Knowledge

K8 Hardy

Source 📝

288:. In the performance piece, Hardy stretched and exercised in front of a projected video while chanting: "I am happy; I am here; I am hurt. I'm ready!" This was the artist's first performance piece in New York. Video footage included images of Hardy's friend Math walking away from the camera, found footage of reactions to the burial of 229:
In 2001, K8 Hardy co-founded LTTR, a genderqueer feminist art collective in New York. The collective's co-creators include Ginger Brooks Takahashi and Emily Roysdon, and, in 2005, Ulrike Müller joined the collective. LTTR's mission centered on "highlighting the work of radical communities whose goals
541:
2016, Outfitumentary, International of Contemporary Arts, London, England, Outfitumentary, Outfest, Los Angeles, California, Outifitumentary, T-Mobile New Horizons International Film Festival, Poland, Outfitumentary, International Film Festival of Rotterdam, Official Selection, Outfitumentary, Doc
350:
and activist group that aims "to establish sustainable economic relationships between artists and the institutions that contract our labor, and to introduce mechanisms for self-regulation into the art field that collectively bring about a more equitable distribution of its economy."
230:
are sustainable change, queer pleasure, and critical feminist productivity." LTTR first began as a journal and eventually expanded to include live events, screenings, collaborations, read-ins, and workshops.
241:
depicted Hardy styled in second-hand clothing. The zine morphed into a solo exhibition of four oversized books exhibited at Higher Pictures Generation in 2014 and Reena Spaulings Fine Art in 2019. Writer
331: 680:
2009, Company, "Advertisement, Performance, Style, and Authenticity" pp138–144, ed. Meghan DellaCrosse, Fawn Krieger, and Claire Sexton, (New York: Art In General, 2009)
832:
Retrieved 14 Dec. 2020, from https://www-oxfordartonline-com.ezproxy.library.wisc.edu/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-2297903.
737:
Retrieved 14 Dec. 2020, from https://www-oxfordartonline-com.ezproxy.library.wisc.edu/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-2297903.
1299: 949: 1294: 388:
is a documentary .... collection of self-portrait videos shot over ten years on a miniature DV camera from 2001 to 2011 and was premiered in 2016 at the
683:
2009, Sessions/Zeitschrift, "Re-working the In-Between, Shaking It Out." May 2009, Ausgabe 17, pp 31–34, ed. Christian Egger and Christian Mayer, Vienna
606:
2007, New Report Live: Bankside Power Station, The Tate Modern, London, UK; with Wynne Greenwood Bare Life, Reena Spaulings Fine Art, New York, New York
214: 1259: 261:. The piece featured both artists playing female newscasters for a fictional radio show, WKRH, and reporting on the news. Both artists, clad in 369:
on the exhibition's fourth-floor. The performance included live models on a catwalk wearing  anti-couture outfits designed by Hardy. The
1279: 1104: 393: 686:
2008, Queer Zines, Ed. AA Bronson and Philip Aarons, "Fashionfashion" pp90–91 and "LTTR" pp154–155, (New York: Printed matter, Inc., 2008)
1011: 1269: 1304: 1204: 1284: 183:, in Northampton, Massachusetts, and graduated with a degree in film and feminist/queer theory in 2000. She studied video with 199: 471:
2010, Freeing the Natural Voice, on the Perpetual Horizon of Devastation, Some Notes on Lying, Hard Hat, Geneva, Switzerland
1289: 979: 273:
through various different activities: burning bras, in-depth interviews, and various news reports utilizing a giant pink
135: 114:. Hardy's work spans painting, sculpture, video, and photography and her work has been exhibited internationally at the 319:
with the musician and sound artist Stefan Tcherepnin. As inspiration for the piece, both artists responded to texts by
662:
