90:). In the classic type, one poet poses a dilemma question in the opening stanza, his or her partner picks a side (the 'part') in the second stanza, which replicates the versification of the first and is sung to the same melody. Typically, the jeu-parti has six stanzas, with the two interlocutors alternating stanza by stanza. Many jeux-partis also have final partial stanzas in which one or both of the interlocutors appoint judges and call for judgement. The outcome, however, is virtually never given within the jeu-parti itself and would have been the subject of audience discussion after the jeu-parti's performance. The form was particularly associated with the
30:
217:
composers made great use of proverbs and metaphors in their poetry. These often relate to medieval life in the court or the city, referring to hunting, money or the market place. Many
452:
213:. Some songs debate the different ways to win a lady with whom the poet has not yet had sexual union; other poems discuss which scenarios are preferable for sexual congress.
370:
227:, short dilemma questions (normally followed by a yes or no answer) that are found in manuscripts from the early fourteenth century. Although manuscripts containing
341:
1118:
438:
105:
composers fall into different regional and historical groups. Early examples of the genre were composed by aristocratic trouvères such as
1113:
882:
780:
474:
445:
177:) or a female judge. Aristocratic female judges include the sisters Jeanne and Mahaut d'Aspremont (respectively the Countess of
1047:
587:
154:
313:
Capital, Value and
Exchange in the Old Occitan and Old French Tenson (Including the Partimen and the Jeu-Parti)
118:
138:
1108:
223:
38:
106:
1002:
857:
636:
632:
277:
A. Långfors, A. Jeanroy and L. Brandin, eds.: Recueil général des jeux-partis français (Paris, 1926)
197:. Their involvement speaks to the importance of women as active, critical audiences of this genre.
162:
142:
283:
M. F. Stewart: 'The
Melodic Structure of Thirteenth-Century "Jeux-partis,"' AcM, li (1979), 86–107
401:
364:
174:
166:
130:
987:
957:
796:
697:
335:
110:
892:
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770:
623:
393:
178:
150:
146:
76:
1027:
967:
877:
775:
702:
687:
1017:
562:
173:
were composed by men, some feature a female interlocutor (one, attributed spuriously, to
209:
are about love, but are not restricted to the high-register discussion of love found in
169:, to merchants, clerics, and mysterious figures named only by a nickname. Although most
125:
were composed by poets from Arras, who were from a range of social backgrounds, notably
256:
190:
186:
91:
1102:
1007:
962:
897:
837:
661:
542:
502:
482:
405:
286:
S. N. Rosenberg: 'Jeu-parti,’ Medieval France: an
Encyclopedia (New York, 1995), 495.
134:
114:
193:, who was the wife of a wealthy Artesian financier and appears as the judge of five
932:
867:
628:
497:
126:
66:
355:
Eglal Doss-Quinby, Joan Tasker
Grimbert, Wendy Pfeffer, Elizabeth Aubrey (2001).
1067:
982:
942:
887:
723:
692:
651:
646:
592:
537:
210:
71:
430:
327:
280:
J. H. Maillard and J. Chailley: Anthologie de chants de trouvères (Paris, 1967)
1077:
1072:
1052:
937:
922:
602:
597:
582:
532:
522:
1057:
1032:
977:
842:
733:
572:
552:
487:
17:
94:. Over 200 examples survive, of which around 180 are in the classic form.
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997:
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947:
917:
812:
754:
666:
656:
547:
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182:
79:
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567:
512:
397:
29:
902:
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63:
153:. The genre also flourished in Lorraine, with surviving examples by
1042:
992:
952:
927:
907:
749:
577:
557:
527:
507:
59:
28:
852:
718:
434:
185:), Jeanne de Fouencamp, who may have been associated with the
161:
range in social class from high-born aristocrats, such as
261:
Les origines de la poésie lyrique en France au Moyen-Age
830:
805:
789:
763:
742:
711:
675:
616:
473:
466:
37:with music and an illustration in the 13th-century
384:Gally, Michèle (1987). "Le Chant et la Dispute".
243:and were formalised and elaborated musically by
189:, and Demisele Oede, also associated with the
446:
315:. PhD Diss., Columbia University. p. 51.
291:Parler d'amour au puy d'Arras: Lyrique en jeu
8:
369:: CS1 maint: multiple names: authors list (
340:: CS1 maint: numeric names: authors list (
470:
453:
439:
431:
326:See f. 169v of Rome, BAV. Reg. lat. 1522.
359:. Yale University Press. pp. 32–33.
303:
421:Les demandes d'amour: Ă©dition critique
362:
333:
7:
221:share their dilemma question with
25:
419:Felberg-Levitt, Margaret (1995).
268:La poésie lyrique des troubadours
883:Cantigas de escárnio e maldizer
781:Cantigas de escárnio e maldizer
157:and Roland of Reims. Judges of
423:. Montréal: CERES. p. 10.
1:
1119:Western medieval lyric forms
461:Western medieval lyric forms
357:Songs of the Women Trouvères
328:"Manuscript Reg. lat. 1522"
235:, it is possible that many
1135:
1114:Medieval French literature
270:(Toulouse and Paris, 1934/
201:Topics of the jeux-partis
75:. It is a cognate of the
139:Gillebert de Berneville
311:Matheis, Eric (2014).
