544:(Dům Osvěty) but decided to keep them in private ownership. As a result, Josef Šechtl was arrested in November 1957 and jailed for one year (ostensibly for taking a photograph of a wedding without permission to practise as a photographer) and the majority of the archive was confiscated shortly afterwards. Marie Šechtlová was tipped off about the impending confiscation, and the night before it brought what she thought were the most important negatives into their new house. A considerable amount of the confiscated material was destroyed but the rest was stored in the Regional Archive in Tábor. In the 1970s the syndicate was relocated to the main square and the Tábor studio destroyed to allow the Hotel Palcát to be built in its place. This led to the destruction of most of the cameras, photographic prints and other items still in the attic of the building. The studio in Pelhřimov (an important example of functionalist architecture by
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215:. In 1912 Josef Jindřich and Anna's daughter Ludmila was born, and all seemed well. Josef Jindřich didn't serve in the army during World War I, and thus had a chance to record life in Tábor during this period, including the fire that significantly damaged the Tábor studio in 1917. He recorded the fire in a unique photo-essay, with several snapshots made on small-format sheet film, and for a record, a "reconstructed scene" made afterwards as an exact reconstruction of one of the snapshots, on a 13×18 cm glass plate negative.
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apprenticeship and a permit to practice. In 1948, the new communist government socialised all services, including photographic studios. The Šechtl & Voseček studio was turned into a syndicate and nationalized in 1951 and, as a former tradesman, Josef Jindřich Šechtl was granted a small pension (200
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After the death of Josef Jindřich Šechtl the glass plate negatives remained stored in the building of the former Šechtl and Voseček studio and were inherited by his son Josef Šechtl. Josef worked as the head of the new syndicate into which the former Šechtl and Voseček studio was turned, and his wife
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Since the photographs from the Šechtl & Voseček studio are not usually signed by the particular photographer, it is not clear which photographs taken during 1897–1911 were taken by Josef Jindřich or Ignác Šechtl. Josef Jindřich's influence on the work of studio is however apparent. Soon after the
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Josef Jindřich Šechtl did most of his work in the limits of the Tábor region of southern
Bohemia. However, within these limits, he captured a number of important historical events, and portrayed in great detail life in the Czech countryside. A number of his photo essays have been preserved, either
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and publishing photographs as educational tools, allowing Josef Jindřich to further develop his interests in photographic printing. His certificate of a completed apprenticeship, written in 1906 by his father Ignác Šechtl, also certifies his studies in the Šechtl & Voseček studios in the period
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The Šechtl & Voseček studios were advertised as artistic studios with a special focus on portraits of women and children. Josef Jindřich Šechtl did a number of works in fine art photography; however, most of these photographic prints either have been lost or are in private collections. Many of
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worked as an employee. The communist regime was afraid of what might be seen in Josef Jindřich's photo essays made during the Nazi occupation, and particularly worried that its own members might be revealed as having collaborated. The family was asked to pass the negatives to the "cultural house"
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in 1989 the Pelhřimov studio was returned to Marie Šechtlová. A book that was already in preparation presenting photographs of Ignác Šechtl, Josef Jindřich Šechtl, Josef Šechtl and Marie Šechtlová was published. In 2004 a project to digitize and publish on the internet the surviving negatives by
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During the life of Josef Jindřich, photography changed from a job that could be taken up and practised fairly freely to a regulated craft: first for portrait photography in 1911, and later in 1926 (despite the protests of many amateur photographers) it was declared a full-scale craft, requiring
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Much more disastrous for his life than the fire was the death of Anna from a kidney disorder in 1925 just six months after, and precipitated by, the birth of their son, Josef
Ferdinand Ignác. His second marriage, to teacher Božena Bulínová, in 1926, wasn't as happy; and Josef Jindřich began to
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The main source of income for the studio however remained its studio work, in which Josef Jindřich excelled: despite the provincial location of the studio, his works were comparable with those of the best Czech portrait studios. His work is influenced by photographic
671:Šechtl & Voseček had a pavilion at the Regional Exhibition in Tábor. First large photo-reportage of Šechtl & Voseček studios. Both Ignác and Josef Šechtl cooperated in its preparation. Also, first photographs from sport events (Sokol exercises).
