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the
Joaquin article, De Leon did original research on the crime, uncovering details that were never released to the public, including the fact that the father hid under the young couple's bed while they were sleeping, that the father had two wives, and that after he had shot the others, the father laid down on his daughter's bed before shooting himself, although these were not incorporated into the film. Vic Silayan, who plays Dadong Carandang, had asked de Leon if the character could be changed to a step-father as he was uncomfortable with the incest issue, but they both acknowledged it would ultimately change the film.
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812:. Cabading was the widow of the deceased police detective written about in "The House on Zapote Street." Director Mike de Leon admitted that the production team had forgotten that she survived the massacre. The issue was quickly resolved and the film was able to premier on schedule the following day. After the film swept the Metro Manila Film Festival awards, de Leon recalled that actor-director
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turned into a hospital, with Mila on a gurney being wheeled by Noel into the bank vault. Throughout the bank, the tellers are dressed as nurses with crucifixes in front of them. Noel shoots Mila, but instead of a bullet it is blood that is released from the gun. On the deleted scene, de Leon said, "I decided that the dream sequence was over the top and had no place in the film."
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interpreted as an allegory of the regime of
Ferdinand Marcos was no coincidence, though the crime happened in 1961. Nevertheless, many elements in this allegory were present in the original story. The policeman was an Ilocano, and so was Marcos. He ruled with an iron fist and subjected his family to unmitigated terror, just as Marcos did to the country.
567:. Their co-writing process started with group discussions, followed by del Mundo and Villavicencio writing separate scenes that de Leon would make a composite from. With that as their first draft, they would continue building on it together. Back in 1978, Villavicencio answered a newspaper ad and participated in de Leon and del Mundo's first and only
630:. Hernando recalled coming across the house for rent that was "eerily similar in structure to the original house on Zapote Street." It was rented for two months. The set was ready in three weeks, in which time Hernando and art director Lea Locsin remodeled it and added borrowed furniture to work around their tight budget. De Leon called
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Kisapmata explores the concept of strongman rule as exemplified by the character of Dadong, ang Tatang, the psychotic padre de familia, rendered monstrous by the unforgettable performance of Vic
Silayan. The father has incestuous relations with his daughter—the ultimate corruptiuon. That the film was
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The house used as the
Carandang house in the film was located in Santa Mesa Heights, Quezon City and had the design of the prevailing domestic architectural style: a split-level suburban home. It was considered the first and biggest production requirement of the film, providing a crucial function to
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A black-and-white dream sequence was filmed although it was removed in editing. As keeping deleted scenes was not the practice in the
Philippines at the time of production, the footage was thrown away. Several photos of the deleted scene have survived. In the dream, the bank Mila and Noel work at is
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Although still fearful of her father, Mila decides to escape. She and Noel stay with Noel's father. The young couple, however, return to the
Carandang house to gather their belongings. Dadong pleads with Mila to stay, saying he has an interest in the baby she is carrying (suggesting that he has been
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After the wedding, Dadong insists that the newlyweds stay in his house. Despite protestations, the young couple acquiesce. During their time living in the
Carandang house, Mila tells Noel that she must stay with her sick mother Dely, much to Noel's annoyance as he wants to move out with Mila as soon
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account "Citizen Jake." The original intention was to stream it on
December 20 to coincide with the date of the final scene in the film, but it was determined that December 19, a Saturday, would have more viewers. Discussing the stream, de Leon commented, "I am calling it the most macabre Christmas
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Although the original film credits had Solis's and Santos's characters as
Adelina and Milagros Carandang, de Leon clarified upon the release of the restored version that their characters' names were Dely and Mila respectively. Silayan's character is simply Tatong Dadong. Additionally, the last name
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In order to avoid lawsuits, the names of the people in
Joaquin's report were changed from the Cabading family to the Carandang family, as well as the profession of the young couple from doctors to accountants. The timeline of the film was also changed from 1961 to 1981, the production year. Beyond
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During the writing process and even after most of the film had finished shooting, de Leon was not satisfied with the endings proposed. He re-read the broadsheet coverage of the crime as well as Joaquin's reportage. Instead of any dramatic confrontations, it came to de Leon that the ending happens
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below could watch the doors of the bedrooms and bathrooms on the upper floor. Hernando and his team filled the house with furniture, including adding the barbed wires on the gate, which emphasized the authoritarian rule and terror within the house. Film academic Tito Quiling, Jr. notes: "From the
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The Carandang house has been viewed as an "inanimate embodiment" of Dadong Carandang or an "extension of the father's surveillance." Production designer Cesar Hernando found the split-level house "eerily similar" to the structure described in Nick Joaquin's article, where a person standing in the
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won ten of the festival awards: Best Film, Best Director, Best Story, Best Screenplay, Best Actor (Silayan), Best Supporting Actor (Ilagan), Best Supporting Actress (Solis), Best Editing, Best Production Design, and Best Sound Engineering. It also won the Gawad Urian awards for Best Actor, Best
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De Leon and the film's editor Jess Navarro were able to save the negatives of the scene by making a duplicate and spliciting it into a reel of negative out cuts from another film. The scene was re-added for the screening at the Cannes Film Festival. De Leon has referred to the Metro Manila Film
527:, de Leon was interested in adapting a story based on real events, writing in his memoir, "Countless true stories are waiting to be filmed. So why would I settle for fiction?" According to the director, in the 1970s, he was approached by the brother of one of the convicted perpetrators of the
865:. This print used was of the "final cut" that screened at the Cannes Film Festival, not the edited and censored version shown at the Metro Manila Film Festival. The restoration itself was done by L'Immagine Ritrovata, the same film lab De Leon worked with for the restoration of his 1982 film
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De Leon was also interested in adapting Joaquin's article as early as 1978 but experienced difficulty in finding a producer who was willing to back a film with such dark themes. He was later approached by producer Jackie Atienza who was interested in de Leon replicating the mood of de Leon's
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Mila reluctantly tells her domineering father Tatang Dadong Carandang, a retired policeman, that she is pregnant. Mila asks permission from her father to marry her co-worker Noel Manalansan. Dadong begrudgingly gives his permission when his unreasonable demands for a hefty dowry are met.
