175:(first published in 1987, most recently published in 2012) is Sternfeld's most known book and explores the complexity of human-altered landscapes in the United States. He began it in 1978, when color photography was still in its infancy as an art medium. Using a large-format camera, his photographs harken back to the traditions of 19th century photography, yet are applied to everyday scenes, like a Wet n' Wild waterpark, or a suburban street in the South. He captured the faltering "prospects" (both views and opportunities) of the time. Because of his early street work, Sternfeld was awarded a Guggenheim Fellowship, which funded his initial tour of the states. The
238:. Over a period of fifteen years Joel Sternfeld travelled across America and took portrait photographs that form in Douglas R. Nickel’s words an "intelligent, unscientific, interpretive sampling of what Americans looked like at the century’s end." Unlike historical portraits which represent significant people in staged surroundings, Sternfeld’s subjects are uncannily "normal": a banker having an evening meal, a teenager collecting shopping carts in a parking lot, a homeless man holding his bedding.
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created to form panoramic images that sometime stretch over several images. This technique presents the sweeping vistas of the countryside while also setting up contrasts between the images within each piece. In one such work, a crumbling fragment of an ancient wall huddles forlornly in one frame of a four-panel piece, surrounded by the scaffolding-clad buildings of a new apartment complex.
117:(born June 30, 1944) is an American fine-art photographer and educator. He is best known for his large-format color pictures of contemporary American life and identity. His work contributed to the establishment of color photography as a respected artistic medium. Sternfeld documents people and places, furthering the tradition of roadside photography started by Walker Evans in the 1930s.
206:(first published with Steidl in 1996), is a collection of pictures from famous crime sites in America. The eerily normal locations are seemingly remains left behind after tragedies, their hidden stories disturbingly invisible. Next to each photograph is text about the events that happened at that location.
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Sternfeld initially started taking pictures in 1969 with a 35mm camera and
Kodachrome slide film. These pictures mark the beginning of Sternfeld’s interest in documenting the American condition. The pictures are an insight into the development of his color arrangements which eventually resulted in a
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was initially published in 1992 by Knopf publishing house. After being awarded the Rome Prize fellowship, Sternfeld extensively photographed the countryside around Rome. The pictures document the interaction between the grand romantic ruins and the invasion of modernity. Several of the images are
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Using August Sander’s classic photograph of three peasants on their way to a dance as a starting point, Sternfeld employed a conceptual strategy that amounts to a new theory of the portrait, which might be termed "The
Circumstantial Portrait".
339:, Museum of Fine Arts Houston, Houston, TX; Baltimore Museum of Art, Baltimore, MD; Detroit Institute of Arts, Detroit, MI; Museum of Contemporary Art, La Jolla, CA; The National Gallery of Canada, Ottawa, Canada
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162:. Sternfeld, in addition to other colorists like William Eggleston and Stephen Shore were crucial pioneers in the medium. This body of work was first published in 2012 by Steidl publishing house.
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Lipton, Shana Ting "Joel
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photos are of people, buildings, and mostly landscapes from the multiple trips
Sternfeld took between 1978 and 1984.
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A creative legacy: A history of the
National Endowment for the Arts Visual Artists' Fellowship Program, 1966-1995
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From 1991 to 1994 Sternfeld worked with
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897:"The drifter: Joel Sternfeld on his sly glimpses of wild America – seen from the endless highway"
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Sternfeld's work is held in the collection of the Museum of Modern Art in New York.
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1059:"Review/Photography; The Campagna Romana Viewed by Joel Sternfeld (Published 1991)"
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1980: New York State
Council for the Arts Creative Artist Public Service Fellowship
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1170:"Exhibition: 'Joel Sternfeld – Color Photographs since 1970' at Foam, Amsterdam"
255:, Peale House Galleries, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
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132:. He began taking color photographs in 1970 after learning the color theory of
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930:"Joel Sternfeld's First Pictures: the opening chapter of a colourful career"
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Recent Color
Photographs by Joel Sternfeld and Recent Work by Lois Johnson
864:"In focus: Liz Jobey looks at the work of US photographer Joel Sternfeld"
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consists of a series of portraits that have roots in his initial project
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Yochelson, Bonnie "The United
Nations of Queens." The New York Times.
