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not have features that are too definite. They need to have shapes and compositions that are almost unclear, and from there the viewer can believe that the figures themselves are moving in that confined space. He wanted paintings, sculptures, and even the flat works of mid-19th-century artists to show how figures could impart on the viewer that there was great movement contained in a certain space. As a philosopher, Gleizes also studied the concept of artistic movement and how that appealed to the viewer. Gleizes updated his studies and publications through the 1930s, just as kinetic art was becoming popular.
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through good modeling and movement". In 1881, when Rodin first sculpted and produced his own works of art, he rejected his earlier notions. Sculpting put Rodin into a predicament that he felt no philosopher nor anyone could ever solve; how can artists impart movement and dramatic motions from works so solid as sculptures? After this conundrum occurred to him, he published new articles that didn't attack men such as Manet, Monet, and Degas intentionally, but propagated his own theories that
Impressionism is not about communicating movement but presenting it in static form.
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774:, Tatlin's friend and peer who insisted his work was complete, continued the study of suspended mobiles and created what he deemed to be "non-objectivism". This style was a study less focused on mobiles than on canvas paintings and objects that were immovable. It focuses on juxtaposing objects of different materials and textures as a way to spark new ideas in the mind of the viewer. By creating discontinuity with the work, the viewer assumed that the figure was moving off the canvas or the medium to which it was restricted. One of his canvas works titled
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509:(1868) interprets forms of definite movement and gives them multidimensional movement beyond the flatness of the canvas. He positions the orchestra directly in the viewer's space, while the dancers completely fill the background. Degas is alluding to the Impressionist style of combining movement, but almost redefines it in a way that was seldom seen in the late 1800s. In the 1870s, Degas continues this trend through his love of one-shot motion horse races in such works as
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560:(1877â1878), proves to many art historians that Monet was redefining the style of the Impressionist era. Impressionism initially was defined by isolating color, light, and movement. In the late 1870s, Monet had pioneered a style that combined all three, while maintaining a focus on the popular subjects of the Impressionist era. Artists were often so struck by Monet's wispy brushstrokes that it was more than movement in his paintings, but a
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446:(1862). The figures' contours coincide with their gestures as a way to suggest depth in relation to one another and in relation to the setting. Manet also accentuates the lack of equilibrium in this work to project to the viewer that he or she is on the edge of a moment that is seconds away from passing. The blurred, hazy sense of color and shadow in this work similarly place the viewer in a fleeting moment.
886:(1946) is a series of cubic figures that are also electrically powered. When he first showed these figures at fairs and art exhibitions, he invited people up to the cubic shapes to press the switch and start the color and light show. Virtual movement is a style of kinetic art that can be associated with mobiles, but from this style of movement there are two more specific distinctions of kinetic art.
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motors, machines, or electrically powered systems. Both apparent and virtual movement are styles of kinetic art that only recently have been argued as styles of op art. The amount of overlap between kinetic and op art is not significant enough for artists and art historians to consider merging the two styles under one umbrella term, but there are distinctions that have yet to be made.
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the psychological, artistic uses of movement in conjunction with the mentality that arises when considering movement. Gleizes asserted repeatedly in his publications that human creation implies the total renunciation of external sensation. That to him is what made art mobile when to many, including Rodin, it was rigidly and unflinchingly immobile.
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casually in other frames. The impressionist and overall artistic community were very impressed with this series, but were also shocked when they realized he based this series on actual photographs. Degas was not fazed by the criticisms of his integration of photography, and it actually inspired Monet to rely on similar technology.
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Max Bill's sculptures were only the beginning of the style of movement that kinetic explored. Tatlin, Rodchenko, and Calder especially took the stationary sculptures of the early 20th century and gave them the slightest freedom of motion. These three artists began with testing unpredictable movement,
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This style evolved into his drip technique. Pollock repeatedly took buckets of paint and paintbrushes and flicked them around until the canvas was covered with squiggly lines and jagged strokes. In the next phase of his work, Pollock tested his style with uncommon materials. He painted his first work
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gave him a renowned reputation in any artistic discussion. This reputation is what allowed him to act with considerable influence when supporting the plastic style or the rhythmic movement of art in the 1910s and 1920s. Gleizes published a theory on movement, which further articulated his theories on
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By the 1940s, new styles of mobiles, as well as many types of sculpture and paintings, incorporated the control of the spectator. Artists such as Calder, Tatlin, and
Rodchenko produced more art through the 1960s, but they were also competing against other artists who appealed to different audiences.
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Gleizes first stressed the necessity for rhythm in art. To him, rhythm meant the visually pleasant coinciding of figures in a two-dimensional or three-dimensional space. Figures should be spaced mathematically, or systematically so that they appeared to interact with one another. Figures should also
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Edgar Degas is believed to be the intellectual extension of Manet, but more radical for the impressionist community. Degas' subjects are the epitome of the impressionist era; he finds great inspiration in images of ballet dancers and horse races. His "modern subjects" never obscured his objective of
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Regardless of the obvious similarities, Calder's style of mobiles created two types that are now referred to as the standard in kinetic art. There are object-mobiles and suspended mobiles. Object mobiles on supports come in a wide range of shapes and sizes and can move in any way. Suspended mobiles
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of the 20th century created an easy transition into the style of kinetic art. All artists now explored subject matter that would not have been socially acceptable to depict artistically. Artists went beyond solely painting landscapes or historical events, and felt the need to delve into the mundane
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Apparent movement is a term ascribed to kinetic art that evolved only in the 1950s. Art historians believed that any type of kinetic art that was mobile independent of the viewer has apparent movement. This style includes works that range from
Pollock's drip technique all the way to Tatlin's first
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Although there is very little distinction between the styles of mobiles in kinetic art, there is one distinction that can be made. Mobiles are no longer considered mobiles when the spectator has control over their movement. This is one of the features of virtual movement. When the piece only moves
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Degas and Monet's style was very similar in one way: both of them based their artistic interpretation on a direct "retinal impression" to create the feeling of variation and movement in their art. The subjects or images that were the foundation of their paintings came from an objective view of the
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There is also a portion of kinetic art that includes virtual movement, or rather movement perceived from only certain angles or sections of the work. This term also clashes frequently with the term "apparent movement", which many people use when referring to an artwork whose movement is created by
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Despite the fact that Calder did not divulge most of the methods he used when creating his work, he admitted that he used mathematical relationships to make them. He only said that he created a balanced mobile by using direct variation proportions of weight and distance. Calder's formulas changed
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became an almost complete disciple of the kinetic movement in the 1930s. He believed that kinetic art should be executed from a purely mathematical perspective. To him, using mathematics principles and understandings were one of the few ways that you could create objective movement. This theory
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is an artist who many believe to have defined firmly and exactly the style of mobiles in kinetic art. Over years of studying his works, many critics allege that Calder was influenced by a wide variety of sources. Some claim that
Chinese windbells were objects that closely resembled the shape and
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at first was very impressed by Monet's 'vibrating works' and Degas' unique understanding of spatial relationships. As an artist and an author of art reviews, Rodin published multiple works supporting this style. He claimed that Monet and Degas' work created the illusion "that art captures life
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that his attempt at creating dynamic art came to fruition. This work is part of a series of horse races and polo matches wherein the figures are well integrated into the landscape. The horses and their owners are depicted as if caught in a moment of intense deliberation, and then trotting away
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and from there he tried his first "splashes" to destroy the unity of the material itself. He believed wholeheartedly that he was liberating the materials and structure of art from their forced confinements, and that is how he arrived at the moving or kinetic art that always existed.
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in the 1950s. Pollock had an unfettered desire to animate every aspect of his paintings. Pollock repeatedly said to himself, "I am in every painting". He used tools that most painters would never use, such as sticks, trowels, and knives. He thought of the shapes he created as being
849:(1966). In this piece, Calder allows the cat's head and its tail to be subject to random motion, but its body is stationary. Calder did not start the trend in suspended mobiles, but he was the artist that became recognized for his apparent originality in mobile construction.
415:. Even though they each took unique approaches to incorporating movement in their works, they did so with the intention of being a realist. In the same period, Auguste Rodin was an artist whose early works spoke in support of the developing kinetic movement in art. However,
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Tatlin never felt that his art was an object or a product that needed a clear beginning or a clear end. He felt above anything that his work was an evolving process. Many artists whom he befriended considered the mobile truly complete in 1936, but he disagreed vehemently.
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It can be argued, based on their similar shape and stance, that Calder's earliest object mobiles have very little to do with kinetic art or moving art. By the 1960s, most art critics believed that Calder had perfected the style of object mobiles in such creations as the
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When Calder first heard of these claims, he immediately admonished his critics. "I have never been and never will be a product of anything more than myself. My art is my own, why bother stating something about my art that isnât true?" One of Calder's first mobiles,
856:(1933), is different from many other contemporary mobiles simply because of the shapes of the two objects. Most mobile artists such as Rodchenko and Tatlin would never have thought to use such shapes because they didn't seem malleable or even remotely aerodynamic.
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created many of his famous works, the United States was already at the forefront of the kinetic and popular art movements. The novel styles and methods he used to create his most famous pieces earned him the spot in the 1950s as the unchallenged leader of
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applied to every artwork he created and how he created it. Bronze, marble, copper, and brass were four of the materials he used in his sculptures. He also enjoyed tricking the viewer's eye when he or she first approached one of his sculptures. In his
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720:. The term mobile wasn't coined until Rodchenko's time, but is very applicable to Tatlin's work. His mobile is a series of suspended reliefs that only need a wall or a pedestal, and it would forever stay suspended. This early mobile,
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that extend the viewer's perspective of the artwork and incorporate multidimensional movement are the earliest examples of kinetic art. More pertinently speaking, kinetic art is a term that today most often refers to three-dimensional
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world. As with Degas, many art historians consider that to be the subconscious effect photography had in that period of time. His 1860s works reflected many of the signs of movement that are visible in Degas' and Manet's work.
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is a wood mobile that hangs from any ceiling by a string and rotates naturally. This mobile sculpture has concentric circles that exist in several planes, but the entire sculpture only rotates horizontally and vertically.
