Knowledge (XXG)

Josephine the Singer, or the Mouse Folk

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noteworthy about her voice taken by itself, except perhaps its fragility, but that there must be something special about Josephine, since seeing her perform makes everyone forget, at least temporarily, any criticisms they may have about her; he wonders if her effect may come from making a spectacle of an everyday thing, in which case her average voice could be an asset. After some further refining of his estimation of Josephine and what she provides to the community, the narrator decides that what is held so dearly by the mouse people is not her 'ability', but the opportunity to gather and reflect in silence that her performances provide. They value these gatherings the most when times are the hardest, and Josephine remains influential in the community even though her performances sometimes attract the attention of the many enemies of the mouse people and lead to an attack from which she is always rushed to safety.
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practical, the practice of their children being turned out from their families into the wider community very shortly after birth, that they keep no written records, etc). They are described by the narrator, one of their number, as, when Josephine begins to sing, falling "quiet as mice"—aside from the title, this is the only time that mice are referred to. It is probable that Kafka intended the issue to be left up to our own judgment, the suggestion playfully bandied about, but no explicit answer given. Either way, whether they really are mice is of little importance to our understanding of the story, while the necessity for the idea to be in the reader's mind is central to the reading experience.
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sing even better if she had time to recuperate between performances, but the community ignores her pleas, so she begins to shorten her performances and feign injuries, but no one except for her supporters takes much notice. Eventually, Josephine disappears. She is initially missed and looked for, but the narrator comments that, in the end, she has only hurt herself by running away, since the mouse people were able to survive before she was alive and will now go on without her, at first with only their memories of her songs, and later without even those.
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clear to anyone, only the fact seems to be established. But what has been entrusted to one's care one does not laugh at; to do so would be a breach of duty; the utmost spite that the most spiteful amongst us can vent on Josephine is when they sometimes say: "When we see Josephine it is no laughing matter."
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So perhaps we shall not miss so very much after all, while Josephine, for her part, delivered from earthly afflictions, which however to her mind are the privilege of chosen spirits, will happily lose herself in the countless throng of the heroes of our people, and soon, since we pursue no history,
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There are regular attempts made by Josephine to get the community of mouse people to allow her to stop her regular work so she can focus on her 'singing', though the narrator thinks what she is actually looking for is public recognition of the value of her art. She starts by arguing that she could
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Josephine is a rarity among the mouse people, for she has the innate ability to sing, which no others in the community have displayed in recent history. Although they are not a musical people and some question Josephine's ability, while others adore her and consider her a communal treasure, all of
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The narrator begins by asserting that whoever has not heard Josephine sing does not know the true power of music, but, upon reflection, he questions if Josephine even sings, or simply whistles, which all the mice people can do, and indeed do regularly. He says there is really nothing particularly
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Sometimes I have the impression that our people sees its relationship with Josephine rather like this: that she, this fragile, vulnerable, somehow distinguished creature, in her opinion distinguished by her song, has been entrusted to us and that we must look after her; the reason for this is not
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It is of note that the mouse people are not ever described as such within the story. It is uncertain if they are actually mice. Many aspects of them and their lives are mouselike (that danger is always imminent and enemies many, the terrain they live in, that they are so very hardworking and
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Josephine the singer suffers in the mouse community, for she is alone in her talent and mindset. Because she sings for the rest of the mice, she is looked upon as different—for better or for worse. When she eventually disappears, people soon forget her.
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to critique the factory-like aspects of the university and the industrial characteristics of the arts. In Raunig's book, the relationship between Josephine's singing and the daily life of the mouse folk entails both
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the mouse people gather round to listen whenever Josephine starts to sing and appreciate her performances as something that helps them tolerate their unusually hardworking lives.