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Initially published by
Bulfinch in 2001, and then by Steidl in 2012,
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1342:. New York: International Center of Photography. 2003. p. 243.
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1985: Grand Prize, Higashikawa International Photo Festival, Japan
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Blue Sky, Oregon Center for the Photographic Arts, Portland, OR
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Sternfeld's work is held in the following public collections:
311:, Higashikawa International Photo Festival, Higashikawa, Japan
1339:
Strangers: The First ICP Triennial of Photography and Video
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1983: American Council for the Arts Emerging Artist Award
367:, San Francisco Museum of Modern Art, San Francisco, CA
1497:"The High Line" photographs by Sternfeld published in
814:
San Francisco Museum of Modern Art, San Francisco, CA
337:
American Prospects: The Photographs of Joel Sternfeld
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Story behind 'Canyon Country, California, June 1983'
388:, The Photographers’ Gallery, London, United Kingdom
140:. Color is an important element of his photographs.
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Deutsche Börse Photography Foundation Prize winners
1250:; Dowley, Jennifer (2001). Westbrook, Adele (ed.).
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Joel Sternfeld: Stranger Passing / To Joseph Palmer
158:new language for color photography most notable in
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1010:"Jacket Copy for 2003 Edition American Prospects"
575:Campagna Romana: The Countryside of Ancient Rome.
184:Campagna Romana: The Countryside of Ancient Rome
220:, resulting in the book "Hart Island" (1998).
557:2013: Montgomery Fellowship, Dartmouth College
1492:article on Sternfeld's best-known photographs
457:Joel Sternfeld – Color Photographs since 1970
446:Joel Sternfeld – Color Photographs since 1970
379:Treading on Kings: Protesting the G8 in Genoa
211:Hart Island a Potter's Field in New York City
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1195:"Joel Sternfeld – Farbfotografien seit 1970"
1102:Hunt, Melinda; Joel Sternfeld. Hart Island.
820:Whitney Museum of American Art, New York, NY
639:Sweet Earth-Experimental Utopias in America.
489:Joel Sternfeld: Colour Photographs 1977-1988
400:Sweet Earth: Experimental Utopias in America
1298:"LECTURER TO DISCUSS AMERICAN ROOTLESSNESS"
407:The Geography of No Place: American Utopias
360:, Pace Wildenstein MacGill, Los Angeles, CA
263:Larry Fink and Joel Sternfeld: Photographs,
428:Joel Sternfeld – Farbfotografien seit 1970
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1398:"New Montgomery Fellow Walks a Thin Line"
1224:John Simon Guggenheim Memorial Foundation
537:1987–1988: Shifting Foundation Fellowship
808:, New York: 71 works (as of August 2023)
484:, Carnegie Museum of Art, Pittsburgh, PA
374:, Pace Wildenstein Gallery, New York, NY
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595:Zurich, Berlin, New York: Scalo, 1998.
768:Landscape as Longing: Queens, New York
351:Campagna Romana: The Roman Countryside
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1220:"Photography Archives - Page 8 of 22"
1035:"Joel Sternfeld's American Prospects"
811:J. Paul Getty Museum, Los Angeles, CA
325:, The Halsted Gallery, Birmingham, MI
275:, Everson Museum of Art, Syracuse, NY
258:1980: Daniel Wolf, Inc., New York, NY
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1371:"Prestigious award for photographer"
839:"Museum of Contemporary Photography"
709:On This Site: Landscape in Memorian.
353:, Pace/MacGill Gallery, New York, NY
346:, Pace/MacGill Gallery, New York, NY
304:, Museum of Modern Art, New York, NY
265:San Francisco Museum of Modern Art,
16:American fine-art color photographer
1565:21st-century American photographers
1560:20th-century American photographers
1121:"Stranger Passing - Joel Sternfeld"
928:O'Hagan, Sean (20 September 2011).