502:, he capitalizes on the classic impressionist nudes but expands on the overall concept. He places them in a flat landscape and gives them dramatic gestures, and for him this pointed to a new theme of "youth in movement".
419:'s later criticisms of the movement indirectly challenged the abilities of Manet, Degas, and Monet, claiming that it is impossible to exactly capture a moment in time and give it the vitality that is seen in real life.
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and from there tried to control the movement of their figures with technological enhancements. The term "mobile" comes from the ability to modify how gravity and other atmospheric conditions affect the artist's work.
337:, 1919â20) was the first of its kind in the 20th century. From the 1920s until the 1960s, the style of kinetic art was reshaped by a number of other artists who experimented with mobiles and new forms of sculpture.
899:" to refer to optical illusions and all optically stimulating art that was on canvas or stationary. This phrase often clashes with certain aspects of kinetic art that include mobiles that are generally stationary.
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was a collective group of opto-kinetic artists. According to its 1963 manifesto, GRAV appealed to the direct participation of the public with an influence on its behavior, notably through the use of interactive
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promoted in their "Yellow manifesto" some new kinetic expressions based on optical and luminous phenomenon as well as painting illusionism. The expression "kinetic art" in this modern form first appeared at the
724:(1915) is judged as an incomplete work. It was a rhythm, much similar to the rhythmic styles of Pollock, that relied on the mathematical interlocking of planes that created a work freely suspended in air.
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developed a number of the first features of virtual movement in their art, kinetic art faced heavy criticism. This criticism lingered for years until the 1960s, when kinetic art was in a dormant period.
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411:, 1954) took significant innovations and changes in compositional style. Ădouard Manet, Edgar Degas, and Claude Monet were the three artists of the 19th century that initiated those changes in the
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were first made with colored glass and small wooden objects that hung on long threads. Object mobiles were a part of Calder's emerging style of mobiles that were originally stationary sculptures.
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art. For instance, kinetic-influenced mosaic pieces often use clear distinctions between bright and dark tiles, with three-dimensional shape, to create apparent shadows and movement.
680:(1935â1936) he created a mobile sculpture that generally appears to have perfect symmetry, but once the viewer glances at it from a different angle, there are aspects of asymmetry.
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Gleizes was considered the ideal philosopher of the late 19th century and early 20th century arts in Europe, and more specifically France. His theories and treatises from 1912 on
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556:. The landscape almost engulfs the whole canvas and has enough motion emanating from its inexact brushstrokes that the figures are a part of the motion. This painting along with
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Neo-kinetic art has been popular in China where you can find interactive kinetic sculptures in many public places, including Wuhu
International Sculpture Park and in Beijing.
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painters all sought to create art that was more lifelike than their contemporaries. Degasâ dancer and racehorse portraits are examples of what he believed to be "photographic
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have a single string attached to a wall or a structure that keeps it in the air. The two works have a crinkled feature that vibrates when air passes through it.
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329:, one of the two artists attributed to naming this style, wrote frequently about his work as examples of "kinetic rhythm". He felt that his moving sculpture
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in 1960, and found its major developments in the 1960s. In most
European countries, it generally included the form of optical art that mainly makes use of
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under certain circumstances that are not natural, or when the spectator controls the movement even slightly, the figure operates under virtual movement.
778:(1915) embodies that desire to place items and shapes of different textures and materials together to create an image that drew in the viewer's focus.
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It is almost impossible to ascribe Manet's work to any one era or style of art. One of his works that is truly on the brink of a new style is
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However, by the 1920s and 1930s, Rodchenko found a way to incorporate his theories of non-objectivism in mobile study. His 1920 piece
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1036:. The exhibition inaugurates a "year of kinetic art" at the Museum, featuring special programming related to the artform.
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829:(1938) was the work that "proved" to many art historians that Man Ray had an obvious influence on Calder's style. Both
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The strides made by artists to "lift the figures and scenery off the page and prove undeniably that art is not rigid" (
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has a curated collection of artworks including large-scale kinetic installations by international artists ART+COM and
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from any medium that contains movement perceivable by the viewer or that depends on motion for its effects. Canvas
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who originally experimented with accentuating the movement of human figures on canvas. This triumvirate of
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2202:"The Development of Public Art and its Future Passive, Active and Interactive Past, Present and Future"
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or the project for the 'Monument to the Third
International' (1919â20), was a design for a monumental
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felt as if they had found new inspiration to discover oddities that became the focus of kinetic art.
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By the early 1900s, certain artists grew closer and closer to ascribing their art to dynamic motion.
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Vasarely created many works that were considered to be interactive in the 1940s. One of his works
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is considered by many artists and art historians to be the first person to ever complete a
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with every new mobile he made, so other artists could never precisely imitate the work.
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that move naturally or are machine operated (see e. g. videos on this page of works of
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height of his earliest mobiles. Other art historians argue that the 1920s mobiles of
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1817:"Accepting the Machine: A Response by Liliane Lijn to Three Questions from Arts"
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building that was never built. It was planned to be erected in
Petrograd (now
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and the extreme to interpret new styles. With the support of artists such as
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By 1875, Monet's touch becomes very swift in his new series, beginning with
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379:. Statements consisting only of original research should be removed.
105:. Statements consisting only of original research should be removed.
5887:
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3519:
2774:
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2022:
Modern
Plastic Art, Elements of Reality, Volume and Disintegration
1122:, 2008. Fabricated and brazed aluminum and stainless steel cable,
757:
528:
481:
466:
449:
In 1863, Manet extended his study of movement on flat canvas with
426:
231:
208:
1292:
it shows 1, 2 or 3 pips and its colour changes - sand and paint,
895:
mobile. By the 1960s, other art historians developed the phrase "
5990:
5806:
5791:
5781:
5751:
5720:
5371:
4173:
5537:
2439:
2068:. 5th ed., Revised and expanded by Anthony F. Janson. London:
344:
255:
132:
70:
29:
2301:
Selz, Peter; Chattopadhyay, Collette; Ghirado, Diane (2009).
821:(1920) had a direct influence on the growth of Calder's art.
802:
1956, Painted sheet metal and metal rods, a signature work â
5533:
2282:
Theories of Modern Art: A Source Book by
Artists and Critics
5362:
Art in the Protestant Reformation and Counter-Reformation
1873:
Leaper, Laura E. (2010-02-24), "Kinetic art in America",
368:
94:
1016:, an exhibition of kinetic art, featuring the work of
1314:
showing a fish, which changes if the onlooker moves,
159:. Please help to ensure that disputed statements are
5901:
5830:
5744:
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5667:
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5082:
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4672:
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3167:
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2504:
2495:
1868:
1866:
1288:, if the onlooker passes this âchameleon-paintingâ
2401:
2321:
2279:
2237:
2094:
1974:
935:, as well as art based on movement represented by
742:of 1917, as the headquarters and monument of the
708:Russian artist and founder-member of the Russian
5549:
2451:
580:20th century surrealism and early kinetic art
8:
696:Kinetic art principles have also influenced
474:, 1877â1880, oil on canvas, by Edgar Degas,
64:Learn how and when to remove these messages
5556:
5542:
5534:
4461:
3708:
2501:
2458:
2444:
2436:
1883:10.1093/gao/9781884446054.article.t2085921
2217:
1858:10.1093/gao/9781884446054.article.t046632
1832:
395:Learn how and when to remove this message
228:, Rickey is considered a kinetic sculptor
197:Learn how and when to remove this message
179:Learn how and when to remove this message
121:Learn how and when to remove this message
2240:The Birth of Contemporary Art: 1946-1968
1990:
1988:
1968:
1966:
1964:
1962:
1795:
1793:
1791:
1789:
1787:
793:
155:Relevant discussion may be found on the
27:Genre of artworks that contains movement
2385:. Hatje Cantz Verlag GmbH & Co KG.
1946:
1944:
1942:
1783:
1060:
852:One of his earliest suspended mobiles,
500:Jeunes Spartiates s'exerçant à la lutte
498:creating moving art. In his 1860 piece
5139:Contemporary Indigenous Australian art
2037:"Kinetic Mosaics: The Art of Movement"
1802:Origins and Development of Kinetic Art
1742:Barrier-grid animation § Kinegram
910:gallery in Paris, Victor Vasarely and
3159:Art of the late 16th century in Milan
2328:. Lippincott Williams & Wilkins.
1848:Popper, Frank (2003), "Kinetic art",
505:One of his most revolutionary works,
7:
5967:Equestrian Statue of Marcus Aurelius
2101:. with comments by Alexander Calder.
722:Contre-Reliefs Libérés Dans L'espace
659:with aluminum paint in 1947, titled
2200:Gschwend, Ralfonso (22 July 2015).
539:The Studio Boat (Le Bateau-atelier)
218:Four Squares in Square Arrangement,
4494:Vienna School of Fantastic Realism
3345:Neoclassical architecture in Milan
2303:Fletcher Benton: The Kinetic Years
2286:. University of California Press.
1917:. London, New York: Studio-Vista.
25:
4568:American Figurative Expressionism
2904:International Gothic art in Italy
2093:Mulas, Ugo; Arnason, H. Harvard.
1124:Temple Israel, Memphis, Tennessee
45:This article has multiple issues.
6151:
6150:
5518:
5517:
4077:Neue KĂŒnstlervereinigung MĂŒnchen
2163:Site Internet du Centre Pompidou
2020:Giedion-Welcker, Carola (1937).
1977:Kinetic Art: Theory and Practice
1322:
1300:
1278:
1252:
1228:
1210:
1192:
1171:
1147:
1130:
1108:
1086:
1063:
965:Groupe de Recherche dâArt Visuel
776:Dance, an Objectless Composition
764:Dance. An Objectless Composition
678:Construction with Suspended Cube
349:
137:
75:
34:
5993:, Easter Islands (1250â1500 CE)
4999:Tunisian collaborative painting
4472:International Typographic Style
2324:Op-Tricks: Creating Kinetic Art
1999:. Watson-Guptill Publications.
639:, his work was associated with
53:or discuss these issues on the
6129:Genghis Khan Equestrian Statue
6042:Liberty Enlightening the World
4752:The Caribbean Artists Movement
2430:Kinetic Art Organization (KAO)
2119:. Cambridge University Press.
