253:
story is 'about' spectacle; it explores the fascination with looking and the attraction of that which is being looked at." Generally, Belton's book proves that there is more to
Hitchcock's thriller than what initially meets the eye. These issues that society faces today are all more than just present
225:
as Lisa Carol
Fremont, Jeffries' ritzy, high-fashion love interest. Jeffries' boredom forces him to spy on his neighbors all day and night, which leads him and Lisa to find themselves in the middle of a shifty scandal suspecting their neighbor to be a murderer.
51:
395:
361:
161:
139:
121:
85:
400:
390:
324:
385:
270:
47:
300:
26:. He is editor of the Film and Culture series at Columbia University Press and associate editor of SMPTE's
380:
172:
55:
180:
59:
35:
221:
as
Jeffries, an action-seeking photographer who is chair-ridden due to his fast-paced career, and
355:
31:
23:
189:
157:
135:
117:
81:
332:
208:
43:
278:
374:
218:
150:
63:
39:
238:
222:
213:
242:
193:
234:
246:
54:, and authored numerous books. In 2005/2006, he was granted a
134:. Cambridge; New York: Cambridge University Press. 2000.
116:. New Brunswick, NJ: Rutgers University Press. 1996.
254:in the film; they are emphasized and strengthened.
149:
52:Society of Motion Picture and Television Engineers
173:"Can Hitchcock Be Saved from Hitchcock Studies?"
325:"Awards and Recognitions, English Department"
22:is Professor Emeritus of English and Film at
8:
233:, Belton addresses the underlying issues of
329:Rutgers, The State University of New Jersey
275:Rutgers, The State University of New Jersey
360:: CS1 maint: location missing publisher (
249:that are evident in the film. He states: "
50:, as chair of the Board of Editors of the
396:American academics of English literature
350:. Cambridge University Press. p. 1.
262:
80:. New York: Columbia University Press.
353:
271:"Faculty Profiles, English Department"
7:
58:to pursue his study of the use of
14:
152:American Cinema/American Culture
48:National Film Preservation Board
156:. New York: McGraw-Hill. 1994.
78:Film Sound: Theory and Practice
348:Alfred Hitchcock's Rear Window
231:Alfred Hitchcock's Rear Window
217:(1954) is a thriller starring
203:Alfred Hitchcock's Rear Window
132:Alfred Hitchcock's Rear Window
1:
76:with Elisabeth Weis (1985).
201:
46:. Belton has served on the
417:
401:Columbia University alumni
391:Rutgers University faculty
171:Belton, John (Fall 2003).
386:Harvard University alumni
30:. He earned his PhD from
114:Movies and Mass Culture
331:. 2008. Archived from
277:. 2008. Archived from
28:Motion Imaging Journal
346:Belton, John (2002).
95:"Widescreen Cinema".
56:Guggenheim Fellowship
38:, and specializes in
97:Harvard Film Studies
305:english.rutgers.edu
104:"Cinema Stylists".
36:Columbia University
299:Konczal, Eddie F.
108:(2). May 30, 1995.
60:digital technology
32:Harvard University
24:Rutgers University
163:978-0-07-004466-1
141:978-0-521-56423-6
123:978-0-8135-2227-2
87:978-0-231-05636-6
16:American academic
408:
366:
365:
359:
351:
343:
337:
336:
321:
315:
314:
312:
311:
296:
290:
289:
287:
286:
267:
209:Alfred Hitchcock
197:
177:
167:
155:
145:
127:
109:
100:
99:. November 1992.
91:
44:cultural studies
416:
415:
411:
410:
409:
407:
406:
405:
371:
370:
369:
352:
345:
344:
340:
323:
322:
318:
309:
307:
298:
297:
293:
284:
282:
269:
268:
264:
260:
206:
175:
170:
164:
148:
142:
130:
124:
112:
103:
94:
88:
75:
72:
17:
12:
11:
5:
414:
412:
404:
403:
398:
393:
388:
383:
373:
372:
368:
367:
338:
335:on 2008-07-19.
316:
301:"Belton, John"
291:
261:
259:
256:
205:
200:
199:
198:
168:
162:
146:
140:
128:
122:
110:
101:
92:
86:
71:
68:
15:
13:
10:
9:
6:
4:
3:
2:
413:
402:
399:
397:
394:
392:
389:
387:
384:
382:
381:Living people
379:
378:
376:
363:
357:
349:
342:
339:
334:
330:
326:
320:
317:
306:
302:
295:
292:
281:on 2008-05-11
280:
276:
272:
266:
263:
257:
255:
252:
251:Rear Window's
248:
244:
240:
236:
232:
227:
224:
220:
219:James Stewart
216:
215:
210:
204:
195:
191:
187:
183:
182:
174:
169:
165:
159:
154:
153:
147:
143:
137:
133:
129:
125:
119:
115:
111:
107:
102:
98:
93:
89:
83:
79:
74:
73:
69:
67:
65:
64:film industry
61:
57:
53:
49:
45:
41:
37:
33:
29:
25:
21:
347:
341:
333:the original
328:
319:
308:. Retrieved
304:
294:
283:. Retrieved
279:the original
274:
265:
250:
230:
229:In his book
228:
212:
207:
202:
188:(4): 16–21.
185:
179:
151:
131:
113:
105:
96:
77:
70:Publications
40:film history
27:
19:
18:
239:scopophilia
223:Grace Kelly
214:Rear Window
20:John Belton
375:Categories
310:2023-09-30
285:2008-05-15
258:References
243:patriarchy
106:Filmmakers
34:, BA from
356:cite book
235:voyeurism
194:0009-7004
247:feminism
211:'s film
181:Cineaste
62:in the
245:, and
192:
160:
138:
120:
84:
176:(PDF)
362:link
190:ISSN
158:ISBN
136:ISBN
118:ISBN
82:ISBN
42:and
377::
358:}}
354:{{
327:.
303:.
273:.
241:,
237:,
186:28
184:.
178:.
66:.
364:)
313:.
288:.
196:.
166:.
144:.
126:.
90:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.