29:
476:
451:
89:
331:. The monk, in an attempt to avoid meeting her, chose a different route on the return journey, and the woman died in grief when she found out that he was deliberately avoiding her. After her death, a great serpent emerged from her bedchamber and it pursued the monk before killing him in a bell in the
75:
is a character in the story of Anchin and
Kiyohime, which dates back to the 11th century. In this story, she fell in love with a Buddhist monk named Anchin, but after her interest in the monk was rejected, she chased after him and transformed into a serpent in a rage, before killing him in a bell
383:
The name
Kiyohime did not appear in early versions of the tale, but was probably later derived from the name of the father or father-in-law, Seiji, which can also be read as Kiyotsugu. The name Kiyohime did not appear until the 18th century, in the narrative of a
208:
to help him to cross the river, but told him not to let her cross with his boat. When
Kiyohime saw that Anchin was escaping her, she jumped into the river and started to swim after him. While swimming in the torrent of the Hidaka river, she transformed into a
221:
bell of the temple. However, the serpent smelled him hiding inside the bell and started to coil around it. She banged the bell loudly several times with her tail, then gave a great belch of fire so powerful that it melted the bell and killed Anchin.
450:
475:
236:
Although Hidaka River is perhaps more famed in connection with the legend, and sometimes just the scene of this river has been performed (rather than the entire play), some versions employ the Kirime River
217:
because of her rage. When Anchin saw her coming after him in her monstrous new form, he ran into the temple called Dōjō-ji. He asked the priests of Dōjō-ji for help and they hid him under the
193:
In order to avoid her, he deceives her (with a false promise to return) and continues his journey. Kiyohime became furious by his rejection and pursued him in rage. At the edge of the
1592:
803:
Ugetsu
Monogatari or Tales of Moonlight and Rain (Routledge Revivals): A Complete English Version of the Eighteenth-Century Japanese collection of Tales of the Supernatura l
434:). In this version, the woman in the tale was the daughter-in-law of the owner of a home in Manago in the Muro district named Steward of Seiji or Shōji Kiyotsugu. Seiji (
338:
The old version also ends with an epilogue: Years later the monk appeared in a dream of a senior priest at this temple (Dōjō-ji), begging him to copy a chapter of the
315:
This old version tells the story of an unnamed young widow (or young unmarried house mistress) who desired the attention of an unnamed handsome monk travelling on a
1558:
440:) or Kiyotsugu are variant readings of the same characters, and while "Shōji" is construable as a surname, it is also the title/position of a steward of the
1247:
1464:
Tales of Times Now Past: Sixty-Two
Stories from a Medieval Japanese Collection. A translation of sixty-two key stories from the Konjaku Monogatari
1471:
811:
231:
In some versions, he fell in love with the beautiful
Kiyohime, but after a time he overcame his passions and refrained from further meetings
1597:
1466:, Open access edition funded by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program,
774:
639:
1427:
1393:
991:
926:
845:
590:
482:
457:
1115:
267:
233:, while in other versions Anchin resisted her attention from the start, and avoided her house on his return journey.
1460:"Ch. 14. 3 How a Monk of the Dōjōji in the Province of Kii Copied the Lotus Sutra and Brought Salvation to Serpents"
1587:
1577:
1555:
1490:
Genkō Shakusho, Japan's First
Comprehensive History of Buddhism: A Partial Translation, with Introduction and Notes
506:(Dōjō-ji Temple plays), depicting an event some years after the temple bell was destroyed. These plays include the
1582:
1141:
Susan
Blakeley Klein (1991). "When the Moon Strikes the Bell: Desire and Enlightenment in the Noh Play Dojoji".
28:
280:
512:
1436:
1375:; Inagaki, Taiichi, eds. (2008), "Dōjōji no sō, hokekyō wo utsushite hebi wo sukuu koto (Book 14, no. 3)"
1116:
3 How a Monk of the Dōjōji in the
Province of Kii Copied the Lotus Sutra and Brought Salvation to Serpents
742:
1200:
666:
1497:
Waters, Virginia Skord (Spring 1997). "Sex, Lies, and the
Illustrated Scroll: The Dōjōji Engi Emaki".
141:
605:
312:
and Brought Salvation to Serpents" is of virtually identical content, only expanded into Japanese.
