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Conference Hall, on the second floor of the Campal Trade Centre, Campal, Panaji, which is an integral part of the Tiatr
Academy of Goa. Furthermore, on 29 January 2020, de Sousa's contributions were honored once again at the same event. This time, the program took place at the Black Box venue within the premises of Ravindra Bhavan, located in
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known as
Karachiwalla's Delectable Company, which operated for a limited period before eventually dissolving. This company was one of several dramatic clubs that contributed to the theatrical scene of the time. In a letter written by João Agostinho Fernandes on 24 July 1939, and later published in
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who were born in a specific month. Although the exact birth date of de Sousa was unavailable, he was included in the remembrance during that particular month's event. Continuing the tradition, on 23 January 2018, de Sousa was once again remembered at the same event. The program took place at the
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for an extended period before returning to Bombay, which was then part of
British India. De Sousa garnered popularity for his well-received stage productions. His talents extended beyond acting, as he showcased skills in composing songs and delivering vocal performances. De Sousa undertook the
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stands out as one of de Sousa's acclaimed theatrical works, garnering critical acclaim upon its publication in the same year. Following his death, several posthumous plays by de Sousa were published, including
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organized a commemorative event known as the
Somplolea Tiatristancho Ugddas. This event, held at the Conference Hall of the Tiatr Academy of Goa located in the Campal Trade Centre,
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408:, spanning from 1892 to the 1930s. This period marked the emergence of pioneering dramatists who reaped immediate benefits and played a crucial role in shaping the
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on the opening day. Fernandes emphasized the significance of rigorous rehearsals in achieving artistic excellence and producing qualitatively superior
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De Sousa held multiple roles as a writer, producer, and director, demonstrating his versatility in the art form. One of his audience members was
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had relatively brief careers, others enjoyed enduring success. They made contributions as playwrights and composers, with figures like
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singer, composer, and playwright. The origin of his moniker remains obscure, though it is speculated that he may have resided in
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371:, which were performed in the 1910s. De Sousa, alongside John Lazarus, emerged as influential producers of
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of the period spanning from 1910 to 1940, who played a pivotal role in upholding the legacy of
Konkani
270:, which showcased his literary prowess. De Sousa's compositions were compiled into collections such as
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285:, featuring eighteen songs accompanied by musical scores, was published after its debut at Bombay's
448:. It was during this period that he honed his skills as a playwright, specifically in the genre of
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undertaking the multifaceted responsibilities of writing, producing, and directing
Konkani
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354:. As a result, singers and actors had few choices for maintaining the vitality of Konkani
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536:. Government of Goa, Directorate of Art & Culture. pp. 22–23, 28, 75–76.
689:"TAG to remember tiatr artistes of yesteryears on January 23 – The Navhind Times"
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242:. In addition to his theatrical achievements, de Sousa authored several popular
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on 30 July 1939, details de Sousa's lack of participation in
Fernandes' play
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When the
Curtains Rise--: Understanding Goa's Vibrant Konkani Theatre
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and
Konkani translations. In addition, De Sousa established a
48:
278:. A milestone in de Sousa's career came in 1909 when his two-
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group, known for their performances under the direction of
436:(now in India). During his formative years, he resided in
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Sebastião
Gabriel de Sousa originated from the village of
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throughout the first half of the 20th century. While some
365:, a young playwright who found inspiration in de Sousa's
592:. Tiatr Academy of Goa. pp. 18, 48, 70, 101, 136.
715:"Late tiatr artistes remembered – The Navhind Times"
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into Konkani, which were staged in Bombay's Konkani
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469:(now Mumbai), where he garnered acclaim for his
304:in Bombay in 1927. De Sousa was a member of the
465:audiences. Subsequently, de Sousa relocated to
214:circuit. Among these adaptations were works by
171:During the same era, a figure emerged on the
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565:TIATR 125th Anniversary Commemorative Volume
183:, alongside L.C.D. Braganza, also known as
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404:who flourished during the early phase of
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191:Karachiwala, made contributions as a
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16:Goan playwright and theatre director
781:Dramatists and playwrights from Goa
298:Inocente Hermione Vo Dubavi Leontes
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248:Carlos Magno Ani 12 par Fransache
586:Fernandes, André Rafael (2010).
187:. This individual, known by his
721:from the original on 2024-03-16
695:from the original on 2024-03-16
669:from the original on 2024-03-16
643:from the original on 2024-03-16
606:from the original on 2023-11-26
540:from the original on 2024-01-07
776:People from North Goa district
400:. De Sousa was one among many
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687:Times, Navhind (2018-01-21).
661:Times, Navhind (2015-01-29).
473:writings and performances in
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533:100 Years of Konkani Tiatro
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713:Desk, N. T. (2020-02-02).
530:Mazarello, Wilson (2000).
130:Sebastião Gabriel de Sousa
40:Sebastião Gabriel de Sousa
19:For the Indian actor, see
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563:Gracias, Michael (2019).
94:Sebastian Gabriel D'Souza
786:Konkani-language singers
485:On 30 January 2015, the
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318:playwright hailing from
312:João Agostinho Fernandes
256:Roldao Xinvachea Pottant
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272:Comik Cantaranche Album
276:Cantarache Chear Album
76:, India) (most likely)
573:Tiatr Academy of Goa
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348:Valente Mascarenhas
157:theatrical producer
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629:The Times of India
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377:theatrical company
340:Vincent de Saligão
221:Merchant of Venice
599:978-93-80739-01-4
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141:mononymously
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91:Karachiwalla
766:Goan people
742:|last=
569:Panaji, Goa
432:within the
412:tradition.
302:Abou Hassan
216:Shakespeare
145:Karachiwala
102:Occupations
74:Maharashtra
30:Karachiwala
760:Categories
725:2024-03-16
699:2024-03-16
673:2024-03-16
647:2024-03-16
610:2024-03-15
544:2024-03-15
512:References
394:comic song
390:rehearsals
363:Saib Rocha
344:Master Vaz
336:C. Alvares
189:stage name
108:Playwright
771:Tiatrists
637:0971-8257
500:tiatrists
454:(form of
402:tiatrists
332:tiatrists
324:tiatrists
307:tiatrists
179:scene in
139:), known
734:cite web
719:Archived
693:Archived
667:Archived
641:Archived
604:Archived
538:Archived
386:Battkara
280:act play
120:composer
114:producer
471:Konkani
438:Karachi
320:Saligão
293:Custoba
268:Faust 2
264:Faust 1
260:Kustoba
252:Kustoba
197:Karachi
193:Konkani
177:theater
635:
596:
506:Margao
495:Panaji
491:Campal
481:Legacy
475:tiatrs
467:Bombay
451:tiatrs
422:Aldona
398:tiatrs
368:tiatrs
352:tiatrs
346:, and
266:, and
254:, and
244:tiatrs
236:, and
227:Hamlet
181:Bombay
167:Career
117:singer
70:Bombay
45:Aldona
463:tiatr
410:tiatr
406:tiatr
356:tiatr
328:tiatr
283:Faust
211:tiatr
746:help
633:ISSN
594:ISBN
456:Goan
316:Goan
274:and
185:Rama
175:and
149:Goan
65:Died
36:Born
444:in
426:Goa
424:in
143:as
134:fl.
49:Goa
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