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numerous prizes from the mid-1910s on, including at the
National Fine Art Exhibition (全国美術展) and the annual Nōshōmushō Exhibition (農商務省展). In 1930 he was made a member of the Imperial Art Academy (帝国美術院会), and in 1931, he received a medal from the French president. Rokubei V died in 1959. In 2001, he was voted 21st Most Important and Most Popular Japanese Ceramist in the Last 100 Years by Japanese art magazine
326:, he visited Yokohama to learn about western manufacturing and painting techniques. This shift in orientation was encouraged by government authorities, who awarded prizes to ceramists— including Rokubei III— for excellence in western-style works. The Kiyomizu kiln, however, remained fairly conservative in its output, sticking predominantly to traditional pieces and styles.
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name. Lifestyle aside, Shichibei apparently inherited the family style and technique, with his works reputedly being easily mistakable for those of his father. He was succeeded by his eldest son, also
Takejirō (竹次郎), who took the title Kiyomizu Shichibei II. The Shichibei potters used a mark based on that of the Rokubeis: the character
935:“Makers of this class of ware in Kyoto never showed originality consistent with their achievements in faience. Their designs were copied, for the most part, from Chinese models; their blue was of inferior quality and they confined themselves chiefly to the production of insignificant pieces ..." (Brinkley, 212–213)
430:(文展), Teiten (帝展) and Nitten (日展). He was later frequently selected as a judge and director of these national exhibitions. He enjoyed international acclaim, showing pieces at exhibitions, having his works join museum collections and winning awards in Belgium, the USSR, France and Italy. He was made a member of the
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is the eldest son of
Rokubei VII. In the mid-1970s and early 1980s, he studied architecture, sculpture and ceramics in Tokyo and Kyoto before joining the family pottery in 1983. From that time through the present, he has received various national and international prizes, including the Asahi Ceramics
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As Kyūbei, he produced contemporary pieces in clay and metal. As
Rokubei VII, he not only made abstract works, but also traditional, functional objects such as vases, tea bowls, sake sets, coffee cups and plates. Although he was prolific, according to his heir, Rokubei VIII, "When he began working as
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Rokubei VI, the eldest son of
Rokubei V, graduated from the Kyoto City School of Art and Craft (京都市立美術工芸学校) and Kyoto Municipal College of Painting (京都市立絵画専門学校) before apprenticing with his father from 1925. That same year, he entered his first competition. His career was to be marked by success in
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Throughout his career, Rokubei V was highly active in art associations. He was a co-founder of the Yutōen (遊陶園) study group, the
Ceramics Studies Association (陶芸研究団体), the Kyoto Ceramics Research Facility (京都市陶磁器試験場), the Japan Crafts Association (日本工芸会), and the Gojō kai (五条会). He was also awarded
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Due to his father's ill health, Rokubei V was a leading figure at the family kiln from 1902, although he did not officially take over until 1913. In 1928 he changed the family surname to
Kiyomizu and applied it retroactively to previous generations. In 1945 he retired and took the name Rokuwa (六和).
