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called the final section, "Alleluia", "a jewel of a piece with its high spirits and its wit ... like no other piece of Mozart's; its music speaks unmistakably of his relaxed high spirits at the time he wrote it and of the elation and confidence that his opera-house success had brought him".
204:
the previous year. While waiting for the end of the run (from 26 December 1772 to 25 January 1773), Mozart composed the motet for his singer, whose technical excellence he admired. Its first performance took place at the
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Church on 17 January 1773, while
Rauzzini was still singing in Mozart's opera at night. Mozart made some revisions around 1780. On 30 May 1779, a
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221:. Another revised version was intended for Christmas. The manuscripts of the two Salzburg versions were discovered in 1978 in St. Jakob,
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viola section gives the orchestra a richer sound. This is something Mozart did more often, for example in his
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314:, such as those drawn from his operas. Mozart also used elements of concerto form in this motet.
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Although nominally for liturgical use, the motet has many features in common with Mozart's
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motet was composed when Mozart was staying in Milan during the production of his opera
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The second
Salzburg version differs from the previous only in the first section.
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The text of the first
Salzburg version differs in the first and second section.
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Written in Latin, the author of the text is unknown but may have been
Rauzzini.
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778:
The World of the
Castrati: The History of an Extraordinary Operatic Phenomenon
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Opera and sovereignty: transforming myths in eighteenth-century Italy
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916:"Review (Judith Raskin, Cleveland Orchestra, George Szell)".
225:. In modern times, the motet is usually sung by a female
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870:(reprint ed.). Oxford University Press. p.
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780:, transl. M. Crosland, Souvenir Press, p. 179
688:
798:. New York: University of Chicago Press. p.
373:in E-flat major for violin, viola and orchestra.
695:. Translated by Mary Whittall. Clarendon Press.
1527:List of compositions by Wolfgang Amadeus Mozart
765:Joseph Haydn and the Classical Choral Tradition
589:so that our obedience may be more acceptable.
460:give garlands and lilies with full right hand.
999:
8:
577:when we worship God in spirit and in truth,
147:
1006:
992:
984:
894:Paul Corneilson (2006). "Arias, Concert",
833:, Yale University Press, 2007, pp. 150–151
626:made flesh, made man is everywhere adored;
53:
31:
1522:List of masses by Wolfgang Amadeus Mozart
954:International Music Score Library Project
906:(eds.), Cambridge University Press, p. 21
724:
722:
720:
718:
716:
609:Caro factus, factus homo ubique adoratur;
581:Now let the due sacrifice be made to Him;
1074:Missa in honorem Sanctissimae Trinitatis
679:
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558:et nomen illius magnum in omni loco est.
556:qua Deum colimus in spiritu et veritate,
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183:which was being performed there in the
236:
579:and His name is great in every place.
446:both clouds and storms have fled now;
437:frondes dextera plena et lilia date.
213:, a revised version was performed by
27:1773 motet by Wolfgang Amadeus Mozart
7:
568:ut magis acceptabile sit obsequium.
412:let the heavens sing forth with me.
729:Richard Hamilton; Paul F. Zweifel.
1421:Die Schuldigkeit des ersten Gebots
448:for the righteous there has arisen
423:jam fugere et nubila et procellae;
25:
1570:Motets by Wolfgang Amadeus Mozart
922:. Vol. 19. 1967. p. 80.
896:The Cambridge Mozart Encyclopedia
829:, (1909), transl. and revised by
658:Bavarian Radio Symphony Orchestra
560:Debitum jam illi sit sacrificium;
1547:
1351:: K. 109, K. 125, K. 195, K. 243
731:"The Three Versions of Mozart's
583:but through Mary let us approach
245:
1329:Vesperae solennes de confessore
1235:G major, K. 140/235d/Anh. C1.12
1194:Kyrie in F major, K. 33 "Paris"
458:and joyful for this lucky dawn,
452:Dark night reigned everywhere ;
194:, who had sung the part of the
444:The friendly day shines forth,
291:Tu virginum corona – Andante (
278:Exsultate jubilate – Allegro (
1:
1321:Vesperae solennes de Dominica
1208:Kyrie in D minor, K. 341/368a
649:Great Mass in C minor, K. 427
585:in faith the source of Grace,
537:the Great Trinity is revealed
435:et jucundi aurorae fortunatae
429:Undique obscura regnabat nox,
219:Holy Trinity Church, Salzburg
853:Macmillan (2002), p. 11
767:, Hinshaw Music, p. 235
488:from which our hearts sigh.
