920:, Riobaldo seems to reason that nothing ever is nor remains, but inside everything is its potential negation, which might easily suppress its anterior positive form. This fact is recounted several times by Riobaldo, often in sensorial metaphors, such as his description of poisonous rocks lying in the bottom of a clear river, or the stories he recounts of good men becoming vile and vile men becoming good. To her, the pact must be seen, in accordance with his perception, as an agreement with evil that results in great accomplishments and personal growth and a subsequent approximation towards God.
752:, another journey is recounted, following step by step the march of the travelers: that of a message given by the very backlands that is spread unpretensiously, much in the manner of an anecdote, by the marginal members of the region's society. First heard from a hill by a madman who lives in the caves of the backlands, he recounts the message to his brother, an impoverished traveler, who, by his turns, tells the message to a child. /The child proceeds to tell the message to a travel guide, the guide to a prophetic hermit, who takes it to be a sign of the
726:, although authorized by the author himself, breaks the original structure of the book, whose complexity is often remarked. The very name of the collection points to this fact: the "corps de ballet" it refers to are the conjunction of symbols and ideias that figure repeatedly across the seven short-novels, reappearing here and there in this or that manner in order to gain yet another level of meaning. This "dancing" of motifs and metaphors takes place inside and outside of the stories. Among them, Rosa notably elects figures from
31:
896:
431:
931:, to retrieve that which has been irrevocably lost and attach personal meaning to it. Reality, therefore, becomes only a linguistic construction, made possible by the interaction of two persons. The novel closes with the sentence: “Travessia. O homem humano.” (“Crossing. The human human-being.”) followed by the symbol of infinity, a nod to the never-ending extension of life and its retelling.
1891:
980:(“These Stories”), another collection of short-novels, and ‘’Ave, Palavra’’ (a pun on the double-meaning of the word “ave”, which signifies both bird and an archaic salutation, being translated literally as “Bird, Word” or “Hail, Word”), a work of miscellany, compromising short-stories, poems, journal entries and travel notations.
669:" ("even though by a cudgel"), and engages vigorously in farm working and good deeds and finds the companionship and friendliness of the jagunço leader Seu Joaõzinho Bem-Bem, who, reckoning the man's vocation to arms, invites him to his group, an offer which Nhô Augusto refuses in order to comply with his wish of ascending towards
962:. The story, addressing the themes peculiar to Rosa's oeuvre and told in first person from the point of view of an observer, recounts the absurd event of a man who decides to live inside a boat in the middle of a water stream, giving no explanation for his actions nor achieving, apparently, anything with it.
864:
viewed it as an act of self-assurance, a symbolic deed by which
Riobaldo can take hold of himself and of all his potential, something which allows him to become a powerful warrior who can extend vastly the power of his gang and avenge the betrayal of Joca Ramiro. In this, Candido insists, the pact is
764:
One can see here an illustration by Guimarães Rosa of how he himself understood his writing. Rosa intervenes the descriptions of the landscapes found by the German man's expedition with the successive versions of the story that the madmen, the child and finally the poet retell. Thus, he describes how
760:
Pedro, a handsome and viril man, is altogether hated for the relations he maintains with the wives of the other sertanejos. The men who he has fooled intended to have their revenge by letting him drunk and subsequently murdering him. Upon listening to the ballad, Pedro Orósio understands its hermetic
516:
in spite of the author's talent and the many beauties of the collection, he thought that the uneven quality of the stories and their often exaggeratedly long passages resulted in a work that was incoherent and immature. Guimarães Rosa extenuously reviewed his work, until finally considering it ready
892:, to whom he refers as a “demoniac love”, and Otacília, an ordinary beauty from the backlands, a godly love for times of peace. He has the company of Diadorim for most of his life, though their love remains unconsummated, but unites with Otacília only once his days as a jagunço are over and behind.
756:
and lavishly repeats the message to a city's congregation; it is then heard by a neurotic man who, finally, recounts it to the poet and singer
Laudelim. Each time the message is told, its conveyors slightly alter its contents, until the poet ultimately gives it the form a mythical ballad, which he
655:
of a worldly man, it recounts the redemption of a wealthy farm-owner named
Augusto Esteves, or Nhô Augusto, a vicious person likened to all sorts of debauchery, who is betrayed and beat to nearly death, being finally left stranded in the deserted backlands and marked with a branding iron. Two old
915:
The matter of the
Diadorim's identity is highly problematic. Though a woman, Diadorim passes off as a man, under the name of Reinaldo, to enter the male-exclusive world of the jagunços. Her true gender is only revealed to Riobaldo after her death. This points to a frequent theme of Riobaldo's
681:
in search of his “time and turn”. His demand only finds completion through a fight to death with the very leader of jagunços he once befriended. It is through a violent insurgence against what he sees as an unjust deed performed by the jagunços that Nhô Angusto ascends to a
660:
rescue him and give him cares in their house; during his convalescence, a priest administers blessings to him and promises the violated man that all persons are intended to a particular and decisive moment of salvation. Once cured, he proclaims his wish to go to
374:; I dabbled in others. But all at a very basic level. And I think that studying the spirit and the mechanism of other languages helps greatly to more deeply understand the national language . In general, however, I studied for pleasure, desire, distraction
547:
for “in the manner of”), thus translating as “(stories) in the manner of folk legends”. The book is composed of nine short-novels, three less than the original version submitted to the contest eight years earlier. All of these find their setting in the
615:”, where mystical lore of popular witchcraft and the vividness of nature are blended together) and animals, especially bird flocks and groups of cattle, populate the pages of the book, not only in an attempt to capture the backdrop of the geographic
1432:
635:("The Brindled Donkey"), for example, contains anthological passages where Rosa intensely manipulates the sonority of the sentences, whether mimicking the metric of the traditional verse-form of the popular songs of the sertão or employing
524:, Rosa's style vastly differs from that of Ramos. The latter's succinct, dry expression is in harsh contrast with the former's exuberance of detail and quality of language, rich in vocabulary and adventurous in its exploration of the
801:
by the jagunço
Riobaldo, who details his life to an educated listener, whose identity, while unknown, defines him as an urban man. Riobaldo mixes the wars of the jagunços, which form the most straightforward part of the novel's
676:
Rosa later describes a scene where the explendour of nature is revealed to him through the bright colors of the flowers and the liberty of the birds. Affected by this revelation, Augusto departs to wander through the
1425:
1318:
See a letter from Rosa to
Edoardo Bizzarri, his Italian translator, commenting the foreign titles of his works in: ‘’João Guimarães Rosa: correspondência com seu tradutor italiano, Edoardo Bizzarri’’, Editora UFMG,
272:, the first of six children of Florduardo Pinto Rosa (nicknamed "seu Fulô") and Francisca Guimarães Rosa ("Chiquitinha"). He was self-taught in many areas and studied several languages from childhood, starting with
643:
and juxtaposing several words that relate to the field of cattle breeding to textually recreate the sounds of the passing herds. Rosa would sustain and develop these characteristics through his later work.
1418:
2675:
395:
On June 27, 1930, he married Lígia Cabral Penna, a sixteen-year-old girl, with whom he was to have two daughters, Vilma and Agnes. In that same year, he graduated and began his medical practice in
881:, sees the pact as an attempt by Riobaldo to socially ascend from his condition of a poor jagunço to the upper class of the rich farmers, an ascension which is the actual conclusion of the book.