2013, Next Time, "Dear Reena Spaulings Fine Art" ed. Geer, David and Pool, Isaac, Macie Gransion and Envoy Enterprises
957: 704:
2005, Untitled, "Artist Project: K8 Hardy" Autumn 2005, No. 36, pp50–51 (London: ed. Mario Flecha and Olivia Plender)
594:
2017, Beautiful Radiating Energy with Raúl de Nieves (organized by Rhea Anastas), Participant Inc, New York, New York
695:
North Drive Press, "K8 Hardy and Ulrike Mueller" Issue 3 (New York: Matt Keegan and Sara Greenberger Rafferty, 2006)
203: 1274: 1094: 343: 784: 1254: 347: 618:
2004, Francisco, California Experimental Media for Feminist Trespass, Pilot Television, Chicago, Illinois
522:
2010, Fluorescent Adolescent, Schunck: Biennial of Photography and Visual Arts, Heerlen, The Netherlands
408: 192: 172:, Texas. Hardy uses the moniker "K8" as shorthand for her first name which she adopted while publishing 1121: 399:
In 2020, Hardy exhibited a single ten-foot-long green, yellow, and pink-colored painting, resembling a
358:, titled J'APPROVE, produced by artist Travis Boyer for the 2011 JF & Son pop-up shop in New York. 1264: 389: 139: 127: 554:
2005, Promiscuous Cinema, Cinematheque at Yerba Buena Center for the Arts, San Francisco, California
677:
2009, Sessions/Zeitschrift, "Re-working the In-Between, Shaking It Out." May 2009, No. 17, pp 31–34
665:
2011, Frank Peter John Dick by K8 Hardy; essay Eileen Myles (New York: Capricious Publishing, 2011)
131: 545:
2016, Grrrl Germs: A Visual History of Riot Grrrl, (Mark Lukenbill) Spectacle, Brooklyn, New York
542:
Fortnight, The Museum of Modern Art, New York, New York, Outfitumentary, FIT, New York, New York
134:. Hardy's work is included in the permanent collections of the Whitney Museum of American Art, 1100: 1055: 1015: 987: 792: 759: 301: 169: 149: 1045: 653:
2016, Queer, "K8 Hardy, Amifesto 2006" editor David Getsy, Whitechapel Gallery and MIT Press
600:
2010, New Paintings, Reena Spaulings Fine Art, New York, New York (curated by Pati Hertling)
362: 355: 289: 184: 123: 269:, and turtlenecks, touch upon subjects such as '60s and '70s feminism, queer politics, and 751: 500:
2018 Tag: Proposals on Queer Play and the Ways Forward, ICA Philadelphia, Philadelphia, US
424: 416: 412: 404: 320: 285: 1012:"A New Team Under an Old Threat by Amy Dickson | ART LIES: A Contemporary Art Quarterly" 698:
2006, Ridykeulous, Issue 1, p. 7 (New York: Nicole Eisenman and A.L. Steiner, 2006)
1093:
Elkins, James; Burns, Maureen; McGuire, Kristi; Chester, Alicia; Kuennen, Joel (2013).
609:
2006, New Report, Hayward Gallery with London Lesbian and Gay Film Festival, London, UK
415:
have compared the work to a painting as sculpture and sculpture as painting similar to
207: 115: 503:
2018, Fashion Drive. Extreme Clothing in the Visual Arts, Kunsthaus Zürich, Zürich, CH
1248: 400: 370: 335: 270: 251: 243: 180: 157: 69: 528:
2009, Reflections on Electric Mirror: New Feminist Video, Brooklyn Museum, New York
420: 381: 374: 297: 218: 188: 83: 65: 578:
2003, The Platinum Tapes, Ocularis, Brooklyn, New York (curated by Lauren Cornell)
572:
2003, Peripheral Produce, Northwest Film Center, Portland Art Museum, Portland, OR
1050: 615:
2004, Beautiful Radiating Energy West Coast Tour, Artists' Television Access, San
365:. Alongside the sculptures and photographs, Hardy organized a performance called 569:
2003, Works by K8 Hardy, Film Casino, Vienna, Austria (curated by Ulrike Muller)
312: 266: 119: 87: 842: 671:
2011, Useless, "The Angst of Commerce", p15, ed. Conrad Ventur (New York: 2010)
494:
2020 Photography and the Surreal Imagination, The Menil Collection, Houston, US
879: 612:
2004, Beautiful Radiating Energy, Reena Spaulings Fine Art, New York, New York
339: 274: 247: 111: 49: 1059: 991: 796: 763: 560:
2003, Almost Paradise, New York Underground Film Festival, New York, New York
1230: 293: 91: 79: 1072:
Wang, M. (2007). Streaming Creatures: a New Generation of Queer Video Art.
