Kinetic art - Knowledge (XXG)

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not have features that are too definite. They need to have shapes and compositions that are almost unclear, and from there the viewer can believe that the figures themselves are moving in that confined space. He wanted paintings, sculptures, and even the flat works of mid-19th-century artists to show how figures could impart on the viewer that there was great movement contained in a certain space. As a philosopher, Gleizes also studied the concept of artistic movement and how that appealed to the viewer. Gleizes updated his studies and publications through the 1930s, just as kinetic art was becoming popular.

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through good modeling and movement". In 1881, when Rodin first sculpted and produced his own works of art, he rejected his earlier notions. Sculpting put Rodin into a predicament that he felt no philosopher nor anyone could ever solve; how can artists impart movement and dramatic motions from works so solid as sculptures? After this conundrum occurred to him, he published new articles that didn't attack men such as Manet, Monet, and Degas intentionally, but propagated his own theories that Impressionism is not about communicating movement but presenting it in static form.

1230: 774:, Tatlin's friend and peer who insisted his work was complete, continued the study of suspended mobiles and created what he deemed to be "non-objectivism". This style was a study less focused on mobiles than on canvas paintings and objects that were immovable. It focuses on juxtaposing objects of different materials and textures as a way to spark new ideas in the mind of the viewer. By creating discontinuity with the work, the viewer assumed that the figure was moving off the canvas or the medium to which it was restricted. One of his canvas works titled 1302: 1324: 1132: 1149: 428: 509:(1868) interprets forms of definite movement and gives them multidimensional movement beyond the flatness of the canvas. He positions the orchestra directly in the viewer's space, while the dancers completely fill the background. Degas is alluding to the Impressionist style of combining movement, but almost redefines it in a way that was seldom seen in the late 1800s. In the 1870s, Degas continues this trend through his love of one-shot motion horse races in such works as 530: 483: 468: 560:(1877–1878), proves to many art historians that Monet was redefining the style of the Impressionist era. Impressionism initially was defined by isolating color, light, and movement. In the late 1870s, Monet had pioneered a style that combined all three, while maintaining a focus on the popular subjects of the Impressionist era. Artists were often so struck by Monet's wispy brushstrokes that it was more than movement in his paintings, but a 1194: 1212: 759: 6152: 5519: 1088: 1065: 446:(1862). The figures' contours coincide with their gestures as a way to suggest depth in relation to one another and in relation to the setting. Manet also accentuates the lack of equilibrium in this work to project to the viewer that he or she is on the edge of a moment that is seconds away from passing. The blurred, hazy sense of color and shadow in this work similarly place the viewer in a fleeting moment. 886:(1946) is a series of cubic figures that are also electrically powered. When he first showed these figures at fairs and art exhibitions, he invited people up to the cubic shapes to press the switch and start the color and light show. Virtual movement is a style of kinetic art that can be associated with mobiles, but from this style of movement there are two more specific distinctions of kinetic art. 283:

motors, machines, or electrically powered systems. Both apparent and virtual movement are styles of kinetic art that only recently have been argued as styles of op art. The amount of overlap between kinetic and op art is not significant enough for artists and art historians to consider merging the two styles under one umbrella term, but there are distinctions that have yet to be made.

351: 77: 36: 139: 455:. The light, color, and composition are the same, but he adds a new structure to the background figures. The woman bending in the background is not completely scaled as if she were far away from the figures in the foreground. The lack of spacing is Manet's method of creating snapshot, near-invasive movement similar to his blurring of the foreground objects in 795: 618:

the psychological, artistic uses of movement in conjunction with the mentality that arises when considering movement. Gleizes asserted repeatedly in his publications that human creation implies the total renunciation of external sensation. That to him is what made art mobile when to many, including Rodin, it was rigidly and unflinchingly immobile.

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casually in other frames. The impressionist and overall artistic community were very impressed with this series, but were also shocked when they realized he based this series on actual photographs. Degas was not fazed by the criticisms of his integration of photography, and it actually inspired Monet to rely on similar technology.

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Max Bill's sculptures were only the beginning of the style of movement that kinetic explored. Tatlin, Rodchenko, and Calder especially took the stationary sculptures of the early 20th century and gave them the slightest freedom of motion. These three artists began with testing unpredictable movement,

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This style evolved into his drip technique. Pollock repeatedly took buckets of paint and paintbrushes and flicked them around until the canvas was covered with squiggly lines and jagged strokes. In the next phase of his work, Pollock tested his style with uncommon materials. He painted his first work

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gave him a renowned reputation in any artistic discussion. This reputation is what allowed him to act with considerable influence when supporting the plastic style or the rhythmic movement of art in the 1910s and 1920s. Gleizes published a theory on movement, which further articulated his theories on

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By the 1940s, new styles of mobiles, as well as many types of sculpture and paintings, incorporated the control of the spectator. Artists such as Calder, Tatlin, and Rodchenko produced more art through the 1960s, but they were also competing against other artists who appealed to different audiences.

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Gleizes first stressed the necessity for rhythm in art. To him, rhythm meant the visually pleasant coinciding of figures in a two-dimensional or three-dimensional space. Figures should be spaced mathematically, or systematically so that they appeared to interact with one another. Figures should also

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Edgar Degas is believed to be the intellectual extension of Manet, but more radical for the impressionist community. Degas' subjects are the epitome of the impressionist era; he finds great inspiration in images of ballet dancers and horse races. His "modern subjects" never obscured his objective of

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Regardless of the obvious similarities, Calder's style of mobiles created two types that are now referred to as the standard in kinetic art. There are object-mobiles and suspended mobiles. Object mobiles on supports come in a wide range of shapes and sizes and can move in any way. Suspended mobiles

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of the 20th century created an easy transition into the style of kinetic art. All artists now explored subject matter that would not have been socially acceptable to depict artistically. Artists went beyond solely painting landscapes or historical events, and felt the need to delve into the mundane

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Apparent movement is a term ascribed to kinetic art that evolved only in the 1950s. Art historians believed that any type of kinetic art that was mobile independent of the viewer has apparent movement. This style includes works that range from Pollock's drip technique all the way to Tatlin's first

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Although there is very little distinction between the styles of mobiles in kinetic art, there is one distinction that can be made. Mobiles are no longer considered mobiles when the spectator has control over their movement. This is one of the features of virtual movement. When the piece only moves

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Degas and Monet's style was very similar in one way: both of them based their artistic interpretation on a direct "retinal impression" to create the feeling of variation and movement in their art. The subjects or images that were the foundation of their paintings came from an objective view of the

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There is also a portion of kinetic art that includes virtual movement, or rather movement perceived from only certain angles or sections of the work. This term also clashes frequently with the term "apparent movement", which many people use when referring to an artwork whose movement is created by

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Despite the fact that Calder did not divulge most of the methods he used when creating his work, he admitted that he used mathematical relationships to make them. He only said that he created a balanced mobile by using direct variation proportions of weight and distance. Calder's formulas changed

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became an almost complete disciple of the kinetic movement in the 1930s. He believed that kinetic art should be executed from a purely mathematical perspective. To him, using mathematics principles and understandings were one of the few ways that you could create objective movement. This theory

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is an artist who many believe to have defined firmly and exactly the style of mobiles in kinetic art. Over years of studying his works, many critics allege that Calder was influenced by a wide variety of sources. Some claim that Chinese windbells were objects that closely resembled the shape and

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at first was very impressed by Monet's 'vibrating works' and Degas' unique understanding of spatial relationships. As an artist and an author of art reviews, Rodin published multiple works supporting this style. He claimed that Monet and Degas' work created the illusion "that art captures life

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that his attempt at creating dynamic art came to fruition. This work is part of a series of horse races and polo matches wherein the figures are well integrated into the landscape. The horses and their owners are depicted as if caught in a moment of intense deliberation, and then trotting away

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and from there he tried his first "splashes" to destroy the unity of the material itself. He believed wholeheartedly that he was liberating the materials and structure of art from their forced confinements, and that is how he arrived at the moving or kinetic art that always existed.

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in the 1950s. Pollock had an unfettered desire to animate every aspect of his paintings. Pollock repeatedly said to himself, "I am in every painting". He used tools that most painters would never use, such as sticks, trowels, and knives. He thought of the shapes he created as being

849:(1966). In this piece, Calder allows the cat's head and its tail to be subject to random motion, but its body is stationary. Calder did not start the trend in suspended mobiles, but he was the artist that became recognized for his apparent originality in mobile construction. 415:. Even though they each took unique approaches to incorporating movement in their works, they did so with the intention of being a realist. In the same period, Auguste Rodin was an artist whose early works spoke in support of the developing kinetic movement in art. However, 749:

Tatlin never felt that his art was an object or a product that needed a clear beginning or a clear end. He felt above anything that his work was an evolving process. Many artists whom he befriended considered the mobile truly complete in 1936, but he disagreed vehemently.