41:
831:By alphabetical order
467:By regional tradition
263:(Paris, 1899, 3/1925)
69:composed between two
32:
107:Thibaut de Champagne
764:Galician-Portuguese
163:Edward I of England
39:Chansonnier d'Arras
398:10.1007/BF00209735
175:Blanche of Castile
167:Charles I of Anjou
131:Jehan de Grieviler
119:John I of Brittany
42:
1096:
1095:
988:Petrarchan sonnet
826:
825:
698:Petrarchan sonnet
155:Thibaut II of Bar
111:Raoul de Soissons
16:(Redirected from
1126:
893:Chanson de toile
873:Cantiga de amigo
771:Cantiga de amigo
624:Chanson de toile
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293:(Orléans, 2004).
266:Alfred Jeanroy:
224:demandes d'amour
181:and the Dame de
151:Adam de la Halle
147:Gilles le Vinier
54:, also known as
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1028:Sicilian octave
878:Cantiga de amor
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289:Michèle Gally,
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239:existed before
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141:, the brothers
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98:Chief exponents
82:(also known as
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257:Alfred Jeanroy
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24:
14:
13:
10:
9:
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3:
2:
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1109:French poetry
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963:Maldit-comiat
961:
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898:Cobla esparsa
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549:
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543:Maldit-comiat
541:
539:
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534:
531:
529:
526:
524:
521:
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516:
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509:
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503:Cobla esparsa
501:
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496:
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483:Alba (poetry)
481:
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386:Argumentation
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274:), ii, 247–81
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135:Lambert Ferri
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97:
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68:
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61:
57:
53:
49:
48:
40:
36:
31:
27:
19:
1018:Salut d'amor
933:Formes fixes
629:Formes fixes
563:Salut d'amor
420:
414:
389:
385:
379:
356:
350:
321:
312:
306:
290:
271:
267:
260:
251:Bibliography
244:
240:
236:
232:
228:
222:
218:
214:
206:
204:
194:
170:
158:
127:Jehan Bretel
122:
102:
101:
87:
83:
70:
67:lyric poetry
55:
51:
46:
45:
43:
34:
26:
1068:Trobar clus
983:Pastourelle
943:Grand chant
888:Cerdd dafod
724:Cerdd dafod
693:Ottava rima
652:Pastourelle
647:Grand chant
593:Trobar clus
392:: 379–395.
247:composers.
241:jeux-partis
233:jeux-partis
219:jeux-partis
211:grand chant
207:jeux-partis
195:jeux-partis
187:Puy d'Arras
171:jeux-partis
159:jeux-partis
123:jeux-partis
92:Puy d'Arras
52:jeux-partis
18:Jeux partis
1103:Categories
1078:Trobar ric
1073:Trobar leu
1053:Torneyamen
923:Ensenhamen
603:Trobar ric
598:Trobar leu
583:Torneyamen
523:Ensenhamen
298:References
115:Gace Brulé
88:joc partit
1058:Traethodl
1033:Sirventes
978:Pastorela
843:Arlabecca
734:Traethodl
573:Sirventes
553:Pastorela
488:Arlabecca
406:144108197
365:cite book
245:jeu-parti
231:postdate
215:Jeu-parti
179:Leiningen
143:Guillaume
103:Jeu-parti
72:trouvères
47:jeu-parti
35:jeu-parti
1038:Tagelied
1013:Rondelet
998:Reverdie
973:Partimen
958:Madrigal
948:Kyrielle
918:Devinalh
813:Kyrielle
797:Madrigal
755:Tagelied
667:Rondelet
657:Reverdie
548:Partimen
538:Lo Boièr
518:Devinalh
336:cite web
237:demandes
229:demandes
183:Commercy
80:partimen
50:(plural
1088:Virelai
1083:Viadera
1063:Triolet
1048:Tornada
1023:Sestina
1003:Rondeau
913:Descort
863:Ballata
858:Ballade
818:Triolet
790:English
683:Ballata
676:Italian
641:Virelai
637:Rondeau
633:Ballade
608:Viadera
588:Tornada
568:Sestina
513:Descort
475:Occitan
121:. Many
77:Occitan
58:) is a
56:parture
1008:Rondel
968:Octave
903:Cywydd
848:Aubade
806:others
743:German
729:Cywydd
688:Octave
662:Rondel
617:French
493:Aubade
404:
149:, and
84:partia
64:French
1043:Tenso
993:Planh
953:Leise
928:Enuig
908:Dansa
868:Canso
750:Leise
712:Welsh
578:Tenso
558:Planh
528:Enuig
508:Dansa
498:Canso
402:S2CID
205:Most
60:genre
853:Awdl
838:Alba
719:Awdl
371:link
342:link
165:and
145:and
117:and
44:The
938:Gab
533:Gab
394:doi
191:Puy
86:or
62:of
1105::
639:,
635:,
400:.
388:.
367:}}
363:{{
338:}}
334:{{
259:,
137:,
133:,
129:,
113:,
109:,
33:A
643:)
631:(
454:e
447:t
440:v
408:.
396::
390:1
373:)
344:)
330:.
272:R
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