2906:
504:, his only volume of verse, “Magma”, was relinquished by the author and was only published posthumously. In turn, Rosa began pursuing a literary career by inscribing a collection of twelve
1309:
This interpretation was verbally presented by the critic José Miguel Wisnik in his presentation during the “Infinitamente Rosa” event on
September 14, 2016 at the University of São Paulo.
427:
in the position of Doctor of the 9th
Infantry Battalion. Rosa later recalled that the experiences from his time as a doctor and a soldier were significant for his formation as a writer.
244:, "Grande Sertão: Veredas" was named among the best 100 books of all time. Rosa also published four books of short stories in his lifetime, all of them revolving around the life in the
3223:
1249:
3394:
719:, translating reasonably as “Big Manuel and Little Miguel”); and, “No Urubuquaquá, no Pinhém” (“In the Urubuquaquá, in the Pinhém”, the names being locations in the stories).
2031:
848:, which he proclaims as the reason for his telling his life-story, as he expects, albeit ironically so, an answer from his listener: whether or not the Devil, and therefore
1150:
1811:
700:(roughly, "Corps de Ballet"), published then years later, in 1956. For the second edition, the collection was divided into three parts, now usually published separatedly:
761:
symbolism to refer to himself and his pretentious men, which proves to be correct, and he is capable of saving his life after being warned by the "message of the hill".
477:) in his second candidacy. After postponing his acceptance for four years, he finally assumed his position in 1967, just three days before passing away in the city of
3354:
730:
to compose and ordinate the plots and the relations between themselves, crafting a book-long sequence of a single meaning. Such progress is mimicked by the story
2858:
765:
a certain knowledge presented in nature is captured and mysteriously understood by those naïve or lunatic figures – something which is further established in
1190:
1168:"100 prominent authors from more than 50 different nations have elected The Library of World Literature: 'The 100 Best Books in the History of Literature'"
3384:
3093:
757:
sings at a party attended by the expedition members. Only then it becomes clear that the message all along was a warning to their leader, Pedro Orósio.
3349:
1669:
3282:
3389:
2821:
1734:
591:–, employing regional terms and variations of words, as well as borrowing their traditions and customs. Furthermore, he takes advantage of the
2999:
3364:
389:
146:
512:. The older writer denied him the first prize. Ramos himself later explained his devaluation of the first drafts of a work later known as
3359:
3047:
451:
3404:
3374:
734:("Message from the Hills"), which, accordingly, occupied the middle of the book, being the fourth story in the original publication.
1398:
1365:
1277:
1028:
1113:
3399:
2458:
1147:
3369:
2864:
2360:
2272:
1967:
2237:
3276:
3205:
2882:
2853:
2815:
1816:
1740:
1470:
1132:
3211:
388:, but soon returned to Belo Horizonte, where he graduated. In 1925, at only 16, he enrolled in the College of Medicine of
42:
1246:
3076:
2722:
2616:
1535:
1476:
1442:
744:
itself. In the story, a group of five sertanejos is escorting a German naturalist in an expedition through the state of
470:
404:
223:, taking inspiration from the spoken language of the Brazilian backlands. For its profoundly philosophical themes, the
3379:
3011:
2504:
2278:
951:
455:
3158:
3129:
2751:
2469:
2155:
2049:
3111:
2792:
2446:
2372:
2067:
1984:
1781:
1764:
1675:
1646:
628:
3287:
2993:
2768:
1996:
1919:
3123:
2337:
2043:
1879:
1752:
785:
253:
207:
3082:
1187:
3311:
3140:
3134:
3017:
2343:
1978:
1834:
1048:
241:
2410:
2325:
2319:
1558:
3070:
1746:
3228:
3064:
2888:
2598:
2348:
2307:
2213:
2073:
1511:
65:
3023:
2249:
2096:
946:(“First Stories”), a collection of twenty-one short-stories, published in 1962. Very famous among these is
3117:
3058:
3041:
3029:
2622:
2557:
2463:
2331:
2020:
1925:
1410:
1205:
797:, the book began as yet another short-novel that he continuously expanded and is written in the form of a
769:– and becomes comprehensible through a poetic treatment, while accompanying a scientific discovery of the
2692:
2260:
2102:
2090:
2037:
385:
330:(but with the dictionary right next to me); I understand some German dialects; I studied the grammar of:
3199:
3193:
2745:
2190:
1799:
1722:
1681:
1634:
908:
651:(“The Time and Turn of Augusto Matraga”), referred to by Rosa as a sort of “key" to the collection The
399:, where he stayed for nearly two years. In this town, Rosa had his first contact with elements from the
129:
2964:
2354:
2143:
1913:
1805:
1704:
1628:
1611:
1541:
1500:
230:
described the book as a "metaphysical novel". It is often considered to be the
Brazilian equivalent of
3234:
3099:
2774:
2645:
2633:
2604:
2284:
1855:
1663:
1098:
860:
and beliefs of the "sertanejos" as stupidities. The interpretation of this supposed pact vary widely.
3344:
3339:
2809:
2610:
2516:
2296:
2254:
2219:
2202:
2167:
2137:
1931:
1693:
1523:
1488:
416:
77:
3246:
3105:
3052:
2935:
2929:
2716:
2657:
2592:
2551:
2540:
2428:
2196:
2149:
1943:
917:
384:, where he finished primary school. He began his secondary schooling at the Santo Antônio School in
3152:
2976:
2833:
2739:
2669:
2651:
2510:
2475:
2422:
2416:
2405:
2266:
2243:
2178:
2008:
1861:
1828:
1769:
1529:
1482:
1221:
973:
that breaks up as “butterfly's skeleton”, roughly meaning “ninharia”, or "something of low value".
853:
600:
569:
529:
442:
In the following year, Rosa began his diplomatic career. In 1938, he served as assistant-consul in
343:
283:
182:
3176:
2970:
2184:
1973:
1593:
30:
3305:
2026:
1570:
1546:
1336:
1167:
870:
798:
331:
224:
2958:
2827:
2727:
2704:
2663:
2493:
2231:
2085:
2055:
1961:
1716:
1587:
1582:
430:
3258:
3146:
2780:
2575:
2378:
2301:
2172:
2120:
1867:
1844:
1793:
1787:
1710:
1658:
1640:
1576:
1494:
1394:
1371:
1361:
1283:
1273:
866:
841:
359:
339:
133:
877:
view of the book, which he considers to demonstrate the formation of the social order in the
2982:
2876:
2870:
2710:
2587:
2581:
2546:
2534:
2498:
2207:
1616:
1552:
1459:
803:
544:
509:
367:
351:
315:
311:
303:
299:
295:
212:
2366:
907:
tree at the Grande Sertão
Veredas National Park in Brazil. The Park was created in 1989 in
556:, a mercenary-like figure that serves as a militia to farmers and secures the order in the
3264:
3170:
2941:
2923:
2628:
2563:
2313:
2290:
1937:
1908:
1300:
Rosa, João Guimarães. Carta a João Condé. In: "Sagarana". São Paulo: Nova Fronteira, 2015.
