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77:, which has a frame and inscription similar to that of Bishop Fox, as described by Vertue. This picture, after being restored extensively, was in the possession of the Des Vœux family, and subsequently in the Dent collection. In this portrait there is a groundwork of gold showing through the colour of the dress, which is painted over it. This suggested that the portrait of Princess Mary Tudor in the National Portrait Gallery (dated 1544) is the work of Corvus, and it might be identified with an entry in the
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Corvus has been identified with Jan Rave, a native of
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229:. Vol. 12. London: Smith, Elder & Co.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
