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looking at the sun, they see only the glare, whilst hearing a waterfall, they know nothing of its destructive power. Scipio then asks who dwells in this eternal world. Fortuna indicates an approaching cortege – heroes, his forefathers, Rome's greatest sons. Scipio sees the dead
Publius and asks if dead heroes live here. Publius assures him that the light of immortality resurrects the body, freeing it from the burden of mortality. He who has thought of, felt for and devoted himself to others will live forever; those who have lived only for themselves are not deserving of immortality. Scipio goes to seek his father. He is delighted to find him, but surprised when it appears that this joy is not mutual. His father Emilio tells him that joy in heaven is complete, because it is not accompanied by suffering; he points to the Earth, small and miserable and covered in cloud, the home of mad misguided people, indifferent to other's pain.
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Constanza. Virtue can only occasionally be defeated by violence, while evil deeds, unlike good ones, are transient. Fortuna can manage rare strikes, but cannot deprive heroes of hope and faith. Thus Scipio chooses
Constanza, braving Fortuna's anger unafraid, because the eternal kingdom is dearer to his heart.
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Fortuna, furious, calls plagues down as vengeance on Scipio. He however keeps his courage through a foul storm. He reawakes in the kingdom of
Massinissa, feeling the presence of Constanza beside him. The moral behind his dream was a hymn of praise to the eternal virtues offered by heaven, a model for
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Scipio asks who creates this harmony. Constanza replies that the power behind it moves the spheres like strings on a zither, finely tuned by hand and ear. Scipio responds by asking why this sound is inaudible to mortals on earth. Constanza explains that this is due to the inadequacy of their senses;
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Fortuna and
Constanza permit him to ask questions: he wants to know where he is. He fell asleep in the kingdom of Massinissa, but now has no idea of where he is. Fortuna tells him that he is in the Temple of Heaven. The magnificent lights are the stars against the blue background of the universe. He
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Scipio asks
Fortuna what kind of help she can offer him in completing his task. She tells him of her power to destroy and create, to corrupt innocence and empower evil. Who can resist her? Constanza says that only she can bestow the power of loyalty. Fortuna cannot go beyond the limits dictated by
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Aghast at the sight of the Earth, Scipio begs his father to be allowed to remain in the eternal land. However, he is told by
Publius that he has a great mission to complete on Earth – to destroy an enemy, after making his choice between Constanza and Fortuna.
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with an adaptation of the original
Metastasio libretto and a re-composition of the score which was cut to around one fifth of its length; it was recorded and broadcast by the BBC in a performance by Vocem and Endymion, conducted by
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Fortuna and
Constanza approach the sleeping Scipio and offer to accompany him through life. However, first he has to choose between Fortuna, the provider of the world’s good things, and the reliable, trustworthy Constanza.
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all those who believe in God. In the final scene
Licenza praises Scipio's choice and explains that the real protagonist of the play is not Scipio, but the dedicatee – Prince-Archbishop
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dedicating it to the new Prince-Archbishop were performed. It is highly unlikely that it was ever performed in its entirety in Mozart's lifetime.
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has been set to music several times. Mozart had originally composed the work at the age of 15 for his patron, Prince-Archbishop
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Scipio asks for time to think. Neither in his heart nor mind can he take in what has happened, nor can he choose.
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Recitativo
Scipione, Fortuna, Costanza, Publio, Emilio: Publio, padre, ah lasciate
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Recitativo Scipione, Costanza, Fortuna, Publio, Emilio: Giacché al voler de' fati
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671:, translated by Lydia G. Cochrane, University of Chicago Press, 2006, pp. 56–57
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Recitativo Scipione, Fortuna, Costanza, Publio, Emilio: Se qui vivon gli eroi
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in Salzburg, where it was given a complete performance. The participants –
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in New York City and presented a revival of the work in April 2012 at the
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Recitativo accompagnato Fortuna, Scipione: E v'è mortal che ardisca
191:. It was given a private performance in the Archbishop's Palace in
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Recitativo Fortuna, Costanza, Scipione: Vieni e segui i miei passi
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in New York City as part of their tenth anniversary program.
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No. 10 Aria Scipione: Di' che sei l'arbitra del mondo intero
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Recitativo Scipione, Fortuna, Costanza: E quali abitatori
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A Night in at the Opera - Media representations of Opera
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Weir, Judith. Memoirs of an Accidental Film Artist. In:
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Recitativo Scipione, Costanza, Fortuna: Dunque ove son?
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Recitativo Costanza, Fortuna: Giusta è la tua richiesta
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Recitativo Scipione, Publio: Numi, è vero o m'inganno?
