140:"The common thread in her work is its emotional strength, gestural qualities, layered textures, and the centrality of the human figure or the experience of being human." She often explores making invisible concepts visible: people in the act of thinking, narratives wherein something is hidden or revealed, and daily cycles of life against longer cycles of geologic or celestial time. "She is fascinated by the power of the human figure as it reaches monumental size, when it crosses the boundary and projects energy into an individualâs psychological space, when the art becomes participatory." By infusing the making of the art into the art, she captures a specific âmoment in timeâ that contrasts deep rhythms and underlying forces. Her desire, conceptually parallel to different tempos of time outlined by historian
165:âWhen I came down here I had lots of sketches and ideas,â says Borcherding, an art professor at Sam Houston State University in Huntsville, Texas. "But then you quickly realize you can impose or you can take whatâs here and run with it. So right now Iâm chasing the project, rather than imposing.â With waders on, Borcherding creates many of her tall sculptures in the water. âThey can stand on their own like a piece of art in the water, like itâs matted and framed,â she says. The marrying of natural elements with man-made organization also fascinates the artist. âAs you change the edge to man-made and then let it go back to nature, it creates these natural punctuation marks or pauses. Itâs interesting to see how far you have to go to create contrast.â
168:"You have the idea in your head but you canât work on a grand scale, you just have to start. You start by placing objects ⌠it is almost as if you are sketching out. And then you have to use the space as a catalyst. What makes an environmental art piece successful since it is on a grand scale and you as the viewer walk on to the piece, you are surrounded by the piece, you walk over the piece and you participate with it, so it becomes this full body experience that you have, which is different than you have if you would view just front on a sculpture or in the round in a gallery."
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representations. Projecting the object into the observersâ psychological space compels observers to âdive inâ with their own humanity as an emotive participant in order to unfold the inner narrative of the art. Through this re-living of an inner world of an important period and place a universal moment from the past becomes alive.
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Borcherding's long studio career in visual arts is complemented with a commitment to art education which she fulfills through printmaking, ceramic and life drawing workshops. She is currently developing a drawing and anatomy curriculum for online education under the moniker âArt Teamâ. She is also an
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Her ceramic work focuses on the creation of assemblages incorporating either the human form or a personification of an object. She makes use of visual symbols which she extracts and extends from the direct observation of an environment including important cultural, architectural or technological
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2015 "30th Annual
International Exhibition: an international juried exhibition", juror: James Pace, Department of Art and Art History, University of Texas at Tyler, Tyler, Texas", "The Ventriloquists Melancholia II"
121:(born October 26, 1960) is an American artist working in mixed media. Her artistic style is both neoclassical and postmodern. Her art mainly focuses on the human figure, and is often psychological in nature with
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Borcherding's print work is described as âdirect, strongly graphic, sinewy and somewhat raw and rough images with a strong clear component of feeling in the content or depictionâ.
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2015 "36th Annual Paper In
Particular National Exhibition, a national juried exhibition, juror: Alida Fish, Sidney Larson Gallery, Columbia College, Columbia, MO", Celebration II
210:, where she has been employed since 1993. During the academic year she lives on a working horse and cattle ranch in Texas. Summers are enjoyed in and around Madison, Wisconsin.
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Borcherdingâs site-specific environmental sculpture pushes the space relationship between object and observer even further so that the observer walks into and on the art.