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Josef Jindřich Šechtl became a partner in the Šechtl & Voseček studio in 1904 and took complete control in 1911 after the death of his father. Under his lead the studio prospered, and in 1906 he opened an affiliated studio in
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The photographic work of Josef Jindřich was very much influenced by Anna Stocká, whom he married in 1911. Anna loved art, and thanks to her charm the family befriended several artists living in Tábor, in particular the sculptor
179:. He used various visual aids and decorations to help express the personality of his subjects, often with a gentle sense of humor. His skilful use of light and contrast with shadows achieved stunning visual effects.
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start of his career, the studio started to publish large photo essays on important events, and produced postcards signed Šechtl & Voseček. The earliest of these larger photo essays — from an exhibition in
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Contemporary advertisement picturing the new studio and reading "The largest art studio of photographers Šechtl and Voseček in Tábor". The studio was often described as the largest in South
Bohemia or the Czech
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Blueprints accepted for new design of the Šechtl & Voseček studio at Nádražní street #316 (today 9 Května street) in Tábor. The new studio was advertised as being the largest in
Southern Bohemia.
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Military service, originally part of Prague battalion #28, later moved to battalion 22 as "polní myslivec"; in 1899 he left service, as the only son and thus required to support his family.
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1892–1895, apparently in parallel with his jobs in Prague and Kolín. At 22, after serving in the army (1898–1899), he started work in the affiliated Šechtl & Voseček studio in
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171:— contained about twenty photographs each. The essays however quickly grew larger, and the Regional Exhibition in Tábor in 1902 was recorded in over 100 photographs.
773:Šechtl & Voseček studio in Tábor significantly damaged by fire from neighbouring farmyard. Photo-essay about the fire and the following reconstruction were preserved.
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The Czech written form of "Šechtl" was starting to be used instead of the German form "Schächtl". Josef Jindřich Šechtl started work in Šechtl & Voseček studio.
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or on nitrate films. Until 1911 the photo essays were done in collaboration with his father, Ignác Šechtl, and until the 1930s, with Jan Voseček.
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587:(who later changed his name to Ignác Šechtl) and Kateřina Šechtlová née Šťastná. On the same day, started work in Ignác's photographic studio.
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69:(a method of printing photographs). In 1891 (at the age of 14) he started to work as a trainee in the polygraphic factory of Jan Vilím in
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in 1936 with his friend the sculptor Jan Vítězslav Dušek, as well as events of the Second World War and the early years of communist
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882:", 8th Exhibition of Šechtl a Voseček Museum of Photography on-line (a biography of František Krátký). Accessed 8 May 2007.
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his architectural photographs have a great artistic quality, in particular those of the old town of Tábor, and his booklet
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One hundred and nine digitized negatives from the
Regional Exhibition in Tábor including the Šechtl and Voseček pavilion
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Jan Voseček became a partner of Ignác Šechtl. The studio was named Schächtl & Voseček, later Šechtl & Voseček.
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1015:(Marie Šechtlová's memories), 2nd Exhibition of Šechtl and Voseček Museum of Photography. Accessed 9 May 2007.
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Josef Jindřich Šechtl awarded official vocational certificate for photography (for his studies in 1892-1895).
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Josef Jindřich Šechtl was, from 1927, among the first photographers in
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by Josef Jindřich Šechtl, Šechtl and Voseček Museum of
Photography. Accessed 8 May 2007.
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Josef Jindřich Šechtl studied in Šechtl & Voseček studios. Served out in 1895.
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Visit of
President Masaryk to the 500th anniversary celebration of the town of Tábor
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After finishing lower high school in Tábor, the boy was particularly interested in
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1003:, 2nd Exhibition of Šechtl and Voseček Museum of Photography. Accessed 9 May 2007.
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Josef Jindřich Šechtl had a wide variety of interests in photography, including
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Presentation of book "Josef Jindřich Šechtl: Photographer's Diary, 1928–1954"
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Photo essay from reconstruction of the Šechtl & Voseček studios, 1917
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Studied in studios of J. Vilím in Prague and František Krátký in Kolín.
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Visit of politician and future president of
Czechoslovakia, Edvard Beneš
1127:, Digital archive of Šechtl & Voseček Studios. Accessed 9 May 2007.
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Josef Jindřich Šechtl married Božena Bulínová (born 20 January 1890 in
705:Šechtl & Voseček studio participated in the Austrian Exhibition in
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Josef Jindřich Šechtl became a partner of Šechtl & Voseček studio.
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Photo essay from fire of farmyard adjoining Šechtl and Voseček studios
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Josef
Ferdinand Ignác Šechtl, son of Josef Jindřich and Anna, born in
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Jan Voseček registered as a photographer's assistant in the census.
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1912. pp. 258–260. (Published photographs of Serbian Sokol.)