525:
2010, 50 Artists Photograph the Future, Higher Pictures, New York, New York
300:. In 2017, Hardy re-staged the performance at Participant Inc. with artist 516:
2012, Whitney Biennial, Whitney Museum of American Art, New York, New York
1037: 450:
2017, K8 Hardy: Undergirding Heroine Ensemble, The Barn, Tivoli, New York
146: 551:
2008, Video Art and Film by K8 Hardy, Light Industry, New York, New York
548:
2015, Outfitumentary, Advanced Screening, Pop Montreal, Montreal, Canada
462:
2014, YDRAH 8K, Künstlerhaus Halle fur Kunst & Medien, Graz, Austria
95: 689:
2008, Artforum, "The Artists' Artists" December 2008, XLVII, No.4, p99
407:
selected the piece as one of her favorite artworks from 2020. Critic
107: 1145: 701:
2005, Arts & Leisure, Co-Editor (New York: Art in General, 2005)
603:
2010, Evas Arche und der Feminist, Artists Space, New York, New York
474:
2009, Position Series, Reena Spaulings Fine Art, New York, New York
538:
2018, Outfitumentary, Boston University, Boston, Massachusetts, US
453:
2016, Docudrama, Reena Spaulings Fine Art, Los Angeles, California
262: 143: 53: 575:
2003, Caution: Open Flame, Flaming Film Festival, Minneapolis, MN
563:
2003, Swans and Eunuchs, Wexner Center for the Arts, Columbus, OH
187:
through the Five College Consortium. Later, she worked alongside
674:
2010, Useless, "The Angst of Commerce" No. 10 December 2010, p15
246:
has noted that the zine is somewhere between avant couture and "
173: 153: 566:
2003, K8 Hardy, Robert Beck Memorial Cinema, New York, New York
468:
2010, FeminismFormalism, Galerie Sonja Junkers, Munich, Germany
361:
Hardy exhibited several sculptures and photographs in the 2012
202:
Independent Study Program in 2003 alongside other artists like
980:"Art in Review; Wynne Greenwood and K8 Hardy (Published 2005)" 692:
Fashionfashion, Artist Book Project, Issues 1-5 (2004–present)
506:
2016, Outfitumentary, Museum of Modern Art, New York, New York
1205:"K8 Hardy talks to Elisabeth Subrin about her Outfitumentary" 924: 950:"Style is K8 Hardy's Choice Medium for Identity Expression" 650:
2018, "K8 Hardy," Artist's Projects, ArtForum, January 2018
334:, or W.A.G.E, in 2008. W.A.G.E. was founded by the artists 584:
2003, Chicago Underground Film Festival, Chicago, Illinois
1096:
Theorizing Visual Studies: Writing Through the Discipline
668:
2011, Mousse Magazine, "Andrea Dworkin" No. 28 April 2011
459:
2015, NEW CUTS K8 HARDY, University of California, Irvine
447:
2020, A NEW PAINTING, Reena Spaulings, New York, New York
581:
2003, Video Marathon, Art in General, New York, New York
1038:"Grant Klarich Johnson. Review of "New Cuts, K8 Hardy"" 861:
White, M. (2008). Opposition + Equivocation: K8 Hardy.