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On January 18, 1961, Cabading shot his daughter, Lydia Cabading-Quitangon, and his son-in-law, Leonardo, both of whom were medical doctors. After killing the newly-weds, Cabading shot himself. His wife, Asuncion, survived and would later attempt to stop the release of the film.
38:
716:, who required de Leon to remove a scene where the father enters his daughter's room as she fearfully waits for him come in. Katigbak told de Leon that the scene "showed him in an aroused state," to which the director, although complying with the demand, disagreed with.
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considered the film de Leon's "masterpiece" going on to say "the characters in de Leon's films are real human beings – they work, they interact with other people, they have needs and ambitions. It is that factor that turns this nightmare even far more chilling that
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The restoration's opening break bumper includes a dedication to several cast and a crew members who had died since the original premiere: production designer Cesar Hernando, as well as actors Charito Solis, Jay Ilagan, Vic Silayan, and Ruben Rustia.
335:, which drew controversy upon release; despite this, the film received critical acclaim, establishing de Leon as one of the great directors of the new generation of Filipino filmmakers. The film won ten awards from the festival, including
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The original version of the film omits Joaquin's name. According to de Leon, this was because the film's producers were seeking to avoid explicit reference to the real case. In the restored copy, the journalist is credited.
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Joaquin's reportage is silent about any rape that may have been committed by the father but academic Joyce Arriola states that "the text suggests that possibility." De Leon was also influenced by the 1978 novel
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was lifted, during a time of growing political upheaval, the desperation and breakdown of the father as his daughter slips away subtly points towards the fragile condition of the Philippine nation.
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carrying an incestuous relationship with his daughter). As Mila and Noel stand firm on leaving, Dadong is driven to desperation, pulls out his gun, and shoots Dely, Noel, Mila, and finally himself.
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where he was given a script before shooting and thus able to add depth to the characters. On the character, Silayan said, "I don't think it was just authoritarian. It was insane possession."
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Actor Silayan recalled that for most films at the time he was not given a script beforehand and thus found his film acting shallower than what he was able to convey on stage. It was only on
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found the violent and unreasonable relationship of Dadong Carandang, the over-possessive father, with Mila, his incest victim, as a microcosm of Marcos' rule. Released one year before
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at the 35th Cannes Film Festival. The two films screened at the Directors' Fortnight later that year. At the festival, French distributor Pascale Dauman offered to distribute
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On December 24, 1981, a day before the opening of the 7th Metro Manila Film Festival, a temporary restraining order was filed by Asuncion Cabading to stop the screening of
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2007:
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493:, published in 1977. Joaquin's piece chronicles the familicide committed by retired police detective Pablo Cabading. Divided into six "episodes," it is written in the
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On August 31, 2020, the restored version premiered at the 34th Il Cinema Ritrovato, a festival dedicated to recovered and restored classics, in Bologna, Italy.
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The screenplay was written by de Leon, Clodualdo del Mundo, Jr., and Raquel Villavicencio. The trio had previously worked together co-writing the 1980 musical
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The film was inspired by "The House on Zapote Street", written by Nick Joaquin under the pen name Quijano de Manila. The report was first published in the
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Shooting lasted 18 days. Actress Charo Santos both acted in and worked as a line producer on set. Santos made her acting debut in de Leon's 1976 film
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885:, the parent company of the defunct production company Bancom Audiovision, reimbursed de Leon half of the restoration cost and offered co-ownership.
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is generally viewed as an allegory of the dictatorial regime of then President Ferdinand Marcos, a theme director Mike de Leon explores in his films
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to make a movie about the crime. Although there had been several meetings, the project did not push through. The case was later dramatized in a
368:, respectively) in a 2013 poll organized by Pinoy Rebyu. In 2020, the film was digitally restored with a subsequent theatrical screening at the
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356:(Filipino Film Critics) included it in their list of Ten Best Films of the Decade and was voted the 3rd best Filipino film of all time (behind
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Considered as a pioneer of psychological horror film genre in the Philippines, its subject matter and themes, especially drawn parallels from
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1996:
1967:
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throughout Europe. The plans, however, fell through after the producers of both of the films held issue with their proposed box office cut.
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Upon the release of its restoration, the film saw positive retrospective reviews from Filipino critics. Noel Vera, writing for
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The digital restoration of the film was originally funded by de Leon and used an original print the director had kept at the
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Supporting Actor, Best Supporting Actress, Best Cinematography, Best Production Design, Best Music, and Best Sound.
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Production designer Cesar Hernando had come across the house while looking for a location to film the riot scene of
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Academic Nicanor Tiongson found that as a result "the point of the scene – the horror of incest – was obscured."
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982:– 1979 Filipino film also produced by Bancom Audiovision and based on a crime reportage story by Nick Joaquin
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Due to its controversial theme, only subtle references to incest are used throughout the film. Nevertheless,
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During the 7th Metro Manila Film Festival, Pierre-Henri Deleau, a Cannes organizer, invited de Leon to show
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archetypal image of a domestic space as a symbol of security, the home becomes a representation of threat."
