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Karin Schneider

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to it. Her architecture models were transformed critically into domestic apparatus, her oil paintings became exhibition displays for projections. There is always a program inserted in her installations to connect the work with the
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Schneider has lived and worked in New York since October 1996. In 1997, Schneider and the artist Nicolás Guagnini an experimental film company called Union
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made in 1997 is a 30-minute 16 mm fictional documentary that traces through formal analogies the history of
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Schneider's work has a strong play impulse and sometimes invites the audience to invert the
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Arts Practicum - Karin Schneider begins the 2019 Practicum (48010587557)
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from the article and its talk page, especially if potentially
17: 272: 161:(born 1970) is an American/Brazilian artist. She was born in 208:and with the reality outside the exhibition space. 8: 55:about living persons that is unsourced or 126:Learn how and when to remove this message 364:Brazilian emigrants to the United States 264: 384:American women experimental filmmakers 7: 240:"KARIN SCHNEIDER: Image Coming Soon" 374:20th-century American women artists 218:Holland Cotter (January 12, 2007). 238:Roberta Smith (November 2, 2007). 14: 379:American experimental filmmakers 22: 172:Productions. Their first film 1: 369:Artists from New York (state) 188:from Brazil and Unicism from 33:biography of a living person 199:of the art object bringing 60:must be removed immediately 400: 298:"Karin Schneider, Critic" 154:, produced by Schneider 155: 143: 47:Please help by adding 149: 141: 53:Contentious material 152:Situational Diagram 302:Yale School of Art 277:ritesinstitute.org 244:The New York Times 224:The New York Times 156: 144: 136: 135: 128: 110: 75:"Karin Schneider" 36:needs additional 391: 338: 337: 335: 333: 319: 313: 312: 310: 308: 294: 288: 287: 285: 283: 269: 254: 252: 250: 234: 232: 230: 131: 124: 120: 117: 111: 109: 68: 49:reliable sources 26: 25: 18: 399: 398: 394: 393: 392: 390: 389: 388: 344: 343: 342: 341: 331: 329: 327:pagina12.com.ar 321: 320: 316: 306: 304: 296: 295: 291: 281: 279: 271: 270: 266: 261: 248: 246: 237: 228: 226: 217: 214: 212:Further reading 159:Karin Schneider 132: 121: 115: 112: 69: 67: 46: 27: 23: 12: 11: 5: 397: 395: 387: 386: 381: 376: 371: 366: 361: 356: 346: 345: 340: 339: 314: 289: 263: 262: 260: 257: 256: 255: 235: 213: 210: 134: 133: 57:poorly sourced 30: 28: 21: 13: 10: 9: 6: 4: 3: 2: 396: 385: 382: 380: 377: 375: 372: 370: 367: 365: 362: 360: 359:Living people 357: 355: 352: 351: 349: 328: 324: 318: 315: 303: 299: 293: 290: 278: 274: 268: 265: 258: 245: 241: 236: 225: 221: 216: 215: 211: 209: 207: 206:present tense 202: 201:functionality 198: 193: 191: 187: 186:Neoconcretism 183: 179: 175: 171: 166: 164: 160: 153: 148: 140: 130: 127: 119: 116:December 2008 108: 105: 101: 98: 94: 91: 87: 84: 80: 77: –  76: 72: 71:Find sources: 65: 61: 58: 54: 50: 44: 43: 39: 34: 29: 20: 19: 16: 330:. Retrieved 326: 317: 305:. Retrieved 301: 292: 280:. Retrieved 276: 267: 249:December 11, 247:. Retrieved 243: 229:December 11, 227:. Retrieved 223: 194: 184:and Brazil, 178:Concrete Art 174:Phantom Limb 173: 167: 158: 157: 151: 122: 113: 103: 96: 89: 82: 70: 59: 42:verification 35: 15: 354:1970 births 323:"Página/12" 150:Exhibition 348:Categories 332:October 3, 282:October 3, 259:References 86:newspapers 307:March 22, 182:Argentina 38:citations 64:libelous 100:scholar 190:Poland 170:Gaucha 163:Brazil 102:  95:  88:  81:  73:  197:logic 180:from 107:JSTOR 93:books 31:This 334:2015 309:2015 284:2015 251:2008 231:2008 79:news 40:for 350:: 325:. 300:. 275:. 242:. 222:. 192:. 165:. 51:. 336:. 311:. 286:. 253:. 233:. 129:) 123:( 118:) 114:( 104:· 97:· 90:· 83:· 66:. 45:.

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"Karin Schneider"
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Brazil
Gaucha
Concrete Art
Argentina
Neoconcretism
Poland
logic
functionality
present tense
"Who Needs Objects? Rev Up the Flashing Sign, and Run the Video"
"KARIN SCHNEIDER: Image Coming Soon"
"Ritesinstitute | Institute for Research and Creation of Rituals and Ceremonies"
"Karin Schneider, Critic"
"Página/12"

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