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Jars of Clay (album)

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performed it in late October for a college cafe called the "Underground Cafe", which they had put together to raise money for homeless shelters and jail ministries. The "Underground" was the dormitory that the vast majority of music majors inhabited. The band continued classes and when they found more time, decided to play "Little Drummer Boy" for the Underground Cafe on December 7, as it was nearing Christmas time. A strange and distorted version of "Rudolph the Red-Nosed Reindeer" was also played impromptu that evening, to the tune of
24: 733:, made him a primary candidate for producer. They decided to have him produce "Flood" and "Liquid", the more alternative songs, and then they self-produced the remainder of the songs on the album due to a lack of money. Studio musicians were brought in to fill in gaps and Ron Huff did string arrangements to embellish the songs and give them an orchestral quality. 484: 479: 474: 469: 464: 377: 372: 367: 362: 357: 438: 433: 428: 423: 418: 413: 408: 403: 398: 393: 701:
for the band, as Essential was the smallest company that they interviewed with, but they felt it was most like a family. In addition, Essential had solid backing power from the larger Brentwood Music company which owned it, and Brentwood used a secular distributor, Silvertone Records of Zomba/Jive, in order to reach a wider audience.
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high school, Matt Odmark, was chosen to be the new member. His assimilation into the band was difficult, but by August the band was more comfortable after living together in Antioch, TN. They also accepted jobs during this time, at places such as pizza shops, mall stores and book warehouses while waiting for the contract.
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They shopped their demo and met with many record companies during the summer, negotiated their potential contracts with a lawyer during autumn, and in winter finally signed with Essential Records, a division of Brentwood Music (now collectively entitled Provident Records). This was an unexpected step
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in 1996 when the self-titled debut attained platinum status. The album has the same track listing as the original, though cover and artwork are different from the original album, designed specifically to commemorate the album being a platinum release. Each of the 20,000 discs are numbered, providing
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Due to interest from record labels in signing the band for an album, the band then decided that they should pursue music and move to Nashville, putting their college careers on hold. Bronleewe decided to remain in school, so it was necessary for the band to find a new member. A friend of Lowell from
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The band promoted the album heavily by performing and interviewing at many instore appearances and on secular radio shows. They continued to tour on their own through the summer of 1996 and decided to take the music to the club circuit where secular listeners could feel more comfortable seeing the
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Meanwhile, secular radio stations caught on to the popularity of the song and began to play it. Essential Records then decided to use parent label Silvertone to promote the album and send out CD singles to radio stations. Many of the radio stations loved the single and began to put it into regular
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The first single from the debut album released to Christian radio was "Flood", and reached number one on the Christian rock charts. The band was met with high critical acclaim in numerous Christian magazine articles and other sources due to the unique harmonies and instrumentation on the album, as
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The band set up a very professional headlining tour of theaters such as The Roxy and House of Blues theaters for autumn 1996. They purchased their own sound and lights and brought Roddy Chong, a violinist, on tour, opening the shows with a classical violin piece and using backdrops such as folded
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On April 27, 1994, Jars of Clay performed for the Gospel Music Association Spotlight Competition at 328 Performance Hall in Nashville, TN. This appearance was the final test of the competition for best new Christian band, and Jars won the competition. They played "Fade to Grey" and "Like a Child"
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Following Christmas vacation, the four of them decided they'd like to write additional songs to add to their live repertoire and satisfy the requirements of their recording studio class, but thought it would be appropriate to give a name to these collaborations. Lowell recalled a Bible verse that
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1996 was the year of intense success for the band. "Flood" hit the No. 1 position on numerous secular radio stations due to its popularity, and the album remained in the top 60 albums for much of the year, also remaining in Billboard's Top 200 albums for the entire 52-week cycle. The album went
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The band decided to finish up their demo CD which was entitled Frail. They printed 1,000 copies for friends and family members to purchase and had a small release party at school. The CD sold well, and by June they printed 500 more for record companies and those who weren't able to obtain them
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shirt on, a band which they both admired for their unique sound. The band wrote and recorded a song called "Fade to Grey", which included many drum loops and samples, a very techno-oriented song. It was a studio project for credit in a recording class. Their friends enjoyed the song and they
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curtains, oriental rugs and candelabras. The Samples opened the concerts for the first couple weeks and were shortly after dropped due to an incompatibility with Jars as well as their audience. The Gufs also opened for Jars of Clay during this time, among other bands, such as
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had been there for the year of 1992 and played in various bands as well as producing their own studio projects. These bands included Chrysalis, Jazon, Yellow #7, Second Level, and many other school bands involving students from the CCM department as well as others. When
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During the winter of 1994 and the spring of 1995 they recorded their debut album for Essential and released the album in May 1995. An intern at Essential, who was a friend of the band was the niece of improvisational guitarist and prolific songwriter
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each unit its own degree of uniqueness. The song "Four Seven" is no longer a hidden track, it is now part of the album as track 11. On this version "Blind" runs for 5:59 with the last two minutes being silence.