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It can be argued, based on their similar shape and stance, that Calder's earliest object mobiles have very little to do with kinetic art or moving art. By the 1960s, most art critics believed that Calder had perfected the style of object mobiles in such creations as the

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When Calder first heard of these claims, he immediately admonished his critics. "I have never been and never will be a product of anything more than myself. My art is my own, why bother stating something about my art that isn’t true?" One of Calder's first mobiles,

856:(1933), is different from many other contemporary mobiles simply because of the shapes of the two objects. Most mobile artists such as Rodchenko and Tatlin would never have thought to use such shapes because they didn't seem malleable or even remotely aerodynamic. 634:

created many of his famous works, the United States was already at the forefront of the kinetic and popular art movements. The novel styles and methods he used to create his most famous pieces earned him the spot in the 1950s as the unchallenged leader of

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applied to every artwork he created and how he created it. Bronze, marble, copper, and brass were four of the materials he used in his sculptures. He also enjoyed tricking the viewer's eye when he or she first approached one of his sculptures. In his

233: 720:. The term mobile wasn't coined until Rodchenko's time, but is very applicable to Tatlin's work. His mobile is a series of suspended reliefs that only need a wall or a pedestal, and it would forever stay suspended. This early mobile, 262:

that extend the viewer's perspective of the artwork and incorporate multidimensional movement are the earliest examples of kinetic art. More pertinently speaking, kinetic art is a term that today most often refers to three-dimensional

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world. As with Degas, many art historians consider that to be the subconscious effect photography had in that period of time. His 1860s works reflected many of the signs of movement that are visible in Degas' and Manet's work.

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is a wood mobile that hangs from any ceiling by a string and rotates naturally. This mobile sculpture has concentric circles that exist in several planes, but the entire sculpture only rotates horizontally and vertically.

502:, he capitalizes on the classic impressionist nudes but expands on the overall concept. He places them in a flat landscape and gives them dramatic gestures, and for him this pointed to a new theme of "youth in movement". 419:'s later criticisms of the movement indirectly challenged the abilities of Manet, Degas, and Monet, claiming that it is impossible to exactly capture a moment in time and give it the vitality that is seen in real life. 689:

and from there tried to control the movement of their figures with technological enhancements. The term "mobile" comes from the ability to modify how gravity and other atmospheric conditions affect the artist's work.

337:, 1919–20) was the first of its kind in the 20th century. From the 1920s until the 1960s, the style of kinetic art was reshaped by a number of other artists who experimented with mobiles and new forms of sculpture. 899:" to refer to optical illusions and all optically stimulating art that was on canvas or stationary. This phrase often clashes with certain aspects of kinetic art that include mobiles that are generally stationary. 1323: 995:

was a collective group of opto-kinetic artists. According to its 1963 manifesto, GRAV appealed to the direct participation of the public with an influence on its behavior, notably through the use of interactive

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promoted in their "Yellow manifesto" some new kinetic expressions based on optical and luminous phenomenon as well as painting illusionism. The expression "kinetic art" in this modern form first appeared at the

724:(1915) is judged as an incomplete work. It was a rhythm, much similar to the rhythmic styles of Pollock, that relied on the mathematical interlocking of planes that created a work freely suspended in air. 1301: 873:

developed a number of the first features of virtual movement in their art, kinetic art faced heavy criticism. This criticism lingered for years until the 1960s, when kinetic art was in a dormant period.

1172: 411:, 1954) took significant innovations and changes in compositional style. Édouard Manet, Edgar Degas, and Claude Monet were the three artists of the 19th century that initiated those changes in the 841:

were first made with colored glass and small wooden objects that hung on long threads. Object mobiles were a part of Calder's emerging style of mobiles that were originally stationary sculptures.

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art. For instance, kinetic-influenced mosaic pieces often use clear distinctions between bright and dark tiles, with three-dimensional shape, to create apparent shadows and movement.

680:(1935–1936) he created a mobile sculpture that generally appears to have perfect symmetry, but once the viewer glances at it from a different angle, there are aspects of asymmetry. 613:

Gleizes was considered the ideal philosopher of the late 19th century and early 20th century arts in Europe, and more specifically France. His theories and treatises from 1912 on

3986: 556:. The landscape almost engulfs the whole canvas and has enough motion emanating from its inexact brushstrokes that the figures are a part of the motion. This painting along with 1039:

Neo-kinetic art has been popular in China where you can find interactive kinetic sculptures in many public places, including Wuhu International Sculpture Park and in Beijing.

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painters all sought to create art that was more lifelike than their contemporaries. Degas’ dancer and racehorse portraits are examples of what he believed to be "photographic

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have a single string attached to a wall or a structure that keeps it in the air. The two works have a crinkled feature that vibrates when air passes through it.

6080: 329:, one of the two artists attributed to naming this style, wrote frequently about his work as examples of "kinetic rhythm". He felt that his moving sculpture 4349: 923:

in 1960, and found its major developments in the 1960s. In most European countries, it generally included the form of optical art that mainly makes use of

279:). The moving parts are generally powered by wind, a motor or the observer. Kinetic art encompasses a wide variety of overlapping techniques and styles. 4856: 693:

under certain circumstances that are not natural, or when the spectator controls the movement even slightly, the figure operates under virtual movement.

778:(1915) embodies that desire to place items and shapes of different textures and materials together to create an image that drew in the viewer's focus. 2874: 5138: 4076: 3673: 3107: 1131: 442:

It is almost impossible to ascribe Manet's work to any one era or style of art. One of his works that is truly on the brink of a new style is

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However, by the 1920s and 1930s, Rodchenko found a way to incorporate his theories of non-objectivism in mobile study. His 1920 piece

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The strides made by artists to "lift the figures and scenery off the page and prove undeniably that art is not rigid" (

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has a curated collection of artworks including large-scale kinetic installations by international artists ART+COM and

4537: 376: 102: 286:"Kinetic art" as a moniker developed from a number of sources. Kinetic art has its origins in the late 19th century 5180: 4796: 4619: 3993: 3607: 3583: 3136: 3095: 2808: 1343: 258:

from any medium that contains movement perceivable by the viewer or that depends on motion for its effects. Canvas

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who originally experimented with accentuating the movement of human figures on canvas. This triumvirate of

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or the project for the 'Monument to the Third International' (1919–20), was a design for a monumental

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felt as if they had found new inspiration to discover oddities that became the focus of kinetic art.

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By the early 1900s, certain artists grew closer and closer to ascribing their art to dynamic motion.

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Vasarely created many works that were considered to be interactive in the 1940s. One of his works

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is considered by many artists and art historians to be the first person to ever complete a

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with every new mobile he made, so other artists could never precisely imitate the work.

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that move naturally or are machine operated (see e. g. videos on this page of works of

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height of his earliest mobiles. Other art historians argue that the 1920s mobiles of

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building that was never built. It was planned to be erected in Petrograd (now

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and the extreme to interpret new styles. With the support of artists such as

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By 1875, Monet's touch becomes very swift in his new series, beginning with

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Modern Plastic Art, Elements of Reality, Volume and Disintegration

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In 1863, Manet extended his study of movement on flat canvas with

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it shows 1, 2 or 3 pips and its colour changes - sand and paint,

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mobile. By the 1960s, other art historians developed the phrase "

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Selz, Peter; Chattopadhyay, Collette; Ghirado, Diane (2009).

821:(1920) had a direct influence on the growth of Calder's art. 802:

1956, Painted sheet metal and metal rods, a signature work –

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Theories of Modern Art: A Source Book by Artists and Critics

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Art in the Protestant Reformation and Counter-Reformation

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Leaper, Laura E. (2010-02-24), "Kinetic art in America",

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showing a fish, which changes if the onlooker moves,