553:Le BĂąteau-Atelier sur la Seine
1:
3108:Dutch and Flemish Renaissance
2035:Menhem, Chantal (June 2016).
341:Origins and early development
5938:Winged Victory of Samothrace
5223:Modern European ink painting
4595:Bay Area Figurative Movement
2366:. Antique Collector's Club.
2261:The Technique of Kinetic Art
1953:The Nature and Art of Motion
1815:Lijn, Liliane (2018-06-11).
902:In 1955, for the exhibition
890:Apparent movement and op art
804:Montreal Museum of Fine Arts
653:"beautiful, erratic objects"
4884:Artificial intelligence art
2383:Tatlin: Art for a New World
2278:Selz, Peter Howard (1984).
2236:Terraroli, Valerio (2008).
1877:, Oxford University Press,
1852:, Oxford University Press,
1804:. New York Graphic Society.
1656:Selected kinetic op artists
746:(the Third International).
375:the claims made and adding
101:the claims made and adding
6223:
4797:Post-painterly abstraction
4620:Situationist International
3994:Pennsylvania Impressionism
2381:Bott Casper, Gian (2012).
2347:. Crown Publishing Group.
1352:Selected kinetic sculptors
1235:Turpin + Crawford Studio,
516:It wasn't until 1884 with
491:The Orchestra at the Opera
6146:
5513:
4380:California Scene Painting
4259:California Scene Painting
4215:Figurative Constructivism
3266:Poussinists and Rubenists
2482:
2408:. Yale University Press.
2320:Marks, Mickey K. (1972).
1995:Roukes, Nicholas (1974).
878:Materials and electricity
5478:Prehistoric European art
5127:Contemporary African art
4610:Gendai Bijutsu Kondankai
4538:GeneraciĂłn de la Ruptura
4165:Universal Constructivism
3957:California Impressionism
3912:American Barbizon school
2400:Toynton, Evelyn (2012).
1997:Plastics for Kinetic Art
1335:Archimedean Excogitation
1202:, Sheba Medical Center,
5614:Environmental sculpture
5579:Architectural sculpture
5305:Walking Artists Network
4642:Letterist International
4482:Washington Color School
3396:Arts in the Philippines
2145:Encyclopedia Britannica
1346:, Boston, United States
452:Le déjeuner sur l'herbe
5416:Illuminated manuscript
5064:The Designers Republic
5014:Neue Slowenische Kunst
4937:Pattern and Decoration
4837:Institutional critique
4477:Abstract expressionism
3457:Latin American Baroque
3413:Colonial Asian Baroque
2343:Diehl, Gaston (1991).
2305:. Hudson Hills Press.
2244:. Rizzoli Publishing.
1951:Kepes, Gyorgy (1965).
1800:Popper, Frank (1968).
1449:Gerhard von Graevenitz
1340:rolling ball sculpture
1075:The Twister Star Huge,
1008:In November 2013, the
806:
767:
543:
507:LâOrchestre de lâOpĂ©ra
494:
479:
439:
413:Impressionist movement
248:
229:
6021:Kamagaya Great Buddha
5745:Traditional materials
5714:Elements in sculpture
5054:Artist-run initiative
5029:Young British Artists
4994:New European Painting
4930:Moscow Conceptualists
4852:Feminist art movement
4630:Ukrainian underground
4605:Gutai Art Association
4004:Ten American Painters
3508:Western influence in
2485:List of art movements
2362:Milner, John (2009).
2263:. David and Charles.
1634:Panayiotis Vassilakis
1266:its shadow shows the
959:. From 1961 to 1968,
917:Museum fĂŒr Gestaltung
869:When artists such as
797:
761:
684:Mobiles and sculpture
532:
485:
470:
430:
314:with vivid, cadenced
235:
220:1969, terrace of the
212:
6106:The Motherland Calls
5955:(c. 200 BCE â 70 CE)
5952:Laocoön and His Sons
5941:(c. 2nd century BCE)
5909:Great Sphinx of Giza
4864:Saqqakhaneh movement
4757:Chicano art movement
4625:Soviet Nonconformist
4431:Boston Expressionism
4414:Abstraction-Création
4232:Arbeitsrat fĂŒr Kunst
4225:Cologne Progressives
3945:Art Nouveau in Milan
3748:Anglo-Japanese style
3724:National romanticism
3154:Fontainebleau School
3064:Northern Renaissance
2899:International Gothic
2259:Tovey, John (1971).
1688:Youri Messen-Jaschin
1514:Viacheslav Koleichuk
1464:Rafael Lozano-Hemmer
1220:, Sun Writer, 1986,
1120:Wings to the Heavens
1026:Rafael Lozano-Hemmer
981:Horacio Garcia Rossi
783:Hanging Construction
762:Alexander Rodchenko
740:Bolshevik Revolution
732:kinetic architecture
331:Kinetic Construction
267:and figures such as
241:Kinetic Construction
222:New National Gallery
148:factual accuracy is
6098:Christ the Redeemer
6090:Shrine of Democracy
6044:, Statue of Liberty
5668:Styles of sculpture
5399:Hierarchy of genres
4964:Saint Soleil School
4900:Post-conceptual art
4869:The Stars Art Group
4747:Black Arts Movement
4710:Neo-Dada Organizers
4511:Lyrical abstraction
4244:Australian tonalism
3917:California Tonalism
3589:Hudson River School
3392:Colonial Asian art
3132:English Renaissance
3081:GhentâBruges school
3069:Early Netherlandish
2981:Italian Renaissance
2894:Gothic art in Milan
2219:10.3390/arts4030093
2177:"5000 Moving Parts"
2070:Thames & Hudson
1834:10.3390/arts7020021
1139:The Bucket Fountain
1030:John Douglas Powers
772:Alexander Rodchenko
754:Alexander Rodchenko
511:Voiture aux Courses
6207:Visual arts genres
6192:Types of sculpture
6074:Jules Verne's tomb
5973:Buddhas of Bamiyan
5931:Colossus of Rhodes
5915:Abu Simbel temples
5911:(c. 2558â2532 BCE)
5902:Notable sculptures
5572:Types of sculpture
5441:Landscape painting
5049:New Leipzig School
4989:Neo-conceptual art
4737:Art & Language
4732:Capitalist realism
4654:Florida Highwaymen
4590:Hard-edge painting
4404:Streamline Moderne
4365:Harlem Renaissance
4208:Novecento Italiano
4036:Deutscher Werkbund
3863:Post-Impressionism
3425:Latin American art
3229:Guild of Romanists
3091:German Renaissance
3086:Northern Mannerism
1772:Sound installation
1752:Lumino kinetic art
1723:Jean-Pierre Yvaral
1639:Willem van Weeghel
1629:Marc van den Broek
1559:LĂĄszlĂł Moholy-Nagy
1394:Gregorio Vardanega
1218:Marc van den Broek
1094:JesĂșs Raphael Soto
949:Gregorio Vardanega
807:
798:Alexander Calder,
768:
562:striking vibration
544:
495:
480:
457:Le Ballet Espagnol
444:Le Ballet Espagnol
440:
436:Le Ballet Espagnol
360:possibly contains
249:
230:
86:possibly contains
6169:
6168:
6059:The Golden Virgin
6051:The Gates of Hell
5985:Konark Sun Temple
5981:(c. 1194â1250 CE)
5979:Chartes Cathedral
5629:Kinetic sculpture
5531:
5530:
5313:
5312:
5169:Corporate Memphis
5122:Classical Realism
5092:Amazonian pop art
4984:Appropriation art
4952:Neo-expressionism
4822:Environmental art
4727:Nouvelle tendance
4444:
4443:
4392:Socialist realism
4249:Dresden Secession
3868:Neo-Impressionism
3831:Decadent movement
3802:Heidelberg School
3696:
3695:
3594:American luminism
3579:DĂŒsseldorf School
3574:Shoreham Ancients
3564:Nazarene movement
3554:Danish Golden Age
3435:Indochristian art
3113:Antwerp Mannerism
3002:Pittura infamante
2996:Florentine School
2991:Proto-Renaissance
2364:Rodchenko: Design
2126:978-0-521-58717-4
2006:978-0-8230-4029-2
1973:Malina, Frank J.
1924:978-0-289-36969-2
1875:Oxford Art Online
1850:Oxford Art Online
1604:JesĂșs Rafael Soto
1589:Barton Rubenstein
1509:Frederick Kiesler
1459:Ralfonso Gschwend
1344:Museum of Science
1179:Nicolas Schoeffer
1051:Christian Moeller
1014:5000 Moving Parts
1004:Contemporary work
977:Francisco Sobrino
969:François Morellet
945:JesĂșs Rafael Soto
931:, represented by
925:optical illusions
854:McCausland Mobile
558:Gare Saint-Lazare
518:Chevaux de Course
405:
404:
397:
362:original research
207:
206:
199:
189:
188:
181:
131:
130:
123:
88:original research
68:
16:(Redirected from
6214:
6202:Contemporary art
6197:Motion (physics)
6154:
6153:
6114:Fallen Astronaut
5831:Modern materials
5695:Modern sculpture
5624:Installation art
5558:
5551:
5544:
5535:
5521:
5520:
5505:Western painting
5451:Modern sculpture
5409:History painting
5112:Art intervention
4905:Installation art
4722:Nouveau réalisme
4462:
4436:Leningrad School
4328:Mexican muralism
4301:Grosvenor School
4041:American Realism
4024:Der Blaue Reiter
3982:Berlin Secession
3977:Vienna Secession
3972:Munich Secession
3890:Pont-Aven School
3709:
3559:Troubadour style
3537:(c. 1770 â 1862)
3504:Qing handicrafts
3470:Western elements
3401:Letras y figuras
3374:African-American
3369:African diaspora
3340:Directoire style
3251:Heptanese school
3234:Dutch Golden Age
3219:Stroganov School
3212:Lutheran Baroque
3207:Louis XIII style
3180:Baroque in Milan
3042:Bolognese School
3037:High Renaissance
3020:Forlivese School
3015:Ferrarese School
2738:Migration Period
2502:
2460:
2453:
2446:
2437:
2419:
2407:
2396:
2377:
2358:
2339:
2327:
2316:
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2274:
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2188:
2187:
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2155:
2149:
2148:
2137:
2131:
2130:
2117:Alexander Calder
2109:
2103:
2102:
2100:
2090:
2084:
2083:
2058:
2052:
2051:
2049:
2047:
2032:
2026:
2025:
2024:. H. Girsberger.