465:
2011, K8 Hardy, Galerie BaliceHertling, Paris, France
75: 61: 28: 21: 519:2010, Greater New York, MoMA PS1, Queens, New York 659:2013, How To: Untitled Runway Show D.O.P.E. Press 656:2014, K8 HARDY/YDRAH, 8K editor Christian Eggerer 557:2004, Basic Needs, Ms. Film Festival, Durham, NC 257:From 2002 to 2007, Hardy and Greenwood created? 1168:TUAZON, O., & HARDY, K. (2011). Hard Work. 707:2004, Fashionfashion, Issues 1-5 (2004–present) 479:New Report (collaboration with Wynne Greenwood) 513:, Reena Spaulings Fine Art, New York, New York 481:, Reena Spaulings Fine Art, New York, New York 106:(born 1977, Fort Worth, Texas) is an American 752:"Playing Dress Up for Keeps (Published 2009)" 8: 1231:"MoMA showing for K8 Hardy's Outfitumentary" 785:"Art's Turn on the Catwalk (Published 2012)" 880:"K8 Hardy by Ariana Reines – BOMB Magazine" 315:in London. That same year, Hardy performed 18: 1049: 640:Deutsche Bank Headquarters, Frankfurt, DE 254:alongside handwritten musings on ghosts. 213:Hardy went on to receive an MFA from the 497:2019 Fire, Company Gallery, New York, US 215:Milton Avery Graduate School of the Arts 843:"K8 Hardy – Higher Pictures Generation" 717: 332:Working Artists and the Greater Economy 307:In 2007, Hardy and Greenwood performed 168:Hardy was born on October 27, 1977, in 1088: 1086: 628:LUMA foundation collection, Zürich, CH 233:Hardy started a color-photocopy zine, 1300:American women documentary filmmakers 1036:Johnson, Grant Klarich (2015-08-27). 745: 743: 644: 394:International Film Festival Rotterdam 7: 902: 900: 729: 727: 725: 723: 721: 456:2016, Aunt Margie, Company, New York 1295:American documentary film directors 1203:Subrin, Elisabeth (24 March 2015). 634:Whitney Museum of Art, New York, US 597:2013, Performance, Kunstverein Graz 380:In 2016, Hardy premiered her first 631:Museum of Modern Art, New York, US 330:Hardy became a founding member of 142:. She is a founding member of the 14: 1122:"Repetition and Difference: LTTR" 815:Hardy, K8 (2019). "K8 Hardy CV". 136:the Solomon R. Guggenheim Museum 906:Campbell, A. (2015). K8 Hardy. 403:, at Reena Spaulings New York. 323:revolved around his concept of 1260:Artists from Fort Worth, Texas 1185:BALLARD, T. (2016). Dress up. 978:Cotter, Holland (2005-05-20). 948:Sauer, Jennifer (2020-06-11). 830:Benezit Dictionary of Artists. 819:. Retrieved December 14, 2020. 735:Benezit Dictionary of Artists. 645:Artist's publications and text 377:and the music was by Venus X. 354:In 2010, the artist created a 200:Whitney Museum of American Art 116:Whitney Museum of American Art 1: 828:(2018, March 26). Hardy, K8. 733:(2018, March 26). Hardy, K8. 16:American artist and filmmaker 1280:American performance artists 1051:10.3202/caa.reviews.2015.102 1014:. 2011-07-25. Archived from 198:In 2003, she studied at the 783:Wilson, Eric (2012-05-17). 