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Kafka on the Shore

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537:, where Oshima works and where Kafka lives through much of the novel. She was previously a singer, and performed the song "Kafka on the Shore", which unites many of the novel's themes. Although her outward appearance makes her look normal, she suffers from an existential crisis after the death of her boyfriend. She journeyed to the 'alternate reality' when she was 15 years old due to her strong desire to keep her happiness forever, eventually discovering the 'essence' used to compose "Kafka on the Shore". However it led to that version of herself 'separating' from her. 469:). Crow tells Kafka throughout the novel that he must be "the toughest fifteen-year-old in the world" and thus motivates him to pursue the journey of running away from home. It is heavily suggested throughout the novel that he, Miss Saeki, and Nakata are somehow connected by an 'alternate reality' on which metaphysical objects from people's subconsciousness take form leading them to find an 'essence' to their lives in exchange for taking away a 'part' of their soul. 461:. Kafka is described as being muscular for his age and a "cool, tall, fifteen-year-old boy lugging a backpack and a bunch of obsessions". He's also the son of the famous sculptor Koichi Tamura. His mother and sister left the family when he was four years old and he can't remember their faces. He occasionally interacts with his metaphysical alter ego "The boy named Crow" ("Kafka" sounds like "kavka", which means " 485:, they were rendered unconscious following a mysterious flash of light in the sky (although it is later revealed that the light wasn't the main cause). This event is referred to in the novel as the "Rice Bowl Hill incident". Unlike the other children, who recovered shortly after, Nakata remained unconscious for many weeks and, upon finally awakening, found that his 755: 750: 745: 740: 735: 374:, is also used as a redemptive metaphor. Metaphysics is also a central concept of the novel as many of the character's dialogues and soliloquy are motivated by their inquiry about the nature of the world around them and their relation to it. Among other prominent ideas are: the virtues of self-sufficiency, the relation of dreams and 354:
territory. Nakata kills a man named Johnnie Walker, a cat murderer. He takes a gigantic leap of faith in going on the road for the first time in his life, unable even to read a map and without knowing where he will eventually end up. He befriends a truck driver named Hoshino, who takes him on as a passenger in his
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also involves searching for a lost cat). Having finally located and returned one particular cat to its owners, Nakata finds that the circumstances of the case have put him on a path which, unfolding one step at a time before him, takes the illiterate man far away from his familiar and comforting home
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contains several riddles, but there aren't any solutions provided. Instead, several of these riddles combine, and through their interaction the possibility of a solution takes shape. And the form this solution takes will be different for each reader. To put it another way, the riddles function as
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curse. Kafka's heart is Kafka, his self-constructed personality, while his unconscious, the one who fulfilled the Oedipal prophecy of father-killing when he turned 15, is Crow. The character Sakura is interpreted as the embodiment of the "healed" personality, who is able to connect to the real world
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A young woman whom Kafka meets on the bus by chance. She allows him to stay at her apartment during his journey. Kafka has a dream in which he sexually assaults her, something he feels conflicted over, but a later phone conversation suggests she has no knowledge of it, indicating that unlike his
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where multiple children, including Nakata, collapse in the woods – Nakata, after the incident, is the only one of the children who came out of the incident without any memory and unable to read and write. The incident is initially blamed on poisonous gas, but it is later revealed that it was the
213:, a bookish 15-year-old boy who runs away from his Oedipal curse, and Satoru Nakata, an old, disabled man with the uncanny ability to talk to cats. The book incorporates themes of music as a communicative conduit, metaphysics, dreams, fate, and the subconscious. 27: 489:
and ability to read had disappeared, as well as his higher intellectual functions (i.e. abstract thinking), essentially making him a "blank slate". In their place, Nakata found he was able to communicate with cats, and from then on,
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and an owner of a cabin in the mountains near Komura Memorial Library who becomes close to Kafka throughout the course of the novel. He becomes the mentor of Kafka as he guides him to the answers that he's seeking on his
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After the story's release, Murakami's Japanese publisher invited readers to submit questions to its website on the meaning of the book. Murakami responded personally to around 1,200 of the 8,000 questions received.
494:. It is hinted that Nakata and Miss Saeki have been through the 'alternate reality' before and it's where they left a 'part' of their 'soul', leading to their shadows being irregular compared to normal people's. 347:
result of a lustful teacher beating Nakata. Later on in the book, it is shown that due to his uncanny abilities, Nakata has found part-time work in his old age as a finder of lost cats (Murakami's earlier work
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The power and beauty of music as a communicative medium is one of the central ideas of the novel—the very title comes from a song Kafka is given on a record in the library. The music of
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After the release of the book, Murakami allowed for questions about the novel to be sent in, and responded to many of them. The novel was generally well-received, with positive reviews from
2753: 678:, cannot cope with her care, as she has power over the symbolic order. The character Oshima represents the mind-body-spirit split within Kafka. The character Johnny Walker is a symbol of 429:, who are typically in their 20s or 30s and have rather humdrum personalities. However, many of the same concepts that were first developed in these and other previous novels re-occur in 1944: 1066:
Landscapes of Realism: Rethinking Literary Realism in Comparative Perspectives. Volume I: Mapping Realism. (2021). Netherlands: John Benjamins Publishing Company. Retrieved 2021-03-03.
