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505:, he became convinced that any future for microtonality would have to involve first and foremost the development of microtonal fixed-pitch instruments (for example keyboard percussion instruments) and the adoption of satisfactory designs by commercial instrument builders. Following his own second prototype quartertone marimba extension the design was taken up by the Dutch company, Adams, who produce them on special order.
38:
449:(1986), which he toured extensively with the soprano, Sara Stowe and the sound engineer, John Whiting. All of these pieces were also recorded for CD and released by Continuum. He was artistic director of the 1988 and 1990 Percussion Festivals in London, and also devised two BBC TV documentaries on percussion in the BBC Two series
456:
One of
Friedrich Hommelâs principal aims as Director of the DarmstĂ€dter Ferienkurse had always been to establish the courses as a centre for the rapidly evolving world of percussion. To this end he commissioned Wood to write a large-scale work for percussion ensemble which would make full use of the
367:
With NLCC Wood undertook numerous CD recordings, many of which were world premiere recordings: these included music by Eric
Bergman (Chandos), Lili Boulanger (Hyperion), Ruth Crawford Seeger (Deutsche Grammophon), Giacinto Scelsi (Una Corda), Frank Denyer (Continuum), Iannis Xenakis (Hyperion) and
523:
This experience led to the idea of engaging in some kind of research and training programme for instrumentalists in microtonal performance, and so in 1990 Wood founded London's first Centre for
Microtonal Music, and its ensemble, Critical Band. The purpose of the Microtonal Centre was to research
652:
Wood's increasing activity in mainland Europe eventually led, in 2007, to his decision to leave
England for Germany. Since then Wood has continued to work regularly with choirs and ensembles throughout Europe, notably the Netherlands Radio Choir, musikFabik, Berlin Radio Choir,
536:
in London, which held a
Weekend of Microtonal Music, 'In Tune?', in 1990, 1991 and 1992. Aside from its presence at the 'In Tune?' Festivals, the ensemble 'Critical Band' undertook several recordings, concerts and tours, including a CD of three of Wood's own compositions:
524:
instrumental microtonal playing techniques, to teach these to young musicians whilst at the same time educating composers in the historical, theoretical, emotional and practical implications of microtonality. The initiative involved the collaboration of the
436:
as
Professor of Percussion from 1982. He retained this position throughout the Hommel years until 1994. During this time he pioneered a wide range of new for solo percussion and percussion ensemble, including many new pieces of his own, such as
1353:
Steven Schick, James Wood (solo percussionists), Darmstadt
Percussion Ensemble, Cornwall Percussion Ensemble, Eleanor Alberga, Helen Crayford, Paul Webster, Clive Williamson (synthesizers), John Whiting (sound projection)
372:, and Dallapiccola for Erato. Their 1990 Hyperion recording of Stravinskyâs Les Noces (performed in collaboration with the choir of the Institute of the Arts, Voronezh, Russia) was voted âbest available recordingâ in
549:
This latter work was also premiered by
Critical Band at the 1995 BBC Proms (September 11). But after the late 1990s, both the Centre for Microtonal Music and Critical Band became disbanded through lack of funding.
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557:
provided a perfect medium in which to explore his love for both microtonality and new sounds, Wood decided to immerse himself more fully in this world, and in 1996 undertook a major project at
753:
Following a joint commission from the Dutch
Ensemble, Insomnio, the Stichting De Vrede van Utrecht and the Eduard Van Beinum Stichting, Wood then undertook a collaboration with the writer,
508:
But outside the realm of purely fixed-pitch instruments, Wood was also active in writing microtonal music for conventional instruments â this led to one of Woodâs largest-scale works,
211:, a post which he held until 1981, and immediately following this he founded the New London Chamber Choir, of which he was principal conductor for twenty-six years until moving to
769:â a project which lasted three years, from 2011 until 2014. At the same time he completed several new works for percussion, including a 35-minute work for percussion ensemble,
199:, from 1975 until 1976. After a further year studying percussion privately with Nicholas Cole, Wood embarked on a triple career as percussionist, composer and conductor.