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Rather than inheriting the family headship, Rokubei II's eldest son, Takejirō, was the progenitor in 1839 of a new family branch as
Kiyomizu Shichibei (清水七兵衛). The reason is unclear, but apocryphally relates to the fact that he was a heavy drinker and not permitted by his father to use the Rokubei
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Rokubei III was responsible during this tumultuous time for maintaining the
Kiyomizu kiln and for ensuring its resurgence while respecting family tradition. He also joined in efforts to revive Kyoto industry following the transfer of the capital to Tokyo in 1868. While preserving the techniques of
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Both before and after he became
Rokubei VI in 1945, he participated in efforts to promote young artists by founding a variety of organizations. He was one of "the first wave of 'individualist' potters in contemporary Japanese history", known for his unique pieces and innovations. He created new
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Born in Kyoto in 1820, Kuritarō was the second son of Rokubei II. He became head of the family business and assumed the name Rokubei III at 18 when his father retired in 1838. In 1868, he again changed his name, substituting the surname Kotō with Shimizu, an alternate reading for the characters
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From the second half of the 1960s, Rokubei VII began following his true passion: sculpture. He exhibited his first sculpture in 1966 under the name Kiyomizu Gotōe (清水五東衛). In 1967, he made the radical decision to specialize exclusively in sculpture as Kiyomizu Kyūbei. Although he inherited the
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Born in 1790 in Kyoto, he was the son of Rokubei I. He studied under his father until the latter's death in 1799. At just nine years of age, he was too young to take over the family kiln. He continued his studies until 1811, when he became atelier head as Rokubei II. As such, he continued the
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Rokubei IV was born in 1848, the oldest son of Rokubei III. He took over the headship in 1883 upon his father's death. He was known for his subtle, intellectual works, which contrasted with his father's dramatic style. Most of his pieces were Raku-yaki, Seto-yaki, Shigaraki-yaki, and other
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The second son of Shichibei II, Kōzaburō, went on to head a new branch of the extended family: the Tsuchitani (土谷) kiln. This family is headed by Tsuchitani Zuikō (土谷瑞光) III (b. 1928). His two sons, Makoto (誠) and Akira (徹) are also active in the family kiln.
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painter Oda Kaisen (小田海僊). His style has been described as "bold", "unique" and "daring". He frequently served on juries and won medals at domestic exhibitions, including the Kyoto Exhibition (1875), the Domestic Industrial Exhibition (1877), and the
185:, Osaka around 1735, Rokubei was the son of a farmer named Kotō Rokuzaemon (古藤六左衛門). Sometime between 1748 and 1751, he moved to Kyoto and began to study pottery under Ebiya Seibei (海老屋清兵衛), acknowledged as the "first recorded potter of Kyomizu
358:
Rokubei IV was active in Kyoto art circles, helping to establish the Gojōzaka Ceramics Union, the Yutōen (遊陶園) ceramics organization, the Society for Ceramics Appreciation (京都陶磁器品評会), and the Kami Kai (佳美会) with painter/ designer
1343:“The institute instructed the pupils and apprentices of established craftsmen in technical and artistic matters. Almost all Notable Kyoto painters of the Meiji, Taishō and early Shōwa eras… were trained here.” (Jahn 2004, 100)
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By the late 1860s, Kiyomizu Rokubei III, like other heads of the long-established Kyoto potteries, realized the advantages of modernization and of attempting to accommodate Western tastes. In 1868, together with potter
30:. With over 240 years of history, the studio is now into its eighth generation. It is currently headed by contemporary ceramist and sculptor Rokubei VIII. The family was influential in the development and survival of
363:(神坂雪佳). In 1895 he co-founded the Kyoto Ceramic Research Institute. He participated in initiatives to popularize Japanese arts abroad. During the 1880s, he participated in art exhibitions as a competitor and judge.
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He retired in 1913 in favour of his son, and took the name Rokui. He died in 1920, leaving a legacy of having synthesized the techniques of the Kiyomizu family and truly defined the Rokubei style. A porcelain
393:(竹内栖鳳). In 1895, he exhibited his first ceramic piece at the National Industrial Exposition (内国勧業博覧会). Stylistically, Rokubei V was open to various influences. He took inspiration from Chinese porcelain, the
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traditional ceramic styles. He was especially skilled at crab decorations, a trend of the period. He studied painting with Shiokawa Bunrin, a Shijō school painter who was strongly influenced by Western art.
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Fund International Ceramic Award (シドニー・マイヤー基金国際陶芸賞展), and Ceramic Society of Japan Prize (日本陶磁協会賞). In 2004, he was ranked 12th by art professionals in a survey of Japan's most important living ceramists.
457:, he was adopted into the Kiyomizu family when he married Rokubei VI’s eldest daughter in 1951. At that time, he took the name Kiyomizu Yōji (清水洋士), which he shortened to Yō (洋) the next year.