1321: 1270:Artists from New York City 750:Trebay, Guy (2009-09-30). 419:'s early soft sculptures, 298:body building competitions 282:Beautiful Radiating Energy 280:In 2004, Hardy performed 156:. She lives and works in 1305:American lesbian artists 164:Early life and education 140:the Museum of Modern Art 1285:Musicians from Brooklyn 1235:MoMA's official website 344:ginger brooks takahashi 250:" and features various 348:nonprofit organization 1120:Bryan-Wilson, Julia. 589:Selected performances 409:Sarah Nicole Prickett 195:in Portland, Oregon. 193:Northwest Film Center 1290:Smith College alumni 1237:. February 28, 2016. 434:Selected exhibitions 429:Cut-Out (1948–1950). 390:Museum of Modern Art 367:Untitled Runway Show 321:Giorgio Agamben that 817:reenaspaulings.com/ 533:Selected screenings 382:feature-length film 132:Dallas Contemporary 128:Karma International 984:The New York Times 789:The New York Times 756:The New York Times 637:Fiorruci Art Trust 623:Public Collections 384:, Outfitumentary. 356:capsule collection 304:as the performer. 294:gay rights parades 158:New York, New York 1106:978-0-415-87793-0 486:Group exhibitions 150:artist collective 124:Tensta Konsthalle 101: 100: 1312: 1239: 1238: 1227: 1221: 1220: 1218: 1216: 1200: 1194: 1183: 1177: 1166: 1160: 1159: 1157: 1156: 1142: 1136: 1135: 1133: 1132: 1117: 1111: 1110: 1090: 1081: 1070: 1064: 1063: 1053: 1033: 1027: 1026: 1024: 1023: 1008: 1002: 1001: 999: 998: 975: 969: 968: 966: 965: 956:. Archived from 945: 939: 938: 936: 935: 921: 915: 904: 895: 894: 892: 891: 884:bombmagazine.org 876: 870: 859: 853: 852: 850: 849: 839: 833: 826: 820: 813: 807: 806: 804: 803: 780: 774: 773: 771: 770: 747: 738: 731: 439:Solo exhibitions 423:'s objects, and 363:Whitney Biennial 185:Elisabeth Subrin 176:in high school. 46: 43:October 27, 1977 42: 40: 19: 1320: 1319: 1315: 1314: 1313: 1311: 1310: 1309: 1275:Queer feminists 1245: 1244: 1243: 1242: 1229: 1228: 1224: 1214: 1212: 1202: 1201: 1197: 1187:Modern Painters 1184: 1180: 1167: 1163: 1154: 1152: 1150:wageforwork.com 1146:"W◼A◼G◼E◼ABOUT" 1144: 1143: 1139: 1130: 1128: 1119: 1118: 1114: 1107: 1092: 1091: 1084: 1074:Modern Painters 1071: 1067: 1035: 1034: 1030: 1021: 1019: 1010: 1009: 1005: 996: 994: 977: 976: 972: 963: 961: 954:CR Fashion Book 947: 946: 942: 933: 931: 923: 922: 918: 905: 898: 889: 887: 878: 877: 873: 860: 856: 847: 845: 841: 840: 836: 827: 823: 814: 810: 801: 799: 782: 781: 777: 768: 766: 749: 748: 741: 732: 719: 714: 647: 625: 591: 535: 488: 441: 436: 425:Jackson Pollock 417:Claes Oldenburg 413:Nicole Eisenman 405:Johanna Fateman 309:New Report Live 286:Reena Spaulings 248:riot grrrlesque 227: 166: 68: 57: 47: 44: 38: 36: 35: 34: 24: 17: 12: 11: 5: 1318: 1316: 1308: 1307: 1302: 1297: 1292: 1287: 1282: 1277: 1272: 1267: 1262: 1257: 1247: 