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Alongside his activities as a conductor and composer, Wood was also active as a percussionist in many contemporary ensembles including
Lontano, Gemini, Matrix (director
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Since 2008 Wood has directed the Tenso Young Composers Workshops, designed to help and encourage young composers from all over Europe in composing for chamber choir.
2015:
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Prize (Choir Recording of the Year) together with Vocalconsort Berlin for their Harmonia Mundi recording of Woodâs reconstruction of Gesualdoâs
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and Wood himself. He was also responsible for the commissioning many new works (many of which included electronics) from composers including
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in a recording of Stravinskyâs The Flood and Requiem Canticles. In 1988, Wood helped devise a BBC Two documentary about Lili Boulanger â
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During his time with NLCC he pioneered a large amount of little-known choral music from a wide range of composers, including
171:) is a British conductor, composer of contemporary classical music and former percussionist. Wood studied composition with
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From the mid-1990s, Wood also started to receive conducting invitations from several European ensembles, including
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746:. Released in February 2013, the recording went on to receive universal critical acclaim, and was awarded the
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742:. This massive undertaking culminated in his recording of the complete set with Vocalconsort Berlin for
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729:(for large chorus and percussion quartet) with the MDR Rundfunkchor in Leipzig in November 2014.
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in ZĂŒrich, performed this time by the Krakow Radio Orchestra, again conducted by the composer.
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large number of talented young percussionists from all over the world who were coming to
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From 2008 until 2011, he undertook the reconstruction of the two missing voices of the
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360:(for 18 solo voices, 17 instruments and electronics) and his large-scale church opera,
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Concerto for quartertone marimba (and various wooden instruments) and 15 instruments
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conducted by Wood himself. The work was subsequently selected for performance at the
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Opera for soprano, baritone, chorus, ensemble, percussion ensemble and electronics
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with the Netherlands Radio Choir. In 2011, he conducted the same work as part of
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Sara Stowe (soprano), James Wood (percussion), John Whiting (sound projection)
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2 solo percussionists, 2 percussion ensembles, 4 synthesizers and electronics
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2042:"Gesualdo, Sacrae Cantiones, Liber Secundus, VocalConsort Berlin, James Wood"
1964:
1914:
665:, as well as remaining prolific as a composer. Notable performances include
629:, as well as the Tokyo Philharmonic Choir. In 2002, he worked closely with
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352:. Many of Woodâs own works were also specially written for NLCC, including
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James Wood himself. They also recorded music of Poulenc, and JanĂĄÄek, for
1462:
Steven Schick (solo percussion), Critical Band (conducted by James Wood)
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Kuniko Kato (quartertone marimba), Critical Band conducted by James Wood
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1995/6 : Arts Foundation Fellowship for electro-acoustic composition
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directed by Hilary Boulding. The film culminated in performances of the
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376:'s 'Building a Library' in September 2000. They also collaborated with
212:
168:
2152:
Interview with James Wood by Juan Carlos PĂ©rez Davila about the opera
1813:"Hilary Boulding, Principal, Royal Welsh College of Music & Drama"
1659:
750:
Preis in the category âChoir Recording of the Yearâ in October 2013.
196:
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Chamber Opera for baritone, vocal sextet and ensemble of 15 players
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During the period from 1983 onwards Wood started to experiment with
547:
Two men meet, each presuming the other to be from a distant planet.
469:
and Wood himself, and the work was subsequently recorded by Wergo.