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Please help to ensure that disputed statements are 5901: 5830: 5744: 5713: 5667: 5571: 5317: 5082: 4892: 4672: 4464: 4448: 4127: 3932: 3711: 3700: 3530: 3467: 3360: 3276: 3167: 2971: 2704: 2504: 2495: 1868: 1866: 1288:, if the onlooker passes this ‘chameleon-painting’ 2401: 2321: 2279: 2237: 2094: 1974: 935:, as well as art based on movement represented by 742:of 1917, as the headquarters and monument of the 708:Russian artist and founder-member of the Russian 5549: 2451: 580:20th century surrealism and early kinetic art 8: 696:Kinetic art principles have also influenced 474:, 1877–1880, oil on canvas, by Edgar Degas, 64:Learn how and when to remove these messages 5556: 5542: 5534: 4461: 3708: 2501: 2458: 2444: 2436: 1883:10.1093/gao/9781884446054.article.t2085921 2217: 1858:10.1093/gao/9781884446054.article.t046632 1832: 395:Learn how and when to remove this message 228:, Rickey is considered a kinetic sculptor 197:Learn how and when to remove this message 179:Learn how and when to remove this message 121:Learn how and when to remove this message 2240:The Birth of Contemporary Art: 1946-1968 1990: 1988: 1968: 1966: 1964: 1962: 1795: 1793: 1791: 1789: 1787: 793: 155:Relevant discussion may be found on the 27:Genre of artworks that contains movement 2385:. Hatje Cantz Verlag GmbH & Co KG. 1946: 1944: 1942: 1783: 1060: 852:One of his earliest suspended mobiles, 500:Jeunes Spartiates s'exerçant à la lutte 498:creating moving art. In his 1860 piece 5139:Contemporary Indigenous Australian art 2037:"Kinetic Mosaics: The Art of Movement" 1802:Origins and Development of Kinetic Art 1742:Barrier-grid animation § Kinegram 910:gallery in Paris, Victor Vasarely and 3159:Art of the late 16th century in Milan 2328:. Lippincott Williams & Wilkins. 1848:Popper, Frank (2003), "Kinetic art", 505:One of his most revolutionary works, 7: 5967:Equestrian Statue of Marcus Aurelius 2101:. with comments by Alexander Calder. 722:Contre-Reliefs Libérés Dans L'espace 659:with aluminum paint in 1947, titled 2200:Gschwend, Ralfonso (22 July 2015). 539:The Studio Boat (Le Bateau-atelier) 218:Four Squares in Square Arrangement, 4494:Vienna School of Fantastic Realism 3345:Neoclassical architecture in Milan 2303:Fletcher Benton: The Kinetic Years 2286:. University of California Press. 1917:. London, New York: Studio-Vista. 25: 4568:American Figurative Expressionism 2904:International Gothic art in Italy 2093:Mulas, Ugo; Arnason, H. Harvard. 1124:Temple Israel, Memphis, Tennessee 45:This article has multiple issues. 6151: 6150: 5518: 5517: 4077:Neue Künstlervereinigung München 2163:Site Internet du Centre Pompidou 2020:Giedion-Welcker, Carola (1937). 1977:Kinetic Art: Theory and Practice 1322: 1300: 1278: 1252: 1228: 1210: 1192: 1171: 1147: 1130: 1108: 1086: 1063: 965:Groupe de Recherche d’Art Visuel 776:Dance, an Objectless Composition 764:Dance. An Objectless Composition 678:Construction with Suspended Cube 349: 137: 75: 34: 5993:, Easter Islands (1250–1500 CE) 4999:Tunisian collaborative painting 4472:International Typographic Style 2324:Op-Tricks: Creating Kinetic Art 1999:. Watson-Guptill Publications. 639:, his work was associated with 53:or discuss these issues on the 6129:Genghis Khan Equestrian Statue 6042:Liberty Enlightening the World 4752:The Caribbean Artists Movement 2430:Kinetic Art Organization (KAO) 2119:. Cambridge University Press. 553:Le Bâteau-Atelier sur la Seine 1: 3108:Dutch and Flemish Renaissance 2035:Menhem, Chantal (June 2016). 341:Origins and early development 5938:Winged Victory of Samothrace 5223:Modern European ink painting 4595:Bay Area Figurative Movement 2366:. Antique Collector's Club. 2261:The Technique of Kinetic Art 1953:The Nature and Art of Motion 1815:Lijn, Liliane (2018-06-11). 902:In 1955, for the exhibition 890:Apparent movement and op art 804:Montreal Museum of Fine Arts 653:"beautiful, erratic objects" 4884:Artificial intelligence art 2383:Tatlin: Art for a New World 2278:Selz, Peter Howard (1984). 2236:Terraroli, Valerio (2008). 1877:, Oxford University Press, 1852:, Oxford University Press, 1804:. New York Graphic Society. 1656:Selected kinetic op artists 746:(the Third International). 375:the claims made and adding 101:the claims made and adding 6223: 4797:Post-painterly abstraction 4620:Situationist International 3994:Pennsylvania Impressionism 2381:Bott Casper, Gian (2012). 2347:. Crown Publishing Group. 1352:Selected kinetic sculptors 1235:Turpin + Crawford Studio, 516:It wasn't until 1884 with 491:The Orchestra at the Opera 6146: 5513: 4380:California Scene Painting 4259:California Scene Painting 4215:Figurative Constructivism 3266:Poussinists and Rubenists 2482: 2408:. Yale University Press. 2320:Marks, Mickey K. (1972). 1995:Roukes, Nicholas (1974). 878:Materials and electricity 5478:Prehistoric European art 5127:Contemporary African art 4610:Gendai Bijutsu Kondankai 4538:Generación de la Ruptura 4165:Universal Constructivism 3957:California Impressionism 3912:American Barbizon school 2400:Toynton, Evelyn (2012). 1997:Plastics for Kinetic Art 1335:Archimedean Excogitation 1202:, Sheba Medical Center, 5614:Environmental sculpture 5579:Architectural sculpture 5305:Walking Artists Network 4642:Letterist International 4482:Washington Color School 3396:Arts in the Philippines 2145:Encyclopedia Britannica 1346:, Boston, United States 452:Le déjeuner sur l'herbe 5416:Illuminated manuscript 5064:The Designers Republic 5014:Neue Slowenische Kunst 4937:Pattern and Decoration 4837:Institutional critique 4477:Abstract expressionism 3457:Latin American Baroque 3413:Colonial Asian Baroque 2343:Diehl, Gaston (1991). 2305:. Hudson Hills Press. 2244:. Rizzoli Publishing. 1951:Kepes, Gyorgy (1965). 1800:Popper, Frank (1968). 1449:Gerhard von Graevenitz 1340:rolling ball sculpture 1075:The Twister Star Huge, 1008:In November 2013, the 806: 767: 543: 507:L’Orchestre de l’Opéra 494: 479: 439: 413:Impressionist movement 248: 229: 6021:Kamagaya Great Buddha 5745:Traditional materials 5714:Elements in sculpture 5054:Artist-run initiative 5029:Young British Artists 4994:New European Painting 4930:Moscow Conceptualists 4852:Feminist art movement 4630:Ukrainian underground 4605:Gutai Art Association 4004:Ten American Painters 3508:Western influence in 2485:List of art movements 2362:Milner, John (2009). 2263:. David and Charles. 1634:Panayiotis Vassilakis 1266:its shadow shows the 959:. From 1961 to 1968, 917:Museum für Gestaltung 869:When artists such as 797: 761: 684:Mobiles and sculpture 532: 485: 470: 430: 314:with vivid, cadenced 235: 220:1969, terrace of the 212: 6106:The Motherland Calls 5955:(c. 200 BCE – 70 CE) 5952:Laocoön and His Sons 5941:(c. 2nd century BCE) 5909:Great Sphinx of Giza 4864:Saqqakhaneh movement 4757:Chicano art movement 4625:Soviet Nonconformist 4431:Boston Expressionism 4414:Abstraction-Création 4232:Arbeitsrat für Kunst 4225:Cologne Progressives 3945:Art Nouveau in Milan 3748:Anglo-Japanese style 3724:National romanticism 3154:Fontainebleau School 3064:Northern Renaissance 2899:International Gothic 2259:Tovey, John (1971). 