1246: 1241: 1240: 1222: 1195: 1178: 1161: 1137: 1112: 1105: 1082: 1065: 1028: 1003: 970: 940: 925:"About | LTTR" 916: 896: 871: 854: 834: 821: 808: 775: 739: 716: 715: 713: 710: 709: 708: 705: 702: 699: 696: 693: 690: 687: 684: 681: 678: 675: 672: 669: 666: 663: 660: 657: 654: 651: 646: 643: 642: 641: 638: 635: 632: 629: 624: 621: 620: 619: 616: 613: 610: 607: 604: 601: 598: 595: 590: 587: 586: 585: 582: 579: 576: 573: 570: 567: 564: 561: 558: 555: 552: 549: 546: 543: 539: 534: 531: 530: 529: 526: 523: 520: 517: 514: 511:Outfitumentary 507: 504: 501: 498: 495: 487: 484: 483: 482: 475: 472: 469: 466: 463: 460: 457: 454: 451: 448: 440: 437: 435: 432: 386:Outfitumentary 302:Raúl de Nieves 290:Baader-Meinhof 252:self-portraits 239:FashionFashion 235:FashionFashion 226: 223: 208:Lisa Oppenheim 204:Ulrike Mueller 165: 162: 99: 98: 77: 76:Known for 73: 72: 63: 59: 58: 48: 32: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1317: 1306: 1303: 1301: 1298: 1296: 1293: 1291: 1288: 1286: 1283: 1281: 1278: 1276: 1273: 1271: 1268: 1266: 1263: 1261: 1258: 1256: 1255:Living people 1253: 1252: 1250: 1236: 1232: 1226: 1223: 1210: 1206: 1199: 1196: 1192: 1188: 1182: 1179: 1175: 1171: 1165: 1162: 1151: 1147: 1141: 1138: 1127: 1126:Art Practical 1123: 1116: 1113: 1108: 1102: 1099:. Routledge. 1098: 1097: 1089: 1087: 1083: 1080:(5), 100–105. 1079: 1075: 1069: 1066: 1061: 1057: 1052: 1047: 1043: 1039: 1032: 1029: 1018:on 2011-07-25 1017: 1013: 1007: 1004: 993: 989: 985: 981: 974: 971: 960:on 2020-11-30 959: 955: 951: 944: 941: 930: 926: 920: 917: 913: 909: 903: 901: 897: 885: 881: 875: 872: 868: 864: 858: 855: 844: 838: 835: 831: 825: 822: 818: 812: 809: 798: 794: 790: 786: 779: 776: 765: 761: 757: 753: 746: 744: 740: 736: 730: 728: 726: 724: 722: 718: 711: 706: 703: 700: 697: 694: 691: 688: 685: 682: 679: 676: 673: 670: 667: 664: 661: 658: 655: 652: 649: 648: 639: 636: 633: 630: 627: 626: 622: 617: 614: 611: 608: 605: 602: 599: 596: 593: 592: 588: 583: 580: 577: 574: 571: 568: 565: 562: 559: 556: 553: 550: 547: 544: 540: 537: 536: 532: 527: 524: 521: 518: 515: 512: 508: 505: 502: 499: 496: 493: 492: 491: 485: 480: 476: 473: 470: 467: 464: 461: 458: 455: 452: 449: 446: 445: 444: 438: 433: 431: 430: 426: 422: 418: 414: 410: 406: 402: 397: 395: 391: 387: 383: 378: 376: 372: 368: 364: 359: 357: 352: 349: 345: 341: 337: 333: 328: 326: 322: 318: 314: 310: 305: 303: 299: 295: 291: 287: 283: 278: 276: 272: 271:mental health 268: 264: 260: 255: 253: 249: 245: 244:Andrew Durbin 240: 236: 231: 224: 222: 220: 216: 211: 209: 205: 201: 196: 194: 190: 186: 182: 181:Smith College 179:She attended 177: 175: 171: 163: 161: 159: 155: 151: 148: 145: 141: 137: 133: 129: 125: 121: 117: 113: 109: 105: 97: 93: 89: 85: 81: 78: 74: 71: 70:Smith College 67: 64: 60: 55: 51: 45:(age 46) 31: 27: 20: 1234: 1225: 1213:. Retrieved 