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Halls exhibited in 1798 'Fingal assaulting the Spirit of Loda,' in 1799 'Zephyr and Aurora,' and in 1800 'Creon finding Hæmon and
Antigone in the Cave.' Subsequently he chiefly devoted himself to portrait-painting, but he occasionally attempted ambitious subjects, like 'Lot's Wife' (1802), 'Hero and
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in 1813) of 'Christ raising the
Daughter of Jairus,' won a premium, of two hundred guineas; it went to the church of St. Peter at Colchester. His 'A Witch—"but in a sieve I'll thither sail" from Macbeth' was engraved in
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in 1791, and about 1797 settled as a professional artist in London. In 1802 he accompanied
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by Halls, exhibited at the Royal
Academy in 1819, went to the National Portrait gallery.
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and others to Paris to study the collections brought together by
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Leander' (1808), and 'Danae' (1811). A large picture (exhibited at the
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Richard III by Halls was also engraved by Turner. A portrait of
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90:Halls completed in 1813 a stained-glass window for
108:The Life and Correspondence of Henry Salt, F.R.S.
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160:(online ed.). Oxford University Press.
210:. London: Smith, Elder & Co. 1885–1900.
135:. London: Smith, Elder & Co. 1885–1900.
157:Oxford Dictionary of National Biography
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22:(1776–1853) was an English painter.
79:in 1807. A full-length portrait of
41:Halls exhibited a landscape at the
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249:19th-century English male artists
207:Dictionary of National Biography
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154:Rée, Peta. "Halls, John James".
132:Dictionary of National Biography
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234:19th-century English painters
174:UK public library membership
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126:"Halls, John James"
244:Artists from Colchester
100:The Life and Adventures
61:Portrait of Lord Denman
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239:English male painters
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202:Halls, John James
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96:Henry Salt
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