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traditions and that
Abrahamson's "bold, satirical and colourful leanings are reflected in her narrative and figurative works that have a strong personal introspective penchant". The use of low-fire clay and glazes permit the construction of large objects and brighter colours.
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Her work has been given wide public exposure and has been included in several international shows in the United States (in San Diego, California; Minneapolis, Minnesota; New York, New York and; San Angelo, Texas ) and overseas; in Taipei, Taiwan; and Prague, Czechoslovakia.
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Through her extensive course of studies in ceramic art, Kirsten
Abrahamson has both an understanding of ceramic traditions and the formal skills in ceramic arts developed from the 19th through to the 21st century. Her foremost work,
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222:. The text discusses and illustrates Canadian ceramic art work and ceramic artists in Canada. Kirsten Abrahamson's glazing work has also been used for illustrative purposes in two books by professional studio potter
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Her work has been acquired by individuals and collected in private and public galleries. The works of
Kirsten Abrahamson are held in the permanent collections of the following institutions;
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Chaytor, K and
Krueger, J ed. Relational Learning: ACAD Ceramics Visiting Artists The First 3 Decades, ACAD Ceramics, Calgary, Alberta, 2017
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Relational
Learning: ACAD Ceramics Visiting Artists The First 3 Decades, ACAD Ceramics, K Chaytor and J Krueger ed., Calgary, Alberta, 2017
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Biennial she was awarded the "Prix Du Public". During its 20-year history, this exhibition was a juried national ceramics show. At its 10
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as part of its permanent collection. A number of her other works have been also been acquired by the
Alberta Foundation for the Arts.
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and final exhibition, the participants were selected by curators who invited submissions from artists in each of four regions.
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138:(Sculpture) in 1990. Subsequently, she was an artist in residence at the Alberta College of Art and Design, and later at the
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where she earned
Diplomas in Ceramics and Glassblowing. In 1984 and 1985, she attended the summer sessions in Ceramics at
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Abrahamson's ceramic art is illustrated and exemplified in several ceramics texts. One of these is Gail
Crawford's book
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at London, Ontario, and thereafter to the
University of Waterloo Gallery in Waterloo, Ontario, during 2004–2005.
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Kirsten
Abrahamson's works were represented in 5 of the 10 National Biennial of Ceramics exhibitions. At the 10
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Abrahamson's work was influenced by a sojourn in Mexico in 1993, where she and a colleague experienced the
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Oeuvre The Top: Ceramic Artist Kirsten Abrahamson Walks a Tight Line Between the Exuberant and the Absurd,
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takes an autobiographical approach in the creation of ceramic art that reflects the themes in her life.
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festival. Out of that experience, she and her colleague created a special exhibition entitled
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The City of Calgary Civic Art Collection, Calgary, Alberta (housed at the Triangle Gallery)
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granted in honour of the 75th anniversary of the Alberta College of Art and Design in 2002
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at The New Gallery in Calgary. Abrahamson portrayed the symbolism of this festival.
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with her family at the beginning of her high school years and subsequently became a
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awarded at the 10th National Biennial of Ceramics at Trois-Riviers, Quebec in 2002
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Abrahamson's work has been recognized by the awards or prizes in these venues,
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shown at the Muttart Gallery. Subsequently, they had a second exhibition,
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anniversary by display of their works at Nickle Gallery, September 2016.
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Visual Arts Newsletter, Vol.11, No. 9, Issue 53, p. 4. Feb. 1990,
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The Nickle Arts Museum at the University of Calgary, Calgary, Alberta
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exhibition at the Muttart Gallery (now the Art Gallery of Calgary).
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Eichorn, Virginia, ESPACE SCULPTURE, Vol. 75, p 39-40, Spring 2006
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presented by the Muttart Gallery (now the Art Gallery of Calgary).
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Muttart Gallery Newsletter, Volume 6, Issue 5. Sept./Oct., 1994
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Muttart Gallery Newsletter, Volume 6, Issue 5. Sept./Oct., 1994
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Carol Podedworny, Illingworth Kerr Gallery, 2005 - 7 pages
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Publications referencing the work of Kirsten Abrahamson;
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exhibited in 1989 at the Canadian Art Gallery of Calgary.
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University of Calgary Art Department 50th Anniversary
759:. Berkeley: University of California Press, 1985.