210:
133:
35:
1286:
522:
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1526:
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1406:
1402:
1372:
1368:
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343:
72:
1309:
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1055:
Book 14, 3. Dōjōji no sō, hokekyō wo utsushite hebi wo sukuu koto 紀伊國道成寺僧寫法華救蛇. Reprinted in:
987:
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841:
835:
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635:
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246:(which is further east and nearer the beginning of the journey) as the scene of the crossing.
1459:
764:
107:
The theatrical versions, for which there are numerous playscripts, are collectively known as
1506:
1349:
1150:
420:
1380:
1022:
919:
Painting Circles: Tsuchida Bakusen and Nihonga Collectives in Early Twentieth Century Japan
1562:
969:
868:
827:
214:
436:
552:
here does not necessarily imply widow, as is usually the case in modern Japanese speech.
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137:
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illustrating the part where the woman transforms into a serpent chasing after the monk
88:
1571:
328:
149:
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125:
77:
1345:
1196:
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797:
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129:
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Proceedings of the International Symposium on the theatre in the East and the West
1530:
1440:
691:
190:, where the manor official's daughter Kiyohime fell in love with the young monk.
840:, translated by Hiroko Yoda; Matt Alt, Courier Dover Publications, p. 172,
502:
The tale of Anchin and Kiyohime forms the basis of a collection of plays termed
339:
324:
320:
309:
1287:"Dance as Cultural Heritage: Selected papers from the ADG-CORD Conference 1978"
959:, Book 2, "No. 129 Kii no kuni Muro-gun no akujo 第百廿九 紀伊國牟婁郡惡女". Reprinted in:
1419:
145:
1361:
160:
721:"Theatre and Art: Vendetta for a wronged wife/ A legend of femine jealousy"
218:
153:
907:"6 Artistic Flowering: the Second and Third Kokuten Exhibitions. §Kagaku:
176:
20:
631:
Explaining Pictures: Buddhist Propaganda And Etoki Storytelling in Japan
492:
illustrating the story where the serpent burns the bell killing the monk
1518:
401:
Some later versions also used different names for Anchin and Kiyohime.
261:
1353:
1162:
837:
Japandemonium Illustrated: The Yokai Encyclopedias of Toriyama Sekien
769:(2nd ed.). Rowman & Littlefield Publishers. pp. 86–87.
517:
346:, which was duly done and they were both reborn in separate heavens.
296:
1510:
1326:
1248:"The Legend of Anchin and Kiyohime (安珍・清姫伝説) - Japanese Wiki Corpus"
1154:
488:
463:
415:
205:
87:
27:
1230:
1228:
725:
The Herald of Asia: A Review of Life and Progress in the Orient
1543:(in Japanese), vol. 3, Kokusho kankōkai, pp. 450–461
507:
342:
to release him and the serpent from their suffering in their
121:
The "Anchin-Kiyohime" legend can be summarized as follows:
100:" legend may be designated by various other names, such as
32:"Kiyohime becomes serpent-bodied at Hidaka River" (1890)
136:), relates how a priest named Anchin from Shirakawa in
1093:
892:
766:
Historical Dictionary of Japanese Traditional Theatre
1128:
259:
The story originally appeared in two collections of
542:
It is remarked by Mabuchi et al. that the term kafu
1492:, University of California, Berkeley, p. 336
294:The text in the former work is written down in
124:The legend, connected with the founding of the
1106:
1104:
1102:
1066:"Kii no kuni Dōjōji no sō.., etc. Tale No. 3"
545:
373:
239:
183:
167:
60:
44:
788:
786:
8:
715:
713:
711:
634:. University of Hawai'i Press. p. 119.
396:The Snake Scales of Dojoji, A Modern Version
1388:(in Japanese), Shogakukan, pp. 38–49,
657:
655:
653:
651:
1593:Mythological and legendary Japanese snakes
1556:The Learning of Love (A Japanese Folktale)
1453:(in Japanese), Seikyosha, pp. 271–294
1418:, 日本古典文学全集 21 (in Japanese), vol. 1,
1090:, Keizai zasshisha, 1901, pp. 753–756
704:, vol. 1, Sanseido, p. 128, 1994
686:
684:
304:entitled "How a Monk of the Dōjōji in the
1040:
944:
152:in southern Kii, lodged at the home of a
1005:
758:
756:
1338:Joseigaku hyōron: Women's studies forum
1187:
1110:
1056:
960:
569:
535:
1272:
1260:
1234:
1219:
1175:
1094:Mabuchi, Kunisaki & Inagaki (2008)
893:Mabuchi, Kunisaki & Inagaki (2008)
867:; also the translators' anntoation to
300:(Chinese text), while the text in the
880:
864:
92:Kiyohime on the banks of Hidaka River
7:
1129:Mabuchi, Kunisaki & Konno (1971)
859:For brief summaries in English, cf.