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as possible. One evening, Noel is forced to find other accommodations after he is locked out of the house.
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style, based on the journalist's own primary research and investigation, including witness interviews.
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1292:""Nobody Knew About the Vinegar Syndrome at That Time": Mike De Leon On His Newly Restored Kisapmata"
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Festival copy as the "theatrical version" and the Cannes Film Festival copy as the "final cut."
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was on hiatus due to budget problems. In May 1981, four months into principal photography for
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1916:"Looming Over the Nation, Uneasy with the Folks: Locating Mike de Leon in Philippine Cinema"
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1854:"A third way to film the story: a Filipino film adaptation of a work of literary journalism"
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found the performance of Vic Silayan memorable but the film's direction to be heavy-handed.
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in March 2023 as part of Carlotta Film's five-box set of select films directed by de Leon.
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Charo Santos in 2014, president and CEO of ABS-CBN at the time. She was a line producer on
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946:"easily Mike de Leon's masterpiece" and "one of the greatest Filipino films." Similarly,
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Often regarded one of the greatest Filipino films ever made in retrospective years, the
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301:. The plot was inspired by the crime reportage "The House on Zapote Street" written by
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1158:"Restored 'Kisapmata' to be shown in Bologna this month, to be streamed in December"
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continued three months later; by that time de Leon and his creative team had filmed
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in Philippine cinema, while its message has been viewed as a commentary against the
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1688:"Mike de Leon's 'Kisapmata' which stars Charo Santos available for streaming today"
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1500:"This rare Vic Silayan interview explains why the guy was such a damn good actor"
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575:"in the blink of an eye," and so the abruptness was replicated in the film.
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1740:"Mike de Leon tribute at UP with film screenings, launch of Blu-ray boxset"
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1898:
1853:
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990:– 1983 Filipino film tackling similar issues also featuring Vic Silayan
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The film has been viewed by film academics as an allegory of President
373:
3018:
Enteng Kabisote 3: Okay Ka, Fairy Ko: The Legend Goes On and On and On
305:. The piece chronicles the events leading up to the highly publicized
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Reportage on Crime: Thirteen Horror Happenings that Hit the Headlines
364:
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2008:"House of Cards: The One-and-a-Half Story House in Kisapmata (1981)"
904:
was made available to stream for free for one day through de Leon's
489:
on January 28, 1961, and was later included in Joaquin's collection
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1070:
Cultural Center of the Philippines Encyclopedia of Philippine Art
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877:, on which de Leon was cinematographer and co-producer. While
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before becoming the president and chief executive officer of
509:
by Craig Jones, which further developed the theme of incest.
755:'s (pictured above) regime. It was released one year before
1717:"Mike De Leon, portrait of a Filipino filmmaker - 8 films"
2053:
Vibal, Gaspar; Villegas, Dennis (2020). Co, Teddy (ed.).
1561:
1559:
1557:
1920:
Humanities Diliman: A Journal on Philippine Humanities
1022:"Pop crimes: Quijano de Manila's 'Reportage on Crime'"
929:
In an article on the 7th Metro Manila Film Festival,
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during the Directors' Fortnight, alongside de Leon's
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826:any day in my life, but I challenge you to make a
309:committed by Pablo Cabading, a retired policeman.
822:was also in competition, told him, "I can make a
2865:(only the 3rd Best Picture was announced) (1986)
2301:Metropolitan Manila Development Authority (MMDA)
837:along with the director's then-work-in-progress
599:The film was shot while production on de Leon's
726:
4214:Films with screenplays by Raquel Villavicencio
2691:Fernando Poe Jr. Memorial Award for Excellence
900:On December 19, 2020, the restored version of
2274:
2129:
1434:"This house birthed a Filipino movie classic"
1007:
549:but eventually settled on Joaquin's article.
316:stories, marked the first major treatment of
8:
1980:Batch '81: The Making of a Mike de Leon Film
1062:Tajan, Menchie; Gatchalian, Elmer (2021) .
645:. She would go on to produce such films as
3811:
3484:
3169:
2761:
2686:Gatpuno Antonio J. Villegas Cultural Award
2281:
2267:
2259:
2136:
2122:
2114:
472:Carandang is never mentioned in the film.
36:
27:
1111:
3058:Manila Kingpin: The Asiong Salonga Story
270:for "in the blink of an eye") is a 1981
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1637:
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1613:
1601:
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1565:
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1536:
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1354:
1342:
1330:
1318:
1274:
1262:
1250:
1196:
1184:
1094:Labastilla, Skilty C. (November 2017).
1046:
1000:
963:At the 7th Metro Manila Film Festival,
339:, and was subsequently screened at the
16:1981 Filipino psychological horror film
2890:Andrea, Paano Ba ang Maging Isang Ina?
1867:School of Oriental and African Studies
1577:
1020:Romulo, Erwin T. (February 26, 2010).
881:was in the process of being restored,
4229:Philippine psychological horror films
4209:Films produced by Charo Santos-Concio
2905:Andres Manambit: Angkan ng Matatapang
1661:
1427:
1425:
1423:
1402:
1285:
1283:
1224:De Jesus, Totel (December 15, 2020).
285:, and Raquel Villavicencio. It stars
7:
2781:Diligin Mo ng Hamog ang Uhaw Na Lupa
1219:
1217:
1215:
1213:
1211:
1209:
1207:
1205:
1151:
1149:
1147:
1145:
1143:
1057:
1055:
710:Board of Censors for Motion Pictures
634:"Cesar's best work among my films."
