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143:. At the age of seventeen he enrolled in the newly created Colegio de Pintores, In 1622, he married Jerònima de Castro, the daughter of a local merchant. The following year, he began a long series of commissions; many of them portraits of the nobility.
498:
García Mahíques (1995). «Jerónimo
Jacinto de Espinosa y la iconografía de San Ignacio en la Casa Profesa de Valencia». Archivo Español de Arte (Spanish Arts Archive) LXVIII (271). p. 271-282
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172:. Portraits of individual saints were another popular subject. All of his works are signed and dated, making it easy to trace his creative development.
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127:, who had relocated to that area and gotten married there in 1596. He was the third child, of six. His family returned to Valencia in 1612.
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Obras del Museo de Bellas Artes de
Valencia. Madrid : Museo de Bellas Artes de Valencia, Fundación Central Hispano,
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He began his artistic training in his father's workshop, where he produced a precocious painting of
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150:, especially in his religious compositions. Ribalta's influence continued to be apparent, however.
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An account of the lives and works of the most eminent
Spanish painters, sculptors and architects
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431:
ABC. "La Gloria del
Barroco" permite atribución de un lienzo a Jacinto de Espinosa, 2009–2010.
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297:) (315 x 270 cm.), firmado y fechado en 1661, Museo de Bellas Artes de Valencia
358:), (108 x 96 cm.), Ayuntamiento de Valencia, Museo de la Ciudad (City Museum).
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Toward the end of his career, he received a series of commissions from the
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120:
374:) (1667), 270 x 192 cm., Colegio del Corpus Christi de Valencia
364:, (1665), 315 x 226 cm., Museo de Bellas Artes de Valencia.
256:) (1653), 384 x 227 cm., Museo de Bellas Artes de Valencia.
240:), (1621), 425 x 298 cm, Museo de Bellas Artes de Valencia.
348:, (1662), 360 x 350 cm, Lonja de Valencia, The Golden Hall
168:
and the "Virgin and Child on a Throne with Angels", now in the
262:(1655), Museo de Bellas Artes de Valencia (315 x 221 cm.)
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In his later years, he was heavily influenced by the works of
179:. In 1665, he working on the main altar at the church of the
332:), (around 1659 and 1662), 203 x 101, University of Valencia
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Apparition of the Virgin by the
Venerable Jerónimo Calmell
230:) (205 x 112 cm.), Museo de Bellas Artes de Valencia.
322:(1660), 225 x 172 cm., Museo de Bellas Artes de Valencia
272:) (1657), 315 x 221 cm, Santa María church, Morella
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Many of his most notable works were depictions of the
119:(18 July 1600 – 20 February 1667) was a Spanish
307:) (245 x 314 cm.), Museo de Bellas Artes de Valencia.
450:, 1724, first English translation, 1739, p. 105
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Aparición de la Virgen al venerable Jerónimo
Calmell
246:, (1634), 207 x 130, Kingston Lacy, colección Bankes
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305:Apparition of Saints Peter and Paul at Constantine
455:Los Ribalta y la pintura valenciana de su tiempo.
244:Retrato de don Felipe Vives de Cañamás y Mompalau
301:Aparición de San Pedro y San Pablo a Constantino
287:) (1660), 168 x 136 cm, private collection.
326:Retrato del Padre Fray José Sanchís, Mercedario
157:, including an "Our Lady of the Rosary" at the
295:Apparition of the Virgin at San Pedro Nolasco
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468:Benito Doménech, Fernando, et alii (1996).
346:La Inmaculada con los jurados de la ciudad
291:Aparición de la Virgen a San Pedro Nolasco
187:; parts of which are now conserved at the
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368:Martirio de San Leodicio y Santa Gliseria
177:Order of the Blessed Virgin Mary of Mercy
485:Jerónimo Jacinto de Espinosa (1600-1667)
320:Milagroso hallazgo de la Virgen del Puig
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372:Martyr of Saints Leodicius and Glyceria
159:Basilica of Our Virgin of the Homeless
540:Painters from the Valencian Community
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123:painter. His father was the painter
487:. Valencia: Museo de Bellas Artes.
470:Cinco siglos de pintura valenciana.
330:Portrait of Padre Fray José Sanchís
16:Spanish Baroque painter (1600–1667)
483:Pérez Sánchez, Alfonso E. (2000).
453:Benito Doménech, Fernando (1987).
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342:) (1660), University of Valencia
189:Museu de Belles Arts de València
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457:Madrid : Museo del Prado,
228:Portrait of Father Jerónimo Mos
224:Retrato del padre Jerónimo Mos
125:Jerónimo Rodriguez de Espinosa
35:Jerónimo Jacinto de Espinosa,
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550:17th-century Spanish painters
405:García Mahiquez, p. 271 y ss.
423:Pérez Sánchez (2000), p. 190
414:Pérez Sánchez (2000), p. 176
260:Milagros de San Luis Beltrán
117:Jerónimo Jacinto de Espinosa
23:Jerónimo Jacinto de Espinosa
139:, showing the influence of
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394:Gran Enciclopèdia Catalana
250:Muerte de San Luis Beltrán
254:Death of San Luis Beltrán
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545:Spanish Baroque painters
362:Comunión de la Magdalena
356:Coronation of the Virgin
196:Convent of Santo Domingo
352:Coronación de la Virgen
194:He was interred at the
238:Vision of St. Ignatius
200:Vicente Salvador Gómez
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555:Spanish male painters
535:Artists from Valencia
234:Visión de San Ignacio
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509:Valencia Art exhibit
315:Jacobus de Voragine
212:Gaspar de la Huerta
276:Virgen con el Niño
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111:Sacrifice of Isaac
560:Catholic painters
391:Biography in the
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75:(1667-02-20)
59:18 July 1600
43:, 1651-1652.
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530:1667 deaths
525:1600 births
270:Last Supper
266:Última Cena
162: [
88:Nationality
41:interceding
519:Categories
379:References
340:Immaculate
336:Inmaculada
96:Occupation
63:Cocentaina
55:1600-07-18
181:capuchins
81:Valencia
121:Baroque
91:Spanish
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210:, and
99:artist
37:Saint
166:]
489:ISBN
474:ISBN
459:ISBN
109:The
70:Died
49:Born
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