1253:
1194:
1154:
1136:
1117:
861:
565:
371:
355:
347:
335:
291:
287:
273:
236:
227:
219:), a revolutionary text for its blend of archaic and colloquial prose and frequent use of
3187:
3088:
3005:
2917:
2786:
2528:
1758:
1081:(Translated to English by Barbara Shelby Merello, reprinted by Orbis Tertius Press, 2020)
895:
3217:
3182:
3164:
3035:
2947:
2911:
2900:
2733:
2686:
2680:
2639:
2569:
2487:
2225:
2161:
1990:
1822:
1775:
1687:
1564:
1130:
Rubedo | Artigos | Viver é muito perigoso: o Grande Sertão reimaginado Henrique Pereira
1110:
959:
478:
381:
363:
327:
319:
1247:
http://blog.opovo.com.br/pliniobortolotti/graciliano-ramos-o-editor-de-guimaraes-rosa/
3333:
3293:
3252:
2894:
2798:
2762:
2698:
2434:
2131:
2061:
2002:
1955:
1949:
1652:
1464:
708:(a play on words with the names of two characters from the stories, using Portuguese
3299:
3270:
2988:
2953:
2803:
2757:
2481:
2452:
2384:
2108:
2014:
1699:
1622:
1605:
857:
745:
709:
640:
636:
631:. This is not, however, limited to the content of his stories. The noted narrative
564:
condition according to which bravery and faith are the two driving forces of life.
532:, qualities the Ramos himself would endow as his fellow writer's greatest virtues.
482:
412:
269:
109:
955:
1129:
844:
to the sertão. Riobaldo's account frequently returns to the central topic of his
3317:
3240:
2522:
2125:
2114:
1873:
1849:
1728:
1505:
874:
652:
536:
463:
423:). Later on, he became a civil servant through examination. In 1933, he went to
265:
231:
191:
105:
252:
and of existential nature. He died in 1967 — the year he was nominated for the
2440:
2079:
1599:
1330:
827:
753:
713:
612:
553:
508:
in a contest, in 1938, whose jury was chaired by the then already prestigious
249:
220:
141:
1287:
990:
Caçador de camurças, Chronos Kai Anagke, O mistério de Highmore Hall e Makiné
773:, a discovery that is incapable of revealing the true secrecies it uncovers.
1375:
970:
845:
831:
823:
727:
620:
604:
592:
561:
424:
307:
1148:
O Biscoito Fino e a Massa: Ulisses, de James Joyce: Celebração do Bloomsday
557:
549:
400:
245:
888:
affair. Riobaldo is torn between two contrasting loves: Diadorim, another
814:– his greatest concern –, the nature of human feelings and the passage of
624:
596:
568:
related this treatment to a view of the jagunço that was inspired by the
396:
199:
187:
1890:
1206:
Entrevista: João Guimarães Rosa, por Lenice Guimarães de Paula Pitanguy
837:
The book can be seen, as it was by the author, as an adaptation of the
740:
is also significant in its treatment of the ideia of a language of the
723:
580:
560:. Rosa, however, would craft this outlaw manner of living to a type of
525:
505:
447:
443:
928:
924:
819:
716:
662:
501:
415:, Minas Gerais, where he came into contact with the future president
113:
852:, exists. Riobaldo is anguished by the idea he may have conducted a
1272:(5. ed.rev. pelo autor ed.). Rio de Janeiro: Ouro Sobre Azul.
1099:
http://www.academia.org.br/academicos/joao-guimaraes-rosa/biografia
407:, Guimarães Rosa served as a volunteer doctor of the Public Force (
1391:
As Formas do Falso: Um Estudo sobre a Ambigüidade no Grande Sertão
894:
838:
811:
794:
683:
429:
323:
539:
word crafted from the union of “saga” (homonym in Portuguese for
454:, the only Brazilian woman to be officially granted the title of
43:
3rd Academic of the 2nd chair of the Brazilian Academy of Letters
885:
849:
815:
540:
459:
195:
16:
Brazilian novelist, short story writer, and diplomat (1908–1967)
1414:
793:, to Guimarães Rosa's disapproval ) in the same year. His sole
1360:(1st ed.). São Paulo, SP, Brasil: Livraria Duas Cidades.
807:
670:
575:
Rosa brings to his narratives the regional aspects of the
869:, through which the wan childe becomes a worthy knight.
789:(literally, “Great Backlands: Paths”, but translated as
619:, but also in close correspondence with the plot of the
884:
All this is conducted by the motif of the star-crossed
856:, although he is uncertain, and he often dismisses the
485:, at the summit of his diplomatic and literary career.
419:, at that time the chief doctor of the Blood Hospital (
1358:
Grandesertão.br : o romance de formação do Brasil
923:
Furthermore, the novel might be seen as an attempt of
469:
In 1963, he was chosen by unanimous vote to enter the
380:
Still a child, he moved to his grandparents' house in
2843:
2395:
1898:
1449:
647:The most prestigious of these stories is the last,
434:Guimarães Rosa during his 1952 travels through the
186:; 27 June 1908 – 19 November 1967) was a Brazilian
160:
152:
140:
119:
92:
87:
71:
59:
41:
21:
969:(“Tutameia – Third Stories”), “tuttameia” being a
916:mussings: the inconstancy of things. According to
276:before he was seven years old. He later recalled,
1332:Guimarães Rosa - Entrevista RARA em Berlim (1962)
950:(lit., “The Third Bank of the River”) made into
552:and nearly all revolve around the figure of the
278:
1222:"Guimarães Rosa interviewed by Günter Lorentz"
1426:
1079:The Third Bank of the River and Other Stories
806:, with his musings on life, the existence of
8:
500:Although Guimarães Rosa began to write with
55:16 November 1963 – 19 November 1967
3395:Members of the Brazilian Academy of Letters
1245:Ramos, Graciliano. "Conversa de Bastidor".
627:for the solitude of man and his pursuit of
411:) heading to the so-called Tunel sector in
1433:
1419:
1411:
965:His last collection published in life was
579:. His use of language closely follows the
520:In its mature form, already noticeable in
248:, but also addressing themes of universal
29:
18:
2865:João Batista Ribeiro de Andrade Fernandes
1101:Academia Brasileira de Letras - Biografia
865:analogous to the initiation rites of the
748:. Parallel to their own discovery of the
1216:
1214:
1241:
1239:
1091:
450:, where he met his future second wife,
183:[ʒuˈɐ̃wɡimɐˈɾɐ̃jzˈʁɔzɐ,ˈʒwɐ̃w-]
3355:Brazilian people of Portuguese descent
2859:Luís Caetano Pereira Guimarães Júnior
1263:
1261:
911:, in order to protect the environment
181:
7:
405:Constitutionalist Revolution of 1932
156:Author, novelist, short story writer
2822:Aurélio Buarque de Holanda Ferreira
830:illustrating a point raised in his
603:the stories. Vivid descriptions of
1393:. São Paulo: Editora Perspectiva.
390:Federal University of Minas Gerais
147:Federal University of Minas Gerais
14:
3385:20th-century Brazilian physicians
2676:Antônio Peregrino Maciel Monteiro
1061:Em Memória de João Guimarães Rosa
1029:The Devil to Pay in the Backlands
791:The Devil to Pay in the Backlands
607:(most notably in the short-novel
217:The Devil to Pay in the Backlands
3350:Ambassadors of Brazil to Germany
3283:José Maria da Silva Paranhos Sr.
3000:José Maria da Silva Paranhos Jr.
1889:
1188:GUIMARÃES ROSA: ĈU ESPERANTISTO?
783:Rosa published his masterpiece,
452:Aracy de Carvalho Guimarães Rosa
1339:from the original on 2021-12-22
976:Two posthumous works followed:
649:A Hora e Vez de Augusto Matraga
3390:20th-century Brazilian writers
2238:Affonso Arinos de Mello Franco
517:for publication only in 1946.