1458:
Two men meet, each presuming the other to be from a distant planet
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Two men meet, each presuming the other to be from a distant planet
605:
and Champ dâAction, and choirs including Netherlands Radio Choir,
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1993:
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New London Chamber Choir, Critical Band conducted by James Wood
493:. As a result of this and further experiments in works such as
2119:"Artist James Wood Profile | 1994 | Arts Foundation"
76:
from the article and its talk page, especially if potentially
31:
1864:"Odaline de la Martinez | Lontano â The Future In Music"
424:. In this capacity he was noticed by the new director of the
1426:
Robert van Sice (quartertone marimba), Percussive Rotterdam
1169:
Music Theatre for solo percussion, soprano and electronics
565:
on a new work for Alphorn, MIDI-cowbells and electronics â
1531:"Boulanger (L): ClairiĂšres dans le ciel & other works"
2147:
2177:
Interview with James Wood by John Palmer, published by
843:
soprano, double chorus, 4 trumpets, 4 trombones, organ
485:
he devised simple prototype quartertone extensions for
400:, New London Chamber Choir and the London Sinfonietta.
191:
he went on to study percussion and conducting at the
179:
from 1971 to 1972 before going on to study music at
2094:"Past Winners - University of Massachusetts Boston"
1400:New London Chamber Choir (conducted by James Wood)
697:; the first ever performance with live pianolist (
364:, for soloists, chorus, ensemble and electronics.
1478:New Music Players, conducted by Roger Montgomery
1130:soprano, MIDI-vibraphone, chorus and electronics
1788:"Stravinsky: Les Noces & other choral works"
757:and the director, Sybille Wilson on the opera,
725:in 2013; and the German premiere of Wood's own
1380:Sara Stowe (soprano), James Wood (percussion)
1091:Concerto for percussionist and 24 instruments
27:British composer, percussionist and conductor
8:
852:Two Motets to verses from the Prophet Isaiah
187:from 1972 until 1975. After graduating from
1039:quartertone marimba and percussion quartet
883:2 countertenors, tenors, 2 baritones, bass
738:of the sixteenth-century Italian composer,
207:In 1977 he was appointed conductor of the
69:about living persons that is unsourced or
1763:"Albums James Wood - Ă©coute gratuite MP3"
785:1980 : Lili Boulanger Memorial Prize
140:Learn how and when to remove this message
1324:
1191:DĂ©ploration sur la mort de GĂ©rard Grisey
820:
151:
1688:"Two men meet... | NMC Recordings"
1682:
1680:
1522:
1156:alphorn, MIDI-cowbells and electronics
589:Recent developments and move to Germany
461:for the summer courses. The result was
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1551:
1438:Venancio Mbande talking with the trees
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1407:
1404:
1361:
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1221:flute, clarinet, violin, cello, piano
1074:Venancio Mbande talking with the trees
931:Tien chung Yao (Songs from the Fields)
865:Choroi kai Thaliai (Revels and Dances)
797:1990 : appointed a Fellow of the
675:Netherlands Radio Chamber Philharmonic
539:Venancio Mbande talking with the Trees
526:Society for the Promotion of New Music
503:Venancio Mbande talking with the trees
501:and the quartertone marimba concerto,
1990:"home » Netherlands Radio Choir"
856:soprano, flute, oboe, viola and harp
673:with the Netherlands Radio Choir and
7:
2230:Alumni of the Royal Academy of Music
1208:large chorus and percussion quartet
2255:21st-century British male musicians
2250:20th-century British male musicians
1510:Insomnio, conducted by Ulrich Pöhl
1026:18 voices, 17 instruments and tape
530:Guildhall School of Music and Drama
1992:. 4 September 2012. Archived from
1940:"Polish Radio Orchestra Of Krakow"
1839:"Linda Hirst | Trinity Laban"
1061:Elanga N'Kake singing to his craft
794:1996 : Holst Foundation Award
561:in Paris. He worked together with
392:as well as Boulangerâs monumental
25:
1422:Spirit Festival with Lamentations
1321:Discography (works by James Wood)
1035:Spirit Festival with Lamentations
892:Ho shang Yao (Songs by the River)
839:Missa: In memoriam Lili Boulanger
495:Spirit Festival with Lamentations
483:Ho shang Yao (Songs by the River)
2235:English male classical composers
2220:21st-century classical composers
2210:20th-century classical composers
2072:Oberlin College and Conservatory
1660:"James Wood Catalogue: CD Store"
1584:"Scelsi - Complete Choral Works"
553:Ever conscious of the fact that
183:, where he was organ scholar of
36:
2158:Oro Molido no. 16, January 2006
2018:. 17 April 2015. Archived from
1965:"All Events - Proms 1995 - BBC"
1915:"All Events - Proms 1989 - BBC"
1889:"Shop - James Wood - Stoicheia"
1713:"Poulenc: Secular choral music"
1257:Sacrae Cantiones Liber Secundus
869:solo percussion, soprano, tape
810:Sacrae Cantiones Liber Secundus
735:Sacrae Cantiones Liber Secundus
453:, directed by Hilary Boulding.