553:Arts Bridge, Vol. 3, No. 2, Issue 8, 4. Fall 1994
45:extensive use of inline linking; CV-style issues.
384:exhibition at the Harbinger Gallery of Waterloo.
456:ESPACE SCULPTURE, Vol. 75, p 39-40, Spring 2006
369:, first shown at the Illingworth Kerr Gallery
406:The Personal Mythologies of Dee Dee Alteridem
362:Jonathon Bancroft Snell Gallery, October 2015
185:Similarly, Virginia Eichorn's article, about
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110:. After completing high school, she moved to
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862:, 2nd Ed., Iola: Krause Publications, 2001"
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173:That work was reviewed in a short book by
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560:Artichoke, Vol.6, No.3, Fall/Winter, 1994
218:, the only museum in Canada dedicated to
68:Learn how and when to remove this message
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465:Illingworth Kerr Gallery, 2005 - 7 pages
270:Distinguished Alumni Award of Excellence
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539:Where, p. 12. (Calgary) Oct. 1994
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337:Permanent Collection, Calgary, Alberta
256:One of 30 Alumni honoured during the
179:California Funk and Bay Area Ceramics
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410:University of Calgary Little Gallery
669:REVIVAL: Abrahamson and Strakowski,
544:REVIVAL: Abrahamson and Strakowski,
279:juried exhibition displayed at the
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201:was subsequently acquired by the
116:Alberta College of Art and Design
514:, Gauntlet, p. 21 Oct. 1999
398:exhibition presented in 1990 at
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582:Sculptor Pokes Fun at Tourists,
373:, subsequently traveled to the
335:Alberta College of Art + Design
329:Alberta Foundation for the Arts
203:Alberta Foundation for the Arts
1073:Exhibition Catalogue and notes
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402:of the University of Calgary.
193:, observed that Abrahamson's
120:The Banff School of Fine Arts
644:"Sheridan Faculty Directory"
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1092:Kirsten Abrahamson Web Page
43:. The specific problem is:
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1049:"Queue Jonathan's Gallery"
537:The Lighter Side of Death,
512:Dead Dudes in Mexican Duds
81:Kirsten Lillian Abrahamson
39:to meet Knowledge (XXG)'s
558:Death Stalks the Muttart,
489:The Triangle Gallery 2004
471:Studio Ceramics in Canada
317:The Claridge Collection,
309:Banff Centre for the Arts
211:Studio Ceramics in Canada
1127:Canadian women ceramists
434:List of Canadian artists
130:from which she earned a
126:. She then attended the
102:, in 1960. She moved to
988:"HeRMIS Accession list"
920:Items Nos.2284 and 2286
551:The Mexican Connection,
134:(Ceramics) in 1987 and
16:Canadian ceramic artist
1122:Canadian women potters
957:"Collection Auctioned"
743:Podedworny Linkedin CV
609:University of Waterloo
528:Laviolette, Mary-Beth
400:The Nickle Arts Museum
532:Avenue, 8-9 Dec. 1997
408:shown in 1990 at the
304:, Burlington, Ontario
302:Burlington Art Centre
275:Awarded 2nd Prize in
258:University of Calgary
132:Bachelor of Fine Arts
128:University of Calgary
932:"Nickle Arts Museum"
860:The Ceramic Spectrum
621:Thesis documentation
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396:Personal Mythologies
50:improve this article
565:Kirsten Abrahamson,
482:, 2005, p. 215
480:Goose Lane Editions
331:, Edmonton, Alberta
136:Master of Fine Arts
94:Personal background
1117:Canadian ceramists
1024:"Triangle Gallery"
1012:Virtual Collection
962:The Globe and Mail
753:Albright, Thomas.
719:"Diary of a River"
549:Abercrombie, Nora
459:Podedworny, Carol
450:Eichorn, Virginia
114:, to study at the
791:"AFFA Collection"
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367:Diary: of a River
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311:, Banff, Alberta
228:Ceramics Monthly
199:Diary of a River
191:ESPACE SCULPTURE
187:Diary of a River
175:Carol Podedworny
168:Diary of a River
160:Days of the Dead
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345:Exhibitions
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195:studio work
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285:Toronto
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85:ceramic
36:cleanup
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245:Awards
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