1:
3224:Francisco Adolfo de Varnhagen
2907:Manuel de Araújo Porto-Alegre
1329:Fernando Graça (2016-12-08),
1111:Literatura e Arte - Cronópios
1055:Tutaméia – Terceiras Estórias
967:Tutameia – Terceiras Estórias
954:and the inspiration behind a
696:Guimarães Rosa next book was
475:Academia Brasileira de Letras
2994:João Manuel Pereira da Silva
2617:Afonso Arinos de Melo Franco
2032:Alfredo d'Escragnolle Taunay
1997:José Carlos de Macedo Soares
1920:Pedro Augusto Carneiro Lessa
1536:Eduardo Giannetti da Fonseca
1477:Ivan Monteiro de Barros Lins
1443:Brazilian Academy of Letters
471:Brazilian Academy of Letters
3365:Portuguese-language writers
3277:José Paulo Cavalcanti Filho
3206:Maurício Campos de Medeiros
2854:Pedro Luís Pereira de Sousa
2505:Lafayette Rodrigues Pereira
1817:Carlos Magalhães de Azeredo
1471:Afonso d'Escragnolle Taunay
1441:Patrons and members of the
822:, as well as several short
456:Righteous among the nations
264:Guimarães Rosa was born in
205:Rosa only wrote one novel,
3421:
3360:Brazilian military doctors
3083:Godofredo de Oliveira Neto
2793:Geraldo Holanda Cavalcanti
2459:José Bonifácio the Younger
2068:Francisco de Assis Barbosa
873:, on the other hand, in a
704:(“Nights of the Sertão”);
572:knights and their values.
3405:Brazilian Roman Catholics
3375:Brazilian medical writers
3141:José de Alcântara Machado
3135:José Júlio da Silva Ramos
3124:Fernando Henrique Cardoso
3077:Cândido Mendes de Almeida
2723:Manuel Antônio de Almeida
1979:Urbano Duarte de Oliveira
1968:Ignácio de Loyola Brandão
1887:
1880:Rosiska Darcy de Oliveira
1753:Nelson Pereira dos Santos
1268:Candido, Antonio (2006).
256:— due to a heart attack.
254:Nobel Prize in Literature
168:
83:
48:
37:
28:
3312:Evaristo de Moraes Filho
3159:João Cabral de Melo Neto
2883:José Cândido de Carvalho
2470:Miguel Osório de Almeida
2344:Joaquim Manuel de Macedo
2326:Américo Jacobina Lacombe
2156:Fernando Bastos de Ávila
1835:Alberto da Costa e Silva
1741:Diná Silveira de Queirós
1559:Aníbal Freire da Fonseca
1389:Galvão, Walnice (1972).
1045:A Terceira Margem do Rio
948:A Terceira Margem do Rio
403:. With the break of the
242:Bokklubben World Library
240:.In a 2002, poll by the
3400:Culture in Minas Gerais
3229:Manuel de Oliveira Lima
3212:José Américo de Almeida
3112:José Guilherme Merquior
2373:Aurélio de Lira Tavares
1985:Antônio Augusto de Lima
1782:Austregésilo de Athayde
1765:Cláudio Manuel da Costa
1747:Sérgio Correia da Costa
1647:José Murilo de Carvalho
1012:With the cowboy Mariano
952:a film of the same name
3370:Brazilian Esperantists
3065:José Honório Rodrigues
3042:Evaldo Cabral de Mello
2889:Geraldo França de Lima
2623:Alberto Venancio Filho
2599:Artur Orlando da Silva
2464:Medeiros e Albuquerque
2338:Antônio Carlos Secchin
2308:Silvério Gomes Pimenta
1812:Gonçalves de Magalhães
1512:João Neves da Fontoura
1049:movie of the same name
1047:was later made into a
1024:Grande Sertão: Veredas
1008:Com o Vaqueiro Mariano
940:Grande Sertão: Veredas
912:
786:Grande Sertão: Veredas
778:Grande Sertão: Veredas
667:nem que seja a porrete
458:for her assistance to
439:
378:
208:Grande Sertão: Veredas
66:João Neves da Fontoura
3194:Alberto Santos-Dumont
3130:Tomás António Gonzaga
3024:Carlos Castelo Branco
2752:Domício Proença Filho
2250:João Francisco Lisboa
2191:Lygia Fagundes Telles
2097:Antônio Carneiro Leão
1800:Cleonice Berardinelli
1682:Barbosa Lima Sobrinho
1356:Bolle, Willi (2004).
984:Selected bibliography
909:Formoso, Minas Gerais
898:
724:policy of publication
587:– inhabitants of the
433:
3118:João de Scantimburgo
3059:Rodrigo Otávio Filho
2816:Antônio Austregésilo
2558:Luís Guimarães Filho
2349:Salvador de Mendonça
2332:Marcos Almir Madeira
2220:Edgar Roquette-Pinto
2214:Osório Duque-Estrada
2138:Guilherme de Almeida
2074:Sérgio Paulo Rouanet
2021:Paulo Niemeyer Filho
1489:Evandro Lins e Silva
1043:) (1962) (The story
927:, and therefore his
706:Manuelzão e Miguelim
417:Juscelino Kubitschek
3153:Assis Chateaubriand
3030:João Ubaldo Ribeiro
2769:Vicente de Carvalho
2740:Menotti Del Picchia
2693:Gregório da Fonseca
2261:Barão Homem de Melo
2244:Fernanda Montenegro
2103:Fernando de Azevedo
2038:Francisco de Castro
2009:Lucas Moreira Neves
1829:Carlos Chagas Filho
1770:Alberto de Oliveira
1518:João Guimarães Rosa
854:pact with the Devil
623:and as an extended
558:Brazilian backlands
530:Portuguese language
175:João Guimarães Rosa
23:João Guimarães Rosa
3380:Postmodern writers
3306:Alceu Amoroso Lima
2965:Fernando Magalhães
2746:Oscar Dias Correia
2411:José do Patrocínio
2361:Humberto de Campos
2027:Francisco Otaviano
1723:Afonso Pena Júnior
1705:Valentim Magalhães
1676:Goulart de Andrade
1635:Cândido Mota Filho
1612:Bernardo Guimarães
1571:Carlos Heitor Cony
1547:Filinto de Almeida
1501:Álvares de Azevedo
1252:2020-05-31 at the
1193:2010-11-30 at the
1153:2007-03-28 at the
1135:2007-02-20 at the
1116:2006-06-22 at the
1075:(1970, posthumous)
1069:(1969, posthumous)
1063:(1968, posthumous)
1037:Primeiras Estórias
944:Primeiras Estórias
913:
867:chivalric romances
686:-like contention.