2017:
2011:
2010:
1992:
1983:
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1907:
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1845:
1839:
1838:
1836:
1812:
1806:
1805:
1797:
1698:Abraham Palatnik
1678:Carlos Cruz-DĂez
1673:Marina Apollonio
1594:Nicolas Schöffer
1414:Carlos Cruz-Diez
1389:Alexander Calder
1326:
1304:
1282:
1256:
1232:
1214:
1196:
1175:
1151:
1142:, Wellington, NZ
1134:
1112:
1090:
1067:
957:Nicolas Schöffer
941:Carlos Cruz-Diez
864:Virtual movement
810:Alexander Calder
790:Alexander Calder
718:mobile sculpture
648:Harold Rosenberg
637:kinetic painters
597:artists such as
586:surrealist style
400:
393:
389:
386:
380:
377:inline citations
353:
352:
345:
290:artists such as
202:
195:
184:
177:
173:
170:
164:
161:reliably sourced
141:
140:
133:
126:
119:
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112:
106:
103:inline citations
79:
78:
71:
60:
38:
37:
30:
21:
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6221:
6217:
6216:
6215:
6213:
6212:
6211:
6172:
6171:
6170:
6165:
6142:
6136:Statue of Unity
6088:Mount Rushmore
6081:Abraham Lincoln
6034:Lion of Belfort
6027:Nelson's Column
5945:Terracotta Army
5897:
5826:
5740:
5709:
5663:
5567:
5562:
5532:
5527:
5509:
5426:Interactive art
5309:
5283:SoFlo Superflat
5208:Kitsch movement
5132:Africanfuturism
5084:
5078:
4957:Transavantgarde
4888:
4842:Light and Space
4827:Performance art
4807:Psychedelic art
4690:Nueva Presencia
4680:Otra FiguraciĂłn
4668:
4600:Les Plasticiens
4585:New York School
4563:Action painting
4548:Metcalf Chateau
4457:
4452:
4440:
4360:Cercle et Carré
4296:New Objectivity
4203:Return to order
4145:School of Paris
4123:
3967:School of Paris
3928:
3814:Arts and Crafts
3719:Neo-romanticism
3704:
3692:
3688:Etching revival
3640:Barbizon school
3584:Pre-Raphaelites
3536:
3533:
3526:
3469:
3463:
3356:
3330:Louis XVI style
3272:
3261:Louis XIV style
3224:Animal painting
3185:Flemish Baroque
3163:
3074:World landscape
3025:Venetian School
2967:
2954:Majorcan school
2921:Novgorod School
2911:Lucchese School
2883:Opus Anglicanum
2875:Norman-Sicilian
2819:Italo-Byzantine
2719:Early Christian
2700:
2684:Pompeian Styles
2497:
2491:
2478:
2464:
2426:
2416:
2404:Jackson Pollock
2399:
2393:
2380:
2374:
2361:
2355:
2342:
2336:
2319:
2313:
2300:
2294:
2277:
2271:
2258:
2252:
2235:
2232:
2230:Further reading
2227:
2199:
2198:
2194:
2185:
2183:
2175:
2174:
2170:
2159:"Art cinétique"
2157:
2156:
2152:
2139:
2138:
2134:
2127:
2113:Marter, Joan M.
2111:
2110:
2106:
2092:
2091:
2087:
2080:
2072:. p. 820.
2060:
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2045:
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2034:
2033:
2029:
2019:
2018:
2014:
2007:
1994:
1993:
1986:
1972:
1971:
1960:
1955:. G. Braziller.
1950:
1949:
1940:
1925:
1909:
1908:
1904:
1895:Popper, Frank.
1894:
1893:
1889:
1872:
1871:
1864:
1847:
1846:
1842:
1814:
1813:
1809:
1799:
1798:
1785:
1781:
1776:
1737:
1732:
1718:Victor Vasarely
1708:Eusebio Sempere
1668:Getulio Alviani
1658:
1653:
1599:Eusebio Sempere
1564:Alejandro Otero
1479:Irma HĂŒnerfauth
1374:Fletcher Benton
1354:
1347:
1327:
1318:
1305:
1296:
1283:
1274:
1268:Male Life Cycle
1264:Sculpture-Morph
1257:
1248:
1233:
1224:
1215:
1206:
1197:
1188:
1176:
1167:
1152:
1143:
1135:
1126:
1113:
1104:
1091:
1082:
1068:
1059:
1006:
892:
880:
871:Victor Vasarely
866:
792:
770:Russian artist
756:
714:Vladimir Tatlin
706:
704:Vladimir Tatlin
686:
670:
641:Action painting
632:Jackson Pollock
628:
626:Jackson Pollock
611:
599:Jackson Pollock
582:
570:
527:
465:
425:
401:
390:
384:
381:
366:
354:
350:
343:
226:Berlin, Germany
203:
192:
191:
190:
185:
174:
168:
165:
154:
146:This article's
142:
138:
127:
116:
110:
107:
92:
80:
76:
39:
35:
28:
23:
22:
15:
12:
11:
5:
6220:
6218:
6210:
6209:
6204:
6199:
6194:
6189:
6184:
6174:
6173:
6167:
6166:
6164:
6163:
6158:
6147:
6144:
6143:
6141:
6140:
6132:
6126:
6122:Mother Ukraine
6118:
6110:
6102:
6094:
6085:
6077:
6071:
6063:
6055:
6047:
6038:
6030:
6024:
6018:
6010:
6002:
5994:
5988:
5982:
5976:
5970:
5964:
5956:
5948:
5942:
5934:
5928:
5918:
5912:
5905:
5903:
5899:
5898:
5896:
5895:
5890:
5885:
5880:
5875:
5870:
5865:
5860:
5855:
5850:
5845:
5840:
5834:
5832:
5828:
5827:
5825:
5824:
5819:
5814:
5809:
5804:
5799:
5794:
5789:
5784:
5779:
5774:
5769:
5764:
5759:
5754:
5748:
5746:
5742:
5741:
5739:
5738:
5733:
5728:
5726:Negative space
5723:
5717:
5715:
5711:
5710:
5708:
5707:
5702:
5697:
5692:
5690:Jain sculpture
5687:
5682:
5677:
5671:
5669:
5665:
5664:
5662:
5661:
5656:
5651:
5649:Soft sculpture
5646:
5641:
5636:
5631:
5626:
5621:
5616:
5611:
5606:
5601:
5596:
5591:
5586:
5581:
5575:
5573:
5569:
5568:
5563:
5561:
5560:
5553:
5546:
5538:
5529:
5528:
5526:
5525:
5514:
5511:
5510:
5508:
5507:
5502:
5495:
5490:
5485:
5480:
5475:
5470:
5465:
5460:
5459:
5458:
5456:Late modernism
5453:
5443:
5438:
5433:
5428:
5423:
5418:
5413:
5412:
5411:
5406:
5404:Genre painting
5396:
5391:
5386:
5381:
5380:
5379:
5374:
5369:
5364:
5354:
5352:Ballets Russes
5349:
5344:
5339:
5338:
5337:
5335:Asemic writing
5327:
5325:History of art
5321:
5319:
5318:Related topics
5315:
5314:
5311:
5310:
5308:
5307:
5302:
5297:
5292:
5291:
5290:
5285:
5275:
5270:
5265:
5260:
5255:
5253:Relational art
5250:
5245:
5240:
5235:
5230:
5225:
5220:
5215:
5210:
5205:
5200:
5199:
5198:
5188:
5183:
5178:
5176:Hypermodernism
5173:
5172:
5171:
5161:
5156:
5151:
5146:
5141:
5136:
5135:
5134:
5124:
5119:
5114:
5109:
5104:
5099:
5094:
5088:
5086:
5080:
5079:
5077:
5076:
5071:
5066:
5061:
5056:
5051:
5046:
5041:
5036:
5031:
5026:
5021:
5016:
5011:
5006:
5001:
4996:
4991:
4986:
4981:
4976:
4971:
4966:
4961:
4960:
4959:
4949:
4944:
4939:
4934:
4933:
4932:
4922:
4917:
4915:Postminimalism
4912:
4907:
4902:
4896:
4894:
4890:
4889:
4887:
4886:
4881:
4876:
4871:
4866:
4861:
4860:
4859:
4849:
4844:
4839:
4834:
4829:
4824:
4819:
4814:
4809:
4804:
4799:
4794:
4792:Generative art
4789:
4784:
4779:
4774:
4769:
4764:
4762:Conceptual art
4759:
4754:
4749:
4744:
4739:
4734:
4729:
4724:
4719:
4714:
4713:
4712:
4702:
4697:
4692:
4687:
4682:
4676:
4674:
4670:
4669:
4667:
4666:
4661:
4659:Cybernetic art
4656:
4651:
4650:
4649:
4647:Ultra-Lettrist
4644:
4634:
4633:
4632:
4622:
4617:
4612:
4607:
4602:
4597:
4592:
4587:
4582:
4577:
4576:
4575:
4565:
4560:
4555:
4550:
4545:
4540:
4535:
4534:
4533:
4528:
4523:
4521:Arte Informale
4518:
4508:
4503:
4498:
4497:
4496:
4486:
4485:
4484:
4474:
4468:
4466:
4459:
4458:(1945âpresent)
4446:
4445:
4442:
4441:
4439:
4438:
4433:
4428:
4423:
4418:
4417:
4416:
4406:
4401:
4400:
4399:
4394:
4387:Heroic realism
4384:
4383:
4382:
4372:
4367:
4362:
4357:
4352:
4347:
4340:
4335:
4330:
4325:
4324:
4323:
4321:Latin American
4318:
4308:
4303:
4298:
4293:
4291:Group of Seven
4288:
4283:
4278:
4273:
4272:
4271:
4261:
4256:
4254:Social realism
4251:
4246:
4241:
4240:
4239:
4237:November Group
4229:
4228:
4227:
4222:
4212:
4211:
4210:
4200:
4195:
4194:
4193:
4181:
4176:
4171:
4170:
4169:
4168:
4167:
4160:Latin American
4155:Constructivism
4152:
4150:Crystal Cubism
4147:
4142:
4137:
4131:
4129:
4125:
4124:
4122:
4121:
4116:
4111:
4106:
4101:
4096:
4091:
4090:
4089:
4079:
4074:
4067:
4066:
4065:
4060:
4050:
4049:
4048:
4038:
4033:
4028:
4027:
4026:
4021:
4011:
4006:
4001:
3996:
3991:
3990:
3989:
3984:
3979:
3974:
3964:
3959:
3954:
3949:
3948:
3947:
3936:
3934:
3930:
3929:
3927:
3926:
3921:
3920:
3919:
3909:
3908:
3907:
3902:
3897:
3892:
3887:
3882:
3877:
3876:
3875:
3860:
3855:
3853:Volcano School
3850:
3849:
3848:
3843:
3833:
3828:
3823:
3822:
3821:
3811:
3806:
3805:
3804:
3799:
3794:
3789:
3788:
3787:
3782:
3767:
3762:
3757:
3752:
3751:
3750:
3738:
3733:
3728:
3727:
3726:
3715:
3713:
3706:
3698:
3697:
3694:
3693:
3691:
3690:
3685:
3684:
3683:
3678:
3677:
3676:
3661:
3660:
3659:
3658:
3657:
3647:
3642:
3632:
3627:
3626:
3625:
3615:
3610:
3608:Norwich School
3605:
3600:
3599:
3598:
3597:
3596:
3586:
3581:
3576:
3571:
3566:
3561:
3556:
3551:
3549:Fairy painting
3540:
3538:
3528:
3527:
3525:
3524:
3523:
3522:
3517:
3506:
3501:
3496:
3491:
3486:
3485:
3484:
3473:
3471:
3465:
3464:
3462:
3461:
3460:
3459:
3454:
3453:
3452:
3447:
3442:
3440:Chilote School
3432:
3430:Casta painting
3422:
3421:
3420:
3415:
3410:
3409:
3408:
3406:Tipos del PaĂs
3403:
3390:
3389:
3388:
3387:
3386:
3376:
3364:
3362:
3358:
3357:
3355:
3354:
3349:
3348:
3347:
3342:
3337:
3332:
3327:
3315:
3314:
3313:
3306:
3301:
3296:
3294:Louis XV style
3291:
3280:
3278:
3274:
3273:
3271:
3270:
3269:
3268:
3263:
3253:
3248:
3243:
3242:
3241:
3231:
3226:
3221:
3216:
3215:
3214:
3209:
3204:
3203:
3202:
3197:
3187:
3182:
3171:
3169:
3165:
3164:
3162:
3161:
3156:
3151:
3146:
3141:
3140:
3139:
3129:
3128:
3127:
3126:
3125:
3120:
3115:
3105:
3104:
3103:
3098:
3096:Cologne School
3088:
3083:
3078:
3077:
3076:
3061:
3060:
3059:
3058:
3057:
3049:
3044:
3039:
3029:
3028:
3027:
3022:
3017:
3007:
3006:
3005:
2998:
2993:
2977:
2975:
2969:
2968:
2966:
2965:
2964:
2963:
2956:
2951:
2949:Italian school
2940:
2935:
2934:
2933:
2931:Sienese School
2923:
2918:
2913:
2908:
2907:
2906:
2901:
2896:
2886:
2879:
2878:
2877:
2867:
2866:
2865:
2860:
2850:
2845:
2844:
2843:
2841:Pre-Romanesque
2838:
2833:
2823:
2822:
2821:
2816:
2811:
2806:
2796:
2791:
2790:
2789:
2777:
2772:
2770:Donor portrait
2767:
2766:
2765:
2760:
2755:
2750:
2745:
2735:
2734:
2733:
2723:
2722:
2721:
2710:
2708:
2702:
2701:
2699:
2698:
2697:
2696:
2691:
2686:
2681:
2679:Julio-Claudian
2676:
2671:
2661:
2656:
2651:
2646:
2641:
2640:
2639:
2638:
2637:
2632:
2631:
2630:
2628:Greco-Buddhist
2620:
2610:
2605:
2600:
2595:
2590:
2585:
2580:
2575:
2570:
2568:Protogeometric
2565:
2555:
2554:
2553:
2548:
2543:
2538:
2528:
2523:
2522:
2521:
2510:
2508:
2499:
2493:
2492:
2483:
2480:
2479:
2465:
2463:
2462:
2455:
2448:
2440:
2434:
2433:
2425:
2424:External links
2422:
2421:
2420:
2414:
2397:
2391:
2378:
2372:
2359:
2353:
2340:
2334:
2317:
2311:
2298:
2292:
2275:
2269:
2256:
2250:
2231:
2228:
2226:
2225:
2192:
2168:
2150:
2132:
2125:
2104:
2085:
2078:
2066:History of Art
2053:
2027:
2012:
2005:
1984:
1958:
1938:
1923:
1902:
1887:
1862:
1840:
1807:
1782:
1780:
1777:
1775:
1774:
1769:
1764:
1759:
1754:
1749:
1744:
1738:
1736:
1733:
1731:
1730:
1728:Romano Rizzato
1725:
1720:
1715:
1713:Grazia Varisco
1710:
1705:
1700:
1695:
1690:
1685:
1683:Ronald Mallory
1680:
1675:
1670:
1665:
1659:
1657:
1654:
1652:
1651:
1649:Ludwig Wilding
1646:
1644:Lyman Whitaker
1641:
1636:
1631:
1626:
1621:
1616:
1611:
1609:Mark di Suvero
1606:
1601:
1596:
1591:
1586:
1581:
1576:
1571:
1569:Robert Perless
1566:
1561:
1556:
1551:
1546:
1541:
1536:
1531:
1526:
1524:Gilles Larrain
1521:
1516:
1511:
1506:
1501:
1496:
1491:
1486:
1481:
1476:
1471:
1469:Chuck Hoberman
1466:
1461:
1456:
1451:
1446:
1441:
1436:
1431:
1426:
1421:
1419:Marcel Duchamp
1416:
1411:
1406:
1401:
1396:
1391:
1386:
1381:
1376:
1371:
1366:
1364:Uli Aschenborn
1361:
1355:
1353:
1350:
1349:
1348:
1328:
1321:
1319:
1308:Uli Aschenborn
1306:
1299:
1297:
1286:Uli Aschenborn
1284:
1277:
1275:
1260:Uli Aschenborn
1258:
1251:
1249:
1234:
1227:
1225:
1216:
1209:
1207:
1198:
1191:
1189:
1177:
1170:
1168:
1153:
1146:
1144:
1136:
1129:
1127:
1114:
1107:
1105:
1092:
1085:
1083:
1071:Lyman Whitaker
1069:
1062:
1058:
1057:Selected works
1055:
1043:Changi Airport
1005:
1002:
891:
888:
884:Gordes/Cristal
879:
876:
865:
862:
791:
788:
755:
752:
736:St. Petersburg
728:Tatlin's Tower
710:Constructivism
705:
702:
685:
682:
669:
666:
627:
624:
610:
609:Albert Gleizes
607:
591:Albert Gleizes
581:
578:
569:
566:
526:
523:
464:
461:
424:
421:
403:
402:
357:
355:
348:
342:
339:
277:Uli Aschenborn
243:, also titled
205:
204:
187:
186:
145:
143:
136:
129:
128:
83:
81:
74:
69:
43:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
6219:
6208:
6205:
6203:
6200:
6198:
6195:
6193:
6190:
6188:
6185:
6183:
6180:
6179:
6177:
6162:
6159:
6157:
6149:
6148:
6145:
6138:
6137:
6133:
6130:
6127:
6124:
6123:
6119:
6116:
6115:
6111:
6108:
6107:
6103:
6100:
6099:
6095:
6092:
6091:
6086:
6083:
6082:
6078:
6075:
6072:
6069:
6068:
6064:
6061:
6060:
6056:
6053:
6052:
6048:
6045:
6043:
6039:
6036:
6035:
6031:
6028:
6025:
6022:
6019:
6016:
6015:
6014:Veiled Christ
6011:
6008:
6007:
6003:
6000:
5999:
5995:
5992:
5989:
5986:
5983:
5980:
5977:
5974:
5971:
5968:
5965:
5963:(130â100 BCE)
5962:
5961:
5960:Venus de Milo
5957:
5954:
5953:
5949:
5947:(246â210 BCE)
5946:
5943:
5940:
5939:
5935:
5932:
5929:
5926:
5922:
5921:Elgin Marbles
5919:
5917:(c. 1264 BCE)
5916:
5913:
5910:
5907:
5906:
5904:
5900:
5894:
5891:
5889:
5886:
5884:
5881:
5879:
5876:
5874:
5871:
5869:
5866:
5864:
5861:
5859:
5856:
5854:
5851:
5849:
5846:
5844:
5841:
5839:
5836:
5835:
5833:
5829:
5823:
5820:
5818:
5815:
5813:
5810:
5808:
5805:
5803:
5800:
5798:
5795:
5793:
5790:
5788:
5785:
5783:
5780:
5778:
5775:
5773:
5770:
5768:
5765:
5763:
5760:
5758:
5755:
5753:
5750:
5749:
5747:
5743:
5737:
5734:
5732:
5729:
5727:
5724:
5722:
5719:
5718:
5716:
5712:
5706:
5703:
5701:
5698:
5696:
5693:
5691:
5688:
5686:
5683:
5681:
5678:
5676:
5673:
5672:
5670:
5666:
5660:
5657:
5655:
5652:
5650:
5647:
5645:
5642:
5640:
5637:
5635:
5632:
5630:
5627:
5625:
5622:
5620:
5617:
5615:
5612:
5610:
5607:
5605:
5604:Gas sculpture
5602:
5600:
5597:
5595:
5592:
5590:
5587:
5585:
5582:
5580:
5577:
5576:
5574:
5570:
5566:
5559:
5554:
5552:
5547:
5545:
5540:
5539:
5536:
5524:
5516:
5515:
5512:
5506:
5503:
5501:
5500:
5496:
5494:
5491:
5489:
5486:
5484:
5481:
5479:
5476:
5474:
5471:
5469:
5466:
5464:
5461:
5457:
5454:
5452:
5449:
5448:
5447:
5444:
5442:
5439:
5437:
5434:
5432:
5429:
5427:
5424:
5422:
5419:
5417:
5414:
5410:
5407:
5405:
5402:
5401:
5400:
5397:
5395:
5392:
5390:
5389:Fantastic art
5387:
5385:
5382:
5378:
5375:
5373:
5370:
5368:
5365:
5363:
5360:
5359:
5358:
5357:Christian art
5355:
5353:
5350:
5348:
5345:
5343:
5340:
5336:
5333:
5332:
5331:
5328:
5326:
5323:
5322:
5320:
5316:
5306:
5303:
5301:
5298:
5296:
5293:
5289:
5286:
5284:
5281:
5280:
5279:
5276:
5274:
5271:
5269:
5266:
5264:
5261:
5259:
5258:Skeuomorphism
5256:
5254:
5251:
5249:
5246:
5244:
5241:
5239:
5236:
5234:
5231:
5229:
5226:
5224:
5221:
5219:
5218:Massurrealism
5216:
5214:
5213:Lightpainting
5211:
5209:
5206:
5204:
5201:
5197:
5196:Post-Internet
5194:
5193:
5192:
5189:
5187:
5184:
5182:
5179:
5177:
5174:
5170:
5167:
5166:
5165:
5162:
5160:
5157:
5155:
5152:
5150:
5147:
5145:
5142:
5140:
5137:
5133:
5130:
5129:
5128:
5125:
5123:
5120:
5118:
5115:
5113:
5110:
5108:
5105:
5103:
5100:
5098:
5095:
5093:
5090:
5089:
5087:
5081:
5075:
5072:
5070:
5069:Grunge design
5067:
5065:
5062:
5060:
5057:
5055:
5052:
5050:
5047:
5045:
5042:
5040:
5037:
5035:
5032:
5030:
5027:
5025:
5024:Retrofuturism
5022:
5020:
5019:Scratch video
5017:
5015:
5012:
5010:
5007:
5005:
5004:Memphis Group
5002:
5000:
4997:
4995:
4992:
4990:
4987:
4985:
4982:
4980:
4979:Telematic art
4977:
4975:
4972:
4970:
4969:Guerrilla art
4967:
4965:
4962:
4958:
4955:
4954:
4953:
4950:
4948:
4945:
4943:
4940:
4938:
4935:
4931:
4928:
4927:
4926:
4923:
4921:
4920:Endurance art