763:) merges Western culture and Japanese history to paint a surreal portrait of two troubled souls searching for—well, something". Globally, the work was received generally well with 1705: 1633: 335:
until the police begin inquiring after him in connection with the murder of his father that he does not know he has committed. Oshima brings him to the forests of
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A brown cat who was addled after being hit by a bicycle. Though they can communicate, Nakata is unable to understand Kawamura's repetitive and strange sentences.
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The character's true given name is never revealed to the reader. After having run away from home, he chooses the new name "Kafka", in honor of writer
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Comprising two distinct but interrelated plots, the narrative runs back and forth between both plots, taking up each plotline in alternating chapters.
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in his mid-twenties. He befriends Nakata, due to his resemblance to his own grandfather, and transports and assists him towards his uncertain goal.
2758: 1930: 1329: 809:, said that although the novel was "not one of Murakami's masterpieces", he nonetheless considered it "an inventive, alluring, striving novel". 2703: 242:
is categorized as a Western writer who is well-known by Americans and British people, but is not so in Japan. He compares it to titles such as
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curse and to embark upon a quest to find his mother and sister. After a series of adventures, he finds shelter in a quiet, private library in
2723: 1657: 321:, run by the distant and aloof Miss Saeki and the intelligent and more welcoming Oshima. There he spends his days reading the unabridged 1909: 775:
described it as a "real page-turner, as well as an insistently metaphysical mind-bender". Since its 2005 English-language release (2006
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posted on his English-language website, Murakami says that the secret to understanding the novel lies in reading it several times: "
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The odd-numbered chapters tell the 15-year-old Kafka's story as he runs away from his father's house to escape an
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and soon becomes very attached to the old man. He heads for Takamatsu, an unknown force driving him there.
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saying on the consensus "Not quite a consensus, but most enthusiastic (but also with some reservations)".
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The even-numbered chapters tell Nakata's story. They start with military reports of a strange incident in
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Nakata lost many of his mental faculties when he was a child; as one of sixteen schoolchildren on a
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part of the solution. It's hard to explain, but that's the kind of novel I set out to write".
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Through the lens of psychoanalytic theory, Kafka is a schizoid character suffering from a deep
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Mar/Apr 2005 issue, a magazine that aggregates critic reviews of books, the book received a
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has received mostly positive reviews and critical acclaim, including a spot on
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has an influence on the book and is referenced directly at one point.
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Scholar Michael Seats compared the liminality of the novel to
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or hustler. He is named after, and takes the appearance of,
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other dreams it did not happen in the 'alternate reality'.
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Underground: The Tokyo Gas Attack and the Japanese Psyche
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Colorless Tsukuru Tazaki and His Years of Pilgrimage