1688:Youri Messen-Jaschin 1514:Viacheslav Koleichuk 1464:Rafael Lozano-Hemmer 1220:, Sun Writer, 1986, 1120:Wings to the Heavens 1026:Rafael Lozano-Hemmer 981:Horacio Garcia Rossi 783:Hanging Construction 762:Alexander Rodchenko 740:Bolshevik Revolution 732:kinetic architecture 331:Kinetic Construction 267:and figures such as 241:Kinetic Construction 222:New National Gallery 148:factual accuracy is 6098:Christ the Redeemer 6090:Shrine of Democracy 6044:, Statue of Liberty 5668:Styles of sculpture 5399:Hierarchy of genres 4964:Saint Soleil School 4900:Post-conceptual art 4869:The Stars Art Group 4747:Black Arts Movement 4710:Neo-Dada Organizers 4511:Lyrical abstraction 4244:Australian tonalism 3917:California Tonalism 3589:Hudson River School 3392:Colonial Asian art 3132:English Renaissance 3081:Ghent–Bruges school 3069:Early Netherlandish 2981:Italian Renaissance 2894:Gothic art in Milan 2219:10.3390/arts4030093 2177:"5000 Moving Parts" 2070:Thames & Hudson 1834:10.3390/arts7020021 1139:The Bucket Fountain 1030:John Douglas Powers 772:Alexander Rodchenko 754:Alexander Rodchenko 511:Voiture aux Courses 6207:Visual arts genres 6192:Types of sculpture 6074:Jules Verne's tomb 5973:Buddhas of Bamiyan 5931:Colossus of Rhodes 5915:Abu Simbel temples 5911:(c. 2558–2532 BCE) 5902:Notable sculptures 5572:Types of sculpture 5441:Landscape painting 5049:New Leipzig School 4989:Neo-conceptual art 4737:Art & Language 4732:Capitalist realism 4654:Florida Highwaymen 4590:Hard-edge painting 4404:Streamline Moderne 4365:Harlem Renaissance 4208:Novecento Italiano 4036:Deutscher Werkbund 3863:Post-Impressionism 3425:Latin American art 3229:Guild of Romanists 3091:German Renaissance 3086:Northern Mannerism 1772:Sound installation 1752:Lumino kinetic art 1723:Jean-Pierre Yvaral 1639:Willem van Weeghel 1629:Marc van den Broek 1559:László Moholy-Nagy 1394:Gregorio Vardanega 1218:Marc van den Broek 1094:Jesús Raphael Soto 949:Gregorio Vardanega 807: 798:Alexander Calder, 768: 562:striking vibration 544: 495: 480: 457:Le Ballet Espagnol 444:Le Ballet Espagnol 440: 436:Le Ballet Espagnol 360:possibly contains 249: 230: 86:possibly contains 6169: 6168: 6059:The Golden Virgin 6051:The Gates of Hell 5985:Konark Sun Temple 5981:(c. 1194–1250 CE) 5979:Chartes Cathedral 5629:Kinetic sculpture 5531: 5530: 5313: 5312: 5169:Corporate Memphis 5122:Classical Realism 5092:Amazonian pop art 4984:Appropriation art 4952:Neo-expressionism 4822:Environmental art 4727:Nouvelle tendance 4444: 4443: 4392:Socialist realism 4249:Dresden Secession 3868:Neo-Impressionism 3831:Decadent movement 3802:Heidelberg School 3696: 3695: 3594:American luminism 3579:Düsseldorf School 3574:Shoreham Ancients 3564:Nazarene movement 3554:Danish Golden Age 3435:Indochristian art 3113:Antwerp Mannerism 3002:Pittura infamante 2996:Florentine School 2991:Proto-Renaissance 2364:Rodchenko: Design 2126:978-0-521-58717-4 2006:978-0-8230-4029-2 1973:Malina, Frank J. 1924:978-0-289-36969-2 1875:Oxford Art Online 1850:Oxford Art Online 1604:Jesús Rafael Soto 1589:Barton Rubenstein 1509:Frederick Kiesler 1459:Ralfonso Gschwend 1344:Museum of Science 1179:Nicolas Schoeffer 1051:Christian Moeller 1014:5000 Moving Parts 1004:Contemporary work 977:Francisco Sobrino 969:François Morellet 945:Jesús Rafael Soto 931:, represented by 925:optical illusions 854:McCausland Mobile 558:Gare Saint-Lazare 518:Chevaux de Course 405: 404: 397: 362:original research 207: 206: 199: 189: 188: 181: 131: 130: 123: 88:original research 68: 16:(Redirected from 6214: 6202:Contemporary art 6197:Motion (physics) 6154: 6153: 6114:Fallen Astronaut 5831:Modern materials 5695:Modern sculpture 5624:Installation art 5558: 5551: 5544: 5535: 5521: 5520: 5505:Western painting 5451:Modern sculpture 5409:History painting 5112:Art intervention 4905:Installation art 4722:Nouveau réalisme 4462: 4436:Leningrad School 4328:Mexican muralism 4301:Grosvenor School 4041:American Realism 4024:Der Blaue Reiter 3982:Berlin Secession 3977:Vienna Secession 3972:Munich Secession 3890:Pont-Aven School 3709: 3559:Troubadour style 3537:(c. 1770 – 1862) 3504:Qing handicrafts 3470:Western elements 3401:Letras y figuras 3374:African-American 3369:African diaspora 3340:Directoire style 3251:Heptanese school 3234:Dutch Golden Age 3219:Stroganov School 3212:Lutheran Baroque 3207:Louis XIII style 3180:Baroque in Milan 3042:Bolognese School 3037:High Renaissance 3020:Forlivese School 3015:Ferrarese School 2738:Migration Period 2502: 2460: 2453: 2446: 2437: 2419: 2407: 2396: 2377: 2358: 2339: 2327: 2316: 2297: 2285: 2274: 2255: 2243: 2224: 2223: 2221: 2197: 2191: 2190: 2188: 2187: 2173: 2167: 2166: 2155: 2149: 2148: 2137: 2131: 2130: 2117:Alexander Calder 2109: 2103: 2102: 2100: 2090: 2084: 2083: 2058: 2052: 2051: 2049: 2047: 2032: 2026: 2025: 2024:. H. Girsberger. 2017: 2011: 2010: 1992: 1983: 1982: 1980: 1970: 1957: 1956: 1948: 1937: 1936: 1907: 1901: 1900: 1892: 1886: 1885: 1870: 1861: 1860: 1845: 1839: 1838: 1836: 1812: 1806: 1805: 1797: 1698:Abraham Palatnik 1678:Carlos Cruz-Díez 1673:Marina Apollonio 1594:Nicolas Schöffer 1414:Carlos Cruz-Diez 1389:Alexander Calder 1326: 1304: 1282: 1256: 1232: 1214: 1196: 1175: 1151: 1142:, Wellington, NZ 1134: 1112: 1090: 1067: 957:Nicolas Schöffer 941:Carlos Cruz-Diez 864:Virtual movement 810:Alexander Calder 790:Alexander Calder 718:mobile sculpture 648:Harold Rosenberg 637:kinetic painters 597:artists such as 586:surrealist style 400: 393: 389: 386: 380: 377:inline citations 353: 352: 345: 290:artists such as 202: 195: 184: 177: 173: 170: 164: 161:reliably sourced 141: 140: 133: 126: 119: 115: 112: 106: 103:inline citations 79: 78: 71: 60: 38: 37: 30: 21: 6222: 6221: 6217: 6216: 6215: 6213: 6212: 6211: 6172: 6171: 6170: 6165: 6142: 6136:Statue of Unity 6088:Mount Rushmore 6081:Abraham Lincoln 6034:Lion of Belfort 6027:Nelson's Column 5945:Terracotta Army 5897: 5826: 5740: 5709: 5663: 5567: 5562: 5532: 5527: 5509: 5426:Interactive art 5309: 5283:SoFlo Superflat 5208:Kitsch movement 5132:Africanfuturism 5084: 5078: 4957:Transavantgarde 4888: 4842:Light and Space 4827:Performance art 4807:Psychedelic art 4690:Nueva Presencia 4680:Otra Figuración 4668: 4600:Les Plasticiens 4585:New York School 4563:Action painting 4548:Metcalf Chateau 4457: 4452: 4440: 4360:Cercle et Carré 4296:New Objectivity 4203:Return to order 4145:School of Paris 4123: 3967:School of Paris 3928: 3814:Arts and Crafts 3719:Neo-romanticism 3704: 3692: 3688:Etching revival 3640:Barbizon school 3584:Pre-Raphaelites 3536: 3533: 3526: 3469: 3463: 3356: 3330:Louis XVI style 3272: 3261:Louis XIV style 3224:Animal painting 3185:Flemish Baroque 3163: 3074:World landscape 3025:Venetian School 2967: 2954:Majorcan school 2921:Novgorod School 2911:Lucchese School 2883:Opus Anglicanum 2875:Norman-Sicilian 2819:Italo-Byzantine 2719:Early Christian 2700: 2684:Pompeian Styles 2497: 2491: 2478: 2464: 2426: 2416: 2404:Jackson Pollock 2399: 2393: 2380: 2374: 2361: 2355: 2342: 2336: 2319: 2313: 2300: 2294: 2277: 2271: 2258: 2252: 2235: 2232: 2230:Further reading 2227: 2199: 2198: 2194: 2185: 2183: 2175: 2174: 2170: 2159:"Art cinétique" 2157: 2156: 2152: 2139: 2138: 2134: 2127: 2113:Marter, Joan M. 2111: 2110: 2106: 2092: 2091: 2087: 2080: 2072:. p. 820. 