806:. Routledge. p. 252(note 490).
398:) that was first performed in 1742.
1331:no <onna>: heynyō no bikaku"
413:version of the story is told in an
1325:Hamashita, Masahiro (March 1998),
1030:, Kokusho kankōkai, pp. 14–15
1024:Igyō no densetsu: denshō bungakukō
617:(in Japanese), Edo Rekishi Library
49:) "New Forms of Thirty-Six Ghosts"
14:
427:("Illustrated legend of Dōjōji",
474:
449:
1486:[Annotation on] Anchin"
1143:The Journal of Japanese Studies
1536:, in Iwamoto, Sashichi (ed.),
1310:"Magic Vengeance in Old Japan"
981:Zoku Gunsho ruijū 8jō (den-bu)
834:[The Bell of Dōjōji],
585:, ABC-CLIO, pp. 252–253,
583:Handbook of Japanese Mythology
1:
1291:Congress on Research in Dance
444:manor, as already discussed.
428:
364:
285:
272:
1409:; Konno, Tōru, eds. (1971),
743:""Kyo Kanoko Musume Dojoji""
380:is named as the young monk.
350:Names of Anchin and Kiyohime
335:temple where he had hidden.
1441:"Kyō-ganoko Musume Dōjōji"
577:Ashkenazi, Michael (2003),
76:where he had hidden in the
1614:
1598:Female legendary creatures
1377:道成寺の僧、法華経を写して蛇を救うこと(巻一四ノ三)
986:, 八木書店, pp. 199–200,
957:Honchō hokke genki 本朝法華驗記
763:Leiter, Samuel L. (2014).
419:(picture scroll) from the
268:Dainihonkoku hokekyō kenki
18:
1285:Betty True Jones (1983).
905:Szostak, John D. (2013),
830:(2017), "Dōjōji-no-kane"
676:(in Japanese), Shogakukan
546:
435:
374:
240:
184:
168:
61:
45:
1540:
1532:
1450:
1442:
1414:
1384:
1376:
1332:
1204:
1194:Book 19. Japanese text:
1087:
1067:
1026:
983:
975:
974:"Honchō hokke genki ge"
831:
749:, pp. 324–326, 1965
701:
699:Zukai gendai hyakkajiten
693:
668:
628:Ikumi Kaminishi (2005).
613:
19:Not to be confused with
611:Shingata sanjūrokkaisen
405:Picture scroll versions
180:manor) of Manago/Masago
40:Shingata sanjūrokkaisen
16:Japanese folk character
1237:, p. 75, note 41.
863:'s footnote who cites
674:Nipponica Encyclopedia
485:Section of the scroll
460:Section of the scroll
390:(ballad drama) titled
140:province (present-day
93:
52:
1412:Konjaku monogatarishū
1333:「道成寺」の<女>－変容の美学
1308:Casal, U. A. (1956).
1053:Konjaku monogatarishū
302:Konjaku Monogatarishū
281:Konjaku Monogatarishū
104:(Hidakagawa legend).
91:
31:
1480:Ury, Marian (1994),
1458:Ury, Marian (1993),
1059:. "Dōjōji-kō 道成寺考",
963:. "Dōjōji-kō 道成寺考",
606:Tsukioka, Yoshitoshi
392:Dojo-ji genzai uroko
358:version is found in
142:Shirakawa, Fukushima
1561:29 May 2019 at the
1499:Monumenta Nipponica
1210:, Book 19, fol. 15b
498:Cultural references
432: 15th century
134:Wakayama Prefecture
102:Hidaka River legend
36:Yoshitoshi Tsukioka
1448:Shibai to shijitsu
1407:Kunisaki, Fumimaro
1382:Konjaku monogatari
1373:Kunisaki, Fumimaro
1314:Asiatische Studien
1190:, "Shaku Anchin",
1085:Konjaku monogatari
1063:燕石十種 pp. 450-453;
967:燕石十種 pp. 450-451;
692:"Anchin/Kiyohime"
667:"Anchin/Kiyohime"
370:, and here, Anchin
94:
53:
1588:Japanese folklore
1578:Buddhist folklore
1527:Yashiro, Hirokata
1473:978-0-472-90211-8
1354:10.18878/00002190
1019:Shimura, Kunihiro
871:'s woodcut print.