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seal (六目印), has continued to be used through the Kiyomizu generations, although the second family head added a double line to the hexagon to distinguish the works of the first Rokubei.
389:(幸野楳嶺), and at the Kyoto Municipal School of Painting (京都府画学校). After graduating, he apprenticed with his father, Rokubei IV. Following Bairei's death in 1895, he also studied with
468:. He worked at the Kiyomizu kiln throughout the '50s, and won his first ceramics award at the 1957 Nitten exhibition. In 1963 he became an assistant professor of ceramics at the
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In 2000, he succeeded his father as head of the Kiyomizu pottery, a position he continues to hold. In addition, he is presently an instructor of contemporary ceramics at the
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glazes in 1953 and 1971, and invented a new firing technique in 1955. He was skilled at various Japanese and non-Japanese styles of pottery and praised for his versatility.
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In addition to critically acclaimed works of art, Rokubei VII’s career was marked by changes of name and of specialty. Born the third son of Tsukamoto Takejirō (塚本竹十郎) in
2145:; details of pieces by Rokubei V through VIII in the National Museum of Modern Art, Kyoto; the National Museum of Art, Osaka, and the National Museum of Modern Art, Tokyo
314:, and produced western items such as coffee cups. In 1879, he was one of the ceramists commissioned to make a tea service for use during the visit of former US president
2105:
Tōgyō jihōsha. "キヨミズヒロシ展－清水九兵衛・七代清水六兵衛の原象 (Kiyomizu Hiroshi ten: Kiyomizu Rokubei & Kiyomizu Kyūbei, Kiyomizu Rokubei VII no genshō)." 2013. Accessed May 27, 2013.
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traditions begun by his father, particularly the development of coloured, semi-transparent glazes. He produced pieces inspired by various types of pottery, including
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According to some accounts, the name Rokubei was given to him by the abbot-prince of Myōhō Temple (妙法院), who was very favourably impressed with a set of black
2000:
Japanese Pottery Information Center. "Honoho Rankings: Most Important and Most Popular Japanese Ceramists in Last 100 Years." Accessed May 28, 2013.
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In 2000, he handed over the Rokubei title to his eldest son, though he continued to produce sculpture as Kiyomizu Kyūbei until his death in 2006.
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In 1838, Rokubei II retired to be succeeded by his second son, Kuritarou. Rokubei II took the name Rokuichi (六一). In 1840 he was asked by the
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headship of the family kiln in 1981, he did not return to pottery-making until 1987, meaning a 20-year gap in works by a Kiyomizu Rokubei.
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While references to previous generations use the anglicization Rokubei, references to the current head also appear as Rokubey or Rokubee.
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of painting to decorate his pieces. He specialized in finely decorated faience, and remains particularly admired for his three-colour
197:, and took the name Rokubei. The three characters making up this name are a combination of those in his father's and teacher's names.
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cups the potter made him. It is known that the abbot-prince gave him a seal to use as his mark: the character 清 (pronounced
1963:
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In 1980, Rokubei VI collapsed while visiting an exhibition celebrating the Kiyomizu family's history. He died soon after.
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Brinkley, Captain F. Japan: Its History, Arts and Literature. vol. VIII, Keramic Art. Boston: J. B. Millet Company, n.d.
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https://www.britishmuseum.org/explore/highlights/highlight_objects/asia/s/shiokawa_bunrin,_fireflies,_a.aspx
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2048:長良川画廊 (Nagaragawa garō). "五代清水六兵衛 Godai Shimizu Rokubee (5th Shimizu Rokubei)." Accessed May 28, 2013.
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2014:
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The British Museum. "Shiokawa Bunrin, Fireflies, a hanging scroll painting." Accessed May 27, 2013.
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Naoe Kanetsugu. "初代 清水七兵衛 大酒呑み (Shodai Kiyomizu Shichibei Ōzakenomi)." 2012. Accessed June 3, 2013.