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2015 "Monumental Ideas/Intimate Scale: A National Juried
Exhibition", Southeast Missouri State University, River Campus, Cape Girardeau, MO
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2015 Americas 2015: Paperworks, international juried exhibition, juror: James Ehlers, Northwest Art Center, Harnett Hall
Gallery,
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718:"Department of Art and Art History, University of Texas at Tyler - Plan 1 Model for Asylum, Andrew Hairstans | Facebook"
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Kate
Borcherding as Artist-in-residence studio. Kohler Foundry, Village of Kohler, Wisconsin
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2013 Third Place Award, Amarillo Museum of Art AMoA Biennial 600: Printmaking,
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2013 28th Annual
International Exhibition, Department of Art and Art History,
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2014 Baltimore
Clayworks Solo Show, Baltimore Clayworks, Baltimore, Maryland
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503:"Kate Borcherding Workshop: WS05 âDeveloping Narrative Figurative Sculpture"
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2015 John
Michael Kohler Arts Center, Arts/Industry Residency - Foundry
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2013 Jurorâs Award Winner, Artlink 33rd
National Print Exhibition,
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473:"Kate Borcherding Stacks Stones for Memory Diaries Art Project"
871:"Memory Diaries Art Installation, + 100 Year Personal Archive"
158:"Solstice Ellipse" from Memory Diaries Art Installation, 2013
606:"AMoA BIENNIAL 600: PRINTMAKING - Amarillo Museum of Art"
831:"Aether special edition 2014 by Aether Magazine - Issuu"
581:"News - Department of Art -Sam Houston State University"
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2011 Solo
Exhibition: Brookhaven College Art Department,
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2011 Americas 2011: Paperworks, Minot State University,
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2011 Americas 2011: Paperworks, Minot State University,
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2012 Americas 2012: Paperworks, Minot State University,
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16:American artist working in mixed media (born 1960)
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234:2012 Visiting Artist Baltimore Clayworks,
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983:Baltimore Clayworks Visiting Artist 2012
783:"Baltimore ClayworksâSee an Exhibition"
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1058:University of WisconsinâMadison alumni
655:"Baltimore ClayworksâMeet the Artists"
310:Memory Diaries Environmental Sculpture
1053:Indiana University Bloomington alumni
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1063:Sam Houston State University faculty
1028:21st-century American women artists
967:The Newsletter of SGC International
339:Female Portrait with Bottom Writing
316:Female Portrait with Bottom Writing
125:expressed across multiple layers.
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471:Slattery, Sally (June 28, 2013).
409:"Arts/Industry Current Residents"
345:Male Portrait with Red Background
230:Male Portrait with Red Background
446:The Walter Darby Bannard Archive
330:2012 Americas 2012: Paperworks,
285:2014 Americas 2014: Paperworks,
1068:Artists from Madison, Wisconsin
579:University, Sam Houston State.
413:John Michael Kohler Arts Center
73:University of WisconsinâMadison
81:Indiana University Bloomington
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251:Exhibitions and installations
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993:Half Moving Memories Project
942:"MSU - Northwest Art Center"
913:"MSU - Northwest Art Center"
805:"MSU - Northwest Art Center"
757:"MSU - Northwest Art Center"
533:Sam Houston State University
351:What Does It Mean to Be Dead
322:University of Texas at Tyler
208:Sam Houston State University
193:Male Portrait with Sun, 2009
1078:American postmodern artists
636:artlinkfw.com October 2012
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1043:American women printmakers
442:"Kate Borcherding (1993)"
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1083:American women academics
845:"The Contemporary Print"
245:Small Dream Small Truth
149:Environmental Sculpture
998:Memory Diaries Project
787:baltimoreclayworks.org
681:"Galleryschedule12_13"
357:Male Portrait with Sun
332:Minot State University
287:Minot State University
268:Minot State University
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63:Palatine, Illinois, US
1048:Environmental artists
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47:Mary Kate Borcherding
1038:American printmakers
948:on February 21, 2014
919:on February 22, 2014
281:Half Moving Memories
236:Half Moving Memories
851:on February 1, 2014
833:. January 13, 2014.
793:on October 6, 2014.
763:on February 4, 2014
507:Baltimore Clayworks
419:on November 2, 2015
336:Minot, North Dakota
300:Huntsville Evenings
291:Minot, North Dakota
275:Huntsville Evenings
272:Minot, North Dakota
85:Master of Fine Arts
1073:Artists from Texas
661:on August 19, 2012
640:2015-01-19 at the
528:"Kate Borcherding"
384:Ceramic Arts Daily
326:Two Heads Pressing
304:2013 Funding thru
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386:. August 15, 2014
242:Valdosta, Georgia
214:Awards and honors
206:art professor at
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1018:1960 births
855:January 21,
767:January 23,
743:"SEMO News"
665:January 26,
423:November 7,
306:Kickstarter
111:Photography
99:Printmaking
95:Mixed media
1012:Categories
923:January 1,
885:"Facebook"
634:Catalog 33
555:"Facebook"
366:References
184:Print work
123:narratives
53:1960-10-26
815:March 17,
135:Sculpture
103:Sculpture
69:Education
638:Archived
539:March 6,
512:March 6,
482:March 6,
451:March 6,
390:March 6,
173:Ceramics
107:Ceramics
616:June 5,
644:page 5
129:Career
969:p.20
954:2012
925:2013
896:2023
857:2014
817:2015
769:2014
729:2023
693:2012
667:2013
618:2013
592:2023
585:SHSU
566:2023
541:2015
514:2015
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77:B.S.
43:Born
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