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James Casebere

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Early bodies of work include images of the American suburban home. This was followed by both photographs and sculptural installations addressing and sometimes poking fun at a mythical American West. In the early 1990s, Casebere turned his attention to the development of different cultural
176:, and their representation as architectural types, particularly prisons. Casebere's photographs of sculptural installations suggest "an element of unreality that sparks a feeling or causes viewers to question the space and fill it with answers of their own". 185: 164:” artists who emerged in the 1980s. Since then, Casebere has devised complex models and photographed them in his studio. Referencing architecture, art history, and film, Casebere’s abandoned spaces are made from 168:
of simple materials pared down to essential forms. Starting with Sonsbeek ’86, in Arnhem, Holland and ending around 1991, Casebere also made large scale sculptural installations.
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in 1976. In the fall of 1977, he attended the Whitney Independent Study Program in New York, and then moved to Los Angeles where he studied under
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Drohojowska-Philip, Hunter. “Art and Architecture. Lessons From One Man’s Model Society.” Los Angeles Times May 21, 2000. p. 57–58.
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Since the late 1990s Casebere has made large photographs of flooded images that refer to: 1.) the bunker under the Reichstag (
379: 253:, Casebere looked to Spain and the Eastern Mediterranean. His first works in this period were inspired by the 10th century 487: 326: 109: 297:, Egypt. Several of his photographs of elaborate mosques were inspired by the 16th-century Ottoman architect 397:
in 2017, and was then exhibited at Galería Helga de Alvear in 2017–2018 and at Galerie Templon in Brussels.
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because of the co-operation between Islamic, Jewish, and Christian cultures preceding the
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Ziolkowski, Thad. “James Casebere, Michael Klein Gallery.” Artforum September, 1995.
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James Casebere, Model Culture: Photographs 1975-1996. Friends of Photography, 1996.
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Foster, Hal. "Uncanny Images.” Art In America November 1983. p. 202–204.
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a large-scale survey show of Casebere's work, February–June 2016.
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in 1979. Casebere lives and works in New York, NY and Canaan, NY.
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Casebere is the recipient of three fellowships from the
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Chang, Chris, Jeffrey Eugenides, and Anthony Vidler.
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Casebere's work is held in the public collections of
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Scale Model: Dwelling in the Work of James Casebere
156:. His early work is associated with the so-called “ 77: 62: 54: 40: 21: 331:The Architectural Unconscious: James Casebere and 488:"BOMB Magazine: James Casebere by Roberto Juarez" 344:in Andover, Massachusetts, which traveled to the 148:Casebere's early exhibitions in New York were at 222:His work also references modern architects like 451:"James Casebere - Artists - Sean Kelly Gallery" 8: 346:Institute of Contemporary Art, Philadelphia 317:in Winston-Salem, NC which traveled to the 313:. In 2002-2003 he had a solo exhibition at 108:, grew up outside of Detroit. He attended 29: 18: 415:John Simon Guggenheim Memorial Foundation 315:Southeastern Center for Contemporary Art 442: 114:Minneapolis College of Art and Design 67:Minneapolis College of Art and Design 7: 687:Berger, Maurice and Andy Grundberg. 468:Hamilton, William L. (28 May 2001). 323:MusĂ©e d'art contemporain de MontrĂ©al 319:Museum of Contemporary Art Cleveland 742:Photographers from New York (state) 668:James Casebere, The Spatial Uncanny 309:Casebere was included in the 1985 14: 673:Casebere, James and Glen Seater. 411:New York Foundation for the Arts 389:Casebere's newest body of work, 354:Sainsbury Centre for Visual Arts 16:American artist and photographer 679:Addison Gallery of American Art 407:National Endowment for the Arts 338:Addison Gallery of American Art 737:Artists from Lansing, Michigan 614:"Galerie Templon - Exhibition" 513:"James Casebere at Sean Kelly" 380:Centre for Fine Arts, Brussels 1: 732:American contemporary artists 675:The Architectural Unconscious 152:, Franklin Furnace and the 758: 531:"James Casebere. Fugitive" 382:("Bozar") displayed After 327:Indianapolis Museum of Art 136:. He received an MFA from 277:). Later images depicted 199:) 2.) sewers in Berlin ( 110:Michigan State University 28: 391:Emotional Architecture, 112:and graduated from the 192: 166:tabletop constructions 128:. Classmates included 96:and Canaan, New York. 35:Casebere in April 2009 589:www.helgadealvear.com 187: 360:, Italy, curated by 213:Nevisian Underground 205:Atlantic slave trade 172:institutions during 336:, initiated by the 209:Four Flooded Arches 158:Pictures Generation 661:General references 474:The New York Times 395:Sean Kelly Gallery 193: 104:Casebere, born in 652:. 