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Jan Voseček, regarded as a member of Šechtl family, died in Tábor.
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and portrait photography. On the death of his father, photographer
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Josef Jindřich Šechtl married Anna Stocká (born 21 May 1889) from
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Josef Jindřich Šechtl died in Tábor on 24 February 1954, aged 76.
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991:, Šechtl and Voseček Museum of Photography. Accessed 8 May 2007.
952:, Šechtl and Voseček Museum of Photography. Accessed 8 May 2007.
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Arrival of President of Czechoslovakia Tomáš G Masaryk after WWI
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Construction of the first electric railway from Tábor to Bechyně
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concentrate more on work in the studio and less on family life.
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Tábor: Město Tábor, odbor školství, kultury a tělovýchovy 1997.
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Ludmila Šechtlová, daughter of Josef Jindřich and Anna, born.
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Tábor, jak jej fotografovali v letech 1876-1996 Šechtlovi.
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The affiliated company "Šechtl & Voseček" opened in
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Exhibition "Josef Jindřich Šechtl - Leica Photographer"
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Digital archive project of Šechtl & Voseček studios
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He was among the few professional photographers in the
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Josef Jindřich Šechtl: Photographer's Diary, 1928–1954
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Nationalization of the Šechtl & Voseček studio by
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Vaulting over horse at a Sokol gathering, Prague, 1901
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Biography by historian of photography Pavel Scheufler
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Anna Šechtlová, née Stocká, died in Tábor, aged 36.
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Ignác Šechtl, founder of the studio, died in Tábor.
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Sokol exercises at the Regional Exhibition in Tábor
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Arrival in Tábor of Austrian Emperor Franz Joseph I
485:Celebration of Czechoslovakia's success in soccer
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325:Selected photo essays preserved in the archive:
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1174:Vol. 1-18., 1918. (Published photographs of
401:Rhythmic - modern open air dancing of Sokol.
187:, while the studio also participated in the
27:(9 May 1877 – 24 February 1954) was a
880:František Krátký: Pictures from Italy, 1897
1318:Biography on Šechtl & Voseček webpage
1216:České Budějovice: Jihočeské nakl., 1989.
950:Portraits by Šechtl & Voseček studios
20:Josef Jindřich Šechtl and wife Anna, 1911
1153:Augusta, Pavel, and Hana Klínková, eds.
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1214:Jižní Čechy objektivem tří generací.
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1063:(weekly newspaper), 6 November 1895.
938:Jižní Čechy objektivem tří generací,
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1145:25 roků ve službách černého umění.
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54:Josef Jindřich Šechtl was born in
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1275:Hubičková, Eva; Vybíral, Zdeňek,
1001:Chronology of Josef Šechtl's life
81:. Krátký's studio specialized in
1231:Slovanský sokol, Cizinecký ruch.
1091:", biography on www.scheufler.cz
1051:(weekly newspaper), January 1936
357:Fourth Sokol Gathering in Prague
222:In 1928 Josef Jindřich bought a
1258:, Tábor: Marie Šechtlová 2013,
1240:, Tábor: Marie Šechtlová 2009.
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161:Sokol gymnastic festival (Slet)
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118:, color photography using the
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512:Olympic Games in Berlin, 1936
507:Olympic Games in Berlín, 1936
1236:Hubička, Jan; Musil, Josef,
1025:Archive Digitization Project
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189:Imperial Austrian Exhibition
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1196:Galerie c. k. fotografů.
1147:Praha 1930. Pages 52–53.
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534:Archive of the negatives
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421:leaving train in Tábor.
242:Olympic Games in Berlin
1358:Portrait photographers
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1039:. Accessed 9 May 2007.
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1155:Kniha o městě Tábor.