2060: 2059: 2055: 2045: 2043: 2034: 2033: 2029: 2019: 2018: 2014: 2007: 1994: 1993: 1986: 1972: 1971: 1960: 1955:. G. Braziller. 1950: 1949: 1940: 1925: 1909: 1908: 1904: 1895:Popper, Frank. 1894: 1893: 1889: 1872: 1871: 1864: 1847: 1846: 1842: 1814: 1813: 1809: 1799: 1798: 1785: 1781: 1776: 1737: 1732: 1718:Victor Vasarely 1708:Eusebio Sempere 1668:Getulio Alviani 1658: 1653: 1599:Eusebio Sempere 1564:Alejandro Otero 1479:Irma Hünerfauth 1374:Fletcher Benton 1354: 1347: 1327: 1318: 1305: 1296: 1283: 1274: 1268:Male Life Cycle 1264:Sculpture-Morph 1257: 1248: 1233: 1224: 1215: 1206: 1197: 1188: 1176: 1167: 1152: 1143: 1135: 1126: 1113: 1104: 1091: 1082: 1068: 1059: 1006: 892: 880: 871:Victor Vasarely 866: 792: 770:Russian artist 756: 714:Vladimir Tatlin 706: 704:Vladimir Tatlin 686: 670: 641:Action painting 632:Jackson Pollock 628: 626:Jackson Pollock 611: 599:Jackson Pollock 582: 570: 527: 465: 425: 401: 390: 384: 381: 366: 354: 350: 343: 226:Berlin, Germany 203: 192: 191: 190: 185: 174: 168: 165: 154: 146:This article's 142: 138: 127: 116: 110: 107: 92: 80: 76: 39: 35: 28: 23: 22: 18:Kinetic artists 15: 12: 11: 5: 6220: 6218: 6210: 6209: 6204: 6199: 6194: 6189: 6184: 6174: 6173: 6167: 6166: 6164: 6163: 6158: 6147: 6144: 6143: 6141: 6140: 6132: 6126: 6122:Mother Ukraine 6118: 6110: 6102: 6094: 6085: 6077: 6071: 6063: 6055: 6047: 6038: 6030: 6024: 6018: 6010: 6002: 5994: 5988: 5982: 5976: 5970: 5964: 5956: 5948: 5942: 5934: 5928: 5918: 5912: 5905: 5903: 5899: 5898: 5896: 5895: 5890: 5885: 5880: 5875: 5870: 5865: 5860: 5855: 5850: 5845: 5840: 5834: 5832: 5828: 5827: 5825: 5824: 5819: 5814: 5809: 5804: 5799: 5794: 5789: 5784: 5779: 5774: 5769: 5764: 5759: 5754: 5748: 5746: 5742: 5741: 5739: 5738: 5733: 5728: 5726:Negative space 5723: 5717: 5715: 5711: 5710: 5708: 5707: 5702: 5697: 5692: 5690:Jain sculpture 5687: 5682: 5677: 5671: 5669: 5665: 5664: 5662: 5661: 5656: 5651: 5649:Soft sculpture 5646: 5641: 5636: 5631: 5626: 5621: 5616: 5611: 5606: 5601: 5596: 5591: 5586: 5581: 5575: 5573: 5569: 5568: 5563: 5561: 5560: 5553: 5546: 5538: 5529: 5528: 5526: 5525: 5514: 5511: 5510: 5508: 5507: 5502: 5495: 5490: 5485: 5480: 5475: 5470: 5465: 5460: 5459: 5458: 5456:Late modernism 5453: 5443: 5438: 5433: 5428: 5423: 5418: 5413: 5412: 5411: 5406: 5404:Genre painting 5396: 5391: 5386: 5381: 5380: 5379: 5374: 5369: 5364: 5354: 5352:Ballets Russes 5349: 5344: 5339: 5338: 5337: 5335:Asemic writing 5327: 5325:History of art 5321: 5319: 5318:Related topics 5315: 5314: 5311: 5310: 5308: 5307: 5302: 5297: 5292: 5291: 5290: 5285: 5275: 5270: 5265: 5260: 5255: 5253:Relational art 5250: 5245: 5240: 5235: 5230: 5225: 5220: 5215: 5210: 5205: 5200: 5199: 5198: 5188: 5183: 5178: 5176:Hypermodernism 5173: 5172: 5171: 5161: 5156: 5151: 5146: 5141: 5136: 5135: 5134: 5124: 5119: 5114: 5109: 5104: 5099: 5094: 5088: 5086: 5080: 5079: 5077: 5076: 5071: 5066: 5061: 5056: 5051: 5046: 5041: 5036: 5031: 5026: 5021: 5016: 5011: 5006: 5001: 4996: 4991: 4986: 4981: 4976: 4971: 4966: 4961: 4960: 4959: 4949: 4944: 4939: 4934: 4933: 4932: 4922: 4917: 4915:Postminimalism 4912: 4907: 4902: 4896: 4894: 4890: 4889: 4887: 4886: 4881: 4876: 4871: 4866: 4861: 4860: 4859: 4849: 4844: 4839: 4834: 4829: 4824: 4819: 4814: 4809: 4804: 4799: 4794: 4792:Generative art 4789: 4784: 4779: 4774: 4769: 4764: 4762:Conceptual art 4759: 4754: 4749: 4744: 4739: 4734: 4729: 4724: 4719: 4714: 4713: 4712: 4702: 4697: 4692: 4687: 4682: 4676: 4674: 4670: 4669: 4667: 4666: 4661: 4659:Cybernetic art 4656: 4651: 4650: 4649: 4647:Ultra-Lettrist 4644: 4634: 4633: 4632: 4622: 4617: 4612: 4607: 4602: 4597: 4592: 4587: 4582: 4577: 4576: 4575: 4565: 4560: 4555: 4550: 4545: 4540: 4535: 4534: 4533: 4528: 4523: 4521:Arte Informale 4518: 4508: 4503: 4498: 4497: 4496: 4486: 4485: 4484: 4474: 4468: 4466: 4459: 4458:(1945–present) 4446: 4445: 4442: 4441: 4439: 4438: 4433: 4428: 4423: 4418: 4417: 4416: 4406: 4401: 4400: 4399: 4394: 4387:Heroic realism 4384: 4383: 4382: 4372: 4367: 4362: 4357: 4352: 4347: 4340: 4335: 4330: 4325: 4324: 4323: 4321:Latin American 4318: 4308: 4303: 4298: 4293: 4291:Group of Seven 4288: 4283: 4278: 4273: 4272: 4271: 4261: 4256: 4254:Social realism 4251: 4246: 4241: 4240: 4239: 4237:November Group 4229: 4228: 4227: 4222: 4212: 4211: 4210: 4200: 4195: 4194: 4193: 4181: 4176: 4171: 4170: 4169: 4168: 4167: 4160:Latin American 4155:Constructivism 4152: 4150:Crystal Cubism 4147: 4142: 4137: 4131: 4129: 4125: 4124: 4122: 4121: 4116: 4111: 4106: 4101: 4096: 4091: 4090: 4089: 4079: 4074: 4067: 4066: 4065: 4060: 4050: 4049: 4048: 4038: 4033: 4028: 4027: 4026: 4021: 4011: 4006: 4001: 3996: 3991: 3990: 3989: 3984: 3979: 3974: 3964: 3959: 3954: 3949: 3948: 3947: 3936: 3934: 3930: 3929: 3927: 3926: 3921: 3920: 3919: 3909: 3908: 3907: 3902: 3897: 3892: 3887: 3882: 3877: 3876: 3875: 3860: 3855: 3853:Volcano School 3850: 3849: 3848: 3843: 3833: 3828: 3823: 3822: 3821: 3811: 3806: 3805: 3804: 3799: 3794: 3789: 3788: 3787: 3782: 3767: 3762: 3757: 3752: 3751: 3750: 3738: 3733: 3728: 3727: 3726: 3715: 3713: 3706: 3698: 3697: 3694: 3693: 3691: 3690: 3685: 3684: 3683: 3678: 3677: 3676: 3661: 3660: 3659: 3658: 3657: 3647: 3642: 3632: 3627: 3626: 3625: 3615: 3610: 3608:Norwich School 3605: 3600: 3599: 3598: 3597: 3596: 3586: 3581: 3576: 3571: 3566: 3561: 3556: 3551: 3549:Fairy painting 3540: 3538: 3528: 3527: 3525: 3524: 3523: 3522: 3517: 3506: 3501: 3496: 3491: 3486: 3485: 3484: 3473: 3471: 3465: 3464: 3462: 3461: 3460: 3459: 3454: 3453: 3452: 3447: 3442: 3440:Chilote School 3432: 3430:Casta painting 3422: 3421: 3420: 3415: 3410: 3409: 3408: 3406:Tipos del País 3403: 3390: 3389: 3388: 3387: 3386: 3376: 3364: 3362: 3358: 3357: 3355: 3354: 3349: 3348: 3347: 3342: 3337: 3332: 3327: 3315: 3314: 3313: 3306: 3301: 3296: 3294:Louis XV style 3291: 3280: 3278: 3274: 3273: 3271: 3270: 3269: 3268: 3263: 3253: 3248: 3243: 3242: 3241: 3231: 3226: 3221: 3216: 3215: 3214: 3209: 3204: 3203: 3202: 3197: 3187: 3182: 3171: 3169: 3165: 3164: 3162: 3161: 3156: 3151: 3146: 3141: 3140: 3139: 3129: 3128: 3127: 3126: 3125: 3120: 3115: 3105: 3104: 3103: 3098: 3096:Cologne School 3088: 3083: 3078: 3077: 3076: 3061: 3060: 3059: 3058: 3057: 3049: 3044: 3039: 3029: 3028: 3027: 3022: 3017: 3007: 3006: 3005: 2998: 2993: 2977: 2975: 2969: 2968: 2966: 2965: 2964: 2963: 2956: 2951: 2949:Italian school 2940: 2935: 2934: 2933: 2931:Sienese School 2923: 2918: 2913: 2908: 2907: 2906: 2901: 2896: 2886: 