1 January 1980. 431:Guggenheim Museum 413:and one from the 409:, three from the 325:, Quebec and the 174:The Enlightenment 154:Sonnabend Gallery 106:Lansing, Michigan 87: 86: 48:Lansing, Michigan 749: 654: 653: 646: 640: 639: 628: 622: 621: 610: 604: 603: 601: 600: 591:. Archived from 585:"James Casebere" 581: 575: 574: 563: 557: 556: 545: 539: 538: 527: 521: 520: 509: 503: 502: 500: 499: 490:. Archived from 484: 478: 477: 465: 459: 458: 447: 362:Francesco Bonami 342:Phillips Academy 311:Whitney Biennial 228:Spiral Staircase 33: 19: 757: 756: 752: 751: 750: 748: 747: 746: 712: 711: 703: 670:. Charta, 2001. 663: 658: 657: 648: 647: 643: 630: 629: 625: 618:www.templon.com 612: 611: 607: 598: 596: 583: 582: 578: 565: 564: 560: 547: 546: 542: 529: 528: 524: 511: 510: 506: 497: 495: 486: 485: 481: 467: 466: 462: 449: 448: 444: 439: 423: 403: 358:Venice Biennale 307: 232:Turning Hallway 203:) and 3.) the 197:Flooded Hallway 182: 180:Artistic career 146: 122:John Baldessari 102: 50: 45: 36: 24: 17: 12: 11: 5: 755: 753: 745: 744: 739: 734: 729: 724: 714: 713: 710: 709: 702: 701:External links 699: 698: 697: 694: 691: 685: 682: 671: 662: 659: 656: 655: 641: 623: 605: 576: 558: 540: 535:Haus der Kunst 522: 504: 479: 460: 441: 440: 438: 435: 422: 419: 402: 399: 369:Haus der Kunst 306: 303: 236:Richard Neutra 181: 178: 145: 142: 101: 98: 90:James Casebere 85: 84: 79: 78:Known for 75: 74: 64: 60: 59: 56: 52: 51: 46: 42: 38: 37: 34: 26: 25: 23:James Casebere 22: 15: 13: 10: 9: 6: 4: 3: 2: 754: 743: 740: 738: 735: 733: 730: 728: 727:Living people 725: 723: 720: 719: 717: 708: 707:Official site 705: 704: 700: 695: 692: 690: 686: 683: 680: 676: 672: 669: 665: 664: 660: 651: 645: 642: 637: 633: 627: 624: 619: 615: 609: 606: 595:on 2018-07-10 594: 590: 586: 580: 577: 572: 568: 562: 559: 554: 550: 544: 541: 536: 532: 526: 523: 518: 514: 508: 505: 494:on 2013-09-20 493: 489: 483: 480: 475: 471: 464: 461: 456: 452: 446: 443: 436: 434: 433:, New York. 432: 428: 427:Hammer Museum 420: 418: 416: 412: 408: 400: 398: 396: 392: 387: 385: 381: 376: 374: 370: 365: 363: 359: 355: 351: 347: 343: 339: 335: 334: 328: 324: 320: 316: 312: 304: 302: 300: 296: 293:in Iraq; and 292: 288: 284: 280: 276: 272: 268: 264: 260: 256: 252: 247: 245: 241: 237: 233: 229: 225: 220: 218: 214: 210: 206: 202: 198: 190: 186: 179: 177: 175: 169: 167: 163: 159: 155: 151: 150:Artists Space 143: 141: 139: 135: 131: 127: 123: 119: 115: 111: 107: 99: 97: 95: 91: 83: 80: 76: 72: 68: 65: 61: 57: 53: 49: 43: 39: 32: 27: 20: 688: 674: 667: 644: 635: 626: 617: 608: 597:. Retrieved 593:the original 588: 579: 571:www.skny.com 570: 561: 552: 543: 534: 525: 516: 507: 496:. Retrieved 492:the original 482: 473: 463: 455:www.skny.com 454: 445: 424: 404: 390: 388: 383: 377: 372: 366: 349: 348:PA. In 1999 330: 308: 274: 271:Spanish Bath 270: 266: 262: 248: 243: 239: 231: 227: 224:Victor Horta 221: 216: 212: 208: 200: 196: 194: 188: 170: 147: 144:Early career 134:Tony Oursler 126:Doug Huebler 103: 89: 88: 722:1953 births 650:"Courtroom" 421:Collections 393:debuted at 333:Glen Seator 321:, OH., the 305:Exhibitions 299:Mimar Sinan 259:Inquisition 201:Two Tunnels 162:post-modern 130:Mike Kelley 82:Photography 55:Nationality 716:Categories 636:www.gf.org 599:2018-04-04 517:caroldiehl 498:2008-09-18 437:References 371:exhibited 263:La Alberca 217:Monticello 417:in 1995. 386:in 2016. 373:Fugitive, 255:Andalusia 244:Dorm Room 100:Biography 63:Education 429:and the 189:Luxor #2 94:New York 58:American 291:Samarra 287:Nineveh 283:Lebanon 279:Tripoli 275:Mahgreb 138:CalArts 116:with a 71:CalArts 69:B.F.A. 681:, 2000 401:Awards 350:Asylum 267:Abadia 249:After 242:, and 240:Garage 234:) and 230:, and 191:, 2007 160:” of “ 132:, and 553:BOZAR 295:Luxor 73:M.F.A 378:The 367:The 289:and 251:9/11 124:and 44:1953 41:Born 340:at 246:). 219:). 118:BFA 718:: 677:. 634:. 616:. 587:. 569:. 551:. 533:. 515:. 472:. 453:. 301:. 285:; 281:, 273:, 269:, 265:, 215:, 211:, 638:. 620:. 602:. 573:. 555:. 537:. 519:. 501:. 476:. 457:. 261:( 238:( 226:( 207:(

Index


Lansing, Michigan
Minneapolis College of Art and Design
CalArts
Photography
New York
Lansing, Michigan
Michigan State University
Minneapolis College of Art and Design
BFA
John Baldessari
Doug Huebler
Mike Kelley
Tony Oursler
CalArts
Artists Space
Sonnabend Gallery
Pictures Generation
post-modern
tabletop constructions
The Enlightenment

Atlantic slave trade
Victor Horta
Richard Neutra
9/11
Andalusia
Inquisition
Tripoli
Lebanon

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