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213:Jan Vítězslav Dušek
98:Photographic career
34:who specialized in
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889:
885:
881:
875:
872:
865:
858:
856:
853:
852:
848:
844:
842:
839:
838:
834:
830:
828:
825:
824:
820:
818:
815:
814:
810:
806:
804:
801:
800:
796:
794:
791:
790:
786:
782:
780:
777:
776:
772:
770:
767:
766:
762:
760:
757:
756:
752:
748:
746:
743:
742:
738:
736:
733:
732:
728:
726:
723:
722:
718:
716:
715:1906, April 4
713:
712:
708:
704:
702:
699:
698:
694:
690:
688:
685:
684:
680:
678:
675:
674:
670:
668:
665:
664:
660:
658:
655:
654:
650:
648:
645:
644:
640:
638:
635:
634:
630:
628:
625:
624:
620:
616:
614:
611:
610:
606:
604:
601:
600:
596:
594:
591:
590:
586:
582:
578:
576:
573:
559:
557:
554:
549:
547:
542:
533:
526:
523:
521:
518:
517:
513:
508:
504:
500:
498:
495:
494:
490:
486:
483:
481:
478:
477:
473:
469:
466:
464:
461:
460:
456:
452:
449:
447:
444:
443:
439:
436:
434:
431:
430:
426:
420:
416:
412:
410:
407:
406:
402:
399:
397:
394:
393:
389:
385:
382:
380:
377:
376:
372:
369:
367:
364:
363:
360:
358:
353:
346:
342:
340:
337:
326:
323:
321:
318:
313:
311:
302:
300:
298:
294:
290:
285:
283:
279:
269:
262:
260:
257:
255:
249:
247:
243:
239:
235:
234:
229:
225:
220:
216:
214:
205:
200:
196:
194:
190:
186:
180:
178:
172:
170:
166:
162:
158:
147:
143:
141:
137:
133:
129:
125:
121:
117:
113:
109:
105:
97:
95:
93:
89:
84:
80:
76:
72:
68:
63:
61:
57:
49:
47:
45:
41:
37:
33:
30:
26:
18:
1276:
1255:
1237:
1230:
1213:
1195:
1185:
1171:
1154:
1144:
1120:
1108:
1096:
1060:
1056:
1048:
1044:
1032:
1020:
1008:
996:
984:
972:
945:
937:
874:
854:
849:government.
840:
827:1948, May 15
826:
816:
803:1926, May 12
802:
792:
778:
768:
758:
744:
735:1911, July 7
734:
725:1907, May 24
724:
714:
700:
686:
676:
666:
657:approx. 1900
656:
646:
636:
626:
612:
602:
592:
574:
550:
537:
519:
496:
479:
462:
445:
432:
408:
395:
378:
365:
355:
338:
324:
314:
306:
303:Photo essays
286:
277:
274:
258:
256:per month).
250:
233:Pestrý týden
231:
221:
217:
209:
181:
177:pictorialism
173:
153:
150:countryside.
136:pictorialism
130:camera, and
101:
64:
60:Ignác Šechtl
53:
40:Ignác Šechtl
32:photographer
24:
23:
1338:1954 deaths
1333:1877 births
1172:Český svět,
989:Autochromes
769:1917, May 9
575:1877, May 9
299:processes.
92:Jan Voseček
83:stereoscopy
67:chemigraphy
50:Early years
1327:Categories
1273:(in Czech)
1228:(in Czech)
1210:(in Czech)
1192:(in Czech)
1182:(in Czech)
1169:(in Czech)
1151:(in Czech)
1141:(in Czech)
1078:(in Czech)
866:References
560:Chronology
551:After the
472:Autochrome
297:Autochrome
278:Kutná Hora
120:Autochrome
847:communist
693:Pelhřimov
647:1898–1899
627:1892–1895
474:process.
433:1919–1920
379:1902–1903
320:35mm film
282:that town
228:35mm film
185:Pelhřimov
122:process,
1085:Archived
322:camera.
238:Jáchymov
167:Emperor
165:Austrian
157:Sedlčany
487:at the
289:Bohemia
1283:
1262:
1244:
1220:
1202:
1161:
785:Prague
707:London
193:London
159:, the
71:Prague
1277:Tábor
1061:Tábor
1049:Tábor
809:Jivno
751:Písek
581:Tábor
567:Year
331:Year
317:Leica
224:Leica
128:Leica
112:Tábor
79:Kolín
56:Tábor
29:Czech
1281:ISBN
1260:ISBN
1242:ISBN
1218:ISBN
1200:ISBN
1159:ISBN
841:1951
701:1906
687:1906
677:1904
667:1902
603:1895
593:1880
520:1948
497:1936
480:1934
463:1921
446:1920
409:1918
396:1917
366:1902
339:1901
295:and
116:film
811:).
419:TGM
308:on
280:on
254:Kčs
191:in
142:).
77:in
1329::
1266:,
1248:,
1068:^
957:^
887:^
787:.
753:.
709:.
695:.
621:.
527:.
514:.
491:.
457:.
453:,
440:.
373:,
359:.
354:,
284:.
248:.
106:,
94:.
46:.
1287:.
1269:.
1251:.
1224:.
1206:.
1165:.
1115:.
1103:.
1080:"
878:"
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