726:). At the time Kailash Khanna knocks at his house, Dhaniram is shown preparing himself to drink a glass of milk (he never gets to drink that milk, and it is the milk in that glass, which gets spilt later, perhaps by a cat, on which Kaalia's footprints are later imprinted). He opens the door, and feeling ingratiated at having such an honourable guest, offers a glass of sherbet to Kailash. During their talks, Kailash peeps out of the window and sees Badrinath (in fact Badri Prasad's lookalike) coming towards the door. Kailash does not want to be seen with Dhaniram, so he hides in a side room. Badri Prasad's lookalike is received by Dhaniram, through an already open door (he had never closed the door after Kailash had entered). Without saying anything, the newcomer stabs him in the abdomen quietly, switches off the lights and goes away, without closing the door behind him. Kailash sees all this through the side room. Later, he also escapes from the house, without closing the door. This leaves the crime scene with two contrasting situations – a switched off light and an open door. This contrasting situation was never explained satisfactorily by the prosecution. The best it could say was that both the door was open and lights were on when Kaalia came in via the pipe. Kaalia murdered Dhaniram and then switched off the lights. But Kailash quite rightly points out, that if Kaalia had indeed switched off the lights, the switch board should be smeared with blood (as Kaalia's hands were covered with blood when he was caught). No such blood was found on the switch board. This allowed Kailash to make a deep dent in the story of the prosecution. The persons attending the court are shown admiring Kailash's reasoning.
722:) asserts in the beginning of their case, that Dhaniram was sleeping (because the lights of his house were found off). However, the main door of the house was open (Badri Prasad's lookalike had come and gone through that, and Dhaniram's corpse could not have possibly closed the door back). The question arose as to why the door was open at that untimely hour (12 midnight). The prosecution then changes the story and says that Dhaniram was awake at that time, and that explained the open main door. But he was trapped by Kailash immediately by indicating that if Dhaniram was indeed awake, the lights should have been on! Indeed, there were two contrasting things at the scene of crime – lights were off, indicating the owner of the house was sleeping and the main door was open, indicating the owner of the house was awake. In fact, the door was opened (and never closed after that) by Dhaniram when Kailash Khanna went to his house to take back the blank signed paper written by Vijay (
753:
Kaalia stabbed
Dhaniram and rushed back to the window to get down, and in the process his footprints were imprinted on the spilt milk. Kailash could have easily punched holes in this story, by pointing out that the footprints were directed inwards (towards the centre of the room where Dhaniram's corpse was lying). According to the prosecution story, the footprints should have been directed outwards (towards the window, from where he eventually came out). This interesting fact was never brought to the court's notice. Furthermore, when Kaalia came in, he was tiptoeing (to avoid anyone listening to his footsteps). This led to two successive footprints being very near. When a person is running (as the case should have been when Kaalia ran out of the room after supposedly murdering Dhaniram), the two successive footprints should be much farther apart. This fact was also never brought to the notice of the court.
740:
Das consults the very same wrist watch he was wearing at the time of murder and tells the court that the time is 3.55 pm. At that very same time, the court's watch is showing 4.08 pm, proving that Das's watch was 13 minutes slow. By this fact, Kailash proves that Kaalia was caught at 12.08 am (on 1 July) rather than on 11.55 pm on 30 June thus conveniently bringing him out of suspicion. It is incomprehensible that the
Subinspector kept his watch slower by the same amount over the months it took the case to come to trial.
72:
695:, ascends to the first-floor residence of Dhaniram, via a pipe and then through the open window. The lights are off. His steps fall on spilled milk. The milk got spilled by a black cat, which jumped on the glass of milk. After the murder, when Kailash Khanna comes out from the adjoining room and is trying to contemplate what happened and why a cat is shown running around. In fact, this alerts Kailash to run away from the scene himself).
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day. So he would not be free before 10.30 or perhaps 11.00 pm. (2) Later, when he is shown walking towards
Dhanirams' house, a clock in the background can be heard chiming. One can easily count 11 chimes from the moment Kailash is walking towards Dhaniram's house, till Dhaniram opens the door (chiming stops after that). So the action starts at 11.00 pm.