545:. They discussed adapting the novel
465:Teresita R. Sanchez as Dra. Trinidad
2788:Ganito Kami Noon, Paano Kayo Ngayon
1432:Gomez, Jerome (September 6, 2020).
1156:De Jesus, Totel (August 13, 2020).
676:and Marilou Diaz-Abaya's 1983 film
2869:Olongapo, The Great American Dream
1738:De Jesus, Totel (March 21, 2023).
1128:from the original on June 13, 2021
1074:Cultural Center of the Philippines
734:– Mike de Leon in his 2022 memoir
641:and also starred in his 1980 film
563:and the then-on-production-hiatus
14:
3050:Ang Tanging Ina Mo (Last na 'To!)
1498:Grana, Rhia (December 21, 2020).
324:and the regime of then President
4184:1980s psychological horror films
4152:
4151:
1686:Biong, Ian (December 19, 2020).
1471:Ang, Raymond (October 1, 2016).
1290:Hunt, A.E. (December 17, 2020).
791:establish the setting and mood.
2978:Yamashita: The Tiger's Treasure
2231:Southern Winds: Aliwan Paradise
2100:Vic Silayan: An Actor Remembers
1954:(2022). Campos, Patrick (ed.).
1096:"On Film Polls and Pinoy Rebyu"
456:Mandy Bustamante as Policeman 2
354:Manunuri ng Pelikulang Pilipino
4204:Films directed by Mike De Leon
2898:Ang Totoong Buhay ni Pacita M.
1784:Film Society of Lincoln Center
333:7th Metro Manila Film Festival
1:
1928:University of the Philippines
1817:Vera, Noel (March 27, 2020).
1302:Independent Filmmaker Project
4189:1980s Tagalog-language films
3082:Bonifacio: Ang Unang Pangulo
2807:Kasal-kasalan, Bahay-bahayan
2056:Philippine Cinema, 1897–2020
1962:: Contra Mundum Publishing.
1782:. Vol. 19, no. 5.
875:Manila in the Claws of Light
595:, which she also starred in.
359:Manila in the Claws of Light
3188:Augusto Buenaventura (1975)
2178:Kung Mangarap Ka't Magising
1698:Inquirer Group of Companies
524:Kung Mangarap Ka't Magising
453:Edwin O'Hara as Policeman 1
281:, co-written with himself,
204:December 25, 1981
4250:
2663:Most Gender-Sensitive Film
2290:Metro Manila Film Festival
1875:10.5367/000000010791513120
1770:(September–October 1983).
1113:10.52518/2017.14.2-15cmpos
583:Pre-production and filming
411:as Tatang Dadong Carandang
84:The House on Zapote Street
18:
4146:
3810:
3483:
3168:
2760:
2296:
2218:Hindi Nahahati ang Langit
2152:
2023:University of Santo Tomas
1226:"The Saga of 'Kisapmata'"
1008:Vibal & Villegas 2020
912:The film was released on
712:, then headed by Senator
529:rape of Maggie de la Riva
462:Monette Alfon as Landlady
341:35th Cannes Film Festival
42:Theatrical release poster
35:
4234:1980s horror drama films
2638:Best Original Theme Song
1914:Campos, Patrick (2006).
1859:South East Asia Research
370:34th Il Cinema Ritrovato
68:Clodualdo del Mundo, Jr.
4224:Philippine horror films
3376:Cesar Apolinario (2007)
3302:& Lore Reyes (1996)
3281:Ike Jarlego, Jr. (1992)
2603:Best Supporting Actress
1851:Arriola, Joyce (2010).
447:Cora Alforja as Cynthia
283:Clodualdo del Mundo Jr.
3257:Artemio Marquez (1987)
2921:Muling Umawit ang Puso
2648:Best Sound Engineering
2643:Best Production Design
2006:Quiling, Tito (2018).
1977:Gomez, Jerome (2017).
1473:"COVER: Charo, reborn"
760:
731:
596:
438:Aida Carmona as Onyang
3530:Dindo Fernando (1980)
2850:Bulaklak sa City Jail
2598:Best Supporting Actor
1240:on November 11, 2022.
750:
708:was subjected to the
590:
571:Filmmaking Workshop.
521:After the release of
487:Philippine Free Press
459:Mely Mallari as Diomy
450:Dino Angeles as Mario
108:Ma. Rosario N. Santos
3950:Kimberly Diaz (1994)
3002:Mano Po III: My Love
2738:Summer Film Festival
2608:Best Child Performer
2063:: Vibal Foundation.
1514:on December 5, 2021.
819:Pagbabalik ng Panday
714:Maria Kalaw Katigbak
435:as Peping Manalansan
275:psychological horror
72:Raquel Villavicencio
4121:Charo Santos-Concio
3707:Christopher de Leon
3683:Christopher de Leon
3642:Christopher de Leon
3630:Christopher de Leon
3582:Christopher de Leon
3540:Christopher de Leon
3510:Christopher de Leon
3278:Elwood Perez (1991)
3098:Sunday Beauty Queen
2911:Kung Mawawala Ka Pa
2658:Best Make-up Artist
2653:Best Visual Effects
2623:Best Cinematography
2618:Best Original Story
1829:The Philippine Star
1819:"All in the family"
1750:ABS-CBN Corporation
1508:ABS-CBN Corporation
1481:The Philippine Star
1442:ABS-CBN Corporation
1168:ABS-CBN Corporation
1030:The Philippine Star
667:ABS-CBN Corporation
4219:Films about incest
3452:Antoinette Jadaone
3318:Marilou Diaz-Abaya
3312:Marilou Diaz-Abaya
3216:Marilou Diaz-Abaya
3198:Celso Ad. Castillo
2712:Special Jury Prize
2633:Best Musical Score
2238:Bayaning 3rd World
2048:on April 22, 2023.