440:
421:Hospital de Sangue
3327:
3326:
3259:Otto Lara Resende
2611:José Lins do Rego
2517:Otávio Mangabeira
2379:Murilo Melo Filho
2355:Emílio de Meneses
2302:Alcindo Guanabara
2203:Hipólito da Costa
2168:Gregório de Matos
2144:Odilo Costa Filho
1914:Lúcio de Mendonça
1845:Evaristo da Veiga
1806:Ricardo Cavaliere
1735:Pontes de Miranda
1711:Euclides da Cunha
1659:Casimiro de Abreu
1641:Rachel de Queiroz
1629:Aloísio de Castro
1542:Artur de Oliveira
1495:Ana Maria Machado
633:O Burrinho Pedrês
599:of the sertão to
172:
171:
3412:
3322:
3320:
3315:
3309:
3303:
3297:
3291:
3279:
3274:
3268:
3262:
3256:
3250:
3244:
3238:
3235:Alberto de Faria
3232:
3220:
3215:
3209:
3203:
3197:
3191:
3179:
3174:
3168:
3162:
3156:
3150:
3144:
3138:
3126:
3121:
3115:
3109:
3103:
3100:Clementino Fraga
3097:
3085:
3080:
3074:
3068:
3062:
3056:
3044:
3039:
3033:
3027:
3021:
3018:Magalhães Júnior
3015:
3009:
3003:
2997:
2985:
2983:Evanildo Bechara
2980:
2977:Afrânio Coutinho
2974:
2968:
2962:
2950:
2945:
2939:
2933:
2927:
2921:
2915:
2903:
2898:
2892:
2886:
2880:
2877:Cassiano Ricardo
2874:
2868:
2862:
2838:
2836:
2834:Heloísa Teixeira
2831:
2825:
2819:
2813:
2807:
2795:
2790:
2784:
2778:
2775:Cláudio de Sousa
2772:
2766:
2754:
2749:
2743:
2737:
2731:
2719:
2714:
2711:Eduardo Portella
2708:
2702:
2696:
2690:
2684:
2672:
2667:
2661:
2655:
2649:
2646:Constâncio Alves
2643:
2637:
2634:Guimarães Passos
2625:
2620:
2614:
2608:
2605:Ataulfo de Paiva
2602:
2596:
2588:Junqueira Freire
2584:
2582:Geraldo Carneiro
2579:
2573:
2567:
2561:
2555:
2543:
2538:
2535:Luiz Paulo Horta
2532:
2526:
2520:
2514:
2508:
2502:
2499:Machado de Assis
2490:
2485:
2479:
2476:Luís Viana Filho
2473:
2467:
2455:
2450:
2444:
2438:
2432:
2426:
2423:Olegário Mariano
2420:
2417:Mário de Alencar
2414:
2390:
2387:
2382:
2376:
2370:
2364:
2358:
2352:
2340:
2335:
2329:
2323:
2317:
2311:
2305:
2293:
2288:
2285:Peregrino Júnior
2282:
2279:Pereira da Silva
2276:
2270:
2264:
2258:
2246:
2241:
2235:
2229:
2223:
2217:
2211:
2199:
2194:
2188:
2182:
2176:
2164:
2159:
2153:
2147:
2141:
2135:
2129:
2117:
2112:
2106:
2100:
2094:
2091:Clóvis Beviláqua
2082:
2077:
2071:
2065:
2059:
2053:
2047:
2041:
2035:
2023:
2018:
2012:
2006:
2000:
1994:
1988:
1982:
1970:
1965:
1959:
1953:
1947:
1941:
1935:
1929:
1923:
1917:
1893:
1884:
1882:
1877:
1871:
1865:
1859:
1856:Laudelino Freire
1853:
1841:
1838:
1832:
1826:
1820:
1808:
1803:
1797:
1791:
1785:
1779:
1773:
1761:
1756:
1750:
1744:
1738:
1732:
1726:
1720:
1714:
1708:
1696:
1691:
1685:
1679:
1673:
1667:
1664:Teixeira de Melo
1655:
1650:
1644:
1638:
1632:
1626:
1620:
1617:Raimundo Correia
1608:
1603:
1597:
1591:
1579:
1574:
1568:
1562:
1556:
1553:Roberto Simonsen
1550:
1538:
1533:
1530:Tarcísio Padilha
1527:
1521:
1515:
1509:
1497:
1492:
1486:
1480:
1474:
1468:
1460:Adelino Fontoura
1435:
1428:
1421:
1412:
1405:
1404:
1386:
1380:
1379:
1353:
1347:
1346:
1345:
1344:
1326:
1320:
1316:
1310:
1307:
1301:
1298:
1292:
1291:
1265:
1256:
1243:
1234:
1233:
1231:
1229:
1218:
1209:
1203:
1197:
1185:
1179:
1178:
1176:
1174:
1164:
1158:
1145:
1139:
1127:
1121:
1108:
1102:
1096:
942:was followed by
702:Noites do Sertão
535:“Sagarana” is a
510:Graciliano Ramos
386:São João del-Rei
268:in the state of
185:
180:
126:
123:19 November 1967
102:
100:
88:Personal details
74:
62:
53:
33:
19:
3420:
3419:
3415:
3414:
3413:
3411:
3410:
3409:
3330:
3329:
3328:
3323:
3316:
3310:
3304:
3298:
3292:
3286:
3280:
3275:
3269:
3265:Roberto Marinho
3263:
3257:
3251:
3245:
3239:
3233:
3227:
3221:
3216:
3210:
3204:
3198:
3192:
3186:
3180:
3175:
3171:Ferreira Gullar
3169:
3163:
3157:
3151:
3145:
3139:
3133:
3127:
3122:
3116:
3110:
3104:
3098:
3092:
3086:
3081:
3075:
3069:
3063:
3057:
3051:
3045:
3040:
3034:
3028:
3022:
3016:
3010:
3004:
2998:
2992:
2986:
2981:
2975:
2969:
2963:
2959:Domício da Gama
2957:
2951:
2946:
2942:Ariano Suassuna
2940:
2934:
2928:
2924:Viriato Correia
2922:
2916:
2910:
2904:
2899:
2893:
2887:
2881:
2875:
2869:
2863:
2857:
2850:
2845:
2839:
2832:
2826:
2820:
2814:
2810:Heráclito Graça
2808:
2802:
2796:
2791:
2785:
2779:
2773:
2767:
2761:
2755:
2750:
2744:
2738:
2732:
2728:Inglês de Sousa
2726:
2720:
2715:
2709:
2705:Otávio de Faria
2703:
2697:
2691:
2685:
2679:
2673:
2668:
2662:
2656:
2650:
2644:
2638:
2632:
2629:Laurindo Rabelo
2626:
2621:
2615:
2609:
2603:
2597:
2591:
2585:
2580:
2574:
2568:
2564:Manuel Bandeira
2562:
2556:
2550:
2544:
2539:
2533:
2527:
2521:
2515:
2509:
2503:
2497:
2494:José de Alencar
2491:
2486:
2480:
2474:
2468:
2462:
2456:
2451:
2445:
2439:
2433:
2427:
2421:
2415:
2409:
2402:
2397:
2391:
2388:
2383:
2377:
2371:
2365:
2359:
2353:
2347:
2341:
2336:
2330:
2324:
2318:
2314:Gustavo Barroso
2312:
2306:
2300:
2297:Joaquim Caetano
2294:
2291:Arnaldo Niskier
2289:
2283:
2277:
2271:
2265:
2259:
2253:
2247:
2242:
2236:
2232:Antônio Houaiss
2230:
2224:
2218:
2212:
2206:
2200:
2195:
2189:
2183:
2177:
2171:
2165:
2160:
2154:
2148:
2142:
2136:
2130:
2124:
2118:
2113:
2107:
2101:
2095:
2089:
2086:Franklin Távora
2083:
2078:
2072:
2066:
2060:
2054:
2048:
2042:
2036:
2030:
2024:
2019:
2013:
2007:
2001:
1995:
1989:
1983:
1977:
1971:
1966:
1962:Hélio Jaguaribe
1960:
1954:
1948:
1942:
1938:Adelmar Tavares
1936:
1932:João Luís Alves
1930:
1924:
1918:
1912:
1909:Fagundes Varela
1905:
1900:
1894:
1885:
1878:
1872:
1866:
1860:
1854:
1848:
1842:
1839:
1833:
1827:
1821:
1815:
1809:
1804:
1798:
1792:
1786:
1780:
1774:
1768:
1762:
1757:
1751:
1745:
1739:
1733:
1727:
1721:
1717:Afrânio Peixoto
1715:
1709:
1703:
1697:
1694:Cícero Sandroni
1692:
1686:
1680:
1674:
1668:
1662:
1656:
1651:
1645:
1639:
1633:
1627:
1621:
1615:
1609:
1604:
1598:
1592:
1588:Aluísio Azevedo
1586:
1583:Basílio da Gama
1580:
1575:
1569:
1563:
1557:
1551:
1545:
1539:
1534:
1528:
1522:
1516:
1510:
1504:
1498:
1493:
1487:
1481:
1475:
1469:
1463:
1456:
1451:
1445:
1439:
1409:
1408:
1401:
1388:
1387:
1383:
1368:
1355:
1354:
1350:
1342:
1340:
1328:
1327:
1323:
1317:
1313:
1308:
1304:
1299:
1295:
1280:
1270:Tese e antítese
1267:
1266:
1259:
1254:Wayback Machine
1244:
1237:
1227:
1225:
1224:(in Portuguese)
1220:
1219:
1212:
1208:(in Portuguese)
1204:
1200:
1195:Wayback Machine
1186:
1182:
1172:
1170:
1166:
1165:
1161:
1157:(in Portuguese)
1155:Wayback Machine
1146:
1142:
1137:Wayback Machine
1128:
1124:
1120:(in Portuguese)
1118:Wayback Machine
1109:
1105:
1097:
1093:
1088:
986:
956:homonymous song
937:
862:Antonio Candido
781:
738:Recado do Morro
732:Recado do Morro
694:
566:Antonio Candido
498:
491:
262:
228:Antonio Candido
178:
128:
124:
104:
98:
96:
72:
60:
54:
49:
24:
17:
12:
11:
5:
3418:
3416:
3408:
3407:
3402:
3397:
3392:
3387:
3382:
3377:
3372:
3367:
3362:
3357:
3352:
3347:
3342:
3332:
3331:
3325:
3324:
3247:Rodolfo Garcia
3183:Tobias Barreto
3165:Ivan Junqueira
3147:Getúlio Vargas
3106:Paulo Carneiro
3053:Rodrigo Otávio
3048:Tavares Bastos
3036:Zuenir Ventura
3012:Aquino Correia
2948:Zuenir Ventura
2936:Genolino Amado
2930:Joracy Camargo
2912:Carlos de Laet
2901:Merval Pereira
2849:
2847:
2841:
2840:
2781:Josué Montello
2734:Xavier Marques
2717:Antonio Cícero
2687:Dantas Barreto
2681:Joaquim Nabuco
2658:Gilberto Amado
2593:Franklin Dória
2576:Sábato Magaldi
2570:Cyro dos Anjos
2552:Garcia Redondo
2541:Antônio Torres
2447:Roberto Campos
2429:Álvaro Moreira
2401:
2399:
2393:
2392:
2255:José Veríssimo
2197:Jorge Caldeira
2173:Araripe Júnior
2162:Marco Lucchesi
2150:Marcos Barbosa
2121:Gonçalves Dias
2050:Sousa Bandeira
2044:Martins Júnior
1944:Deolindo Couto
1904:
1902:
1896:
1895:
1888:
1886:
1868:Orígenes Lessa
1823:Marques Rebelo
1794:Antônio Olinto
1788:Antônio Calado
1776:Oliveira Viana
1688:Raimundo Faoro
1670:Artur Jaceguai
1577:Joaquim Falcão
1565:Herberto Sales
1524:Mário Palmério
1455:
1453:
1447:
1446:
1440:
1438:
1437:
1430:
1423:
1415:
1407:
1406:
1399:
1381:
1366:
1348:
1321:
1311:
1302:
1293:
1278:
1257:
1235:
1210:
1198:
1180:
1159:
1140:
1122:
1103:
1090:
1089:
1087:
1084:
1083:
1082:
1076:
1070:
1067:Estas Estórias
1064:
1058:
1052:
1034:
1021:
1018:Corpo de Baile
1015:
1005:
999:
993:
985:
982:
978:Estas Estórias
960:Caetano Veloso
936:
933:
918:Walnice Galvão
780:
775:
698:Corpo de Baile
693:
691:Corpo de Baile
688:
543:) and “rana” (
497:
492:
490:
487:
481:, victim of a
479:Rio de Janeiro
382:Belo Horizonte
261:
258:
170:
169:
166:
165:
162:
158:
157:
154:
150:
149:
144:
138:
137:
130:Rio de Janeiro
127:(aged 59)
121:
117:
116:
94:
90:
89:
85:
84:
81:
80:
78:Mário Palmério
75:
69:
68:
63:
57:
56:
46:
45:
39:
38:
35:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
3417:
3406:
3403:
3401:
3398:
3396:
3393:
3391:
3388:
3386:
3383:
3381:
3378:
3376:
3373:
3371:
3368:
3366:
3363:
3361:
3358:
3356:
3353:
3351:
3348:
3346:
3343:
3341:
3338:
3337:
3335:
3321:
3319:
3313:
3307:
3301:
3295:
3294:Afonso Arinos
3289:
3288:Eduardo Prado
3284:
3278:
3272:
3266:
3260:
3254:
3253:Elmano Cardim
3248:
3242:
3236:
3230:
3225:
3219:
3213:
3207:
3201:
3195:
3189:
3184:
3178:
3172:
3166:
3160:
3154:
3148:
3142:
3136:
3131:
3125:
3119:
3113:
3107:
3101:
3095:
3090:
3084:
3078:
3072:
3066:
3060:
3054:
3049:
3043:
3037:
3031:
3025:
3019:
3013:
3007:
3001:
2995:
2990:
2984:
2978:
2972:
2966:
2960:
2955:
2949:
2943:
2937:
2931:
2925:
2919:
2913:
2908:
2902:
2896:
2895:Moacyr Scliar
2890:
2884:
2878:
2872:
2871:Paulo Setúbal
2866:
2860:
2855:
2848:
2842:
2837:
2835:
2829:
2823:
2817:
2811:
2805:
2800:
2799:Pardal Mallet
2794:
2788:
2782:
2776:
2770:
2764:
2763:Artur Azevedo
2759:
2753:
2747:
2741:
2735:
2729:
2724:
2718:
2712:
2706:
2700:
2699:Levi Carneiro
2694:
2688:
2682:
2677:
2671:
2670:Marcos Vilaça
2665:
2659:
2653:
2652:Ribeiro Couto
2647:
2641:
2635:
2630:
2624:
2618:
2612:
2606:
2600:
2594:
2589:
2583:
2577:
2571:
2565:
2559:
2553:
2548:
2547:Júlio Ribeiro
2542:
2536:
2530:
2524:
2518:
2512:
2511:Alfredo Pujol
2506:
2500:
2495:
2489:
2483:
2477:
2471:
2465:
2460:
2454:
2448:
2442:
2436:
2435:Adonias Filho
2430:
2424:
2418:
2412:
2407:
2406:Joaquim Serra
2400:
2394:
2389:
2386:
2380:
2374:
2368:
2362:
2356:
2350:
2345:
2339:
2333:
2327:
2321:
2315:
2309:
2303:
2298:
2292:
2286:
2280:
2274:
2268:
2267:Alberto Faria
2262:
2256:
2251:
2245:
2239:
2233:
2227:
2221:
2215:
2209:
2208:Sílvio Romero
2204:
2198:
2192:
2186:
2180:
2179:Félix Pacheco
2174:
2169:
2163:
2157:
2151:
2145:
2139:
2133:
2132:Amadeu Amaral
2127:
2122:
2116:
2110:
2104:
2098:
2092:
2087:
2081:
2075:
2069:
2063:
2062:Augusto Meyer
2057:
2051:
2045:
2039:
2033:
2028:
2022:
2016:
2010:
2004:
2003:Abgar Renault
1998:
1992:
1986:
1980:
1975:
1974:França Júnior
1969:
1963:
1957:
1956:Celso Furtado
1951:
1950:Darcy Ribeiro
1945:
1939:
1933:
1927:
1926:Eduardo Ramos
1921:
1915:
1910:
1903:
1897:
1892:
1883:
1881:
1875:
1869:
1863:
1862:Osvaldo Orico
1857:
1851:
1846:
1836:
1830:
1824:
1818:
1813:
1807:
1801:
1795:
1789:
1783:
1777:
1771:
1766:
1760:
1754:
1748:
1742:
1736:
1730:
1724:
1718:
1712:
1706:
1701:
1695:
1689:
1683:
1677:
1671:
1665:
1660:
1654:
1653:Ailton Krenak
1648:
1642:
1636:
1630:
1624:
1618:
1613:
1607:
1601:
1595:
1589:
1584:
1578:
1572:
1566:
1560:
1554:
1548:
1543:
1537:
1531:
1525:
1519:
1513:
1507:
1502:
1496:
1490:
1484:
1483:Bernardo Élis
1478:
1472:
1466:
1461:
1454:
1448:
1444:
1436:
1431:
1429:
1424:
1422:
1417:
1416:
1413:
1402:
1400:9788527303484
1396:
1392:
1385:
1382:
1377:
1373:
1369:
1367:9788573263060
1363:
1359:
1352:
1349:
1338:
1334:
1333:
1325:
1322:
1315:
1312:
1306:
1303:
1297:
1294:
1289:
1285:
1281:
1279:9788588777163
1275:
1271:
1264:
1262:
1258:
1255:
1251:
1248:
1242:
1240:
1236:
1223:
1217:
1215:
1211:
1207:
1202:
1199:
1196:
1192:
1189:
1184:
1181:
1169:
1163:
1160:
1156:
1152:
1149:
1144:
1141:
1138:
1134:
1131:
1126:
1123:
1119:
1115:
1112:
1107:
1104:
1100:
1095:
1092:
1085:
1080:
1077:
1074:
1071:
1068:
1065:
1062:
1059:
1056:
1053:
1050:
1046:
1042:
1041:First Stories
1038:
1035:
1032:
1030:
1025:
1022:
1019:
1016:
1013:
1009:
1006:
1003:
1000:
997:
994:
991:
988:
987:
983:
981:
979:
974:
972:
968:
963:
961:
957:
953:
949:
945:
941:
934:
932:
930:
926:
921:
919:
910:
906:
902:
897:
893:
891:
887:
882:
880:
876:
875:materialistic
872:
868:
863:
859:
858:superstitions
855:
851:
847:
843:
840:
835:
833:
829:
825:
821:
817:
813:
809:
805:
800:
796:
792:
788:
787:
779:
776:
774:
772:
768:
762:
758:
755:
751:
747:
743:
739:
735:
733:
729:
725:
720:
718:
715:
711:
707:
703:
699:
692:
689:
687:
685:
680:
674:
672:
668:
664:
659:
654:
650:
645:
642:
638:
634:
630:
629:transcendence
626:
622:
618:
614:
610:
606:
602:
598:
594:
590:
586:
582:
578:
573:
571:
567:
563:
559:
555:
551:
546:
542:
538:
533:
531:
527:
523:
518:
515:
511:
507:
503:
496:
493:
488:
486:
484:
480:
476:
472:
467:
465:
462:escaping the
461:
457:
453:
449:
445:
437:
432:
428:
426:
422:
418:
414:
410:
409:Força Pública
406:
402:
398:
393:
391:
387:
383:
377:
375:
373:
369:
365:
361:
357:
353:
349:
345:
341:
337:
333:
329:
325:
321:
317:
313:
309:
305:
301:
297:
293:
289:
285:
277:
275:
271:
267:
259:
257:
255:
251:
247:
243:
239:
238:
233:
229:
226:
222:
218:
214:
210:
209:
203:
201:
197:
193:
189:
184:
176:
167:
163:
159:
155:
151:
148:
145:
143:
139:
135:
131:
122:
118:
115:
111:
107:
95:
91:
86:
82:
79:
76:
70:
67:
64:
58:
52:
47:
44:
40:
36:
32:
27:
20:
3300:Miguel Couto
3271:Marco Maciel
3200:Celso Vieira
3188:Graça Aranha
3177:Arno Wehling
3094:Afonso Celso
3089:Teófilo Dias
3006:Lauro Müller
2989:Sousa Caldas
2971:Luís Edmundo
2954:Raul Pompeia
2918:Ramiz Galvão
2851:
2828:Nélida Piñon
2804:Pedro Rabelo
2787:José Mindlin
2758:Martins Pena
2529:Zélia Gattai
2482:Ivo Pitanguy
2453:Paulo Coelho
2403:
2385:Gilberto Gil
2185:Pedro Calmon
2109:Miguel Reale
2015:Alfredo Bosi
1906:
1759:Cacá Diegues
1700:Castro Alves
1623:Oswaldo Cruz
1606:Carlos Nejar
1594:Alcides Maia
1517:
1457:
1390:
1384:
1357:
1351:
1341:, retrieved
1331:
1324:
1314:
1305:
1296:
1269:
1226:. Retrieved
1201:
1183:
1171:. Retrieved
1162:
1143:
1125:
1106:
1094:
1078:
1073:Ave, Palavra
1072:
1066:
1060:
1054:
1044:
1040:
1036:
1027:
1023:
1017:
1011:
1007:
1001:
995:
989:
977:
975:
966:
964:
947:
943:
939:
938:
922:
914:
904:
900:
889:
883:
878:
836:
790:
784:
782:
777:
770:
766:
763:
759:
749:
746:Minas Gerais
741:
737:
736:
731:
721:
710:augmentative
705:
701:
697:
695:
690:
678:
675:
666:
657:
648:
646:
641:alliteration
637:onomatopoeia
632:
616:
608:
588:
584:
576:
574:
534:
521:
519:
513:
506:short-novels
499:
494:
483:heart attack
474:
468:
441:
435:
420:
413:Passa-Quatro
408:
394:
379:
281:
279:
270:Minas Gerais
263:
235:
216:
206:
204:
174:
173:
125:(1967-11-19)
110:Minas Gerais
103:27 June 1908
73:Succeeded by
50:
3345:1967 deaths
3340:1908 births
3318:Edmar Bacha
3241:Rocha Pombo
3218:José Sarney
3071:Celso Cunha
2640:João do Rio
2523:Jorge Amado
2488:João Almino
2273:Luís Carlos
2226:Álvaro Lins
2126:Olavo Bilac
2115:Celso Lafer
1991:Vítor Viana
1850:Rui Barbosa
1729:Hermes Lima
1506:Coelho Neto
935:Later works
871:Willi Bolle
767:Campo Geral
653:hagiography
562:existential
537:portmanteau
464:Third Reich
266:Cordisburgo
232:James Joyce
192:short story