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The songs "Sinking", "Flood", "Worlds Apart", and "Blind" were all unique to this release, as all other tracks had previously been released on the group's debut demo album
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In October 2010, Jars of Clay announced that during their 2010 fall tour they would perform their first album in its entirety to commemorate 15 years from the release.
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appeared on the scene in September 1993, and had similar interests in music, the friends decided to write a song together. Haseltine had met Mason because he had a
2129: 1568:. The song was recorded again in 1995 for their self-titled debut album. It was first recorded with production work by the band, then it was recorded again when 2509: 1893: 1582: 2287: 709:. She delivered the Frail demo to him and he was impressed. Belew then decided to produce a couple songs for the album. His previous collaborations with 526:
are also used prominently in most of the songs. The album features sonic influences as diverse as Gregorian chants, mandolin, and gothic layered vocals.
2519: 510:. The album was released to commercial and critical acclaim, becoming one of the few Christian albums in the mid-1990s to achieve platinum status. 548:, and as a result they have been staples of the band's live concerts ever since. The song "Flood" became an unexpected hit on mainstream pop and 2340: 2309: 1886: 1798: 41: 1921: 2027: 689:
complete with choreography and baby "binkies" in their mouths and met with positive responses from record companies who were present.
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In Celebration of its 15 Years from release a Double Vinyl Collector's Edition was included in the pre-order of Jars of Clay Presents
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in Greenville, IL, where the four members, all majors in Contemporary Christian Music, met and discovered friendship through music.
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radio as well, resulting in a brief period of mainstream popularity for the band during which they toured with artists such as
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from their self-titled debut album. The song was written while the band members were students at
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band. This brought disappointment from Christian audiences who accused them of "going secular".
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loops and acoustic guitar strumming that would become an early trademark of the band.
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Jars of Clay's eponymous first full-length album is characterized by a combination of
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Most of this album consists of reworked versions of songs from the band's demo,
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is considered to be a landmark album in Christian rock, even though very few
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On this release "Blind" does not contain the hidden tracks and runs for 4:04
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The album was mostly self-produced, with the exception of "Liquid" and "
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was brought on board to produce two of the album's tracks. An
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The band toured in support of other Christian acts, such as
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Ken Love – mastering at Master Mix, Nashville, Tennessee
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Noah Evens – violin (1, 8), string orchestrations (1, 8)
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CCM Presents: The 100 Greatest Albums in Christian Music
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Ronn Huff – string orchestrations and conductor (5, 10)
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Noah Evens – recording (1, 8), mixing (1, 2, 4, 7, 8)
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are used, leading some to categorize Jars of Clay as
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It was released on October 24, 1995, by 329: 309: 131: 122: 498:is the first full-length studio album by 108:Learn how and when to remove this message 1457: 1406: 1358: 1090: 1007: 816: 1608: 1576:of "Liquid" appears on the band's 2003 1344:Adrian Belew's Studio – mixing location 1299:– producers (2–7, 9, 10), art direction 167:The Icebox Studio, Glendale, California 1630:. Crossrhythms.co.uk. December 1, 1995 1616:https://www.allmusic.com/album/r224576 1355:Album charts & RIAA certifications 1708:"Jars of Clay, "Jars of Clay" Review" 1278:Mancy A'lan Kane – backing vocals (9) 1234:Jeff Borders – arrangements (2, 3, 9) 335: 170:Battery Studios, Nashville, Tennessee 120:1995 studio album by Jars of Clay 7: 2510:Essential Records (Christian) albums 2269:Collide" / "No One Loves Me Like You 1154:Deluxe Bundle which was released on 1075:Track 11 originally appeared on the 173:Recording Arts, Nashville, Tennessee 46:adding citations to reliable sources 1332:Tamara Reynolds – cover photography 1158:. The Vinyl was also sold on their 1085:Vibe Central: The Essential Remixes 951:Haseltine, Bronleewe, Lowell, Mason 937:Haseltine, Bronleewe, Lowell, Mason 923:Haseltine, Bronleewe, Lowell, Mason 909:Haseltine, Bronleewe, Lowell, Mason 891:Haseltine, Bronleewe, Lowell, Mason 392: 356: 176:Texana Studio, Nashville, Tennessee 785:, as well as mainstream acts like 14: 1341:Battery Studios – mixing location 463: 1670:Browne, David (April 12, 1996). 