1989:Asian Film Archive
1909:– via JSTOR.
1786:. pp. 48–55.
1756:on April 13, 2023.
1727:on March 21, 2023.
1704:on April 14, 2023.
1592:, p. 296–297.
1539:, p. 267–268.
1049:, p. 275–277.
955:'s masterpiece ."
859:Asian Film Archive
761:
743:Themes and symbols
597:
539:directorial debut
429:as Noel Manalansan
331:Premiering at the
191:Bancom Audiovision
182:Bancom Audiovision
101:Rolando S. Atienza
19:For the song, see
4199:1981 horror films
4166:
4165:
4142:
4141:
3978:Elizabeth Oropesa
3806:
3805:
3755:Paolo Ballesteros
3479:
3478:
3446:Brillante Mendoza
3404:Brillante Mendoza
3371:Jose Javier Reyes
3365:Jose Javier Reyes
3285:Jose Javier Reyes
3164:
3163:
2812:Ina Ka ng Anak Mo
2700:Short film awards
2256:
2255:
2225:Bilanggo sa Dilim
2186:Kakabakaba Ka Ba?
2070:978-971-97-0717-2
1998:978-981-11-5223-8
1969:978-621-06-0080-3
1835:on April 6, 2023.
1773:"Manila's Angels"
1580:, p. 48, 51.
1487:on April 7, 2023.
1477:Phil Star SUPREME
1448:on April 5, 2023.
1308:on April 5, 2023.
1174:on April 5, 2023.
1036:on April 6, 2023.
925:Critical response
643:Kakabakaba Ka Ba?
560:Kakabakaba Ka Ba?
423:as Mila Carandang
417:as Dely Carandang
277:film directed by
259:
258:
89:Quijano de Manila
4241:
4194:1981 drama films
4155:
4154:
4085:Jennylyn Mercado
4079:Jennylyn Mercado
4055:Ai-Ai delas Alas
4001:Assunta De Rossi
3855:Lolita Rodriguez
3812:
3785:Christian Bables
3552:Herbert Bautista
3521:No winner (1978)
3485:
3290:No winner (1994)
3170:
3114:Rainbow's Sunset
2916:no winner (1994)
2863:Halimaw sa Banga
2762:
2745:
2283:
2276:
2269:
2260:
2210:Sister Stella L.
2138:
2131:
2124:
2115:
2074:
2049:
2047:
2041:. Archived from
2012:
2002:
1973:
1947:
1910:
1856:
1837:
1836:
1831:. Archived from
1814:
1808:
1807:
1775:
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1758:
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1752:. Archived from
1735:
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1723:. Archived from
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1510:. Archived from
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1483:. Archived from
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1444:. Archived from
1429:
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1406:
1405:, p. 50–52.
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1080:
1067:
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1038:
1037:
1032:. Archived from
1017:
1011:
1005:
814:Fernando Poe Jr.
776:Nicanor Tiongson
772:Sister Stella L.
753:Ferdinand Marcos
738:
652:Oro, Plata, Mata
609:Pakawalan Mo Ako
326:Ferdinand Marcos
211:
209:
40:
28:
21:Kisapmata (song)
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4109:Judy Ann Santos
4073:Maricel Soriano
4061:Maricel Soriano
4037:Maricel Soriano
4031:Judy Ann Santos
4025:Zsa Zsa Padilla
4013:Maricel Soriano
3989:
3966:Maricel Soriano
3909:Melanie Marquez
3819:
3802:
3749:Jericho Rosales
3731:Dingdong Dantes
3725:Dingdong Dantes
3701:Jinggoy Estrada
3653:
3492:
3475:
3392:Wenn V. Deramas
3329:
3324:Laurice Guillen
3261:Laurice Guillen
3177:
3160:
2965:
2936:Nasaan ang Puso
2819:Taga sa Panahon
2769:
2756:
2743:
2726:
2722:Best Screenplay
2707:Best Short Film
2695:
2672:
2613:Best Screenplay
2566:
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2103:(Interview) in
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3546:Anthony Alonzo
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2678:Special awards
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1956:Last Look Back
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1768:Stein, Elliott
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1721:Carlotta Films
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169:Lorrie Ilustre
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3831:Charito Solis
3829:
3828:
3826:
3822:
3818:
3813:
3809:
3798:
3795:
3792:
3789:
3786:
3783:
3780:
3779:Paulo Avelino
3777:
3774:
3771:
3768:
3767:Dennis Trillo
3765:
3762:
3759:
3756:
3753:
3750:
3747:
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3737:Robin Padilla
3735:
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3695:Cesar Montano
3693:
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3665:Cesar Montano
3663:
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3643:
3640:
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3636:Cesar Montano
3634:
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3625:
3624:Jomari Yllana
3622:
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3618:Richard Gomez
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3453:
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3440:Joel Lamangan
3438:
3435:
3432:
3429:
3426:
3423:
3420:
3417:
3414:
3411:
3408:
3405:
3402:
3399:
3398:Tikoy Aguiluz
3396:
3393:
3390:
3387:
3386:Joel Lamangan
3384:
3381:
3378:
3375:
3372:
3369:
3366:
3363:
3360:
3359:Cesar Montano
3357:
3354:
3351:
3348:
3347:Joel Lamangan
3345:
3342:
3341:Chito S. Roño
3339:
3338:
3336:
3332:
3325:
3322:
3319:
3316:
3313:
3310:
3307:
3306:Chito S. Roño
3304:
3301:
3300:Peque Gallaga
3298:
3295:
3294:Joel Lamangan
3292:
3289:
3286:
3283:
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3208:
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3199:
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3180:
3176:
3175:Best Director
3171:
3167:
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2999:
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2994:Crying Ladies
2991:
2988:
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2959:Tanging Yaman
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2795:Burlesk Queen
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2717:Best Director
2715:
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2609:
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2599:
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2591:
2589:
2586:
2584:
2583:Best Director
2581:
2579:
2576:
2575:
2573:
2569:
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2016:
2009:
2004:
2000:
1994:
1990:
1986:
1982:
1981:
1975:
1971:
1965:
1961:
1957:
1953:
1952:De Leon, Mike
1949:
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1941:
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1824:BusinessWorld
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1715:n.a. (n.d.).