219:New London Chamber Choir (NLCC)
2245:21st-century English composers
2240:20th-century English composers
2185:Tenso Network Artistic Council
1:
1052:bass clarinet and percussion
935:soprano and 2 percussionists
788:1993 : Gemini Fellowship
432:, who invited him to succeed
1065:solo percussionist/vocalist
645:'s production of the opera,
637:, which he conducted at the
301:The Summer Cloudâs Awakening
47:biography of a living person
2215:English classical composers
2148:Official James Wood website
1610:"The music of Frank Denyer"
1494:Svet Stoyanov (percussion)
1470:London Independent Records
1247:ensemble of 15 instruments
1195:marimba and string quartet
687:Al gran sole carico dâamore
74:must be removed immediately
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1104:Concerto for 18 musicians
922:2 pianos and 2 percussion
599:Ensemble InterContemporain
430:Friedrich Ferdinand Hommel
89:"James Wood" musician
2156:for Oro Molido magazine.
1474:Crying Bird, Echoing Star
1217:Crying Bird, Echoing Star
896:soprano, solo percussion
633:on the world premiere of
607:Netherlands Chamber Choir
209:Schola Cantorum of Oxford
2179:CE Books, Vision Edition
2016:"æ±äșŹăłăłă”ăŒă TOKYO CONCERTS"
1412:Village Burial with Fire
1390:James Wood (percussion)
1139:Shrine of Stored Incense
1100:The Parliament of Angels
996:Village Burial with Fire
1738:"JanĂĄÄek: Choral Music"
1635:"Xenakis: Choral Music"
880:(for the Kings Singers)
639:Amsterdam Concertgebouw
619:West German Radio Choir
426:DarmstÀdter Ferienkurse
1792:Hyperion-records.co.uk
1742:Hyperion-records.co.uk
1717:Hyperion-records.co.uk
1639:Hyperion-records.co.uk
1563:Deutschegrammophon.com
1535:Hyperion-records.co.uk
799:Royal Academy of Music
681:; his training of the
677:Orchestra at the 2008
581:(2001) and the opera,
514:BBC Symphony Orchestra
356:(for 24 solo voices),
193:Royal Academy of Music
157:
61:Please help by adding
1506:De telarum mechanicae
1416:Percussive Rotterdam
1243:De telarum mechanicae
1113:Children at a funeral
631:Karlheinz Stockhausen
615:Collegium Vocale Gent
404:Percussion activities
315:(Calacas Imaginarias)
185:Sidney Sussex College
163:(born 27 May 1953 in
155:
18:James Wood (composer)
2200:Microtonal musicians
961:oboe and percussion
181:Cambridge University
67:Contentious material
2068:"Faculty and Staff"
1996:on 4 September 2012
1827:– via Flickr.