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No. 11b Aria La Licenza II: Ah, perché cercar degg'io
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Recitativo Scipione, Fortuna: Non piĂą, bella Costanza
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Recitativo Scipione, Costanza: E a sì enorme possanza
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No. 11a Aria La Licenza I: Ah, perché cercar degg'io
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517:No. 3 Aria Costanza: Ciglio che al sol si gira
254:(Licenza), with the Salzburger Kammerchor and
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748:Plot summary from Mozart: The Early Operas –
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578:No. 12 Coro: Cento volte con lieto sembiante
529:No. 5 Aria Publio: Se vuoi che te raccolgano
61:The composer in 1777, by an unknown painter
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551:No. 8 Aria Fortuna: A chi serena io miro
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724:The Concise Oxford Dictionary of Music
535:No. 6 Aria Emilio: Voi colaggiĂą ridete
505:No. 1 Aria Scipione: Risolver non osa
282:presented the U.S. stage premiere of
266:LP and reissued on CD in 1991 in the
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669:Wolfgang Amadeus Mozart: A Biography
781:. L'Almanacco di Gherardo Casaglia
569:Recitativo La Licenza: Non è Scipio
1309:Die Schuldigkeit des ersten Gebots
682:"A Space Opera in a Proper Galaxy"
393:Scipio's uncle and adoptive father
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1761:Operas by Wolfgang Amadeus Mozart
1558:Dies Bildnis ist bezaubernd schön
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27:Opera by Wolfgang Amadeus Mozart
1220:Beethoven–Haydn–Mozart Memorial
523:No. 4 Coro: Germe di cento eroi
1594:Madamina, il catalogo è questo
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1659:Die EntfĂĽhrung aus dem Serail
1439:Die EntfĂĽhrung aus dem Serail
162:, which is based on the book
1612:O, wie will ich triumphieren
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972:Concert arias, songs, canons
626:Mozarteum Orchester Salzburg
350:Scipio Africanus the Younger
256:Mozarteum Orchestra Salzburg
1109:Franz Xaver Wolfgang Mozart
1091:Maria Anna Mozart (Nannerl)
203:, the final chorus and the
185:Sigismund von Schrattenbach
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389:Scipio Africanus the Elder
340:Premiere cast, 1 May 1772
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1027:Relationship with G minor
450:, King of Eastern Numidia
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483:Hieronymus von Colloredo
119:(incomplete performance)
1766:Italian-language operas
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1230:Mozart Monument, Vienna
875:Wolfgang Amadeus Mozart
292:Gerald W. Lynch Theater
272:Complete Mozart Edition
152:Wolfgang Amadeus Mozart
1686:The Marriage of Figaro
1479:The Marriage of Figaro
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174:Metastasio's libretto
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1389:La finta giardiniera
1369:Il sogno di Scipione
1319:Apollo et Hyacinthus
1022:Compositional method
1002:Works for solo piano
832:Il sogno di Scipione
792:Il sogno di Scipione
773:Il sogno di Scipione
750:Il sogno di Scipione
704:Il sogno di Scipione
699:Gotham Chamber Opera
364:Costanza (Constancy)
310:Il sogno di Scipione
284:Il sogno di Scipione
280:Gotham Chamber Opera
217:Il sogno di Scipione
131:Il sogno di Scipione
106:1 May 1772
37:Il sogno di Scipione
1585:LĂ ci darem la mano
1509:La clemenza di Tito
1121:Johann Georg Mozart
1056:Neue Mozart-Ausgabe
1049:Alte Mozart-Ausgabe
825:Stanford University
808:Neue Mozart-Ausgabe
264:Deutsche Grammophon
211:Performance history
1115:Karl Thomas Mozart
754:Brilliant Classics
718:and Joyce Bourne,
687:The New York Times
610:Claes-Håkan Ahnsjö
288:Abrons Arts Center
244:Claes-Håkan Ahnsjö
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319:Margaret Williams
215:In January 1979,
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160:Pietro Metastasio
142:dramatic serenade
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1157:Sophie Weber
1133:Joseph Lange
1127:Franz Mozart
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144:in one act (
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49:W. A. Mozart
29:
1776:1772 operas
1379:Lucio Silla
1184:Freemasonry
909:Nationality
889:Biographies
803:(in German)
779:1 May 1772"
661: [
608:(Fortuna),
298:Judith Weir
242:(Fortuna),
224: [
221:Mozart Week
177: [
1750:Categories
1289:Operas by
1167:Influences
1012:Symphonies
899:Grand tour
894:Birthplace
640:References
616:(Emilio),
612:(Publio),
602:Lucia Popp
591:Recordings
448:Massinissa
421:La Licenza
347:Scipione,
336:Voice type
246:(Publio),
236:Lucia Popp
234:(Scipio),
205:recitative
110:1772-05-01
67:Librettist
1567:Dove sono
1174:Beethoven
919:Scatology
914:Residence
882:Biography
756:CD 92346)
278:In 2001,
195:on 1 May
1429:Idomeneo
1248:Category
1093:(sister)
1087:(mother)
1081:(father)
1036:Editions
924:Smallpox
834:, K. 126
821:Libretto
632:– 2 CDs
499:Overtura
441:Synopsis
431:Chorus:
406:Aemilius
404:Emilio (
386:Publio,
300:'s 1991
193:Salzburg
156:libretto
117:Salzburg
102:Premiere
85:Based on
77:Language
1697:Related
1203:Related
1194:Salieri
1007:Sonatas
840:(IMSLP)
836:at the
805:in the
764:Sources
596:1991 –
424:soprano
379:soprano
368:soprano
286:at the
268:Philips
140:, is a
108: (
80:Italian
1756:Operas
1726:Portal
1522:(1791)
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1299:Operas
1099:(wife)
1071:Family
992:Operas
987:Masses
977:Dances
939:Prague
934:Berlin
790:
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582:
433:Heroes
258:under
170:Cicero
138:K. 126
96:Cicero
18:K. 126
1740:Opera
1531:Arias
1419:Zaide
1189:Haydn
1117:(son)
1111:(son)
964:Music
954:Death
929:Italy
796:Score
665:]
645:Notes
414:tenor
397:tenor
356:tenor
332:Role
325:Roles
228:]
181:]
154:to a
904:Name
798:and
201:aria
197:1772
722:in
408:),
168:by
158:by
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