298:Alleluja – Allegro (F major)
691:Mozart: A Musical Biography
410:In response to your singing
371:Sinfonia Concertante KV 364
1596:
630:The Great Triad is adored,
622:Rejoice, resound with joy,
564:in fide ad fontem gratiae,
543:The Great Triad is adored,
533:Rejoice, resound with joy,
404:Rejoice, resound with joy,
395:cantui vestro respondendo,
1517:
1265:pasticcio Coronation Mass
1257:(attributed to W. Müller)
1138:B-flat major, K. 275/272b
575:At last the hour has come
566:ad thronum misericordiae,
494:
397:psallant aethera cum me.
259:London Symphony Orchestra
244:
187:. It was written for the
108:17 January 1773
52:
41:
790:Feldman, Martha (2007).
603:
562:sed per Mariam accedamus
552:
518:Summa Trinitas revelatur
512:
482:You, o crown of virgins,
467:
456:you who feared till now,
419:
387:
322:The motet is scored for
1580:Compositions in F major
1507:Maurerische Trauermusik
1201:Sancta Maria, mater Dei
1025:Wolfgang Amadeus Mozart
868:Mozart: The Early Years
393:dulcia cantica canendo,
265:conducting (1971); via
163:Wolfgang Amadeus Mozart
1419:geistliches Singspiel
539:and everywhere adored;
473:tu consolare affectus,
274:It has four sections:
148:
763:L. Schenbeck (1996).
613:Summa Trias adoratur,
524:Summa Trias adoratur,
486:Console our feelings,
454:arise, happy at last,
1485:Ode auf St. Caecilia
1367:Veni Sancte Spiritus
1162:C minor, K. 427/417a
1105:C major, K. 262/246a
1097:C major, K. 220/196b
1089:D major, K. 194/186h
1084:F major, K. 192/186f
851:The New Grove Mozart
624:o you blessed souls,
607:o vos animae beatae,
605:Exsultate, jubilate,
587:the throne of Mercy,
554:Tandem advenit hora,
535:o you blessed souls,
516:o vos animae beatae,
514:Exsultate, jubilate,
495:Alleluja, alleluja!
471:tu nobis pacem dona,
433:qui timuistis adhuc,
431:surgite tandem laeti
408:singing sweet songs,
406:o you blessed souls,
391:o vos animae beatae,
389:Exsultate, jubilate,
285:Fulget amica dies –
215:Francesco Ceccarelli
1292:Exsultate, jubilate
1055:C minor, K. 139/47a
978:Neue Mozart-Ausgabe
962:Exsultate, jubilate
949:Exsultate, jubilate
919:Hi-Fi/Stereo Review
776:P. Barbier (1989).
733:Exsultate, jubilate
652:, 1990 CD and DVD,
615:date illi gloriam.
526:date illi gloriam.
520:et ubique adoratur,
475:unde suspirat cor.
469:Tu virginum corona,
450:an unexpected calm.
427:inexspectata quies.
185:Teatro Regio Ducale
149:Exsultate, jubilate
59:Mozart in the 1770s
36:Exsultate, jubilate
1477:Das Alexander-Fest
1082:Kleine Credo Messe
1060:D minor, K. 65/61a
1047:G major, K. 49/47d
611:date illi gloriam.
522:date illi gloriam.
