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259:. His interest in Literary Theory is extensive; main areas of focus include: Marxist theory, Nietzsche and modernity, Freud, and gender and sexuality. Current research includes work on cities in literature and a history of the Devil; with reference to Freud, Blake and Dostoevsky.
301:(London: Macmillan, 1995) 7 Versions of two chapters from this appeared in Essays in Criticism: one chapter, on Great Expectations, has been reprinted in four separate anthologies of Dickens criticism: by editors Roger Sell; Steven Connor; Michael Cotsell; Michael Hollington.
233:, a position he held for over 18 years. He is interested in education at all levels, is a prison-visitor, and likes critical approaches which question disciplinary limits in the humanities and social sciences.
277:(Cambridge: C.U.P. 1988) An excerpt was reprinted in the anthology "Classical and medieval Criticism published Gale Research Press, 1989, in their "Literary Criticism" series.]
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Tambling has a broad background in teaching ranging from
Comprehensive Schools in England to lecturing, and then Professorship in Comparative Literature, at the
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explored
Dickens’s interest in the penal system and also developed the concept of the ‘docile body’. It was published in four collections of Dickens criticism.
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to Cinema. More specifically he has published books on Blake, Dickens and the nineteenth-century and cities within literature. Publication of his book
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until
December 2013. His most recent position is Professor of English at the University of Social Sciences and Humanities, Warsaw (2019).
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Lindenberger, Herbert; Tambling, Jeremy; Tanner, Michael (1997). "Opera and the
Culture of Fascism".
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Hölderlin and the Poetry of
Tragedy: Readings in Sophocles, Shakespeare, Nietzsche and Benjamin
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He has won a number of awards for his scholarship including research grants for his work on
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at Essex
University in "Vo significando: The Heuristic Art of Dante’s Commedia" in 1985.
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is a
British writer and critic. He was Professor of Comparative Literature at the
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in "The
Intellectual and Cultural Milieu of Dickens’s Novels" in 1973, and his
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190:(1996) was met by a number of distressed voices from the operatic world.
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His expertise ranges from Dante to
Dickens, Anachronism to Allegory and
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Tambling has produced many articles and written many books. His article
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Allegory and the Work of
Melancholy: The Late Medieval and Shakespeare
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The Palgrave Handbook to Literature and the City. ed. Jeremy Tambling
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Jeremy Tambling spent much of his youth in South-East London, at
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and is a recurring face on the conference scene; four times on
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Histories of the Devil: From Marlowe to Mann and the Manichees
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Dickens' Novels as Poetry: Allegory and Literature in the City
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Dickens, Violence and the Modern State: Dreams of the Scaffold
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from the article and its talk page, especially if potentially
20:
390:
On Reading the Will: Law and Desire in Literature and Music
349:(Hong Kong: Hong Kong University Press, January 2007).
515:. Manchester: Manchester University Press. pp.
347:
Madmen and Other Survivors: Reading Lu Xun’s Fiction
317:
Lost in the American City: Dickens, James and Kafka
148:until 2006 and then Professor of Literature at the
508:
438:Dickens, Nicholas Nickleby, and the Dance of Death
374:(the New Critical Idiom) (London: Routledge 2009).
398:(Manchester: Manchester University Press 2013).
380:(Manchester: Manchester University Press 2010).
271:(Manchester: Manchester University Press 1987).
331:(Hong Kong: Hong Kong University Press 2003).
275:Dante and Difference: Writing in the Commedia
8:
295:(Milton Keynes: Open University Press 1991).
283:(Milton Keynes: Open University Press 1988).
58:about living persons that is unsourced or
557:Academics of the University of Manchester
174:Tambling’s literary interests range from
129:Learn how and when to remove this message
368:(Hong Kong: Hong University Press 2009).
450:
392:(Brighton: Sussex Academic Press 2012).
287:Confession: Sexuality, Sin, the Subject
567:Alumni of the University of Nottingham
210:in 1969, where a major influence was
7:
384:Dante in Purgatory: States of Affect
289:(Manchester University Press 1990).
202:. He received his Bachelor of Arts
572:People educated at Dulwich College
366:Walking Macao: Reading the Baroque
343:(London: Palgrave/Macmillan 2004).
325:(Edinburgh University Press 2001).
244:Prison-bound: Dickens and Foucault
14:
562:Alumni of the University of York
359:Going Astray: Dickens and London
353:Re-Verse: Turning Towards Poetry
305:Opera and the Culture of Fascism
263:Publications (single authorship)
188:Opera and the Culture of Fascism
25:
307:(Oxford: Clarendon Press 1996).
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396:Literature and Psychoanalysis
329:Wong Kar-wai's Happy Together
423:. Palgrave Macmillan. 2017.
404:(Sussex Academic Press 2014)
311:Henry James: Critical Issues
36:biography of a living person
319:(New York: Palgrave, 2001).
63:must be removed immediately
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440:(London: Routledge, 2019).
313:(London: Macmillan, 2000).
281:What is Literary Language?
507:Tambling, Jeremy (1987).
386:(Turnhout: Brepols 2010).
337:(Amsterdam: Rodopi 2004).
16:British writer and critic
511:Opera, Ideology and Film
410:(London: Palgrave 2017).
355:(London: Longman, 2007).
269:Opera, Ideology and Film
220:University of Nottingham
150:University of Manchester
361:(London: Longman 2008).
231:University of Hong Kong
146:University of Hong Kong
341:Blake's Night Thoughts
293:Narrative and Ideology
194:Education and teaching
50:Please help by adding
56:Contentious material
323:Becoming Posthumous
214:. He completed his
208:University of York
416:(Routledge 2014).
364:(With Louis Lo):
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445:References
89:newspapers
253:Nietzsche
206:from the
176:Boccaccio
171:in 2012.
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372:Allegory
257:Nihilism
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