739:
Kaalia is shown being caught by
Subinspector Das at 11.55 pm. The time is noted by Das by his own wrist watch. In India, generally a murder case is committed to trial months or even years after the murder. During the trial, Kailash proves that Das's watch is slow by 13 minutes. He asks Das the time.
748:
of the two extremes of time mentioned in the report and assumes (without objection from the prosecution), that the murder took place at 11.45 pm (on 30 June). He then goes on to reason that Kaalia should have been with the corpse for a full 23 minutes (he was caught at 00.08 am on 1 July)
743:
Kailash reasons that the police surgeon mentioned in his postmortem report that the murder took place between 11.30 and 12.00. This quite possibly includes 12.00 midnight also. And if this time is taken as the true time of murder, Kaalia's arrest at 12.08 can be easily explained. But
Kailash takes
698:
Public
Prosecutor Kailash Khanna enters Dhaniram's house exactly at 11.00 pm on 30 June. This is proved by two points. (1) When Meena asks Kailash to go to Dhaniram's house to collect the incriminating paper from him, Kailash informs her that he had to attend the Bar Association's dinner that
517:
Torn between his loyalty to his mentor and future father-in-law, on the one hand, and his moral duty to save an innocent man, on the other, Kailash resolves to defend the accused, while at the same time, avoiding bringing out in public the painful truth. What ensues is an absorbing psychological
752:
The prosecution story is that Kaalia went up the pipe to
Dhaniram's house (through an open window) and tried to steal something. Dhaniram, who was sleeping at that time woke up and tried to apprehend Kaalia. During the struggle, milk got spilt (in fact it was already spilt when Kaalia came in).
498:
Kailash drops in at the money lender's place to have a word with him. Their exchange is interrupted by the arrival of Badri Prasad's look-alike. Kailash does not want to be seen with
Dhaniram, so he hides in a side room, instructing Dhaniram not to disclose to the judge that he had come there.
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who, having obtained the former's signature on a blank piece of paper, threatens to have his entire property confiscated. Afraid to face his stern father with the truth, Vijay pleads with
Kailash to intercede with the moneylender. The latter agrees to do so, despite initial reluctance.
418:
The film was a courtroom drama related with a murder case, where the judge's prospective son-in-law (Rajendra Kumar) is the defence lawyer in a case of murder, for which he suspects his would-be father-in-law. The film was the second songless Hindi
471:), one of the rising stars in the legal fraternity, and Badri Prasad's protégé. The young couple's visit to ballet is rather unremarkable, except for the surreptitious appearance of Ashok Kumar, who is seen by the viewer romancing an unknown lady (
221:
448:) is presented before court for the murder of Ganpat. He pleads guilty, but claims that the court can do him no harm, as he has already served a sentence for the murder of the same man. An emotionally overcharged Kalidas asks judge Badri Prasad (
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in a guest appearance), discuss the case. Badri Prasad, who is well known for never having awarded a death sentence, has a friendly argument with Jha, which leads to a wager that it is possible for someone to get away scot-free with murder.
782:) and Justice Jha, that it is possible to murder someone without being sentenced, occurs only 2 days earlier – on 28 June. When Kailash Khanna, towards the end of the film, presents Badri Prasad's diary to the court, he mentions this date.
767:) death is not mentioned in the film, but it can be derived from the contents of the film. He may have been murdered on the night of 30 June 1959. This is because on the next day of the murder, when Badri Prasad's daughter Meena (
415:. The film presents a case against capital punishment, arguing that witnesses may be genuinely deceived, and their consequent inadvertently tendered false testimony may lead someone wrongly to be convicted and hanged.
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475:) in a private box. Incidentally, the murdered man Ganpat is her husband. She married a rich man during her first husband's (Ganpat) lifetime and inherited his property. This was an
688:. The Badri Prasad look-alike who commits the murder comes from the main door, stabs Dhaniram in the stomach, switches off the light, and goes back quietly through the same door.