2879: 2878: 2877: 2867: 2866: 2865: 2860: 2850: 2845: 2844: 2843: 2841:Pre-Romanesque 2838: 2833: 2823: 2822: 2821: 2816: 2811: 2806: 2796: 2791: 2790: 2789: 2777: 2772: 2770:Donor portrait 2767: 2766: 2765: 2760: 2755: 2750: 2745: 2735: 2734: 2733: 2723: 2722: 2721: 2710: 2708: 2702: 2701: 2699: 2698: 2697: 2696: 2691: 2686: 2681: 2679:Julio-Claudian 2676: 2671: 2661: 2656: 2651: 2646: 2641: 2640: 2639: 2638: 2637: 2632: 2631: 2630: 2628:Greco-Buddhist 2620: 2610: 2605: 2600: 2595: 2590: 2585: 2580: 2575: 2570: 2568:Protogeometric 2565: 2555: 2554: 2553: 2548: 2543: 2538: 2528: 2523: 2522: 2521: 2510: 2508: 2499: 2493: 2492: 2483: 2480: 2479: 2465: 2463: 2462: 2455: 2448: 2440: 2434: 2433: 2425: 2424:External links 2422: 2421: 2420: 2414: 2397: 2391: 2378: 2372: 2359: 2353: 2340: 2334: 2317: 2311: 2298: 2292: 2275: 2269: 2256: 2250: 2231: 2228: 2226: 2225: 2192: 2168: 2150: 2132: 2125: 2104: 2085: 2078: 2066:History of Art 2053: 2027: 2012: 2005: 1984: 1958: 1938: 1923: 1902: 1887: 1862: 1840: 1807: 1782: 1780: 1777: 1775: 1774: 1769: 1764: 1759: 1754: 1749: 1744: 1738: 1736: 1733: 1731: 1730: 1728:Romano Rizzato 1725: 1720: 1715: 1713:Grazia Varisco 1710: 1705: 1700: 1695: 1690: 1685: 1683:Ronald Mallory 1680: 1675: 1670: 1665: 1659: 1657: 1654: 1652: 1651: 1649:Ludwig Wilding 1646: 1644:Lyman Whitaker 1641: 1636: 1631: 1626: 1621: 1616: 1611: 1609:Mark di Suvero 1606: 1601: 1596: 1591: 1586: 1581: 1576: 1571: 1569:Robert Perless 1566: 1561: 1556: 1551: 1546: 1541: 1536: 1531: 1526: 1524:Gilles Larrain 1521: 1516: 1511: 1506: 1501: 1496: 1491: 1486: 1481: 1476: 1471: 1469:Chuck Hoberman 1466: 1461: 1456: 1451: 1446: 1441: 1436: 1431: 1426: 1421: 1419:Marcel Duchamp 1416: 1411: 1406: 1401: 1396: 1391: 1386: 1381: 1376: 1371: 1366: 1364:Uli Aschenborn 1361: 1355: 1353: 1350: 1349: 1348: 1328: 1321: 1319: 1308:Uli Aschenborn 1306: 1299: 1297: 1286:Uli Aschenborn 1284: 1277: 1275: 1260:Uli Aschenborn 1258: 1251: 1249: 1234: 1227: 1225: 1216: 1209: 1207: 1198: 1191: 1189: 1177: 1170: 1168: 1153: 1146: 1144: 1136: 1129: 1127: 1114: 1107: 1105: 1092: 1085: 1083: 1071:Lyman Whitaker 1069: 1062: 1058: 1057:Selected works 1055: 1043:Changi Airport 1005: 1002: 891: 888: 884:Gordes/Cristal 879: 876: 865: 862: 791: 788: 755: 752: 736:St. Petersburg 728:Tatlin's Tower 710:Constructivism 705: 702: 685: 682: 669: 666: 627: 624: 610: 609:Albert Gleizes 607: 591:Albert Gleizes 581: 578: 569: 566: 526: 523: 464: 461: 424: 421: 403: 402: 357: 355: 348: 342: 339: 277:Uli Aschenborn 243:, also titled 205: 204: 187: 186: 145: 143: 136: 129: 128: 83: 81: 74: 69: 43: 42: 40: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6219: 6208: 6205: 6203: 6200: 6198: 6195: 6193: 6190: 6188: 6185: 6183: 6180: 6179: 6177: 6162: 6159: 6157: 6149: 6148: 6145: 6138: 6137: 6133: 6130: 6127: 6124: 6123: 6119: 6116: 6115: 6111: 6108: 6107: 6103: 6100: 6099: 6095: 6092: 6091: 6086: 6083: 6082: 6078: 6075: 6072: 6069: 6068: 6064: 6061: 6060: 6056: 6053: 6052: 6048: 6045: 6043: 6039: 6036: 6035: 6031: 6028: 6025: 6022: 6019: 6016: 6015: 6014:Veiled Christ 6011: 6008: 6007: 6003: 6000: 5999: 5995: 5992: 5989: 5986: 5983: 5980: 5977: 5974: 5971: 5968: 5965: 5963:(130–100 BCE) 5962: 5961: 5960:Venus de Milo 5957: 5954: 5953: 5949: 5947:(246–210 BCE) 5946: 5943: 5940: 5939: 5935: 5932: 5929: 5926: 5922: 5921:Elgin Marbles 5919: 5917:(c. 1264 BCE) 5916: 5913: 5910: 5907: 5906: 5904: 5900: 5894: 5891: 5889: 5886: 5884: 5881: 5879: 5876: 5874: 5871: 5869: 5866: 5864: 5861: 5859: 5856: 5854: 5851: 5849: 5846: 5844: 5841: 5839: 5836: 5835: 5833: 5829: 5823: 5820: 5818: 5815: 5813: 5810: 5808: 5805: 5803: 5800: 5798: 5795: 5793: 5790: 5788: 5785: 5783: 5780: 5778: 5775: 5773: 5770: 5768: 5765: 5763: 5760: 5758: 5755: 5753: 5750: 5749: 5747: 5743: 5737: 5734: 5732: 5729: 5727: 5724: 5722: 5719: 5718: 5716: 5712: 5706: 5703: 5701: 5698: 5696: 5693: 5691: 5688: 5686: 5683: 5681: 5678: 5676: 5673: 5672: 5670: 5666: 5660: 5657: 5655: 5652: 5650: 5647: 5645: 5642: 5640: 5637: 5635: 5632: 5630: 5627: 5625: 5622: 5620: 5617: 5615: 5612: 5610: 5607: 5605: 5604:Gas sculpture 5602: 5600: 5597: 5595: 5592: 5590: 5587: 5585: 5582: 5580: 5577: 5576: 5574: 5570: 5566: 5559: 5554: 5552: 5547: 5545: 5540: 5539: 5536: 5524: 5516: 5515: 5512: 5506: 5503: 5501: 5500: 5496: 5494: 5491: 5489: 5486: 5484: 5481: 5479: 5476: 5474: 5471: 5469: 5466: 5464: 5461: 5457: 5454: 5452: 5449: 5448: 5447: 5444: 5442: 5439: 5437: 5434: 5432: 5429: 5427: 5424: 5422: 5419: 5417: 5414: 5410: 5407: 5405: 5402: 5401: 5400: 5397: 5395: 5392: 5390: 5389:Fantastic art 5387: 5385: 5382: 5378: 5375: 5373: 5370: 5368: 5365: 5363: 5360: 5359: 5358: 5357:Christian art 5355: 5353: 5350: 5348: 5345: 5343: 5340: 5336: 5333: 5332: 5331: 5328: 5326: 5323: 5322: 5320: 5316: 5306: 5303: 5301: 5298: 5296: 5293: 5289: 5286: 5284: 5281: 5280: 5279: 5276: 5274: 5271: 5269: 5266: 5264: 5261: 5259: 5258:Skeuomorphism 5256: 5254: 5251: 5249: 5246: 5244: 5241: 5239: 5236: 5234: 5231: 5229: 5226: 5224: 5221: 5219: 5218:Massurrealism 5216: 5214: 5213:Lightpainting 5211: 5209: 5206: 5204: 5201: 5197: 5196:Post-Internet 5194: 5193: 5192: 5189: 5187: 5184: 5182: 5179: 5177: 5174: 5170: 5167: 5166: 5165: 5162: 5160: 5157: 5155: 5152: 5150: 5147: 5145: 5142: 5140: 5137: 5133: 5130: 5129: 5128: 5125: 5123: 5120: 5118: 5115: 5113: 5110: 5108: 5105: 5103: 5100: 5098: 5095: 5093: 5090: 5089: 5087: 5081: 5075: 5072: 5070: 5069:Grunge design 5067: 5065: 5062: 5060: 5057: 5055: 5052: 5050: 5047: 5045: 5042: 5040: 5037: 5035: 5032: 5030: 5027: 5025: 5024:Retrofuturism 5022: 5020: 5019:Scratch video 5017: 5015: 5012: 5010: 5007: 5005: 5004:Memphis Group 5002: 5000: 4997: 4995: 4992: 4990: 4987: 4985: 4982: 4980: 4979:Telematic art 4977: 4975: 4972: 4970: 4969:Guerrilla art 4967: 4965: 4962: 4958: 4955: 4954: 4953: 4950: 4948: 4945: 4943: 4940: 4938: 4935: 4931: 4928: 4927: 4926: 4923: 4921: 4920:Endurance art 4918: 4916: 4913: 4911: 4908: 4906: 4903: 4901: 4898: 4897: 4895: 4891: 4885: 4882: 4880: 4877: 4875: 4872: 4870: 4867: 4865: 4862: 4858: 4855: 4854: 4853: 4850: 4848: 4845: 4843: 4840: 4838: 4835: 4833: 4830: 4828: 4825: 4823: 4820: 4818: 4815: 4813: 4810: 4808: 4805: 4803: 4800: 4798: 4795: 4793: 4790: 4788: 4785: 4783: 4780: 4778: 4775: 4773: 4770: 4768: 4765: 4763: 4760: 4758: 4755: 4753: 4750: 4748: 4745: 4743: 4740: 4738: 4735: 4733: 4730: 4728: 4725: 4723: 4720: 4718: 4715: 4711: 4708: 4707: 4706: 4703: 4701: 4698: 4696: 4693: 4691: 4688: 4686: 4683: 4681: 4678: 4677: 4675: 4671: 4665: 4662: 4660: 4657: 4655: 4652: 4648: 4645: 4643: 4640: 4639: 4638: 4635: 4631: 4628: 4627: 4626: 4623: 4621: 4618: 4616: 4613: 4611: 4608: 4606: 4603: 4601: 4598: 4596: 4593: 4591: 4588: 4586: 4583: 4581: 4580:New media art 4578: 4574: 4571: 4570: 4569: 4566: 4564: 4561: 4559: 4558:Nanyang Style 4556: 4554: 4551: 4549: 4546: 4544: 4541: 4539: 4536: 4532: 4529: 4527: 4524: 4522: 4519: 4517: 4514: 4513: 4512: 4509: 4507: 4504: 4502: 