1727:
1624:
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1828:"Honoho Geijutsu Rankings 2004 - Top 20 Most Important Ceramists, Plus Commentary by Aoyama Wahei"
2086:天平堂今林古美術店 (Tenpyodo Imabayashi kobijutsuten). "清水六兵衛 (Kiyomizu Rokubei)." Accessed May 27, 2013.
2006:
Kato, Tokuro. 原色陶器大辞典 (Genshoku tōki daijiten). "Kiyomizu Shichibei," 274. Kyoto: Tankōsha, 1972.
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his forebears, Rokubei III was also open to new, foreign influences. He was greatly affected by
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Kyūbei, he destroyed his earlier pieces. As a result, very few works from that period remain."
431:
390:
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Tazawa lists Rokubei's birth year as 1737 (1981, 554); Roberts as 1733? (1990, 130), and the
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http://www.metmuseum.org/search-results?y=-58&x=-1055&ft=rokubei&rpp=10&pg=2
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Exhibition (1878). His works also featured in exhibitions in Paris, Sydney and Amsterdam.
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https://archive.org/stream/catalogueofmorse00bostrich/catalogueofmorse00bostrich_djvu.txt
240:
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1974:
Go-jo chawanzaka. "作家紹介・清水六兵衛 (Sakka shōkai: Kiyomizu Rokubei)." Accessed June 2, 2013.
1964:
https://archive.org/stream/japanitshistory08briniala/japanitshistory08briniala_djvu.txt
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472:. Two years later he again showed at the Nitten, this time as Kiyomizu Yōshi (清水裕詞).
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lantern made by Rokubei IV donated by Rokubei V in 1938 stands on the grounds of the
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as Rokubei I, however, substituted the latter’s square characters with cursive ones.
2055:
1894:
293:) to open a kiln. He did in 1843, creating the Oyama-yaki pottery. He died in 1860.
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Tokyo National Museum. "Museum Garden and Teahouses." 2013. Accessed May 26, 2013.
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Rokubei was active in Kyoto art circles and counted among his friends the painters
213:
2028:
http://kotobank.jp/word/%E6%B8%85%E6%B0%B4%E5%85%AD%E5%85%B5%E8%A1%9B(4%E4%BB%A3)
1971:(現代名工・職人人名事典). "Kiyomizu Masahiro (清水柾博)," 134. Tokyo: Nichigai Asoshietsu, 1990.
2062:
A Dictionary of Japanese Artists: Painting, Sculpture, Ceramics, Prints, Lacquer
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and red-glaze ceramics. He was also concerned with decoration, and studied with
333:
to study Seto-yaki. He was admired for his skill with blue and white porcelain,
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31:
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works by Kiyomizu Rokubei I, II, III & VI in the Metropolitan Museum of Art
2123:瑞光窯 (Zuikōgama). "瑞光窯の歴史 (Zuikōgama no rekishi)." 2013. Accessed June 3, 2013.
2117:瑞光窯 (Zuikōgama). "瑞光窯について (Zuikōgama ni tsuite)." 2013. Accessed May 26, 2013.
1995:
Meiji Ceramics: The Art of Japanese Export Porcelain and Satsuma Ware 1868-1912
2075:
http://www.shibunkaku.co.jp/biography/search_biography_number.php?number=11025
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Birth name: Shō (洋), Gō: Hiroshi (裕詞), Sculptor name: Kiyomizu Kyūbei (清水九兵衛)
1981:
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405:. He was particularly skilled at celadon and traditional overglazed enamel.
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Birth name: Shōjirō (正次郎), Gō: Seisai (静斎), Retirement name: Rokuichi (六一)
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Kyoto University of Art and Design. "清水六兵衞（陶芸家） ." Accessed June 2, 2013.