498:, Buchmann Galerie, Berlin, Germany
491:, Beetles + Huxley, London, England
477:, Buchmann Galerie, Berlin, Germany
423:, Buchmann Galerie, Berlin, Germany
409:, Buchmann Galerie, Berlin, Germany
381:, WhiteBox Art Center, New York, NY
204:On This Site: Landscape in Memoriam
198:On This Site: Landscape in Memoriam
817:Victoria and Albert Museum, London
603:. Includes a text by Melinda Hunt.
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986:"First Pictures - Joel Sternfeld"
895:O'Hagan, Sean (11 January 2017).
560:2017: Honorary Fellowship of the
470:, Luhring Augustine, New York, NY
416:, Luhring Augustine, New York, NY
402:, Luhring Augustine, New York, NY
395:, Luhring Augustine, New York, NY
289:, Daniel Wolf, Inc., New York, NY
1550:Photographers from New York City
950:– via www.theguardian.com.
917:– via www.theguardian.com.
884:– via www.theguardian.com.
318:, Dartmouth College, Hanover, NH
1555:American fine art photographers
1174:Foam Fotografiemuseum Amsterdam
1080:"On This Site - Joel Sternfeld"
519:National Endowment for the Arts
475:Joel Sternfeld: Campagna Romana
450:Foam Fotografiemuseum Amsterdam
1540:Sarah Lawrence College faculty
1427:The Royal Photographic Society
862:Jobey, Liz (17 October 2008).
468:Joel Sternfeld: First Pictures
332:Afterimage Gallery, Dallas, TX
167:American Prospects (1978-1984)
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1033:Rainbow, Greta (2020-06-05).
393:American Prospects and Before
1396:Platt, Bill (20 June 2013).
421:Joel Sternfeld: On This Site
1145:"Farbfotografien seit 1970"
770:. Göttingen: Steidl, 2017.
757:. Göttingen: Steidl, 2018.
743:/ Göttingen: Steidl, 2012.
725:. Göttingen: Steidl, 2012.
548:Citigroup Photography Prize
128:Sternfeld earned a BA from
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741:Distributed Art Publishers
562:Royal Photographic Society
552:The Photographers' Gallery
152:First Pictures (1969-1976)
784:Göttingen: Steidl, 2019.
711:Göttingen: Steidl, 2012.
697:Göttingen: Steidl, 2012.
683:Göttingen: Steidl, 2011.
669:Göttingen: Steidl, 2010.
655:Göttingen: Steidl, 2008.
641:Göttingen: Steidl, 2008.
627:Göttingen: Steidl, 2008.
1545:Dartmouth College alumni
1484:Sternfeld page at Steidl
1452:The Museum of Modern Art
344:Contemporary Photographs
1402:The Montgomery Fellows
1324:"Photography Archives"
695:Walking the High Line.
550:, in association with
482:Carnegie International
147:in Yonkers, New York.
145:Sarah Lawrence College
1423:"Honorary Fellowship"
966:www.sarahlawrence.edu
526:Guggenheim Fellowship
510:Guggenheim Fellowship
372:Walking the High Line
323:New Color Photography
87:Walking the High Line
806:Museum of Modern Art
737:American Prospects.
173:American Prospects,
1248:Princenthal, Nancy
1149:museum-folkwang.de
633:978-3-8652-1-278-8
607:Treading on Kings.
287:American Prospects
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160:American Prospects
81:American Prospects
46:Brooklyn, New York
1349:978-3-88243-929-8
1304:. 23 October 1987
1039:The Brooklyn Rail
790:978-3-95829-658-9
749:978-3-88243-915-1
731:978-3-86930-499-1
717:978-3-86930-434-2
703:978-3-86521-982-4
689:978-3-86930-309-3
675:978-3-86521-916-9
661:978-3-86521-786-8
647:978-3-86521-124-8
619:978-3-88243-837-6
601:978-3-931141-90-5
587:978-0-67941-578-7
441:, Berlin, Germany
434:, Essen, Germany.
302:, Joel Sternfeld)
294:Three Americans (
267:San Francisco, CA
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