4499: 4495: 4492: 4491: 4490: 4489:Visionary art 4487: 4483: 4480: 4479: 4478: 4475: 4473: 4470: 4469: 4467: 4463: 4460: 4456: 4451: 4447: 4437: 4434: 4432: 4429: 4427: 4424: 4422: 4419: 4415: 4412: 4411: 4410: 4407: 4405: 4402: 4398: 4395: 4393: 4390: 4389: 4388: 4385: 4381: 4378: 4377: 4376: 4373: 4371: 4368: 4366: 4363: 4361: 4358: 4356: 4355:Scuola Romana 4353: 4351: 4348: 4346: 4345: 4341: 4339: 4336: 4334: 4331: 4329: 4326: 4322: 4319: 4317: 4314: 4313: 4312: 4309: 4307: 4304: 4302: 4299: 4297: 4294: 4292: 4289: 4287: 4284: 4282: 4281:Anthropophagy 4279: 4277: 4274: 4270: 4267: 4266: 4265: 4264:Functionalism 4262: 4260: 4257: 4255: 4252: 4250: 4247: 4245: 4242: 4238: 4235: 4234: 4233: 4230: 4226: 4223: 4221: 4218: 4217: 4216: 4213: 4209: 4206: 4205: 4204: 4201: 4199: 4196: 4192: 4191: 4187: 4186: 4185: 4184:Neoplasticism 4182: 4180: 4177: 4175: 4172: 4166: 4163: 4162: 4161: 4158: 4157: 4156: 4153: 4151: 4148: 4146: 4143: 4141: 4138: 4136: 4133: 4132: 4130: 4126: 4120: 4117: 4115: 4112: 4110: 4107: 4105: 4102: 4100: 4097: 4095: 4092: 4088: 4087:Cubo-Futurism 4085: 4084: 4083: 4080: 4078: 4075: 4073: 4072: 4068: 4064: 4061: 4059: 4056: 4055: 4054: 4051: 4047: 4046:Ashcan School 4044: 4043: 4042: 4039: 4037: 4034: 4032: 4029: 4025: 4022: 4020: 4017: 4016: 4015: 4014:Expressionism 4012: 4010: 4007: 4005: 4002: 4000: 3999:Mir iskusstva 3997: 3995: 3992: 3988: 3985: 3983: 3980: 3978: 3975: 3973: 3970: 3969: 3968: 3965: 3963: 3960: 3958: 3955: 3953: 3950: 3946: 3943: 3942: 3941: 3938: 3937: 3935: 3931: 3925: 3922: 3918: 3915: 3914: 3913: 3910: 3906: 3903: 3901: 3898: 3896: 3893: 3891: 3888: 3886: 3883: 3881: 3878: 3874: 3871: 3870: 3869: 3866: 3865: 3864: 3861: 3859: 3856: 3854: 3851: 3847: 3844: 3842: 3839: 3838: 3837: 3834: 3832: 3829: 3827: 3824: 3820: 3817: 3816: 3815: 3812: 3810: 3807: 3803: 3800: 3798: 3795: 3793: 3790: 3786: 3785:Boston School 3783: 3781: 3780:Hoosier Group 3778: 3777: 3776: 3773: 3772: 3771: 3770:Impressionism 3768: 3766: 3765:Peredvizhniki 3763: 3761: 3758: 3756: 3755:Beuron School 3753: 3749: 3746: 3745: 3744: 3743: 3739: 3737: 3734: 3732: 3729: 3725: 3722: 3721: 3720: 3717: 3716: 3714: 3710: 3707: 3703: 3699: 3689: 3686: 3682: 3679: 3675: 3672: 3671: 3670: 3669:Munich School 3667: 3666: 3665: 3662: 3656: 3653: 3652: 3651: 3648: 3646: 3643: 3641: 3638: 3637: 3636: 3633: 3631: 3628: 3624: 3621: 3620: 3619: 3616: 3614: 3611: 3609: 3606: 3604: 3601: 3595: 3592: 3591: 3590: 3587: 3585: 3582: 3580: 3577: 3575: 3572: 3570: 3567: 3565: 3562: 3560: 3557: 3555: 3552: 3550: 3547: 3546: 3545: 3542: 3541: 3539: 3535: 3529: 3521: 3518: 3516: 3513: 3512: 3511: 3507: 3505: 3502: 3500: 3497: 3495: 3492: 3490: 3487: 3483: 3480: 3479: 3478: 3475: 3474: 3472: 3468:Art borrowing 3466: 3458: 3455: 3451: 3448: 3446: 3443: 3441: 3438: 3437: 3436: 3433: 3431: 3428: 3427: 3426: 3423: 3419: 3418:Company style 3416: 3414: 3411: 3407: 3404: 3402: 3399: 3398: 3397: 3394: 3393: 3391: 3385: 3382: 3381: 3380: 3377: 3375: 3372: 3371: 3370: 3366: 3365: 3363: 3359: 3353: 3350: 3346: 3343: 3341: 3338: 3336: 3333: 3331: 3328: 3326: 3325: 3321: 3320: 3319: 3318:Neoclassicism 3316: 3312: 3311: 3307: 3305: 3302: 3300: 3297: 3295: 3292: 3290: 3287: 3286: 3285: 3282: 3281: 3279: 3275: 3267: 3264: 3262: 3259: 3258: 3257: 3254: 3252: 3249: 3247: 3244: 3240: 3237: 3236: 3235: 3232: 3230: 3227: 3225: 3222: 3220: 3217: 3213: 3210: 3208: 3205: 3201: 3198: 3196: 3193: 3192: 3191: 3188: 3186: 3183: 3181: 3178: 3177: 3176: 3173: 3172: 3170: 3166: 3160: 3157: 3155: 3152: 3150: 3147: 3145: 3144:Cretan School 3142: 3138: 3135: 3134: 3133: 3130: 3124: 3121: 3119: 3116: 3114: 3111: 3110: 3109: 3106: 3102: 3101:Danube school 3099: 3097: 3094: 3093: 3092: 3089: 3087: 3084: 3082: 3079: 3075: 3072: 3071: 3070: 3067: 3066: 3065: 3062: 3056: 3055: 3050: 3048: 3045: 3043: 3040: 3038: 3035: 3034: 3033: 3030: 3026: 3023: 3021: 3018: 3016: 3013: 3012: 3011: 3008: 3004: 3003: 2999: 2997: 2994: 2992: 2989: 2988: 2987: 2984: 2983: 2982: 2979: 2978: 2976: 2974: 2970: 2962: 2961: 2957: 2955: 2952: 2950: 2947: 2946: 2945: 2941: 2939: 2936: 2932: 2929: 2928: 2927: 2924: 2922: 2919: 2917: 2914: 2912: 2909: 2905: 2902: 2900: 2897: 2895: 2892: 2891: 2890: 2887: 2885: 2884: 2880: 2876: 2873: 2872: 2871: 2868: 2864: 2861: 2859: 2856: 2855: 2854: 2851: 2849: 2846: 2842: 2839: 2837: 2834: 2832: 2829: 2828: 2827: 2824: 2820: 2817: 2815: 2812: 2810: 2807: 2805: 2802: 2801: 2800: 2797: 2795: 2792: 2788: 2787: 2783: 2782: 2781: 2778: 2776: 2773: 2771: 2768: 2764: 2761: 2759: 2756: 2754: 2751: 2749: 2746: 2744: 2741: 2740: 2739: 2736: 2732: 2729: 2728: 2727: 2724: 2720: 2717: 2716: 2715: 2712: 2711: 2709: 2707: 2703: 2695: 2692: 2690: 2687: 2685: 2682: 2680: 2677: 2675: 2672: 2670: 2667: 2666: 2665: 2662: 2660: 2657: 2655: 2652: 2650: 2647: 2645: 2642: 2636: 2633: 2629: 2626: 2625: 2624: 2621: 2619: 2616: 2615: 2614: 2611: 2609: 2606: 2604: 2601: 2599: 2596: 2594: 2591: 2589: 2586: 2584: 2581: 2579: 2578:Orientalizing 2576: 2574: 2571: 2569: 2566: 2564: 2563:Sub-Mycenaean 2561: 2560: 2559: 2556: 2552: 2549: 2547: 2544: 2542: 2539: 2537: 2534: 2533: 2532: 2529: 2527: 2524: 2520: 2517: 2516: 2515: 2512: 2511: 2509: 2507: 2503: 2500: 2494: 2490: 2486: 2481: 2477:art movements 2476: 2472: 2468: 2461: 2456: 2454: 2449: 2447: 2442: 2441: 2438: 2431: 2428: 2427: 2423: 2417: 2415:9780300192506 2411: 2406: 2405: 2398: 2394: 2392:9783775733632 2388: 2384: 2379: 2375: 2373:9781851495917 2369: 2365: 2360: 2356: 2354:9780517508008 2350: 2346: 2341: 2337: 2335:9780397312177 2331: 2326: 2325: 2318: 2314: 2312:9781555952952 2308: 2304: 2299: 2295: 2293:9780520052567 2289: 2284: 2283: 2276: 2272: 2270:9780713425185 2266: 2262: 2257: 2253: 2251:9788861301948 2247: 2242: 2241: 2234: 2233: 2229: 2220: 2215: 2212:(3): 93–100. 2211: 2207: 2203: 2196: 2193: 2182: 2178: 2172: 2169: 2164: 2160: 2154: 2151: 2146: 2142: 2136: 2133: 2128: 2122: 2118: 2114: 2108: 2105: 2099: 2098: 2089: 2086: 2081: 2075: 2071: 2067: 2063: 2057: 2054: 2042: 2038: 2031: 2028: 2023: 2016: 2013: 2008: 2002: 1998: 1991: 1989: 1985: 1979: 1978: 1969: 1967: 1965: 1963: 1959: 1954: 1947: 1945: 1943: 1939: 1934: 1930: 1926: 1920: 1916: 1912: 1906: 1903: 1898: 1891: 1888: 1884: 1880: 1876: 1869: 1867: 1863: 1859: 1855: 1851: 1844: 1841: 1835: 1830: 1826: 1822: 1818: 1811: 1808: 1803: 1796: 1794: 1792: 1790: 1788: 1784: 1778: 1773: 1770: 1768: 1765: 1763: 1760: 1758: 1755: 1753: 1750: 1748: 1747:Gas sculpture 1745: 1743: 1740: 1739: 1734: 1729: 1726: 1724: 1721: 1719: 1716: 1714: 1711: 1709: 1706: 1704: 1703:Bridget Riley 1701: 1699: 1696: 1694: 1691: 1689: 1686: 1684: 1681: 1679: 1676: 1674: 1671: 1669: 1666: 1664: 1661: 1660: 1655: 1650: 1647: 1645: 1642: 1640: 1637: 1635: 1632: 1630: 1627: 1625: 1624:Wen-Ying Tsai 1622: 1620: 1619:Jean Tinguely 1617: 1615: 1612: 1610: 1607: 1605: 1602: 1600: 1597: 1595: 1592: 1590: 1587: 1585: 1582: 1580: 1579:George Rickey 1577: 1575: 1572: 1570: 1567: 1565: 1562: 1560: 