1711:
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1679:
1675:
1670:
1667:
1664:, p. 59.
1663:
1658:
1655:
1651:
1646:
1643:
1640:, p. 73.
1639:
1634:
1631:
1628:, p. 62.
1627:
1622:
1619:
1616:, p. 60.
1615:
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1538:
1533:
1530:
1527:, p. 96.
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939:BusinessWorld
934:
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931:Elliott Stein
924:
919:
917:
915:
910:
909:movie ever."
907:
903:
895:
893:
889:
886:
884:
880:
876:
873:'s 1975 film
872:
869:, as well as
868:
864:
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852:
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848:
844:
840:
836:
831:
829:
825:
821:
820:
816:, whose film
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699:
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691:Deleted scene
690:
685:
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681:
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675:
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664:
663:
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654:
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647:Peque Gallaga
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547:Blood Secrets
544:
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514:
510:
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507:Blood Secrets
502:
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415:Charito Solis
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299:Charito Solis
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139:Charito Solis
137:
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78:
71:
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63:
62:
60:
56:
53:
50:
46:
39:
34:
29:
26:
22:
4150:
4133:Vilma Santos
4097:Joanna Ampil
4091:Irma Adlawan
4019:Vilma Santos
3994:2001–present
3972:Alice Dixson
3945:Dawn Zulueta
3921:Vilma Santos
3897:Vivian Velez
3873:Vilma Santos
3843:Vilma Santos
3817:Best Actress
3797:Cedrick Juan
3761:Derek Ramsay
3743:Derek Ramsay
3713:Bong Revilla
3671:Eddie Garcia
3658:2001–present
3564:Mario O'Hara
3516:Rolly Quizon
3434:Paul Soriano
3416:Dan Villegas
3410:Joyce Bernal
3334:2001–present
3267:Eddie Garcia
3252:Mario O'Hara
3240:Mario O'Hara
3234:Willie Milan
3222:Mike De Leon
3204:Eddie Garcia
3192:Eddie Romero
3152:
3144:
3136:
3128:
3120:
3112:
3104:
3096:
3088:
3080:
3074:10,000 Hours
3072:
3066:One More Try
3064:
3056:
3048:
3040:
3032:
3024:
3016:
3008:
3000:
2992:
2984:
2976:
2970:2001–present
2957:
2949:
2941:
2935:
2929:Magic Temple
2927:
2919:
2910:
2904:
2896:
2888:
2882:
2874:
2868:
2862:
2857:Paradise Inn
2856:
2848:
2840:
2832:
2824:
2818:
2810:
2806:
2800:
2794:
2786:
2780:
2767:Best Picture
2628:Best Editing
2593:Best Actress
2578:Best Picture
2571:Merit awards
2246:Citizen Jake
2244:
2236:
2230:
2224:
2216:
2208:
2200:
2193:
2192:
2184:
2176:
2168:
2162:
2156:
2145:Mike De Leon
2098:
2088:
2055:
2043:the original
2018:
2014:
1979:
1955:
1923:
1919:
1862:
1858:
1844:Bibliography
1833:the original
1822:
1812:
1802:– via
1779:Film Comment
1777:
1762:
1754:the original
1743:
1733:
1725:the original
1720:
1710:
1702:the original
1693:INQUIRER.net
1691:
1681:
1674:De Leon 2022
1669:
1657:
1650:De Leon 2022
1645:
1638:Quiling 2018
1633:
1626:Quiling 2018
1621:
1614:Quiling 2018
1609:
1602:Arriola 2010
1597:
1590:Arriola 2010
1585:
1573:
1566:Arriola 2010
1549:Arriola 2010
1544:
1537:De Leon 2022
1532:
1525:De Leon 2022
1520:
1512:the original
1503:
1493:
1485:the original
1476:
1466:
1459:De Leon 2022
1454:
1446:the original
1437:
1415:De Leon 2022
1410:
1398:
1391:Arriola 2010
1386:
1379:De Leon 2022
1374:
1367:Arriola 2010
1362:
1355:De Leon 2022
1350:
1343:De Leon 2022
1338:
1331:De Leon 2022
1326:
1319:De Leon 2022
1314:
1306:the original
1295:
1275:De Leon 2022
1270:
1263:Arriola 2010
1258:
1251:Arriola 2010
1246:
1238:the original
1229:
1197:Arriola 2010
1192:
1185:Arriola 2010
1180:
1172:the original
1161:
1130:. Retrieved