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Josephine the singer is part of the mouse people family. They love her, protect her and think she is vitally important to the community.
992: 528: 353:. By Raunig, Gerald. Semiotext(e) Intervention Series. Vol. 15. Translated by Derieg, Aileen; Mecchia, Giuseppina. Semiotext(e). 404: 358: 1116: 898: 600: 593: 800: 1271: 912: 705: 856: 621: 1054: 933: 870: 807: 733: 556: 521: 439: 835: 814: 779: 677: 580: 459: 1047: 145:. It deals with the relationship between an artist and her audience. The story was included in the collection 1156: 919: 849: 765: 374: 1134: 1061: 1013: 863: 842: 828: 628: 1199: 884: 821: 635: 229: 1250: 1081: 432: 250: 246: 242: 1190: 1173: 607: 574: 289: 157: 1214: 1168: 1162: 926: 793: 482: 1178: 1102: 1088: 698: 670: 663: 642: 549: 400: 354: 1095: 691: 684: 656: 293: 758: 489: 277: 262: 74: 1205: 891: 772: 586: 64: 1265: 1185: 100: 1221: 905: 877: 726: 649: 535: 225: 189:
be accorded the heightened relief of being forgotten along with all her brethren.
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included a song entitled "Josephine the Singer" on their debut album
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New York: Barnes & Noble. 1144: 1126: 1071: 1037: 954: 743: 566: 506: 499: 467: 123: 115: 107: 95: 90: 80: 70: 60: 47: 37: 21: 375:"Factories of Knowledge, Industries of Creativity" 351:Factories of Knowledge, Industries of Creativity 238:Factories of Knowledge, Industries of Creativity 42:Josefine, die Sängerin oder Das Volk der Mäuse 440: 249:, concepts found in the work of philosophers 8: 316:http://www.bookrags.com/notes/kaf/PART7.html 338:http://www.bookrags.com/notes/kaf/TOP3.html 327:http://www.bookrags.com/notes/kaf/TOP1.html 503: 447: 433: 425: 22:"Josephine, the Singer or the Mouse Folk" 1110:Letters to Family, Friends, and Editors 787:Josephine the Singer, or the Mouse Folk 305: 265:into a play, with the altered title of 135:Josephine the Singer, or the Mouse Folk 311: 309: 18: 7: 1287:Short stories published posthumously 515:Shamefaced Lanky and Impure in Heart 1231:Franz Kafka's It's a Wonderful Life 529:Wedding Preparations in the Country 397:The Metamorphosis and Other Stories 349:Negri, Antonio (2013). Afterword. 14: 1246: 1245: 421:, Smithsonian magazine, May 2011 419:The Mystery of the Singing Mice 280:produced an EP interpretation. 16:Short story by Franz Kafka 1: 594:Blumfeld, an Elderly Bachelor 1282:Short stories by Franz Kafka 801:The Truth about Sancho Panza 1277:Mice and rats in literature 706:The Knock at the Manor Gate 273:for Best Play of the Year. 1303: 857:The Conscription of Troops 622:A Message from the Emperor 581:"The Village Schoolmaster" 267:Josephine the Mouse Singer 161:soon after Kafka's death. 1241: 1055:The Blue Octavo Notebooks 1028:Description of a Struggle 808:The Silence of the Sirens 734:The Cares of a Family Man 557:The Aeroplanes at Brescia 522:Description of a Struggle 261:The story was adapted by 26: 51:Clement Greenberg (1942) 1157:Franz Kafka and Judaism 986:The Great Wall of China 850:The Problem of Our Laws 766:Investigations of a Dog 615:The Great Wall of China 1135:The Warden of the Tomb 1014:Parables and Paradoxes 629:A Report to an Academy 232:uses "Josephine" as a 191: 177: 1200:Statue of Franz Kafka 1048:The Diaries 1910–1923 822:The City Coat of Arms 395:Kafka, Franz (1996). 224:Austrian philosopher 186: 172: 1152:Ottla Kafka (sister) 1082:Letter to His Father 993:The Complete Stories 251:Deleuze and Guattari 247:reterritorialization 243:deterritorialization 124:Published in English 54:Willa and Edwin Muir 1192:Head of Franz Kafka 1174:Franz Kafka Society 1117:The Office Writings 1062:The ZĂĽrau Aphorisms 608:The Hunter Gracchus 575:In the Penal Colony 158:Verlag Die Schmiede 38:Original title 1272:1924 short stories 1215:The Loves of Kafka 1169:Franz Kafka Museum 1163:Richard and Samuel 927:The Married Couple 794:A Common Confusion 284:Cultural Influence 153:Ein HungerkĂĽnstler 1259: 1258: 1179:Franz Kafka Prize 1103:Letters to Milena 1089:Letters to Felice 950: 949: 699:An Old Manuscript 671:Jackals and Arabs 664:A Visit to a Mine 643:Up in the Gallery 550:The Metamorphosis 231: 220:Use in philosophy 131: 130: 1294: 1249: 1248: 1096:Letters to Ottla 1007:The Penal Colony 972:A Country Doctor 692:The New Advocate 685:The Bucket Rider 657:The Next Village 601:A Country Doctor 504: 449: 442: 435: 426: 383: 382: 379:mitpress.mit.edu 371: 365: 364: 346: 340: 335: 329: 324: 318: 313: 294:The Myth of Rock 228: 116:Publication date 108:Publication type 19: 1302: 1301: 1297: 1296: 1295: 1293: 1292: 1291: 1262: 1261: 1260: 1255: 1237: 1140: 1122: 1073: 1067: 1039: 1033: 979:A Hunger Artist 956: 946: 759:A Hunger Artist 739: 562: 495: 463: 453: 414: 392: 387: 386: 373: 372: 368: 361: 348: 347: 343: 336: 332: 325: 321: 314: 307: 302: 286: 278:Tangerine Dream 263:Michael McClure 259: 222: 213: 205: 200: 167: 155:) published by 148:A Hunger Artist 52: 17: 12: 11: 5: 1300: 1298: 1290: 1289: 1284: 1279: 1274: 1264: 1263: 1257: 1256: 1254: 1253: 1242: 1239: 1238: 1236: 1235: 1227: 1219: 1211: 1203: 1196: 1188: 1183: 1182: 1181: 1171: 1166: 1159: 1154: 1148: 1146: 1142: 1141: 1139: 1138: 1130: 1128: 1124: 1123: 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Index

Short story
Franz Kafka
Willa and Edwin Muir
Czechoslovakia
German
Short story
Prager Presse
short story
Franz Kafka
A Hunger Artist
Verlag Die Schmiede
Gerald Raunig

frame story
deterritorialization
reterritorialization
Deleuze and Guattari
Michael McClure
Obie Award
Tangerine Dream
Consolidated
The Myth of Rock


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ISBN
9781584351160
"Factories of Knowledge, Industries of Creativity"

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