1209:Artforum.com 1208: 1198: 1190: 1186: 1181: 1173: 1169: 1164: 1153:. Retrieved 1149: 1140: 1129:. Retrieved 1125: 1115: 1095: 1077: 1073: 1068: 1041: 1031: 1020:. Retrieved 1016:the original 1006: 995:. Retrieved 983: 973: 962:. Retrieved 958:the original 953: 943: 932:. Retrieved 928: 919: 911: 907: 888:. Retrieved 886:. April 2012 883: 874: 866: 862: 857: 846:. Retrieved 837: 829: 824: 816: 811: 800:. Retrieved 788: 778: 767:. Retrieved 755: 734: 510: 489: 478: 442: 428: 421:Frank Stella 398: 385: 379: 375:Oscar Tuazon 366: 360: 353: 336:A.L. Steiner 329: 324: 316: 308: 306: 292:terrorists, 281: 279: 267:trench coats 258: 256: 238: 234: 232: 228: 219:Bard College 212: 197: 189:Miranda July 178: 167: 152:and journal 103: 102: 84:Feminist Art 66:Bard College 1265:1977 births 1193:(8), 78–85. 1042:Caa.reviews 869:(3), 18–23. 411:and artist 392:and at the 346:, and is a 313:Tate Modern 237:, in 2002. 120:Tate Modern 88:Photography 1249:Categories 1211:. Artforum 1176:, 186–191. 1155:2020-12-16 1131:2020-12-16 1022:2020-12-18 997:2020-12-18 964:2020-12-18 934:2020-12-16 914:, 104–109. 890:2020-12-14 863:Art Papers 848:2020-12-18 802:2020-12-14 769:2020-12-14 712:References 371:set design 340:A.K. Burns 275:microphone 259:New Report 170:Fort Worth 130:, and the 50:Fort Worth 39:1977-10-27 33:Kate Hardy 1060:1543-950X 992:0362-4331 797:0362-4331 764:0362-4331 325:Bare Life 317:Bare Life 221:in 2008. 112:filmmaker 92:Sculpture 80:Video Art 62:Education 1215:24 March 929:lttr.org 908:Aperture 490:Source: 443:Source: 401:maxi pad 191:and the 147:feminist 104:K8 Hardy 23:K8 Hardy 1170:Parkett 373:was by 311:at the 96:Fashion 1103:  1058:  990:  795:  762:  509:2015, 477:2005, 296:, and 263:berets 138:, and 108:artist 56:, U.S. 284:, at 174:zines 144:queer 54:Texas 1217:2020 1101:ISBN 1056:ISSN 988:ISSN 793:ISSN 760:ISSN 225:Work 206:and 154:LTTR 110:and 29:Born 1046:doi 912:218 427:'s 217:at 1251:: 1233:. 1207:. 1191:28 1189:, 1174:89 1172:, 1148:. 1124:. 1085:^ 1078:19 1076:, 1054:. 1044:. 1040:. 986:. 982:. 952:. 927:. 910:, 899:^ 882:. 867:32 865:, 791:. 787:. 758:. 754:. 742:^ 720:^ 396:. 342:, 338:, 327:. 277:. 265:, 210:. 160:. 126:, 122:, 118:, 94:, 90:, 86:, 82:, 52:, 41:) 1219:. 1158:. 1134:. 1109:. 1062:. 1048:: 1025:. 1000:. 967:. 937:. 893:. 851:. 805:. 772:. 37:(

Index

Fort Worth
Texas
Bard College
Smith College
Video Art
Feminist Art
Photography
Sculpture
Fashion
artist
filmmaker
Whitney Museum of American Art
Tate Modern
Tensta Konsthalle
Karma International
Dallas Contemporary
the Solomon R. Guggenheim Museum
the Museum of Modern Art
queer
feminist
artist collective
LTTR
New York, New York
Fort Worth
zines
Smith College
Elisabeth Subrin
Miranda July
Northwest Film Center
Whitney Museum of American Art

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.