1178:Journey of the Magi
1000:percussion quartet
957:Marsyapollonomachia
723:Berlin Philharmonie
671:Caminantes Ayacucho
611:Swedish Radio Choir
386:Whom the Gods Loved
241:Harrison Birtwistle
1843:Trinitylaban.ac.uk
1819:. 8 September 2013
1366:Choroi kai Thaliai
1275:percussion sextet
780:Awards and honours
763:Gulliverâs Travels
685:Chorus for Nonoâs
683:Vienna State Opera
635:Engel-Prozessionen
623:Berlin Radio Choir
518:1991 ISCM Festival
439:Choroi kai Thaliai
422:London Sinfonietta
396:with Linda Hirst,
394:Du Fond de lâAbime
382:London Sinfonietta
343:(Cantos Populares)
293:Forms of Emptiness
253:Luigi Dallapiccola
158:
156:James Wood in 2015
1590:. 16 January 2003
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1271:Cloud-Polyphonies
1152:Mountain Language
771:Cloud-Polyphonies
705:âs completion of
691:Salzburg Festival
647:Sonntag aus Licht
567:Mountain Language
350:(Stramm Gedichte)
285:Walter Zimmermann
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987:large orchestra
948:solo percussion
830:Instrumentation
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709:âs 1919 version
679:Holland Festival
659:MDR Rundfunkchor
555:electronic music
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297:Ashes Dance Back
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1117:prepared piano
1013:24 solo voices
909:String Quartet
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727:Tongues of Fire
719:RIAS Kammerchor
695:Ingo Metzmacher
693:, conducted by
655:RIAS Kammerchor
627:RIAS Kammerchor
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534:Barbican Centre
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473:1980s and 1990s
451:Music in Camera
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1128:
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905:String Quartet
902:
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831:
828:
825:
818:
815:
814:
813:
802:
795:
792:
789:
786:
781:
778:
767:Jonathan Swift
755:Paul Griffiths
744:Harmonia Mundi
740:Carlo Gesualdo
590:
587:
474:
471:
405:
402:
378:Oliver Knussen
340:Roberto Sierra
329:(Let me Bleed)
319:Iannis Xenakis
312:Javier Alvarez
245:Lili Boulanger
233:Toru Takemitsu
229:Tona Scherchen
225:Iannis Xenakis
220:
217:
204:
201:
148:
147:
71:poorly sourced
44:
42:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2267:
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2225:Living people
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2099:
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2089:
2086:
2073:
2069:
2063:
2060:
2047:
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2037:
2034:
2021:
2017:
2011:
2008:
1995:
1991:
1985:
1982:
1970:
1966:
1960:
1957:
1945:
1941:
1935:
1932:
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1910:
1907:
1894:
1890:
1884:
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1589:
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1455:
1451:
1449:
1445:
1441:
1439:
1429:
1425:
1423:
1419:
1415:
1413:
1408:Mode Records
1403:
1399:
1397:
1393:
1389:
1387:
1383:
1379:
1377:
1373:
1369:
1367:
1357:
1352:
1350:
1340:
1336:
1333:
1330:
1327:
1326:
1320:
1314:solo marimba
1313:
1311:
1308:
1305:
1304:
1300:
1298:
1295:
1292:
1291:
1287:
1285:
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1233:
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1225:
1224:
1220:
1218:
1215:
1212:
1211:
1207:
1205:
1202:
1199:
1198:
1194:
1192:
1189:
1186:
1185:
1181:
1179:
1176:
1173:
1172:
1168:
1166:
1163:
1160:
1159:
1155:
1153:
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1147:
1146:
1142:
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1137:
1134:
1133:
1129:
1127:
1124:
1121:
1120:
1116:
1114:
1111:
1108:
1107:
1103:
1101:
1098:
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1088:
1085:
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1064:
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1059:
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1049:
1046:
1043:
1042:
1038:
1036:
1033:
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1025:
1023:
1020:
1017:
1016:
1012:
1010:
1007:
1004:
1003:
999:
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990:
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978:
977:
973:
971:
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951:
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908:
906:
903:
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879:
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859:
855:
853:
850:
847:
846:
842:
840:
837:
834:
833:
829:
826:
823:
822:
817:List of works
816:
811:
807:
803:
800:
796:
793:
790:
787:
784:
783:
779:
777:
774:
772:
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749:
745:
741:
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736:
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708:
704:
700:
696:
692:
688:
684:
680:
676:
672:
668:
664:
660:
656:
650:
648:
644:
643:Cologne Opera
640:
636:
632:
628:
624:
620:
616:
612:
608:
604:
600:
596:
588:
586:
585:(2002â2006).