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The defence represented by
Kailash Khanna too has several fatal weaknesses, although these were never brought to the notice of the court by the prosecution side. Here are some:
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with his hands smeared in blood. This is obviously unlikely. And thus Kaalia cannot be the murderer. Strangely, this defective reasoning is never challenged by the prosecution.
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Dhaniram receives the unexpected guest through an already open door. Kailash watches in horror from the inner room, as the unscheduled visitor (
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The shocking incident makes its way to the press and becomes a matter of hot debate in the city. Two judges, Mr. Jha and Mr. Savalkar (
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452:) what gives law the right to deprive an innocent man of something it cannot return him, before collapsing and dying.
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The movie features an innovative Indo-Western ballet performance with instrumental music by great music director
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775:" . The film was made in 1960. Before this year, 1959 is the nearest year, where Wednesday falls on 1 July.
506:) stabs his host to death. Unsure of what to do, Kailash walks away. Unfortunately, a petty thief, Kaalia (
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In Indian Courts, a person whose true identity is unknown or must be withheld in a legal action is called
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expert's) report says that Dhaniram died between 11.30 pm and 12.00 midnight (on the night of 30th).
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In the meanwhile, romance is blossoming between Badri Prasad's daughter Meena (
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Kaalia is caught descending the pipe hurriedly at 00.08 am on 1 July.
514:) and Hawaldar Ram Singh. Kaalia's hands are completely drenched in blood.
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789:. The reason for this is actor Ashok Kumar's character in this movie.
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162:. Statements consisting only of original research should be removed.
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There are interesting forensic details to be noted in the
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828:National Film Award for Best Feature Film in Hindi
912:Films transformed Chopra's destiny and vice-versa
1377:National Film Award for Best Hindi Feature Film
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59:Learn how and when to remove these messages
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773:Aaj Budhwar hai aur July ki pehli Taarikh
196:Learn how and when to remove this message
178:Learn how and when to remove this message
116:Learn how and when to remove this message
79:This article includes a list of general
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670:Harbans Darshan M. Arora as advocate.
551:Meena Prasad, Badri Prasad's daughter
7:
948:International Film Festival of India
863:Filmfare Best Supporting Actor Award
486:) is heavily indebted to Dhaniram (
713:Weaknesses in prosecution reasoning
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85:it lacks sufficient corresponding
14:
518:thriller with an unexpected end.
40:This article has multiple issues.
848:Filmfare Award for Best Director
778:The wager between Badri Prasad (
560:Vijay Prasad, Badri Prasad's son
132:
70:
29:
2510:Films scored by Salil Chowdhury
731:Weaknesses in defence reasoning
467:) and advocate Kailash Khanna (
48:or discuss these issues on the
2530:Films about capital punishment
2525:Films directed by B. R. Chopra
885:B. R. Chopra (for B. R Films)
1:
1573:Jis Desh Mein Ganga Behti Hai
876:Filmfare Award for Best Story
667:Tina Misquitta as Tina Katkar
889:Filmfare Award for Best Film
691:Much later, Kaalia, a petty
646:as Male dancer in stage show
158:the claims made and adding
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2515:1960s Hindi-language films
2227:The Legend of Bhagat Singh
944:"8th National Film Awards"
718:The prosecuting attorney (
482:Badri Prasad's son Vijay (
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1408:Jhanak Jhanak Payal Baaje
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658:Dewan Sharar as Judge Jha
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763:The year of Dhaniram's (
1937:Discontinued after 1965
977:Internet Movie Database
533:Advocate Kailash Khanna
100:more precise citations.
18:Kanoon (disambiguation)
2540:Indian courtroom films
2156:Hazaar Chaurasi Ki Maa
2054:Salim Langde Pe Mat Ro
1428:Do Aankhen Barah Haath
794:Awards and nominations
744:the ploy of taking an
702:The police surgeon's (
2096:Suraj Ka Satvan Ghoda
1908:Geet Gaya Patharon Ne
1622:Sahib Bibi Aur Ghulam
831:Certificate of Merit
644:Gopi Krishna (dancer)
1850:Certificate of Merit
1479:Certificate of Merit
569:Prosecuting Attorney
423:. The first one was
16:For other uses, see
2535:Films about lawyers
1874: –
1789:Shatranj Ke Khilari
1780: –
1760: –
1728: –
1563: –
1418: –
932:. 14 November 2020.