421:Fulget amica dies,
153:(Exult, rejoice),
1575:1773 compositions
1535:
1534:
1349:Litanies (Mozart)
1284:God is our refuge
809:978-0-226-24113-5
662:Leonard Bernstein
638:
637:
595:
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499:
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365:The occasionally
272:
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223:Wasserburg am Inn
192:Venanzio Rauzzini
144:
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16:(Redirected from
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1550:
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1499:ceremonial music
1461:Acis und Galatea
1439:Davide penitente
1430:Betulia liberata
1300:Ave verum corpus
1119:Piccolomini Mass
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952:: Scores at the
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741:. Archived from
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707:Internet Archive
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287:Secco recitative
267:Internet Archive
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1554:Classical music
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1213:Epistle sonatas
1178:
1167:Requiem, K. 626
1154:C major, K. 337
1146:C major, K. 317
1144:Coronation Mass
1133:C major, K. 259
1125:C major, K. 258
1113:C major, K. 257
1076:C major, K. 167
1053:Waisenhausmesse
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970:critical report
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745:on 15 July 2011
728:
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632:give It glory.
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628:give Him glory.
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545:give It glory.
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484:grant us peace,
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318:Instrumentation
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173:This religious
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1131:Orgelsolomesse
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1068:C major, K. 66
1066:Dominicusmesse
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541:give It glory.
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240:External audio
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211:Trinity Sunday
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785:
777:
772:
764:
759:
747:. Retrieved
743:the original
739:pzweifel.com
738:
732:
705:– via
690:
654:Arleen Auger
647:
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388:
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321:
309:
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273:
201:
195:
178:
172:
146:
145:
47:W. A. Mozart
35:
29:
1469:Der Messias
1453:adaptations
1103:Missa longa
973:(in German)
900:Cliff Eisen
831:Cliff Eisen
749:27 February
425:exorta est
360:double bass
263:Colin Davis
251:Performance
202:Lucio Silla
200:Cecilio in
180:Lucio Silla
1564:Categories
1222:Uncertain
1160:Great Mass
1123:Spaur Mass
1111:Credo Mass
1017:and other
669:References
664:conducting
641:Recordings
197:primo uomo
112:1773-01-17
1428:oratorio
1403:Singspiel
1244:Spurious
502:Revisions
233:Structure
137:orchestra
120:Movements
105:Performed
65:Catalogue
1487:, K. 592
1479:, K. 591
1471:, K. 572
1463:, K. 566
1441:, K. 469
1437:cantata
1407:Oratorio
1394:, K. 276
1386:, K. 127
1378:, K. 74d
1341:Litanies
1331:, K. 339
1323:, K. 321
1302:, K. 618
1294:, K. 165
1203:, K. 273
1199:Gradual
1187:-related
1172:Timeline
866:(2006).
847:S. Sadie
843:C. Eisen
800:56 n. 36
687:(1996).
377:Libretto
326:solo, 2
207:Theatine
189:castrato
84:Composed
76:Language
1497:Masonic
1423:, K. 35
1411:Cantata
1370:, K. 47
1312:Vespers
1286:, K. 20
1039:Requiem
975:in the
367:divided
348:violins
336:bassoon
324:soprano
293:A major
280:F major
227:soprano
217:at the
169:History
134:soprano
128:Scoring
110: (
90: (
18:K. 158a
1540:Portal
1451:Handel
1275:Motets
1246:Masses
1183:Other
1035:Masses
1015:Masses
960:
878:
827:Mozart
806:
699:
358:, and
352:violas
342:in F,
332:flutes
330:(or 2
966:Score
933:K-165
356:cello
344:organ
328:oboes
159:motet
98:Milan
79:Latin
43:Motet
1224:Mass
1185:Mass
1037:and
968:and
876:ISBN
804:ISBN
751:2008
697:ISBN
350:and
338:, 2
175:solo
92:1773
88:1773
1121:or
1021:by
872:292
646:On
334:),
253:by
161:by
71:165
45:by
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1409:•
1405:•
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898:,
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849:.
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660:,
656:,
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354:,
261:,
257:,
229:.
165:.
155:K.
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69:K.
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1000:t
993:v
884:.
812:.
753:.
735:"
709:.
295:)
282:)
123:4
114:)
94:)
20:)
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