1557: 1555: 1552: 1550: 1547: 1545: 1544:Sal Maccarone 1542: 1540: 1537: 1535: 1532: 1530: 1529:Julio Le Parc 1527: 1525: 1522: 1520: 1517: 1515: 1512: 1510: 1507: 1505: 1502: 1500: 1497: 1495: 1492: 1490: 1487: 1485: 1482: 1480: 1477: 1475: 1472: 1470: 1467: 1465: 1462: 1460: 1457: 1455: 1452: 1450: 1447: 1445: 1442: 1440: 1439:Arthur Ganson 1437: 1435: 1432: 1430: 1429:Rowland Emett 1427: 1425: 1422: 1420: 1417: 1415: 1412: 1410: 1409:Angela Conner 1407: 1405: 1402: 1400: 1397: 1395: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1375: 1372: 1370: 1369:David Ascalon 1367: 1365: 1362: 1360: 1357: 1356: 1351: 1345: 1341: 1337: 1336: 1331: 1330:George Rhoads 1325: 1320: 1317: 1313: 1309: 1303: 1298: 1295: 1291: 1287: 1281: 1276: 1273: 1269: 1265: 1261: 1255: 1250: 1246: 1242: 1241: 1240: 1231: 1226: 1223: 1219: 1213: 1208: 1205: 1201: 1195: 1190: 1187: 1183: 1180: 1174: 1169: 1166: 1165:Angela Conner 1162: 1158: 1157: 1150: 1145: 1141: 1140: 1133: 1128: 1125: 1121: 1117: 1116:David Ascalon 1111: 1106: 1102: 1099: 1095: 1089: 1084: 1080: 1076: 1072: 1066: 1061: 1056: 1054: 1052: 1048: 1044: 1040: 1037: 1035: 1031: 1027: 1023: 1019: 1018:Arthur Ganson 1015: 1011: 1003: 1001: 999: 994: 990: 986: 982: 978: 974: 973:Julio Le Parc 970: 967:) founded by 966: 962: 958: 954: 950: 946: 942: 938: 934: 933:Bridget Riley 930: 926: 922: 918: 913: 912:Pontus Hulten 909: 905: 900: 898: 889: 887: 885: 877: 875: 872: 863: 861: 857: 855: 850: 848: 842: 838: 836: 832: 828: 822: 820: 816: 811: 805: 801: 796: 789: 787: 784: 779: 777: 773: 765: 760: 753: 751: 747: 745: 741: 737: 733: 729: 725: 723: 719: 715: 711: 703: 701: 699: 694: 690: 683: 681: 679: 674: 667: 665: 662: 656: 654: 649: 646: 642: 638: 633: 625: 623: 619: 616: 608: 606: 604: 600: 596: 592: 587: 579: 577: 574: 573:Auguste Rodin 568:Auguste Rodin 567: 565: 563: 559: 555: 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2674:Gallo-Roman 2613:Hellenistic 2608:Kerch style 2546:Minyan ware 1915:Kinetic art 1762:Robotic art 1693:Vera Molnár 1584:Ken Rinaldo 1504:Starr Kempf 1499:Roger Katan 1489:Theo Jansen 1399:Martha Boto 1359:Yaacov Agam 1247:, Australia 1200:Yaacov Agam 1182:Chronos 10B 1103:, Venezuela 993:Vera Molnár 953:Martha Boto 908:Denise René 800:Red Mobile, 595:avant-garde 487:Edgar Degas 463:Edgar Degas 312:photography 296:Edgar Degas 252:Kinetic art 6187:Modern art 6176:Categories 5868:Fiberglass 5797:Terracotta 5644:Pedimental 5639:Monumental 5589:Bas relief 5584:Assemblage 5431:Jewish art 5243:Passionism 5203:iPhone art 5149:Cyborg art 5144:Crypto art 5117:Brandalism 5009:Cyberdelic 4874:Tropicália 4847:Street art 4802:Intermedia 4782:Minimalism 4501:Spatialism 4455:Postmodern 4311:Surrealism 4179:Shin-hanga 4019:Die Brücke 3987:Sonderbund 3900:Synthetism 3623:Revivalism 3532:Transition 3489:Manichaean 3335:Adam style 3256:Classicism 3195:in Utrecht 3123:Still life 2853:Romanesque 2809:Macedonian 2804:Iconoclast 2763:Visigothic 2669:Republican 2623:Indo-Greek 2593:Red-figure 2186:2013-11-29 2181:MIT Museum 2079:0500237018 1911:Brett, Guy 1779:References 1574:Otto Piene 1549:Heinz Mack 1484:Tim Hunkin 1454:Bruce Gray 1444:Nemo Gould 1404:U-Ram Choe 1338:(1987), a 1312:Morph-Cube 1290:Magic Dice 1262:, turning 1098:La Esfera, 1022:Anne Lilly 1010:MIT Museum 998:labyrinths 989:Joël Stein 937:Yacov Agam 927:, such as 904:Mouvements 847:Cat Mobile 645:art critic 643:coined by 369:improve it 316:landscapes 265:sculptures 169:March 2013 111:March 2013 95:improve it 50:improve it 5987:(1250 CE) 5927:(438 BCE) 5925:Parthenon 5923:from the 5878:Aluminium 5848:Jesmonite 5822:Soapstone 5762:Limestone 5680:Classical 5609:Earth art 5565:Sculpture 5493:Shock art 5483:Queer art 5463:Naïve art 5446:Modernism 5278:Superflat 5268:Sound art 5248:Post-YBAs 5233:Neomodern 5074:Verdadism 5044:Superflat 4893:1970–1999 4857:in the US 4777:Video art 4700:Happening 4673:1960–1969 4465:1945–1959 4128:1915–1944 4119:Vorticism 4071:A Nyolcak 3933:1900–1914 3905:Les Nabis 3836:Symbolism 3792:Amsterdam 3742:Japonisme 3712:1863–1899 3674:in Greece 3534:to modern 3379:Caribbean 3324:Goût grec 3246:Capriccio 3200:Tenebrism 3149:Turquerie 3047:Mannerism 2942:Medieval 2799:Byzantine 2780:Mozarabic 2731:Ethiopian 2635:Neo-Attic 2618:"Baroque" 2603:Classical 2573:Geometric 2551:Mycenaean 2498:(Western) 2496:Premodern 2467:Premodern 1827:(2): 21. 1767:Sound art 1424:Lin Emery 1161:Park West 1081:sculpture 1079:whirligig 1047:Singapore 744:Comintern 712:movement 661:Cathedral 493:(c. 1870) 373:verifying 327:Naum Gabo 320:portraits 260:paintings 247:(1919–20) 237:Naum Gabo 157:talk page 99:verifying 56:talk page 6156:Category 5969:(175 CE) 5858:Concrete 5772:Porphyry 5619:Figurine 5523:Category 5473:Portrait 5394:Folk art 5342:Anti-art 5273:Stuckism 5186:Idea art 5107:Art game 5059:Artivism 4947:Punk art 4925:Sots Art 4910:Artscene 4767:Land art 4705:Neo-Dada 4637:Lettrism 4531:Nuagisme 4516:Tachisme 4397:Nazi art 4190:De Stijl 4104:Rayonism 4094:Art Deco 4082:Futurism 3873:Luminism 3841:Romanian 3826:Tonalism 3797:Canadian 3775:American 3681:Neo-Grec 3289:Rocaille 3118:Romanism 3052:Counter- 2986:Trecento 2926:Duecento 2916:Crusades 2848:Ottonian 2826:Frankish 2706:Medieval 2689:Trajanic 2649:Scythian 2644:Etruscan 2536:Cycladic 2514:Thracian 2345:Vasarely 2141:"Op art" 2115:(1997). 2064:(1995). 2046:8 August 1913:(1968). 1897:Kinetics 1735:See also 1494:Ned Kahn 1184:, 1980, 673:Max Bill 668:Max Bill 603:Max Bill 593:, other 513:(1872). 150:disputed 6161:Outline 5863:Plastic 5853:Acrylic 5777:Diorite 5767:Granite 5675:Baroque 5488:Realism 5085:present 4812:Nut Art 4615:Pop art 4553:Mono-ha 4421:The Ten 4370:Kapists 4316:Iranian 4269:Bauhaus 4063:Orphism 4009:Fauvism 3846:Russian 3736:Nihonga 3650:Verismo 3635:Realism 3569:Purismo 3482:Moorish 3477:Islamic 3384:Haitian 3175:Baroque 3054:Maniera 2938:Mudéjar 2863:Spanish 2775:Pictish 2758:Lombard 2753:Insular 2694:Severan 2659:Gaulish 2654:Iberian 2583:Archaic 2526:Nuragic 2506:Ancient 2489:periods 2041:Mozaico 1757:Odonien 1539:Len Lye 1316:Namibia 1294:Namibia 1272:Namibia 1222:Germany 1101:Caracas 1012:opened 906:at the 815:Man Ray 478:, Paris 438:(1862). 367:Please 308:realism 269:mobiles 93:Please 6139:(2018) 6131:(2008) 6125:(1981) 6117:(1971) 6109:(1967) 6084:(1920) 6076:(1907) 6070:(1904) 6062:(1897) 6046:(1886) 6037:(1880) 6029:(1843) 6023:(1776) 6017:(1753) 5883:Fabric 5817:Butter 5812:Silver 5802:Bronze 5757:Marble 5736:Volume 5700:Relief 5654:Statue 5634:Mobile 5599:Effigy 5436:Kitsch 5295:Toyism 4787:Fluxus 4717:Op art 4286:Mingei 4220:Stupid 4198:Purism 4053:Cubism 3702:Modern 3494:Mughal 3284:Rococo 2889:Gothic 2870:Norman 2794:Viking 2748:Hunnic 2726:Coptic 2541:Minoan 2531:Aegean 2519:Dacian 2471:Modern 2412: 2389: 2370: 2351: 2332: 2309: 2290: 2267: 2248: 2123: 2097:Calder 2076: 2003: 1933:439251 1931: 1921: 1245:Sydney 1204:Israel 1186:Munich 1032:, and 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