1889:, 1 March 2010.
1881:
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1871:Wayback Machine
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1684:Wayback Machine
1675:
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1667:, 21 June 2014.
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1641:Wayback Machine
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1593:Wayback Machine
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1532:Ghanaian Museum
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1515:Wayback Machine
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1492:Wayback Machine
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1367:Wayback Machine
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1225:Wayback Machine
1216:
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1199:Tiffani Jones,
1198:
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1186:
1182:
1172:Wayback Machine
1157:
1153:
1140:
1123:
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1099:
1087:
1083:
1079:, 21 June 2019.
1071:Riason Naidoo,
1070:
1061:
1057:
1039:
1037:Further reading
981:were to Mali."
960:
937:
935:Published works
885:
730:Rivington Place
710:
625:Terence Donovan
566:also toured to
518:Rivington Place
471:
456:October Gallery
440:Chelsea Theatre
433:Rivington Place
425:
408:
396:Rochester, Kent
380:
378:1960s in the UK
326:
305:Vice-President
299:Duchess of Kent
253:
229:
213:The Netherlands
190:Rivington Place
182:photojournalist
163:Ousmane Sembène
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3038:Renée Mussai,
3036:
3025:
3018:
3007:
2997:
2985:
2972:
2969:"James Barnor"
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2959:
2953:
2947:
2941:
2928:
2923:
2911:Zaneta Denny,
2909:
2903:
2893:
2885:
2884:External links
2882:
2880:
2879:
2853:
2832:
2812:
2806:Jonas Nyabor,
2799:
2781:
2756:
2736:
2724:RRB Photobooks
2710:
2691:
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2577:"James Barnor"
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2429:"James Barnor"
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1715:. 7 June 2016.
1700:
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1677:"James Barnor"
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288:
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244:Kodak Brownie
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2899:
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2802:
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2768:
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2727:. Retrieved
2723:
2713:
2708:, Autograph.
2694:
2682:
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2674:
2666:
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2642:
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2613:
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2598:The Guardian
2597:
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2525:the original
2520:
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2499:
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2483:
2478:Warne, Pam.
2473:
2463:24 September
2461:. Retrieved
2457:
2448:
2436:. Retrieved
2432:
2423:
2397:
2387:
2375:. Retrieved
2371:
2361:
2349:. Retrieved
2345:
2336:
2329:The Guardian
2328:
2319:
2307:
2295:. Retrieved
2291:
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2273:
2261:Miss Rosen,
2257:
2247:
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1967:New Humanist
1965:
1956:
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1924:
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1914:
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1894:
1878:
1859:
1850:Louise Ray,
1835:
1819:
1811:
1795:
1790:, Posthaven.
1783:
1771:. Retrieved
1761:
1749:. Retrieved
1745:
1736:
1712:
1703:
1691:
1672:
1660:
1648:
1613:
1604:Amma Sarfo,
1600:
1581:
1573:
1565:
1556:
1536:. Retrieved
1531:
1522:
1479:
1467:
1389:
1380:
1370:
1344:James Barnor
1339:
1320:
1309:
1290:
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1266:
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1183:
1175:
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1076:
1047:
1031:Vanley Burke
1027:Pogus Caesar
1023:Neil Kenlock
1012:
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990:
983:
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972:
970:in Britain.
961:
939:
938:
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920:
913:
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892:
872:
862:
851:
840:
833:
826:
820:Gallery 1957
815:
808:
797:
790:
783:
776:
769:
762:
751:
736:
732:, London, UK
725:
721:, London, UK
714:
701:
695:
688:
684:
678:
674:
663:
661:
648:
641:John Hopkins
620:
614:
597:
595:
583:Tate Britain
578:
576:
563:
553:
548:
545:
535:Earl's Court
531:Brian London
527:Muhammad Ali
513:
511:
488:
479:
472:
462:
460:
437:
426:
413:Agfa-Gevaert
409:
399:
381:
372:Fleet Street
363:
357:
343:
341:
333:
322:
318:
279:
254:
241:
230:
216:
206:
194:South Africa
185:
171:
151:independence
127:James Barnor
126:
125:
116:.jamesbarnor
25:James Barnor
18:
3056:1929 births
2489:23 February
1494:, The Root.
1255:, Fashion,
1147:New African
966:, Tate and
926:2017–2018:
839:2019–2020:
796:2017–2018:
789:2017–2018:
669:Paris Photo
657:Netherlands
633:John French
629:Brian Duffy
619:exhibition
469:Exhibitions
452:Paul Strand
289:politician
227:Early years
209:Paris Photo
155:the Beatles
103:Photography
91:Nationality
85:(now Ghana)
72:6 June 1929
3050:Categories
2603:16 October
2567:, Rebuild.
2346:Serpentine
2144:Maya Jaggi
1887:Light Work
1538:7 February
1372:Libération
1055:References
867:LUMA Arles
798:Ever Young
770:Ever Young
690:T Magazine
664:Ever Young
645:John Cowan
591:Mike Eghan
589:reporter "
368:Jim Bailey
350:Cecil King
311:Roy Ankrah
271:retouching
237:Gold Coast
83:Gold Coast
68:1929-06-06
48:Barnor in
2946:on Vimeo.
2866:CasildART
2531:8 October
1812:Design233
1164:Reprinted
1010:in 2020.
562:in 2011.
560:Cape Town
448:Brentford
301:and then
275:Photoshop
258:Jamestown
130:Hon. FRPS
30:Hon. FRPS
2993:Le Monde
2978:Archived
2934:Archived
2916:Archived
2872:16 April
2846:23 March
2824:Archived
2774:19 April
2748:Archived
2729:30 March
2702:Archived
2561:Archived
2438:14 March
2377:12 April
2297:30 March
2266:Archived
2188:Archived
2169:Archived
2078:Archived
2017:Archived
1995:Archived
1933:Archived
1867:Archived
1828:Archived
1804:Archived
1680:Archived
1637:Archived
1589:Archived
1511:Archived
1488:Archived
1436:Archived
1363:Archived
1328:Archived
1298:Archived
1221:Archived
1168:Archived
700:mounted
572:Bradford
431:(2007),
338:magazine
303:American
138:Ghanaian
94:Ghanaian
3033:Encore!
2795:YouTube
2637:, 2019.
2458:Nowness
2292:Artskop
1773:12 July
1751:12 July
1417:Nowness
1141:Kwaku,
655:in the
606:Brixton
406:1970–94
352:of the
167:Senegal
165:was to
109:Website
2351:6 July
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871:2023:
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850:2021:
832:2019:
827:Colors
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814:2018:
807:2018:
782:2016:
775:2016:
768:2015:
761:2013:
750:2011:
735:2010:
724:2010:
713:2007:
499:Boston
392:Medway
293:, Sir
143:street
50:Leiden
2274:Crave
267:Norse
263:Iduna
233:Accra
79:Accra
2874:2022
2848:2021
2776:2018
2731:2021
2605:2021
2533:2015
2491:2019
2465:2010
2440:2019
2433:Tate
2379:2022
2353:2023
2299:2021
1775:2023
1753:2023
1540:2020
1394:ISBN
1029:and
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977:and
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400:Drum
364:Drum
359:Drum
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