4918:
4916:
4913:
4911:
4908:
4906:
4903:
4901:
4898:
4897:
4895:
4891:
4885:
4882:
4880:
4877:
4875:
4872:
4870:
4867:
4865:
4862:
4858:
4855:
4854:
4853:
4850:
4848:
4845:
4843:
4840:
4838:
4835:
4833:
4830:
4828:
4825:
4823:
4820:
4818:
4815:
4813:
4810:
4808:
4805:
4803:
4800:
4798:
4795:
4793:
4790:
4788:
4785:
4783:
4780:
4778:
4775:
4773:
4770:
4768:
4765:
4763:
4760:
4758:
4755:
4753:
4750:
4748:
4745:
4743:
4740:
4738:
4735:
4733:
4730:
4728:
4725:
4723:
4720:
4718:
4715:
4711:
4708:
4707:
4706:
4703:
4701:
4698:
4696:
4693:
4691:
4688:
4686:
4683:
4681:
4678:
4677:
4675:
4671:
4665:
4662:
4660:
4657:
4655:
4652:
4648:
4645:
4643:
4640:
4639:
4638:
4635:
4631:
4628:
4627:
4626:
4623:
4621:
4618:
4616:
4613:
4611:
4608:
4606:
4603:
4601:
4598:
4596:
4593:
4591:
4588:
4586:
4583:
4581:
4580:New media art
4578:
4574:
4571:
4570:
4569:
4566:
4564:
4561:
4559:
4558:Nanyang Style
4556:
4554:
4551:
4549:
4546:
4544:
4541:
4539:
4536:
4532:
4529:
4527:
4524:
4522:
4519:
4517:
4514:
4513:
4512:
4509:
4507:
4504:
4502:
4499:
4495:
4492:
4491:
4490:
4489:Visionary art
4487:
4483:
4480:
4479:
4478:
4475:
4473:
4470:
4469:
4467:
4463:
4460:
4456:
4451:
4447:
4437:
4434:
4432:
4429:
4427:
4424:
4422:
4419:
4415:
4412:
4411:
4410:
4407:
4405:
4402:
4398:
4395:
4393:
4390:
4389:
4388:
4385:
4381:
4378:
4377:
4376:
4373:
4371:
4368:
4366:
4363:
4361:
4358:
4356:
4355:Scuola Romana
4353:
4351:
4348:
4346:
4345:
4341:
4339:
4336:
4334:
4331:
4329:
4326:
4322:
4319:
4317:
4314:
4313:
4312:
4309:
4307:
4304:
4302:
4299:
4297:
4294:
4292:
4289:
4287:
4284:
4282:
4281:Anthropophagy
4279:
4277:
4274:
4270:
4267:
4266:
4265:
4264:Functionalism
4262:
4260:
4257:
4255:
4252:
4250:
4247:
4245:
4242:
4238:
4235:
4234:
4233:
4230:
4226:
4223:
4221:
4218:
4217:
4216:
4213:
4209:
4206:
4205:
4204:
4201:
4199:
4196:
4192:
4191:
4187:
4186:
4185:
4184:Neoplasticism
4182:
4180:
4177:
4175:
4172:
4166:
4163:
4162:
4161:
4158:
4157:
4156:
4153:
4151:
4148:
4146:
4143:
4141:
4138:
4136:
4133:
4132:
4130:
4126:
4120:
4117:
4115:
4112:
4110:
4107:
4105:
4102:
4100:
4097:
4095:
4092:
4088:
4087:Cubo-Futurism
4085:
4084:
4083:
4080:
4078:
4075:
4073:
4072:
4068:
4064:
4061:
4059:
4056:
4055:
4054:
4051:
4047:
4046:Ashcan School
4044:
4043:
4042:
4039:
4037:
4034:
4032:
4029:
4025:
4022:
4020:
4017:
4016:
4015:
4014:Expressionism
4012:
4010:
4007:
4005:
4002:
4000:
3999:Mir iskusstva
3997:
3995:
3992:
3988:
3985:
3983:
3980:
3978:
3975:
3973:
3970:
3969:
3968:
3965:
3963:
3960:
3958:
3955:
3953:
3950:
3946:
3943:
3942:
3941:
3938:
3937:
3935:
3931:
3925:
3922:
3918:
3915:
3914:
3913:
3910:
3906:
3903:
3901:
3898:
3896:
3893:
3891:
3888:
3886:
3883:
3881:
3878:
3874:
3871:
3870:
3869:
3866:
3865:
3864:
3861:
3859:
3856:
3854:
3851:
3847:
3844:
3842:
3839:
3838:
3837:
3834:
3832:
3829:
3827:
3824:
3820:
3817:
3816:
3815:
3812:
3810:
3807:
3803:
3800:
3798:
3795:
3793:
3790:
3786:
3785:Boston School
3783:
3781:
3780:Hoosier Group
3778:
3777:
3776:
3773:
3772:
3771:
3770:Impressionism
3768:
3766:
3765:Peredvizhniki
3763:
3761:
3758:
3756:
3755:Beuron School
3753:
3749:
3746:
3745:
3744:
3743:
3739:
3737:
3734:
3732:
3729:
3725:
3722:
3721:
3720:
3717:
3716:
3714:
3710:
3707:
3703:
3699:
3689:
3686:
3682:
3679:
3675:
3672:
3671:
3670:
3669:Munich School
3667:
3666:
3665:
3662:
3656:
3653:
3652:
3651:
3648:
3646:
3643:
3641:
3638:
3637:
3636:
3633:
3631:
3628:
3624:
3621:
3620:
3619:
3616:
3614:
3611:
3609:
3606:
3604:
3601:
3595:
3592:
3591:
3590:
3587:
3585:
3582:
3580:
3577:
3575:
3572:
3570:
3567:
3565:
3562:
3560:
3557:
3555:
3552:
3550:
3547:
3546:
3545:
3542:
3541:
3539:
3535:
3529:
3521:
3518:
3516:
3513:
3512:
3511:
3507:
3505:
3502:
3500:
3497:
3495:
3492:
3490:
3487:
3483:
3480:
3479:
3478:
3475:
3474:
3472:
3468:Art borrowing
3466:
3458:
3455:
3451:
3448:
3446:
3443:
3441:
3438:
3437:
3436:
3433:
3431:
3428:
3427:
3426:
3423:
3419:
3418:Company style
3416:
3414:
3411:
3407:
3404:
3402:
3399:
3398:
3397:
3394:
3393:
3391:
3385:
3382:
3381:
3380:
3377:
3375:
3372:
3371:
3370:
3366:
3365:
3363:
3359:
3353:
3350:
3346:
3343:
3341:
3338:
3336:
3333:
3331:
3328:
3326:
3325:
3321:
3320:
3319:
3318:Neoclassicism
3316:
3312:
3311:
3307:
3305:
3302:
3300:
3297:
3295:
3292:
3290:
3287:
3286:
3285:
3282:
3281:
3279:
3275:
3267:
3264:
3262:
3259:
3258:
3257:
3254:
3252:
3249:
3247:
3244:
3240:
3237:
3236:
3235:
3232:
3230:
3227:
3225:
3222:
3220:
3217:
3213:
3210:
3208:
3205:
3201:
3198:
3196:
3193:
3192:
3191:
3188:
3186:
3183:
3181:
3178:
3177:
3176:
3173:
3172:
3170:
3166:
3160:
3157:
3155:
3152:
3150:
3147:
3145:
3144:Cretan School
3142:
3138:
3135:
3134:
3133:
3130:
3124:
3121:
3119:
3116:
3114:
3111:
3110:
3109:
3106:
3102:
3101:Danube school
3099:
3097:
3094:
3093:
3092:
3089:
3087:
3084:
3082:
3079:
3075:
3072:
3071:
3070:
3067:
3066:
3065:
3062:
3056:
3055:
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3035:
3034:
3033:
3030:
3026:
3023:
3021:
3018:
3016:
3013:
3012:
3011:
3008:
3004:
3003:
2999:
2997:
2994:
2992:
2989:
2988:
2987:
2984:
2983:
2982:
2979:
2978:
2976:
2974:
2970:
2962:
2961:
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2950:
2947:
2946:
2945:
2941:
2939:
2936:
2932:
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2924:
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2919:
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2914:
2912:
2909:
2905:
2902:
2900:
2897:
2895:
2892:
2891:
2890:
2887:
2885:
2884:
2880:
2876:
2873:
2872:
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2868:
2864:
2861:
2859:
2856:
2855:
2854:
2851:
2849:
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2829:
2828:
2827:
2824:
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2817:
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2810:
2807:
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2801:
2800:
2797:
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2773:
2771:
2768:
2764:
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2736:
2732:
2729:
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2724:
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2712:
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2709:
2707:
2703:
2695:
2692:
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2687:
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2682:
2680:
2677:
2675:
2672:
2670:
2667:
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2647:
2645:
2642:
2636:
2633:
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2621:
2619:
2616:
2615:
2614:
2611:
2609:
2606:
2604:
2601:
2599:
2596:
2594:
2591:
2589:
2586:
2584:
2581:
2579:
2578:Orientalizing
2576:
2574:
2571:
2569:
2566:
2564:
2563:Sub-Mycenaean
2561:
2560:
2559:
2556:
2552:
2549:
2547:
2544:
2542:
2539:
2537:
2534:
2533:
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2529:
2527:
2524:
2520:
2517:
2516:
2515:
2512:
2511:
2509:
2507:
2503:
2500:
2494:
2490:
2486:
2481:
2477:art movements
2476:
2472:
2468:
2461:
2456:
2454:
2449:
2447:
2442:
2441:
2438:
2431:
2428:
2427:
2423:
2417:
2415:9780300192506
2411:
2406:
2405:
2398:
2394:
2392:9783775733632
2388:
2384:
2379:
2375:
2373:9781851495917
2369:
2365:
2360:
2356:
2354:9780517508008
2350:
2346:
2341:
2337:
2335:9780397312177
2331:
2326:
2325:
2318:
2314:
2312:9781555952952
2308:
2304:
2299:
2295:
2293:9780520052567
2289:
2284:
2283:
2276:
2272:
2270:9780713425185
2266:
2262:
2257:
2253:
2251:9788861301948
2247:
2242:
2241:
2234:
2233:
2229:
2220:
2215:
2212:(3): 93â100.