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His name is taken from 1945: 1931: 1923: 1585: 1571: 1563: 715:was generally well-received. According to 25: 18: 934: 932: 930: 852: 850: 389:demonstrates Murakami's typical blend of 1060:"In-between spaces in Haruki Murakami's 1005:Lewis-Kraus, Gideon (February 6, 2005). 980:"Kafka on the Shore, by Haruki Murakami" 902: 900: 481:-gathering field-trip toward the end of 1246:"Kafka on the Shore By Haruki Murakami" 1130:Griffin, Michelle (February 19, 2005). 818: 1064:: Time and space in Japanese realism." 603:with whom Nakata easily communicates. 7: 1658:South of the Border, West of the Sun 339:, where Kafka is ultimately healed. 286:, meaning 'possible' or 'good') and 1161:"An Interview with Haruki Murakami" 1076:Mitchell, David (January 8, 2005). 1032:Jones, Malcolm (January 24, 2005). 195:is a 2002 novel by Japanese author 907:Miller, Laura (February 6, 2005). 14: 2404:Jonathan Strange & Mr Norrell 1302:Updike, John (January 24, 2005). 857:Chozick, Matthew Richard (2008). 734: 593:A lost cat owned by Mrs. Koizumi. 550:A cat killer who plans to make a 2784:2002 LGBT-related literary works 1722:The City and Its Uncertain Walls 826:Cheuse, Alan (8 February 2005). 753: 748: 743: 738: 733: 256:saw special meaning in the name 2779:Novels set in Kagawa Prefecture 1356:Dirda, Michael (May 20, 2007). 2759:Novels with transgender themes 1383:Mitchell, David (2005-01-08). 978:Burns, John (March 31, 2005). 863:Comparative Literature Studies 793:10 Best Books of 2005 and the 662:'s exegesis of the concept of 1: 2704:Japanese magic realism novels 2569:The Sudden Appearance of Hope 501:A 21-year-old, intellectual, 437:G. W. F. Hegel 274:), could be a combination of 16:2002 novel by Haruki Murakami 2724:Fiction about animal cruelty 1910:Blind Willow, Sleeping Woman 1761:Blind Willow, Sleeping Woman 1385:"Kill me or the cat gets it" 1078:"Kill me or the cat gets it" 1973:The Forgotten Beasts of Eld 1551:Interview with Murakami on 1330:"The 10 Best Books of 2005" 1103:Block, Summer (July 2005). 331:and the collected works of 328:One Thousand and One Nights 294: 282: 262: 260:, as its Japanese version, 189: 2800: 2056:The Shadow of the Torturer 1666:The Wind-Up Bird Chronicle 761:The Wind-Up Bird Chronicle 674:well. 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He is a 511: 508: 504: 500: 497: 496: 495: 493: 488: 484: 480: 473:Satoru Nakata 472: 471: 470: 468: 464: 460: 452: 451: 447: 442: 440: 438: 434: 432: 428: 427: 422: 421: 416: 412: 409:, and potent 408: 404: 400: 396: 392: 388: 381: 379: 377: 373: 372:Archduke Trio 369: 361: 359: 357: 352: 351: 345: 340: 338: 334: 330: 329: 324: 320: 316: 311: 305: 303: 301: 296: 290: 284: 278: 269: 264: 259: 255: 251: 250: 246: 241: 237: 229: 227: 225: 224: 219: 214: 212: 208: 204: 203: 198: 191: 179: 178: 169: 166: 164: 158: 155: 154:1-84343-110-6 152: 150: 146: 142: 138: 134: 130: 126: 123: 120: 116: 109: 106: 102: 101: 99: 95: 92: 89: 85: 82: 79: 75: 72: 69: 65: 62: 49: 45: 42: 39: 35: 28: 23: 2660: 2648: 2636: 2624: 2601: 2589: 2579: 2574:Claire North 2567: 2555: 2543: 2531: 2519: 2514:Lavie Tidhar 2507: 2495: 2483: 2460: 2457:Jeffrey Ford 2450: 2438: 2426: 2415: 2414: 2402: 2390: 2378: 2375:Graham Joyce 2368: 2356: 2351:Sean Stewart 2344: 2334: 2329:Martin Scott 2322: 2299: 2294:Jeffrey Ford 2287: 2275: 2265:The Prestige 2263: 2251: 2246:Lewis Shiner 2241: 2229: 2217: 2205: 2195: 2183: 2167:Peter Straub 2160: 2155:Ken Grimwood 2148: 2136: 2126:Song of Kali 2124: 2112: 2104:Mythago Wood 2102: 2097:John M. Ford 2090: 2085:Michael Shea 2078: 2073:John Crowley 2066: 2054: 2042: 2019: 2014:Fritz Leiber 2007: 1995: 1983: 1971: 1908: 1902:Drive My Car 1900: 1892: 1884: 1876: 1868: 1860: 1841: 1833: 1814: 1806: 1798: 1779: 1771: 1759: 1751: 1739: 1720: 1712: 1704: 1696: 1688: 1681: 1680: 1672: 1664: 1656: 1648: 1640: 1632: 1624: 1616: 1608: 1557: 1552: 1538: 1528: 1520: 1514: 1508: 1502: 1496: 1490: 1482: 1476: 1468: 1455: 1447: 1437: 1431: 1425: 1400:. Retrieved 1389:The Guardian 1388: 1378: 1367:. Retrieved 1361: 1351: 1340:. Retrieved 1333: 1324: 1313:. Retrieved 1307: 1297: 1286:. Retrieved 1284:. 2023-10-04 1281: 1272: 1260:. Retrieved 1256:the original 1249: 1240: 1228:. Retrieved 1224:the original 1217: 1208: 1196:. Retrieved 1190: 1181: 1170:. Retrieved 1164: 1141:. Retrieved 1135: 1125: 1114:. Retrieved 1108: 1098: 1087:. Retrieved 1083:The Guardian 1081: 1071: 1061: 1054: 1043:. Retrieved 1037: 1027: 1016:. Retrieved 1010: 1000: 989:. 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Index


Haruki Murakami
Philip Gabriel
Japanese
Magical realism
Shinchosha
Japan
Hardcover
ISBN
1-84343-110-6
OCLC
56805021
Haruki Murakami
The New York Times
World Fantasy Award
Kafka Tamura
John Updike
The New York Times
NPR
Franz Kafka
Genji
Hudson
Hayao Kawai
Japanese

不可
liminality
Oedipal
Takamatsu
Richard Francis Burton

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