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375:) is a 1960 Indian
2520:Indian legal films
2383:Dum Laga Ke Haisha
1268:Pati Patni Aur Woh
954:on 12 October 2013
918:, 6 November 2008.
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640:as stage announcer
542:Judge Badri Prasad
143:possibly contains
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1793:The Chess Players
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1099:The Burning Train
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387:. The film stars
383:film directed by
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2464:
2458:2021–present
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2132:Bandit Queen
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2018:Mirch Masala
2016:
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1517:Basant Bahar
1515:
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1394:
1333:Vishnu Puran
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1145:Pratigyabadh
1143:
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1123:Aaj Ki Awaaz
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1036:B. R. Chopra
993:
975:
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956:. Retrieved
952:the original
938:
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823:B. R. Chopra
786:
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516:
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492:money lender
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385:B. R. Chopra
364:
363:
362:
337:Running time
314:Release date
256:B. R. Chopra
235:B. R. Chopra
192:
174:
165:
142:
112:
103:
84:
56:
49:
43:
42:Please help
39:
22:
2239:Raghu Romeo
1858:Gunga Jumna
1738:Maya Darpan
1307:Kal Ki Awaz
958:7 September
872:C.J. Pavri
787:Ashok Kumar
780:Ashok Kumar
573:Jagdish Raj
537:Ashok Kumar
512:Jagdish Raj
504:Ashok Kumar
450:Ashok Kumar
397:Ashok Kumar
269:Ashok Kumar
253:Produced by
248:C. J. Pavri
231:Directed by
225:Film poster
98:introducing
2505:1960 films
2499:Categories
2431:Chhichhore
2347:Filmistaan
2006:Anantyatra
1982:Ardh Satya
1920:Oonche Log
1610:Dharmputra
1325:Mahabharat
1317:Television
900:References
893:Nominated
880:Nominated
765:Om Prakash
633:Shashikala
609:Om Prakash
490:) a local
488:Om Prakash
473:Shashikala
413:Om Prakash
405:Shashikala
379:-language
294:Pran Mehra
241:Written by
152:improve it
81:references
45:improve it
2419:Andhadhun
2359:Jolly LLB
2299:Rock On!!
2207:2001–2020
2168:Godmother
2030:Pestonjee
1950:1981–2000
1694:Aashirwad
1598:1961–1980
1499:Shree 420
1440:Madhumati
1384:1954–1960
1204:Naya Daur
1130:Kirayadar
1034:Films by
680:Forensics
664:Ravi Kant
618:Moolchand
444:Kalidas (
291:Edited by
156:verifying
51:talk page
2478:Gulmohar
2251:Raincoat
2192:Zubeidaa
1706:Satyakam
1547:Lajwanti
1172:Director
1043:Producer
930:"Kafila"
704:Forensic
623:Advocate
614:Dhaniram
600:Iftekhar
457:Iftekhar
426:Naujawan
354:Language
341:139 min.
303:Music by
261:Starring
168:May 2012
106:May 2012
2084:Dharavi
2066:Drishti
1902:Yaadein
1835:Aakrosh
1805:Kasturi
1770:Nishant
1750:27 Down
1682:Hamraaz
1670:Anupama
1658:Shaheed
1634:Bandini
1553:Karigar
1535:Musafir
1487:Jagriti
1244:Dastaan
1236:Hamraaz
1153:Baghban
1137:Dahleez
1115:Mazdoor
1067:Ittefaq
812:Result
724:Mehmood
587:Kalidas
555:Mehmood
484:Mehmood
401:Mehmood
370:transl.