2211:
2207:
2203:
2196:
2193:
2182:
2178:
2172:
2169:
2164:
2160:
2154:
2151:
2146:
2142:
2136:
2133:
2128:
2122:
2118:
2114:
2108:
2105:
2099:
2098:
2089:
2086:
2081:
2075:
2071:
2067:
2063:
2057:
2054:
2042:
2038:
2031:
2028:
2023:
2016:
2013:
2008:
2002:
1998:
1991:
1989:
1985:
1979:
1978:
1969:
1967:
1965:
1963:
1959:
1954:
1947:
1945:
1943:
1939:
1934:
1930:
1926:
1920:
1916:
1912:
1906:
1903:
1898:
1891:
1888:
1884:
1880:
1876:
1869:
1867:
1863:
1859:
1855:
1851:
1844:
1841:
1835:
1830:
1826:
1822:
1818:
1811:
1808:
1803:
1796:
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1792:
1790:
1788:
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1778:
1773:
1770:
1768:
1765:
1763:
1760:
1758:
1755:
1753:
1750:
1748:
1747:Gas sculpture
1745:
1743:
1740:
1739:
1734:
1729:
1726:
1724:
1721:
1719:
1716:
1714:
1711:
1709:
1706:
1704:
1703:Bridget Riley
1701:
1699:
1696:
1694:
1691:
1689:
1686:
1684:
1681:
1679:
1676:
1674:
1671:
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1655:
1650:
1647:
1645:
1642:
1640:
1637:
1635:
1632:
1630:
1627:
1625:
1624:Wen-Ying Tsai
1622:
1620:
1619:Jean Tinguely
1617:
1615:
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1595:
1592:
1590:
1587:
1585:
1582:
1580:
1579:George Rickey
1577:
1575:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1550:
1547:
1545:
1544:Sal Maccarone
1542:
1540:
1537:
1535:
1532:
1530:
1529:Julio Le Parc
1527:
1525:
1522:
1520:
1517:
1515:
1512:
1510:
1507:
1505:
1502:
1500:
1497:
1495:
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1490:
1487:
1485:
1482:
1480:
1477:
1475:
1472:
1470:
1467:
1465:
1462:
1460:
1457:
1455:
1452:
1450:
1447:
1445:
1442:
1440:
1439:Arthur Ganson
1437:
1435:
1432:
1430:
1429:Rowland Emett
1427:
1425:
1422:
1420:
1417:
1415:
1412:
1410:
1409:Angela Conner
1407:
1405:
1402:
1400:
1397:
1395:
1392:
1390:
1387:
1385:
1382:
1380:
1377:
1375:
1372:
1370:
1369:David Ascalon
1367:
1365:
1362:
1360:
1357:
1356:
1351:
1345:
1341:
1337:
1336:
1331:
1330:George Rhoads
1325:
1320:
1317:
1313:
1309:
1303:
1298:
1295:
1291:
1287:
1281:
1276:
1273:
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1255:
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1246:
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1241:
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1231:
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1213:
1208:
1205:
1201:
1195:
1190:
1187:
1183:
1180:
1174:
1169:
1166:
1165:Angela Conner
1162:
1158:
1157:
1150:
1145:
1141:
1140:
1133:
1128:
1125:
1121:
1117:
1116:David Ascalon
1111:
1106:
1102:
1099:
1095:
1089:
1084:
1080:
1076:
1072:
1066:
1061:
1056:
1054:
1052:
1048:
1044:
1040:
1037:
1035:
1031:
1027:
1023:
1019:
1018:Arthur Ganson
1015:
1011:
1003:
1001:
999:
994:
990:
986:
982:
978:
974:
973:Julio Le Parc
970:
967:) founded by
966:
962:
958:
954:
950:
946:
942:
938:
934:
933:Bridget Riley
930:
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909:
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568:Auguste Rodin
567:
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476:Musée d'Orsay
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432:Ădouard Manet
429:
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422:
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417:Auguste Rodin
414:
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385:February 2020
378:
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364:
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358:This section
356:
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346:
340:
338:
336:
335:Standing Wave
333:(also dubbed
332:
328:
323:
321:
317:
313:
309:
305:
304:impressionist
301:
300:Ădouard Manet
297:
293:
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288:impressionist
284:
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273:George Rickey
270:
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245:Standing Wave
242:
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214:George Rickey
211:
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84:This article
82:
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32:
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19:
6134:
6120:
6112:
6104:
6096:
6089:
6079:
6065:
6057:
6049:
6041:
6032:
6012:
6004:
5996:
5975:(507â554 CE)
5958:
5950:
5936:
5933:(c. 292 BCE)
5893:Found object
5685:Detonography
5499:Trompe-l'Ćil
5497:
5468:Outsider art
5421:Illustration
5377:Lutheran art
5367:Catholic art
5330:Abstract art
5300:Unilalianism
5263:Software art
5238:Neosymbolism
5228:Neo-futurism
5191:Internet art
5181:Hyperrealism
5034:Superfiction
4817:Photorealism
4685:Afrofuturism
4450:Contemporary
4426:Dimensionism
4409:Concrete art
4342:
4338:Precisionism
4275:
4188:
4135:Sosaku-hanga
4109:Productivism
4099:Metaphysical
4069:
4058:Proto-Cubism
3962:Secessionism
3924:Costumbrismo
3809:Aestheticism
3760:Hague School
3740:
3664:Academic art
3645:Costumbrismo
3613:Empire style
3450:Quito School
3445:Cusco School
3361:Colonial art
3322:
3310:FĂȘte galante
3308:
3277:18th century
3239:Delft School
3190:Caravaggisti
3168:17th century
3053:
3010:Quattrocento
3000:
2958:
2881:
2784:
2714:Late antique
2598:Severe style
2588:Black-figure
2475:Contemporary
2403:
2382:
2363:
2344:
2323:
2302:
2281:
2260:
2239:
2209:
2205:
2195:
2184:. Retrieved
2180:
2171:
2165:(in French).
2162:
2153:
2144:
2135:
2116:
2107:
2096:
2088:
2065:
2062:Janson, H.W.
