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stated that the minuet is relatively of much greater maturity than the primitive other three movements and was probably composed later. Viennese symphonies would almost always have four movements and Mozart would often adjust three-movement symphonies he composed for other places by later adding a
248:, K. 35, and Mozart's earlier symphonies and concluded that K. 76 was written before the overture, perhaps in December 1766. They considered it to be "written with great care for his teacher and compatriots to prove what he had learned
258:
doubted the similarities described by Wyzewa and Saint-Foix, because the development of the overture to K. 35 is based on the main theme of the overture, but the development of K. 76 digresses from the main theme of the symphony. The
69:. The inclusion of the bassoons is notable as in contemporary orchestras bassoon parts were not usually written in and simply doubled the cellos and double basses. In contemporary orchestras, it was also usual to include the
646:
274:
minuet and trio, so
Einstein concluded that minuet and trio was composed for a trip to Vienna. The sixth edition of the Köchel catalogue lists the time as "allegedly in autumn 1767, in Vienna".
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184:(published 1879–1882) gives the numbering sequence 1–41 for the 41 numbered symphonies. The unnumbered symphonies (some, including K. 76, published in supplements to the
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in the last movement points to the time of the first big trip, but the (later) addition of the minuet points to southern
Germany as the place of composition.
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889:
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232:, K. 126, increasing the likelihood that the other eight works are also authentic. Jahn dated K. 76 as "177?", while Köchel dated it as "perhaps 1769".
216:, in which ten of the aforementioned 20 symphonies are included (indicating that they were considered authentic), because they were sent directly from
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242:(1912) dated the symphony between 1 December 1766 and 1 March 1767. They compared the first movement of the symphony with the overture to
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Zaslaw described the symphony as "attractive", the
Andante as an "irritant" and highlights the "beauty" of the minuet, but
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agreed with this view and considered K. 76 authentic Mozart. Jahn's write-up was based on the "Mozartiana
Collection" of
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until 1910) are sometimes given numbers in the range 42 to 56, even though they were written earlier than Mozart's
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The autograph has been lost. The only source for this symphony was a set of parts in the archives of the publisher
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252:(to London, Paris, Holland, etc.)" However, Zaslaw considered this interpretation "pure fantasy".
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192:(written in 1788). The symphony K. 76 is given the number 43 in this numbering scheme.
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if they were available in the orchestra to reinforce the bass line and act as the
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220:, Mozart's widow. Two of these works are symphonic versions of the overtures to
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1410:
Symphonies generally agreed to be spurious today, but included in either the
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384:. 7th expanded edition, VEB Breitkopf & Härtel, Leipzig 1955, p. 848
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404:, vols. I/II, Paris 1936 (new edition); quoted by Zaslaw (1988)
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passages in the second movement as "cumbersome" and the
1428:, except for the slow introduction which Mozart added.
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Wolfgang Amedée Mozart, Sa vie musicale et son oeuvre
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296:(2006) however speaks generally of "weakness", the
87:The symphony consists of the following movements:
437:Wolfgang Gersthofer: "Sinfonien KV 16-134", in:
469:. W. W. Norton & Co, London 2006: p. 145ff.
1407:(although Mozart changed the instrumentation).
284:suspect the true author of the symphony to be
1434:List of symphonies by Wolfgang Amadeus Mozart
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8:
77:. The duration is approximately 15 minutes.
1439:List of spurious/doubtful Mozart symphonies
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514:International Music Score Library Project
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332:Wolfgang Amadeus Mozart: The Symphonies
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65:. The oboes are silent for the second
1482:Symphonies by Wolfgang Amadeus Mozart
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1387:Symphonies of doubtful authenticity.
330:: "Symphony in F major, K. 42a/76".
1492:Mozart: spurious and doubtful works
467:Mozart – The early years 1756–1781
376:. Revised and expanded edition of
245:Die Schuldigkeit des ersten Gebots
25:
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778:Maria Anna Thekla Mozart (Bäsle)
441:, Claudia Maria Knispel (eds.):
42:76/42a, was probably written by
895:Beethoven–Haydn–Mozart Memorial
49:The symphony is scored for two
445:, Laaber-Verlag, Laaber 2007,
1:
171:, which was destroyed during
804:(paternal great-grandfather)
647:Concert arias, songs, canons
346:. Decca Record, London 1988.
334:, vol VII. Recording of the
784:Franz Xaver Wolfgang Mozart
766:Maria Anna Mozart (Nannerl)
27:Composition by W. A. Mozart
1508:
382:Mozart. Part One 1756-1782
288:due to stylistic features.
1383:
913:
890:Mozart in popular culture
702:Relationship with G minor
619:Appearance and character
336:Academy of Ancient Music
304:in the minuet "clumsy".