179:Portuguese:
106:Cordisburgo
61:Preceded by
3334:Categories
2664:Mauro Mota
2441:Dias Gomes
2367:Múcio Leão
2320:Silva Melo
2080:Ruy Castro
2056:Hélio Lobo
1600:Viana Moog
1465:Luís Murat
1343:2017-12-20
1228:13 October
1173:13 October
1086:References
828:allegories
754:Revelation
714:diminutive
658:sertanejos
613:Saint Mark
609:São Marcos
605:landscapes
585:sertanejos
344:Lithuanian
314:; I read:
284:Portuguese
250:literature
221:neologisms
211:(known in
161:Profession
153:Occupation
142:Alma mater
99:1908-06-27
1288:817092007
971:neologism
846:discourse
832:narrative
824:anecdotes
799:monologue
728:astrology
601:structure
593:geography
514:Sagarana:
425:Barbacena
332:Hungarian
308:Esperanto
282:I speak:
260:Biography
134:Guanabara
51:In office
2846:31 to 40
2398:21 to 30
1901:11 to 20
1874:Lêdo Ivo
1376:57566418
1337:archived
1250:Archived
1191:Archived
1151:Archived
1133:Archived
1114:Archived
1002:Sagarana
839:faustian
826:, often
810:and the
717:suffixes
625:metaphor
597:wildlife
595:and the
570:medieval
522:Sagarana
495:Sagarana
397:Itaguara
360:Japanese
340:Sanskrit
200:diplomat
194:writer,
188:novelist
164:Diplomat
136:, Brazil
1452:1 to 10
1014:, 1947)
903:with a
890:jagunço
621:stories
583:of the
581:dialect
554:jagunço
528:of the
526:grammar
448:Germany
444:Hamburg
368:Finnish
316:Swedish
312:Russian
310:, some
304:Italian
300:Spanish
296:English
237:Ulysses
213:English
2844:Chairs
2396:Chairs
1899:Chairs
1840:Vacant
1450:Chairs
1397:
1374:
1364:
1286:
1276:
1057:(1967)
1033:(1956)
1020:(1956)
1004:(1946)
998:(1936)
992:(1929)
929:speech
925:memory
905:buriti
901:vereda
879:sertão
820:memory
771:sertão
750:sertão
742:sertão
679:sertão
663:heaven
617:sertão
589:sertão
577:sertão
550:sertão
502:poetry
436:sertão
401:sertão
372:Danish
356:Hebrew
348:Polish
336:Arabic
292:French
288:German
274:French
246:sertão
225:critic
114:Brazil
1319:2003.
996:Magma
842:motif
812:Devil
795:novel
722:Such
684:saint
364:Czech
328:Greek
324:Latin
320:Dutch
3285:):
3281:40 (
3222:39 (
3181:38 (
3128:37 (
3087:36 (
3046:35 (
2987:34 (
2952:33 (
2905:32 (
2852:31 (
2797:30 (
2756:29 (
2721:28 (
2674:27 (
2627:26 (
2586:25 (
2545:24 (
2492:23 (
2457:22 (
2404:21 (
2342:20 (
2295:19 (
2248:18 (
2201:17 (
2166:16 (
2119:15 (
2084:14 (
2025:13 (
1972:12 (
1907:11 (
1847:):
1843:10 (
1395:ISBN
1372:OCLC
1362:ISBN
1284:OCLC
1274:ISBN
1230:2016
1175:2016
886:love
850:evil
818:and
816:time
804:plot
712:and
639:and
545:Tupi
541:saga
489:Work
460:Jews
352:Tupi
326:and
198:and
196:poet
120:Died
93:Born
3226:):
3185:):
3132:):
3091:):
3050:):
2991:):
2956:):
2909:):
2856:):
2801:):
2760:):
2725:):
2678:):
2631:):
2590:):
2549:):
2496:):
2461:):
2408:):
2346:):
2299:):
2252:):
2205:):
2170:):
2123:):
2088:):
2029:):
1976:):
1911:):
1814:):
1810:9 (
1767:):
1763:8 (
1702:):
1698:7 (
1661:):
1657:6 (
1614:):
1610:5 (
1585:):
1581:4 (
1544:):
1540:3 (
1503:):
1499:2 (
1462:):
1458:1 (
958:by
808:God
671:God
611:, “
234:'s
215:as
3336::
1370:.
1335:,
1282:.
1260:^
1238:^
1213:^
899:A
834:.
673:.
466:.
446:,
392:.
376:".
370:,
366:,
362:,
358:,
354:,
350:,
346:,
342:,
338:,
334:,
322:,
318:,
306:,
302:,
298:,
294:,
290:,
286:,
202:.
190:,
132:,
112:,
108:,
3314:►
3308:►
3302:►
3296:►
3290:►
3273:►
3267:►
3261:►
3255:►
3249:►
3243:►
3237:►
3231:►
3214:►
3208:►
3202:►
3196:►
3190:►
3173:►
3167:►
3161:►
3155:►
3149:►
3143:►
3137:►
3120:►
3114:►
3108:►
3102:►
3096:►
3079:►
3073:►
3067:►
3061:►
3055:►
3038:►
3032:►
3026:►
3020:►
3014:►
3008:►
3002:►
2996:►
2979:►
2973:►
2967:►
2961:►
2944:►
2938:►
2932:►
2926:►
2920:►
2914:►
2897:►
2891:►
2885:►
2879:►
2873:►
2867:►
2861:►
2830:►
2824:►
2818:►
2812:►
2806:►
2789:►
2783:►
2777:►
2771:►
2765:►
2748:►
2742:►
2736:►
2730:►
2713:►
2707:►
2701:►
2695:►
2689:►
2683:►
2666:►
2660:►
2654:►
2648:►
2642:►
2636:►
2619:►
2613:►
2607:►
2601:►
2595:►
2578:►
2572:►
2566:►
2560:►
2554:►
2537:►
2531:►
2525:►
2519:►
2513:►
2507:►
2501:►
2484:►
2478:►
2472:►
2466:►
2449:►
2443:►
2437:►
2431:►
2425:►
2419:►
2413:►
2381:►
2375:►
2369:►
2363:►
2357:►
2351:►
2334:►
2328:►
2322:►
2316:►
2310:►
2304:►
2287:►
2281:►
2275:►
2269:►
2263:►
2257:►
2240:►
2234:►
2228:►
2222:►
2216:►
2210:►
2193:►
2187:►
2181:►
2175:►
2158:►
2152:►
2146:►
2140:►
2134:►
2128:►
2111:►
2105:►
2099:►
2093:►
2076:►
2070:►
2064:►
2058:►
2052:►
2046:►
2040:►
2034:►
2017:►
2011:►
2005:►
1999:►
1993:►
1987:►
1981:►
1964:►
1958:►
1952:►
1946:►
1940:►
1934:►
1928:►
1922:►
1916:►
1876:►
1870:►
1864:►
1858:►
1852:►
1837:►
1831:►
1825:►
1819:►
1802:►
1796:►
1790:►
1784:►
1778:►
1772:►
1755:►
1749:►
1743:►
1737:►
1731:►
1725:►
1719:►
1713:►
1707:►
1690:►
1684:►
1678:►
1672:►
1666:►
1649:►
1643:►
1637:►
1631:►
1625:►
1619:►
1602:►
1596:►
1590:►
1573:►
1567:►
1561:►
1555:►
1549:►
1532:►
1526:►
1520:►
1514:►
1508:►
1491:►
1485:►
1479:►
1473:►
1467:►
1434:e
1427:t
1420:v
1403:.
1378:.
1290:.
1232:.
1177:.
1051:)
1039:(
1031:)
1026:(
1010:(
665:"
473:(
438:.
280:"
177:(
101:)
97:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