813:978-1-136-81032-9
796:(6 August 2012).
530:Explanatory notes
425:Dōjōji engi emaki
204:, Anchin asked a
73:Japanese folklore
1605:
1583:Japanese dragons
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1188:Ury tr. (1994)
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1149:(2): 291–322.
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1111:Ury tr. (1993)
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972:, ed. (1957),
961:Yashiro (1908)
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1208:(in Japanese)
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1197:Kokan, Shiren
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1505:(1): 59–84.
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1482:"Book 19:17
1463:
1447:
1411:
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1346:Kobe College
1341:
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1027:異形の伝説: 伝承文学考
1023:
1013:
1001:
984:続群書類従 8上(伝部)
980:
964:
956:
952:
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918:
912:
909:Hidaka River
908:
900:
895:, pp. 4
888:
881:Casal (1956)
876:
865:Casal (1956)
861:Leon Zolbrod
855:
836:
822:
802:
765:
746:
737:
731:: 618. 1918.
728:
724:
698:
678:via kotobank
673:
630:
623:
610:
600:
582:
572:
538:
521:
520:dance drama
511:
503:
501:
487:Dōjōji Engi
486:
462:Dōjōji Engi
461:
441:
424:
414:
410:
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382:
359:
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195:Hidaka River
192:
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132:(modern-day
130:Kii Province
123:
120:
109:
108:
106:
101:
97:
95:
68:
55:
54:
39:
25:
1531:"Dōjōjikō"
1348:: 127–148,
1113:, Ch. 14. "
911:(1919) and
504:Dōjōji mono
368: 1332
340:Lotus Sutra
310:Lotus Sutra
308:copied the
289: 1120
276: 1040
198: [
159: [
110:Dōjōji-mono
1572:Categories
1420:Shogakukan
1320:: 114–129.
560:References
411:monogatari
394:(道成寺現在蛇鱗,
323:shrine in
265:or tales,
146:pilgrimage
128:temple in
1362:0913-6630
1088:今昔物語(源隆国)
921:, BRILL,
565:Citations
144:) making
67:(or just
46:『新形三十六怪撰』
34:Print by
1559:Archived
1529:(1908),
1439:(1911),
1199:(1624),
1068:紀伊國道成寺僧寫
1021:(1989),
976:本朝法華驗記 下
702:図解現代百科辞典
665:(1994),
608:(2018),
579:"Snakes"
516:and the
354:Another
344:rebirths
321:Shugendō
226:Variants
206:ferryman
84:Overview
80:temple.
56:Kiyohime
21:Miyohime
1519:2385487
1443:京鹿子娘道成寺
934:note 38
915:(1920)"
800:(ed.).
614:新形三十六怪撰
423:titled
356:setsuwa
333:Dōjō-ji
327:on the
262:setsuwa
211:serpent
148:to the
126:Dōjō-ji
117:Summary
78:Dōjō-ji
1517:
1470:
1426:
1392:
1360:
1329:Dōjōji
1163:132744
1161:
990:
925:
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773:
638:
589:
518:Kabuki
513:Dōjōji
387:joruri
325:Kumano
297:kanbun
278:) and
219:bonshō
215:dragon
185:真那古/真砂
1515:JSTOR
1484:Shaku
1451:芝居と史實
1415:今昔物語集
1385:今昔物語集
1293:: 33.
1159:JSTOR
832:道成寺の鐘
510:play
489:Emaki
464:Emaki
442:shōen
416:emaki
319:to a
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177:shōen
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155:shōji
71:) in
1541:燕石十種
1533:道成寺考
1468:ISBN
1424:ISBN
1390:ISBN
1358:ISSN
1205:元亨釈書
1080:虵語第三
988:ISBN
923:ISBN
842:ISBN
808:ISBN
771:ISBN
694:安珍清姫
669:安珍清姫
636:ISBN
587:ISBN
138:Ōshū
69:Kiyo
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