1487:Compositions in F major
971:Wolfgang Amadeus Mozart
905:Mozart Monument, Vienna
550:Wolfgang Amadeus Mozart
355:quoted by Zaslaw (1988)
44:Wolfgang Amadeus Mozart
1317:Adapted from serenades
798:(paternal grandfather)
510:Symphony No. 43, K. 76
206:Breitkopf & Härtel
196:Origins and authorship
169:Breitkopf & Härtel
425:Sixth edition of the
413:Third edition of the
398:Georges de Saint-Foix
997:K. 45a (Old Lambach)
697:Compositional method
677:Works for solo piano
487:Sinfonie in F, K. 76
265:Jean-Philippe Rameau
229:Il sogno di Scipione
1405:Carl Friedrich Abel
796:Johann Georg Mozart
731:Neue Mozart-Ausgabe
724:Alte Mozart-Ausgabe
504:Neue Mozart-Ausgabe
344:Christopher Hogwood
186:Alte-Mozart Ausgabe
181:Alte Mozart-Ausgabe
1424:now attributed to
1418:complete editions.
1403:now attributed to
1393:now attributed to
790:Karl Thomas Mozart
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760:Anna Maria Mozart
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338:. Concertmaster:
278:Gerhard Allroggen
250:on the grand tour
32:Symphony "No. 43"
16:(Redirected from
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512:: Scores at the
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1303:No. 41 (K. 551)
1298:No. 40 (K. 550)
1293:No. 39 (K. 543)
1283:No. 38 (K. 504)
1278:No. 37 (K. 444)
1268:No. 36 (K. 425)
1258:No. 35 (K. 385)
1253:No. 34 (K. 338)
1248:No. 33 (K. 319)
1243:No. 32 (K. 318)
1233:No. 31 (K. 297)
1228:No. 30 (K. 202)
1223:No. 29 (K. 201)
1218:No. 28 (K. 200)
1213:No. 27 (K. 199)
1208:No. 26 (K. 184)
1203:No. 25 (K. 183)
1198:No. 24 (K. 182)
1193:No. 23 (K. 181)
1188:No. 22 (K. 162)
1183:No. 21 (K. 134)
1178:No. 20 (K. 133)
1173:No. 19 (K. 132)
1168:No. 18 (K. 130)
1163:No. 17 (K. 129)
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832:Sophie Weber
808:Joseph Lange
802:Franz Mozart
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624:Pet starling
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453:, pp. 15-27.
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374:W. A. Mozart
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342:, continuo:
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214:Johann André
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173:World War II
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126:B-flat major
118:
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48:
31:
29:
859:Freemasonry
584:Nationality
564:Biographies
499:(in German)
328:Neal Zaslaw
282:Cliff Eisen
223:Lucio Silla
71:harpsichord
1476:Categories
1067:K. 208+102
1062:K. 196+121
1057:K. 135+61h
1042:K. 111+120
980:Unnumbered
965:Symphonies
842:Influences
687:Symphonies
574:Grand tour
569:Birthplace
308:References
240:Saint-Foix
57:in F, two
849:Beethoven
594:Scatology
589:Residence
557:Biography
378:Otto Jahn
298:pizzicato
261:quotation
202:Otto Jahn
149:Allegro,
111:Andante,
1076:Numbered
923:Category
768:(sister)
762:(mother)
756:(father)
711:Editions
599:Smallpox
271:Einstein
130:Menuetto
75:continuo
67:movement
59:bassoons
1307:Jupiter
1262:Haffner
878:Related
869:Salieri
682:Sonatas
501:in the
302:harmony
63:strings
36:F major
1452:Portal
1422:No. 37
1365:K. 66e
1360:K. 66d
1355:K. 66c
1350:K. 19b
1334:K. 320
1329:K. 250
1324:K. 204
1287:Prague
1052:K. 161
1012:K. 74g
1007:K. 45b
992:K. 19a
774:(wife)
746:Family
667:Operas
662:Masses
652:Dances
614:Prague
609:Berlin
484:
449:
236:Wyzewa
210:Köchel
53:, two
1401:No. 3
1391:No. 2
1237:Paris
1047:K. 96
1037:K. 98
1032:K. 75
1027:K. 97
1022:K. 95
1017:K. 81
1002:K. 76
864:Haydn
792:(son)
786:(son)
639:Music
629:Death
604:Italy
492:Score
294:Sadie
256:Abert
55:horns
51:oboes
18:K. 76
1343:Lost
1272:Linz
579:Name
494:and
447:ISBN
280:and
238:and
178:The
61:and
30:The
1416:new
1414:or
1412:old
967:by
380:'s
34:in
1478::
490::
465::
400::
396:,
372::
360:^
316:^
208:.
175:.
132:,
94:,
46:.
40:K.
38:,
1454::
1397:.
1309:)
1305:(
1289:)
1285:(
1274:)
1270:(
1264:)
1260:(
1239:)
1235:(
957:e
950:t
943:v
542:e
535:t
528:v
157:4
140:4
119:4
102:4
20:)
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