1320:Wade Jaynes – assistant engineer 1308:Jon Easterling – engineer (1–10) 1243:– mandolin (3, 4), fiddle (4, 7) 1237:John Catchings – cello (2, 3, 9) 1189:, acoustic piano, backing vocals 1083:Track 12 originally appeared on 1061:Haseltine, Odmark, Lowell, Mason 997:Haseltine, Odmark, Lowell, Mason 983:Haseltine, Odmark, Lowell, Mason 969:Haseltine, Odmark, Lowell, Mason 482: 477: 472: 467: 462: 436: 431: 426: 421: 416: 411: 406: 401: 396: 391: 375: 370: 365: 360: 355: 22: 2520:Albums produced by Adrian Belew 2014:11Live: Jars of Clay in Concert 1757:. Jarchives.com. Archived from 564:, and were included in several 33:needs additional citations for 2063:Gather and Build: A Collection 1317:Stephen Leiweke – engineer (6) 1293:Adrian Belew – producer (1, 8) 1272:Pamela Sixfin – violin (5, 10) 1195:– acoustic guitar, programming 1100: 1014: 823: 729:and longtime involvement with 315:Commemorative platinum release 1: 2197:Five Candles (You Were There) 1314:Charlie Lowell – engineer (6) 1281:Carl Gorodetzky – violin (10) 1216:Tim Smith – drums, percussion 1205:, bass guitar, backing vocals 1137:The album was re-released as 1058:"Flood" (Savage Flavor Remix) 1009:Japanese release bonus tracks 856:, Josh Cougle, Miguel DeJesus 1338:Miguel DeJesus – inspiration 1323:JB – mixing (3, 5, 6, 9, 10) 1269:Jim Grosjean – viola (5, 10) 587:during their senior year of 182:Studio, Greenville, Illinois 2433:The Long Fall Back to Earth 2000:The White Elephant Sessions 1929:The Long Fall Back to Earth 1672:"Christian rock: A look at 1263:Craig Nelson – bass (5, 10) 797:. This resulted in a small 2536: 2392:God Will Lift Up Your Head 1961:The Essential Jars of Clay 1179:– lead vocals, programming 580:, which was recorded as a 1814: 1501:"Love Song for a Savior" 1420: 1335:Josh Cougle – inspiration 1275:Marianne Osiel – oboe (9) 1266:Bob Mason – cello (5, 10) 1123: 1112: 1104: 1054: 1045:Katherine Kennicott Davis 1029: 1021: 1018: 990: 976: 958: 944: 930: 916: 898: 884: 863: 838: 830: 827: 533:" which were produced by 343: 340: 324: 320: 308: 304: 295: 258: 130: 57:"Jars of Clay" album 1598:"Liquid" (Album Version) 1329:Lester Phillips – design 888:"Love Song for a Savior" 783:Sixpence None the Richer 1710:. Jesusfreakhideout.com 1683:| Entertainment Weekly" 1454:Christian radio singles 1428:Mainstream Rock Tracks 1404:(North America) - 1996 1681:Take Me to Your Leader 1444:The Billboard Hot 100 1755:"Info about Platinum" 1595:"Liquid" (Radio Edit) 1139:Jars of Clay Platinum 1093:Jars of Clay Platinum 681:included the phrase " 670:Toad the Wet Sprocket 2097:Blood: Water Mission 2056:Live at Gray Matters 1210:Additional musicians 1201:– acoustic guitar, 1160:The Rewind Tour 2010 448:Entertainment Weekly 331:Professional ratings 42:improve this article 2505:Jars of Clay albums 2414:Dead Man (Carry Me) 1761:on February 6, 2012 1436:Modern Rock Tracks 1096: 1010: 819: 458:Jesus Freak Hideout 332: 2353:Who We Are Instead 2341:Whatever She Wants 1953:Compilation albums 1901:Who We Are Instead 1731:"Faith Under Fire" 1560:Greenville College 1377:RIAA certification 1091: 1035:Little Drummer Boy 1008: 817: 805:Christian groups. 649:Greenville College 330: 300:Alternative covers 180:Greenville 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of Clay, 1666: 1663: 1658: 1657: 1656:Cross Rhythms 1652: 1645: 1642: 1629: 1623: 1620: 1617: 1612: 1609: 1602: 1597: 1594: 1593: 1590:Track listing 1589: 1587: 1585: 1584: 1579: 1575: 1571: 1567: 1566: 1561: 1557: 1553: 1549: 1541: 1536: 1529: 1526: 1523: 1522: 1518: 1515: 1511: 1508: 1507: 1503: 1500: 1497: 1496: 1492: 1489: 1486: 1485: 1481: 1478: 1474: 1471: 1470: 1466: 1463: 1460: 1459: 1456: 1455: 1446: 1443: 1442: 1438: 1435: 1434: 1430: 1427: 1424: 1419: 1415: 1412: 1409: 1408: 1405: 1403: 1399: 1391: 1388: 1385: 1382: 1381: 1378: 1375: 1370: 1366: 1361: 1360: 1357: 1356: 1349: 1343: 1340: 1337: 1334: 1331: 1328: 1325: 1322: 1319: 1316: 1313: 1310: 1307: 1304: 1303:Robert Beeson 1301: 1298: 1295: 1292: 1291: 1289: 1288: 1280: 1277: 1274: 1271: 1268: 1265: 1262: 1259: 1256: 1252: 1249: 1246:Sam Levine – 1245: 1242: 1239: 1236: 1233: 1230: 1227: 1224: 1221: 1218: 1215: 1214: 1212: 1211: 1204: 1200: 1199:Stephen Mason 1197: 1194: 1191: 1188: 1184: 1181: 1178: 1177:Dan Haseltine 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"Jars of Clay" album
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Studio album
Jars of Clay
Greenville College
Genre
Alternative rock
Christian rock
Label
Essential
Silvertone
Producer
Adrian Belew
Jars of Clay
Frail (demo)
Drummer Boy EP

AllMusic
Cross Rhythms
Entertainment Weekly

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