1103:
1099:
1089:
1077:. Retrieved
1069:
1047:Arriola 2010
1042:
1034:the original
1025:
1015:
1003:
987:Of the Flesh
985:
977:
964:
962:
943:
937:
935:
928:
914:Blu-ray Disc
911:
901:
899:
890:
887:
878:
874:
866:
856:
846:
842:
838:
834:
832:
827:
823:
817:
809:
807:
793:
789:
771:
767:
763:
762:
735:
732:
727:
721:
718:
705:
703:
694:
679:Of the Flesh
677:
673:
671:
660:
650:
642:
638:
636:
631:
627:
625:
620:
616:
613:Vilma Santos
608:
604:
600:
598:
592:
577:
573:
564:
558:
556:
546:
540:
537:
522:
520:
511:
506:
503:
499:
490:
486:
484:
470:
442:Juan Rodrigo
433:Ruben Rustia
421:Charo Santos
395:
391:
387:
363:
357:
351:
344:
330:
311:
303:Nick Joaquin
291:Charo Santos
279:Mike de Leon
262:
261:
260:
220:Running time
197:Release date
161:Jess Navarro
129:Charo Santos
83:
64:Mike de Leon
52:Mike de Leon
25:
4043:Anne Curtis
3960:Amy Austria
3939:Gina Alajar
3915:Amy Austria
3903:Liza Lorena
3885:Coney Reyes
3867:Amy Austria
3773:Allen Dizon
3677:Eric Quizon
3606:Aga Muhlach
3600:Aga Muhlach
3594:Eric Quizon
3576:Baldo Marro
3534:Vic Silayan
3525:Raul Aragon
3470:Pepe Diokno
3464:Mikhail Red
3246:Lino Brocka
3210:Lino Brocka
3106:Ang Larawan
2157:Sa Bisperas
2147:filmography
2061:Quezon City
1960:Quezon City
1869:: 271–300.
1578:Campos 2006
1234:GMA Network
1065:"Kisapmata"
871:Lino Brocka
853:Restoration
780:martial law
759:was lifted.
757:martial law
517:Development
481:Inspiration
409:Vic Silayan
287:Vic Silayan
233:Philippines
124:Vic Silayan
95:Produced by
48:Directed by
4179:1981 films
4173:Categories
4067:Nora Aunor
3954:Nora Aunor
3933:Nora Aunor
3927:Nora Aunor
3891:Nora Aunor
3879:Nora Aunor
3861:Nora Aunor
3849:Nora Aunor
3612:Roi Vinzon
3490:Best Actor
3428:Erik Matti
3422:Erik Matti
3380:Mark Meily
3353:Mark Meily
3273:Gil Portes
3138:Big Night!
3042:Ang Panday
2943:José Rizal
2809:tied with
2668:Best Float
2588:Best Actor
1662:Gomez 2017
1403:Gomez 2017
1079:August 29,
1026:Young Star
995:References
896:Home media
883:Union Bank
593:Kisapamata
476:Production
427:Jay Ilagan
322:patriarchy
314:true crime
307:familicide
295:Jay Ilagan
224:98 minutes
208:1981-12-25
175:Production
152:Rody Lacap
134:Jay Ilagan
58:Written by
3824:1975–2000
3497:1975–2000
3182:1975–2000
3010:Blue Moon
2876:Patrolman
2826:Kisapmata
2774:1975–2000
2731:Spin-offs
2202:Batch '81
2194:Kisapmata
2089:Kisapmata
2039:0041-7149
2031:2619-7987
2025:: 55–78.
1985:Singapore
1944:1655-1532
1936:2012-0788
1930:: 35–73.
1907:147506590
1891:0967-828X
1883:2043-6874
1792:0015-119X
1297:Filmmaker
1122:245578823
965:Kisapmata
959:Accolades
953:Hitchcock
948:Oggs Cruz
944:Kisapmata
942:, called
920:Reception
902:Kisapmata
879:Kisapmata
867:Batch '81
863:Singapore
847:Kisapmata
843:Batch '81
839:Batch '81
835:Kisapmata
824:Kisapmata
810:Kisapmata
774:Academic
768:Batch '81
764:Kisapmata
706:Kisapmata
674:Kisapmata
632:Kisapmata
628:Batch '81
621:Kisapmata
617:Batch '81
611:starring
605:Batch '81
601:Batch '81
565:Batch '81
533:1994 film
346:Batch '81
337:Best Film
263:Kisapmata
239:Languages
158:Edited by
31:Kisapmata
4157:Category
4007:Ara Mina
3458:Jun Lana
3130:Fan Girl
3122:Mindanao
2951:Muro-Ami
2163:Monologo
2105:Filipino
1899:23750939
1800:43452922
1132:June 13,
1126:Archived
1100:Plaridel
972:See also
444:as Ernie
272:Filipino
268:Filipino
246:Filipino
166:Music by
117:Starring
80:Based on
3154:Firefly
3146:Deleter
3026:Resiklo
2986:Mano Po
2883:Imortal
2310:By year
2109:YouTube
804:Release
553:Writing
374:Bologna
251:Ilocano
229:Country
206: (
177:company
4135:(2023)
4129:(2022)
4123:(2021)
4117:(2020)
4111:(2019)
4105:(2018)
4099:(2017)
4093:(2016)
4087:(2015)
4081:(2014)
4075:(2013)
4069:(2012)
4063:(2011)
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4015:(2003)
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4003:(2001)
3986:(2000)
3980:(1999)
3974:(1998)
3968:(1997)
3962:(1996)
3956:(1995)
3947:(1993)
3941:(1992)
3935:(1991)
3929:(1990)
3923:(1989)
3917:(1988)
3911:(1987)
3905:(1986)
3899:(1985)
3893:(1984)
3887:(1983)
3881:(1982)
3875:(1981)
3869:(1980)