346:Country
323: (
277:Mehmood
150:Please
94:improve
2483:(2022)
2471:(2021)
2448:(2020)
2436:(2019)
2424:(2018)
2412:(2017)
2407:Newton
2400:(2016)
2395:Neerja
2388:(2015)
2376:(2014)
2364:(2013)
2352:(2012)
2340:(2011)
2328:(2010)
2316:(2009)
2304:(2008)
2292:(2007)
2280:(2006)
2268:(2005)
2256:(2004)
2244:(2003)
2232:(2002)
2220:(2001)
2197:(2000)
2185:(1999)
2173:(1998)
2161:(1997)
2149:(1996)
2137:(1995)
2125:(1994)
2113:(1993)
2108:Patang
2101:(1992)
2089:(1991)
2078:Diksha
2071:(1990)
2059:(1989)
2047:(1988)
2035:(1987)
2023:(1986)
2011:(1985)
1999:(1984)
1987:(1983)
1975:(1982)
1963:(1981)
1958:Arohan
1931:(1965)
1913:(1964)
1895:(1963)
1890:Gumrah
1877:(1962)
1869:(1961)
1840:(1980)
1828:(1979)
1823:Sparsh
1816:(1978)
1811:Junoon
1798:(1977)
1783:(1976)
1775:(1975)
1763:(1974)
1755:(1973)
1743:(1972)
1731:(1971)
1723:(1970)
1711:(1969)
1699:(1968)
1687:(1967)
1675:(1966)
1663:(1965)
1651:(1964)
1639:(1963)
1627:(1962)
1615:(1961)
1584:(1960)
1579:Kanoon
1566:(1959)
1558:(1958)
1540:(1957)
1522:(1956)
1510:(1955)
1505:Devdas
1492:(1954)
1469:(1960)
1457:(1959)
1445:(1958)
1433:(1957)
1421:(1956)
1413:(1955)
1401:(1954)
1336:(2000)
1328:(1988)
1309:(1992)
1303:(1987)
1295:(1985)
1292:Tawaif
1287:(1982)
1284:Nikaah
1279:(1980)
1271:(1978)
1263:(1977)
1255:(1973)
1247:(1972)
1239:(1967)
1231:(1963)
1228:Gumrah
1223:(1961)
1220:Kanoon
1215:(1958)
1212:Sadhna
1207:(1957)
1199:(1956)
1191:(1954)
1183:(1951)
1180:Afsana
1164:(2006)
1161:Baabul
1156:(2003)
1148:(1991)
1140:(1986)
1132:(1986)
1126:(1984)
1118:(1983)
1110:(1981)
1102:(1980)
1094:(1975)
1086:(1974)
1083:Zameer
1078:(1969)
1070:(1969)
1062:(1965)
1054:(1959)
994:Kanoon
973:Awards
809:Award
758:Trivia
686:murder
596:Kaalia
582:Jeevan
446:Jeevan
421:talkie
409:Jeevan
365:Kanoon
296:Ramlal
214:Kanoon
83:, but
2371:Queen
2263:Black
2180:Shool
2144:Gudia
2120:Mammo
1970:Katha
1926:Guide
1718:Anand
1646:Dosti
1452:Anari
1252:Dhund
803:Year
769:Nanda
693:thief
546:Nanda
465:Nanda
393:Nanda
377:Hindi
357:Hindi
349:India
273:Nanda
2335:I Am
2287:1971
2081:and
1994:Paar
1923:and
1905:and
1887:and
1861:and
1808:and
1576:and
1550:and
1532:and
1502:and
1300:Awam
1260:Karm
1059:Waqt
999:IMDb
960:2011
867:Won
852:Won
840:1962
834:Won
818:1960
522:Cast
411:and
325:1960
321:1960
2311:Paa
997:at
154:by
2501::
1795:)
946:.
621:as
612:as
603:as
594:as
585:as
576:as
567:as
558:as
549:as
540:as
531:as
436:.
407:,
403:,
399:,
395:,
391:,
54:.
1791:(
1369:e
1362:t
1355:v
1027:e
1020:t
1013:v
980:.
962:.
368:(
327:)
199:)
193:(
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175:(
170:)
166:(
148:.
119:)
113:(
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104:(
90:.
61:)
57:(
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