2056:
2044:. Retrieved
2040:
2030:
2021:
2015:
1996:
1976:
1952:
1914:
1905:
1896:
1890:
1874:
1849:
1843:
1824:
1820:
1810:
1801:
1663:Nadir Afonso
1554:Phyllis Mark
1534:Liliane Lijn
1519:Gyula Kosice
1474:Anthony Howe
1434:Ivana Franke
1384:Daniel Buren
1379:Mark Bischof
1333:
1311:
1289:
1267:
1263:
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1236:
1181:
1155:
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1097:
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1007:
964:
903:
901:
893:
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867:
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839:
834:
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826:
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808:
799:
782:
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769:
763:
748:
738:) after the
726:
721:
707:
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660:
657:
652:
629:
620:
612:
583:
571:
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549:
545:
537:
534:Claude Monet
525:Claude Monet
517:
515:
510:
506:
504:
499:
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490:
472:At the Races
471:
456:
450:
448:
443:
441:
435:
406:
391:
382:
359:
334:
330:
324:
292:Claude Monet
285:
281:
251:
250:
244:
240:
217:
193:
175:
166:
147:
117:
108:
85:
61:
54:
48:
47:Please help
44:
6182:Kinetic art
6101:(1927â1931)
6093:(1927â1941)
6067:The Thinker
6054:(1890â1917)
6009:(1501â1504)
6001:(1498â1499)
5705:Renaissance
5384:Digital art
5347:Avant-garde
5288:Superstroke
5164:Flat design
5159:Fictive art
5154:Excessivism
5102:Art for art
5097:Altermodern
5039:Taring Padi
4974:Lowbrow art
4942:Pliontanism
4879:Yoru no Kai
4832:Process art
4772:Systems art
4742:Arte Povera
4664:Antipodeans
4573:in New York
4543:Jikken KĆbĆ
4506:Color field
4375:Regionalism
4344:Aeropittura
4333:Neo-Fauvism
4306:Neues Sehen
4276:Kinetic art
4140:Suprematism
4114:Synchromism
4031:Noucentisme
3952:Primitivism
3940:Art Nouveau
3895:Cloisonnism
3885:Pointillism
3880:Divisionism
3858:Incoherents
3819:Art pottery
3705:(1863â1944)
3655:Macchiaioli
3630:Biedermeier
3618:Historicism
3603:Orientalism
3544:Romanticism
3515:Akita ranga
3367:Art of the
3352:Picturesque
3304:Chinoiserie
3299:Frederician
3137:Tudor court
3032:Cinquecento
2973:Renaissance
2960:Mappa mundi
2944:cartography
2836:Carolingian
2831:Merovingian
2814:Palaeologan
2786:RepoblaciĂłn
2743:Anglo-Saxon
2674:Gallo-Roman
2613:Hellenistic
2608:Kerch style
2546:Minyan ware
1915:Kinetic art
1762:Robotic art
1693:Vera MolnĂĄr
1584:Ken Rinaldo
1504:Starr Kempf
1499:Roger Katan
1489:Theo Jansen
1399:Martha Boto
1359:Yaacov Agam
1247:, Australia
1200:Yaacov Agam
1182:Chronos 10B
1103:, Venezuela
993:Vera MolnĂĄr
953:Martha Boto
908:Denise René
800:Red Mobile,
595:avant-garde
487:Edgar Degas
463:Edgar Degas
312:photography
296:Edgar Degas
252:Kinetic art
18:Kinetic Art
6187:Modern art
6176:Categories
5868:Fiberglass
5797:Terracotta
5644:Pedimental
5639:Monumental
5589:Bas relief
5584:Assemblage
5431:Jewish art
5243:Passionism
5203:iPhone art
5149:Cyborg art
5144:Crypto art
5117:Brandalism
5009:Cyberdelic
4874:TropicĂĄlia
4847:Street art
4802:Intermedia
4782:Minimalism
4501:Spatialism
4455:Postmodern
4311:Surrealism
4179:Shin-hanga
4019:Die BrĂŒcke
3987:Sonderbund
3900:Synthetism
3623:Revivalism
3532:Transition
3489:Manichaean
3335:Adam style
3256:Classicism
3195:in Utrecht
3123:Still life
2853:Romanesque
2809:Macedonian
2804:Iconoclast
2763:Visigothic
2669:Republican
2623:Indo-Greek
2593:Red-figure
2186:2013-11-29
2181:MIT Museum
2079:0500237018
1911:Brett, Guy
1779:References
1574:Otto Piene
1549:Heinz Mack
1484:Tim Hunkin
1454:Bruce Gray
1444:Nemo Gould
1404:U-Ram Choe
1338:(1987), a
1312:Morph-Cube
1290:Magic Dice
1262:, turning
1098:La Esfera,
1022:Anne Lilly
1010:MIT Museum
998:labyrinths
989:Joël Stein
937:Yacov Agam
927:, such as
904:Mouvements
847:Cat Mobile
645:art critic
643:coined by
369:improve it
316:landscapes
265:sculptures
169:March 2013
111:March 2013
95:improve it
50:improve it
5987:(1250 CE)
5927:(438 BCE)
5925:Parthenon
5923:from the
5878:Aluminium
5848:Jesmonite
5822:Soapstone
5762:Limestone
5680:Classical
5609:Earth art
5565:Sculpture
5493:Shock art
5483:Queer art
5463:NaĂŻve art
5446:Modernism
5278:Superflat
5268:Sound art
5248:Post-YBAs
5233:Neomodern
5074:Verdadism
5044:Superflat
4893:1970â1999
4857:in the US
4777:Video art
4700:Happening
4673:1960â1969
4465:1945â1959
4128:1915â1944
4119:Vorticism
4071:A Nyolcak
3933:1900â1914
3905:Les Nabis
3836:Symbolism
3792:Amsterdam
3742:Japonisme
3712:1863â1899
3674:in Greece
3534:to modern
3379:Caribbean
3324:Goût grec
3246:Capriccio
3200:Tenebrism
3149:Turquerie
3047:Mannerism
2942:Medieval
2799:Byzantine
2780:Mozarabic
2731:Ethiopian
2635:Neo-Attic
2618:"Baroque"
2603:Classical
2573:Geometric
2551:Mycenaean
2498:(Western)
2496:Premodern
2467:Premodern
1827:(2): 21.
1767:Sound art
1424:Lin Emery
1161:Park West
1081:sculpture
1079:whirligig
1047:Singapore
744:Comintern
712:movement
661:Cathedral
493:(c. 1870)
373:verifying
327:Naum Gabo
320:portraits
260:paintings
247:(1919â20)
237:Naum Gabo
157:talk page
99:verifying
56:talk page
6156:Category
5969:(175 CE)
5858:Concrete
5772:Porphyry
5619:Figurine
5523:Category
5473:Portrait
5394:Folk art
5342:Anti-art
5273:Stuckism
5186:Idea art
5107:Art game
5059:Artivism
4947:Punk art
4925:Sots Art
4910:Artscene
4767:Land art
4705:Neo-Dada
4637:Lettrism
4531:Nuagisme
4516:Tachisme
4397:Nazi art
4190:De Stijl
4104:Rayonism
4094:Art Deco
4082:Futurism
3873:Luminism
3841:Romanian
3826:Tonalism
3797:Canadian
3775:American
3681:Neo-Grec
3289:Rocaille
3118:Romanism
3052:Counter-
2986:Trecento
2926:Duecento
2916:Crusades
2848:Ottonian
2826:Frankish
2706:Medieval
2689:Trajanic
2649:Scythian
2644:Etruscan
2536:Cycladic
2514:Thracian
2345:Vasarely
2141:"Op art"
2115:(1997).
2064:(1995).
2046:8 August
1913:(1968).
1897:Kinetics
1735:See also
1494:Ned Kahn
1184:, 1980,
673:Max Bill
668:Max Bill
603:Max Bill
593:, other
513:(1872).
150:disputed
6161:Outline
5863:Plastic
5853:Acrylic
5777:Diorite
5767:Granite
5675:Baroque
5488:Realism
5085:present
4812:Nut Art
4615:Pop art
4553:Mono-ha
4421:The Ten
4370:Kapists
4316:Iranian
4269:Bauhaus
4063:Orphism
4009:Fauvism
3846:Russian
3736:Nihonga
3650:Verismo
3635:Realism
3569:Purismo
3482:Moorish
3477:Islamic
3384:Haitian
3175:Baroque
3054:Maniera
2938:Mudéjar
2863:Spanish
2775:Pictish
2758:Lombard
2753:Insular
2694:Severan
2659:Gaulish
2654:Iberian
2583:Archaic
2526:Nuragic
2506:Ancient
2489:periods
2041:Mozaico
1757:Odonien
1539:Len Lye
1316:Namibia
1294:Namibia
1272:Namibia
1222:Germany
1101:Caracas
1012:opened
906:at the
815:Man Ray
478:, Paris
438:(1862).
367:Please
308:realism
269:mobiles
93:Please
6139:(2018)
6131:(2008)
6125:(1981)
6117:(1971)
6109:(1967)
6084:(1920)
6076:(1907)
6070:(1904)
6062:(1897)
6046:(1886)
6037:(1880)
6029:(1843)
6023:(1776)
6017:(1753)
5883:Fabric
5817:Butter
5812:Silver
5802:Bronze
5757:Marble
5736:Volume
5700:Relief
5654:Statue
5634:Mobile
5599:Effigy
5436:Kitsch
5295:Toyism
4787:Fluxus
4717:Op art
4286:Mingei
4220:Stupid
4198:Purism
4053:Cubism
3702:Modern
3494:Mughal
3284:Rococo
2889:Gothic
2870:Norman
2794:Viking
2748:Hunnic
2726:Coptic
2541:Minoan
2531:Aegean
2519:Dacian
2471:Modern
2412:
2389:
2370:
2351:
2332:
2309:
2290:
2267:
2248:
2123:
2097:Calder
2076:
2003:
1933:439251
1931:
1921:
1245:Sydney
1204:Israel
1186:Munich
1032:, and
985:Yvaral
929:op art
921:ZĂŒrich
897:op art
835:Mobile
827:Mobile
766:, 1915
698:mosaic
615:cubism
542:(1876)
409:Calder
298:, and
6006:David
5998:PietĂ
5888:Paper
5873:Glass
5838:Steel
5787:Ivory
5731:Space
5659:Stele
5083:2000â
4526:COBRA
3520:Uki-e
3510:Japan
3499:Qajar
2858:Mosan
2664:Roman
2558:Greek
1614:Takis
1034:Takis
831:Shade
819:Shade
630:When
5991:Moai
5807:Gold
5792:Clay
5782:Jade
5752:Wood
5721:Mass
5594:Bust
5372:Icon
4695:ZERO
4453:and
4350:Asso
4174:Dada
3731:YĆga
2473:and
2410:ISBN
2387:ISBN
2368:ISBN
2349:ISBN
2330:ISBN
2307:ISBN
2288:ISBN
2265:ISBN
2246:ISBN
2206:Arts
2121:ISBN
2074:ISBN
2048:2017
2001:ISBN
1929:OCLC
1919:ISBN
1821:Arts
1239:Halo
1156:Wave
991:and
961:GRAV
833:and
601:and
584:The
318:and
275:and
5843:Ice
2214:doi
1879:doi
1854:doi
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955:or
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256:art
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