584:
580:
579:Autumn Voices
576:
572:
568:
564:
560:
556:
551:
548:
544:
540:
535:
531:
527:
521:
519:
515:
511:
506:
504:
500:
496:
492:
488:
484:
480:
479:microtonality
472:
470:
468:
467:Steven Schick
464:
460:
454:
452:
448:
444:
440:
435:
431:
427:
423:
419:
415:
411:
403:
401:
399:
395:
391:
387:
383:
379:
375:
371:
365:
363:
359:
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351:
348:
344:
341:
337:
334:
330:
327:
323:
320:
316:
313:
309:
306:
302:
298:
294:
290:
286:
282:
281:Claude Vivier
278:
274:
270:
269:Almeida Prado
266:
265:György Ligeti
262:
261:György Kurtåg
258:
254:
250:
249:Ruth Crawford
246:
242:
238:
234:
230:
226:
218:
216:
214:
210:
202:
200:
198:
194:
190:
186:
182:
178:
174:
170:
166:
165:Barton-on-Sea
162:
154:
144:
141:
133:
122:
119:
115:
112:
108:
105:
101:
98:
94:
91: â
90:
86:
85:Find sources:
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75:
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58:
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30:
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2163:
2153:
2127:. Retrieved
2123:the original
2113:
2101:. Retrieved
2097:
2088:
2076:. Retrieved
2071:
2062:
2050:. Retrieved
2046:the original
2036:
2024:. Retrieved
2020:the original
2010:
1998:. Retrieved
1994:the original
1984:
1972:. Retrieved
1968:
1959:
1947:. Retrieved
1943:
1934:
1922:. Retrieved
1918:
1909:
1897:. Retrieved
1893:the original
1883:
1871:. Retrieved
1868:Lorelt.co.uk
1867:
1858:
1846:. Retrieved
1842:
1833:
1821:. Retrieved
1816:
1807:
1795:. Retrieved
1791:
1782:
1770:. Retrieved
1766:
1757:
1745:. Retrieved
1741:
1732:
1720:. Retrieved
1716:
1707:
1695:. Retrieved
1692:Nmcrec.co.uk
1691:
1667:. Retrieved
1663:
1654:
1642:. Retrieved
1638:
1629:
1617:. Retrieved
1613:
1604:
1592:. Retrieved
1588:Amazon.co.uk
1587:
1578:
1566:. Retrieved
1562:
1538:. Retrieved
1534:
1525:
1505:
1489:
1486:CAG Records
1473:
1457:
1447:
1437:
1421:
1411:
1396:Incantamenta
1395:
1385:
1376:Ho shang Yao
1375:
1365:
1348:
1309:
1296:
1283:
1270:
1256:
1242:
1229:
1216:
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1177:
1164:
1151:
1138:
1125:
1112:
1099:
1086:
1073:
1060:
1047:
1034:
1021:
1009:Incantamenta
1008:
995:
982:
969:
956:
943:
930:
917:
904:
891:
877:
864:
851:
838:
809:
806:ECHO Klassik
804:2013 :
775:
770:
758:
752:
748:ECHO Klassik
733:
731:
726:
710:
689:at the 2009
686:
670:
651:
646:
634:
595:lâItinĂ©raire
592:
582:
578:
574:
570:
566:
552:
546:
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538:
528:(SPNM), the
522:
509:
507:
502:
498:
494:
491:glockenspiel
482:
476:
462:
455:
450:
446:
443:Ho shang Yao
442:
438:
407:
393:
389:
385:
366:
361:
357:
354:Incantamenta
353:
349:
342:
335:
328:
321:
314:
307:
300:
296:
292:
257:Frank Denyer
237:Eric Bergman
222:
206:
160:
159:
136:
127:
117:
110:
103:
96:
84:
73:
56:verification
49:
29:
2205:1953 births
1944:Discogs.com
1767:Musicme.com
1337:Performers
1048:Cart-wheels
761:, based on
715:musikFabrik
703:Theo Verbey
603:musikFabrik
445:(1983) and
410:Alan Hacker
398:Martyn Hill
374:BBC Radio 3
347:David Sawer
308:(Epitafios)
130:August 2020
2194:Categories
1817:Flickr.com
1664:Choroi.net
1517:References
1448:Phainomena
1362:Continuum
1284:Sea Dances
1255:Gesualdo:
1022:Phainomena
707:Stravinsky
699:Rex Lawson
667:Luigi Nono
543:Phainomena
532:, and the
414:Dreamtiger
358:Phainomena
161:James Wood
100:newspapers
2172:Vic Firth
2164:Rogosanti
2154:Hildegard
2103:11 August
2078:11 August
2026:11 August
2000:11 August
1974:11 August
1949:11 August
1924:11 August
1873:11 August
1848:11 August
1823:11 August
1797:11 August
1772:11 August
1747:11 August
1722:11 August
1697:11 August
1669:11 August
1644:11 August
1619:11 August
1594:11 August
1568:11 August
1559:"Katalog"
1540:11 August
1490:Rogosanti
1386:Rogosanti
1349:Stoicheia
1262:6 voices
1230:Hildegard
970:Stoicheia
944:RogoĆanti
711:Les Noces
583:Hildegard
563:Carl Faia
499:Stoicheia
463:Stoicheia
459:Darmstadt
447:Rogosanti
362:Hildegard
322:(Knephas)
215:in 2007.
189:Cambridge
52:citations
2129:17 April
2052:17 April
1899:17 April
1297:Gulliver
801:, London
759:Gulliver
657:and the
577:(1999),
573:(1996),
441:(1982),
420:and the
418:Endymion
390:Pie Jesu
380:and the
370:Hyperion
78:libelous
2174:website
2170:on the
2098:Umb.edu
1502:Encora
721:at the
663:Leipzig
487:marimba
336:(Eicha)
213:Germany
169:England
114:scholar
1345:Wergo
1126:SĂ©ance
983:Oreion
918:Barong
571:SĂ©ance
510:Oreion
203:Career
197:London
116:
109:
102:
95:
87:
1331:Label
878:Drama
827:Title
713:with
701:) of
559:IRCAM
481:. In
177:Paris
121:JSTOR
107:books
45:This
2181:2015
2131:2015
2105:2020
2080:2020
2054:2015
2028:2020
2002:2020
1976:2020
1951:2020
1926:2020
1901:2015
1875:2020
1850:2020
1825:2020
1799:2020
1774:2020
1749:2020
1724:2020
1699:2020
1671:2020
1646:2020
1621:2020
1596:2020
1570:2020
1542:2020
1499:2010
1483:2008
1467:2003
1434:NMC
1431:1997
1405:1995
1359:1991
1342:1990
1334:Work
1328:Year
1306:2014
1293:2014
1280:2012
1267:2011
1252:2010
1239:2007
1226:2006
1213:2002
1200:2001
1187:2000
1174:2000
1165:Jodo
1161:1999
1148:1998
1135:1997
1122:1996
1109:1996
1096:1995
1083:1995
1070:1994
1057:1993
1044:1993
1031:1993
1018:1992
1005:1991
992:1989
979:1989
966:1988
953:1987
940:1986
927:1985
914:1985
901:1984
888:1983
874:1983
861:1982
848:1981
835:1976
824:Year
717:and
575:Jodo
545:and
489:and
345:and
93:news
54:for
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765:by
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