3863:(1979)
3857:(1979)
3851:(1978)
3845:(1977)
3839:(1976)
3833:(1975)
3799:(2023)
3793:(2022)
3787:(2021)
3781:(2020)
3775:(2019)
3769:(2018)
3763:(2017)
3757:(2016)
3751:(2015)
3745:(2014)
3739:(2013)
3733:(2012)
3727:(2011)
3721:(2010)
3719:Dolphy
3715:(2009)
3709:(2008)
3703:(2007)
3697:(2006)
3691:(2005)
3685:(2004)
3679:(2003)
3673:(2002)
3667:(2001)
3650:(2000)
3644:(1999)
3638:(1998)
3632:(1997)
3626:(1996)
3620:(1995)
3614:(1994)
3608:(1993)
3602:(1992)
3596:(1991)
3590:(1990)
3588:Dolphy
3584:(1989)
3578:(1988)
3572:(1987)
3566:(1986)
3560:(1985)
3554:(1984)
3548:(1983)
3542:(1982)
3536:(1981)
3527:(1979)
3518:(1977)
3512:(1976)
3506:(1975)
3472:(2023)
3466:(2022)
3460:(2021)
3454:(2020)
3448:(2019)
3442:(2018)
3436:(2017)
3430:(2016)
3424:(2015)
3418:(2014)
3412:(2013)
3406:(2012)
3400:(2011)
3394:(2010)
3388:(2009)
3382:(2008)
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3367:(2005)
3361:(2004)
3355:(2003)
3349:(2002)
3343:(2001)
3326:(2000)
3320:(1999)
3314:(1998)
3308:(1997)
3296:(1995)
3287:(1993)
3275:(1990)
3269:(1989)
3263:(1988)
3254:(1986)
3248:(1985)
3242:(1984)
3236:(1983)
3230:(1982)
3224:(1981)
3218:(1980)
3212:(1979)
3206:(1978)
3200:(1977)
3194:(1976)
3157:(2023)
3149:(2022)
3141:(2021)
3133:(2020)
3125:(2019)
3117:(2018)
3109:(2017)
3101:(2016)
3093:(2015)
3085:(2014)
3077:(2013)
3069:(2012)
3061:(2011)
3053:(2010)
3045:(2009)
3037:(2008)
3029:(2007)
3021:(2006)
3013:(2005)
3005:(2004)
2997:(2003)
2989:(2002)
2981:(2001)
2962:(2000)
2954:(1999)
2946:(1998)
2938:(1997)
2932:(1996)
2924:(1995)
2913:(1993)
2907:(1992)
2901:(1991)
2893:(1990)
2885:(1989)
2879:(1988)
2871:(1987)
2859:(1985)
2853:(1984)
2845:(1983)
2842:Karnal
2837:(1982)
2834:Himala
2829:(1981)
2821:(1980)
2815:(1979)
2803:(1978)
2797:(1977)
2791:(1976)
2783:(1975)
2249:(2018)
2241:(1999)
2233:(1993)
2227:(1987)
2221:(1985)
2213:(1984)
2205:(1982)
2197:(1981)
2189:(1980)
2181:(1977)
2173:(1976)
2165:(1975)
2159:(1972)
2067:
2037:
2029:
2015:UNITAS
1995:
1966:
1942:
1934:
1905:
1897:
1889:
1881:
1798:
1790:
1120:
979:Jaguar
828:Panday
662:Himala
365:Himala
318:incest
297:, and
3034:Baler
2801:Atsay
2046:(PDF)
2027:eISSN
2021:(1).
2011:(PDF)
1932:eISSN
1926:(2).
1903:S2CID
1895:JSTOR
1879:eISSN
1865:(2).
1804:JSTOR
1796:JSTOR
1118:S2CID
906:Vimeo
378:Italy
2750:2023
2744:2020
2562:2024
2557:2023
2552:2022
2547:2021
2542:2020
2537:2019
2532:2018
2527:2017
2522:2016
2517:2015
2512:2014
2507:2013
2502:2012
2497:2011
2492:2010
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2477:2007
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2467:2005
2462:2004
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2432:1998
2427:1997
2422:1996
2417:1995
2412:1994
2407:1993
2402:1992
2397:1991
2392:1990
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2372:1986
2367:1985
2362:1984
2357:1983
2352:1982
2347:1981
2342:1980
2337:1979
2332:1978
2327:1977
2322:1976
2317:1975
2170:Itim
2094:IMDb
2065:ISBN
2035:ISSN
1993:ISBN
1964:ISBN
1940:ISSN
1887:ISSN
1788:ISSN
1504:ANCX
1438:ANCX
1134:2021
1081:2022
845:and
797:sala
770:and
655:and
639:Itim
542:Itim
401:Cast
384:Plot
362:and
2107:on
2092:at
1871:doi
1108:doi
861:in
830:."
659:'s
649:'s
569:LVN
380:.
372:in
87:by
4175::
2059:.
2033:.
2019:90
2017:.
2013:.
1991:.
1987::
1983:.
1958:.
1938:.
1922:.
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1861:.
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1794:.
1776:.
1748:.
1742:.
1719:.
1696:.
1690:.
1556:^
1506:.
1502:.
1479:.
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1440:.
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1300:.
1294:.
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1102:.
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669:.
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535:.
376:,
349:.
328:.
293:,
289:,
2282:e
2275:t
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2073:.
2001:.
1972:.
1946:.
1924:3
1873::
1806:.
1136:.
1110::
1083:.
266:(
210:)
23:.
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