212:) bounded by a hexagon. The seal's character was written by a priest from
128:
Birth name: Kuritarō (栗太郎), Gō: Shōrei (祥嶺), Retirement name: Rokuwa (六和)
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http://www.nagaragawagarou.com/visualmuseum/m-godai-shimizu-rokubee.html
1544:
http://www.nagaragawagarou.com/visualmuseum/m-godai-shimizu-rokubee.html
1287:"British Museum - Shiokawa Bunrin, Fireflies, a hanging scroll painting"
334:
186:
1670:"Japanese Ceramics Now, #2, A Weekly Story by Aoyama Wahei, Dec. 2004"
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Birth name: Shōjirō (正次郎) Gō: Shōrin (祥麟), Retirement name: Rokui(六居)
427:
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He continued, nonetheless, to produce ceramics throughout the 1950s.
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2113:
http://www.tnm.jp/modules/r_free_page/index.php?id=121&lang=en
2015:
http://www.kyoto-yakata.net/info/arts_crafts/kiyomizu_rokubee.html
23:
2069:
http://sanwado.jp/ryakureki-print/6kiyomizu-rokubee-printhtml.htm
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As an adolescent, Rokubei V studied painting under Shijō master
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Shibunkaku Co., Ltd. "11025 清水六兵衛（三代）." Accessed May 27, 2013.
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Sanwadō. "六代 清水六兵衛 6 Kiyomizu Rokubee." Accessed May 27, 2013.
2034:
http://www.kyoto-art.ac.jp/info/teacher/detail.php?memberId=142
1945:
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Exhibition (朝日陶芸展), Kyoto Prefectural Culture Award (京都府文化賞),
2042:. Boston: Museum of Fine Arts, 1900. Accessed June 3, 2013.
272:, although it has been suggested this was not his strength.
787:
The 'roku' character in Rokubei (六) signifies the number 6.
2143:
http://search.artmuseums.go.jp/search_e/sakuhin_list.php#
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in Rokubei is represented by the character for six, the
1932:"Catalogue of the Morse collection of Japanese pottery"
1862:
in Shichibei is represented by the character for seven.
239:. He was known to have enlisted these friends from the
2149:
http://statue-de-paris.sculpturederue.fr/page190.html
1980:
Iwano Art. "清水六兵衛（3代）." 2012. Accessed May 27, 2013.
2151:
Belt II: Open-air sculpture by Rokubei VIII in Paris
16:
Head of the Kyoto-based Kiyomizu family of ceramists
2002:
http://www.e-yakimono.net/html/honoho-rankings.html
1976:
http://www.gojo-chawanzaka.jp/sakka/kiyomizurokube/
2088:http://www.tenpyodo.com/artist_kiyomizurokube.html
2026:Kotobank.jp. "清水六兵衛(4代) ." Accessed May 27, 2013.
1934:. Cambridge, Printed at the Riverside Press. 1901.
1548:http://www.tenpyodo.com/artist_kiyomizurokube.html
769:http://www.tenpyodo.com/artist_kiyomizurokube.html
2056:http://maruabijyutu.sblo.jp/article/56861545.html
22:(清水六兵衛) is the name bestowed on the head of the
2107:http://www.togyojiho.com/news/events/201205/1154
1589:"Honoho Rankings - Most Important, Most Popular"
2011:The successive generations of Kiyomizu Rokubei
426:exhibitions including numerous awards at the
8:
1792:"清水六兵衛 六兵衞 買取について｜骨董品・茶道具等の買取、販売の古美術やかた【京都】"
1479:"清水六兵衛 六兵衞 買取について｜骨董品・茶道具等の買取、販売の古美術やかた【京都】"
1376:"清水六兵衛 六兵衞 買取について｜骨董品・茶道具等の買取、販売の古美術やかた【京都】"
1309:"清水六兵衛 六兵衞 買取について｜骨董品・茶道具等の買取、販売の古美術やかた【京都】"
1243:"清水六兵衛 六兵衞 買取について｜骨董品・茶道具等の買取、販売の古美術やかた【京都】"
979:"清水六兵衛 六兵衞 買取について｜骨董品・茶道具等の買取、販売の古美術やかた【京都】"
729:"清水六兵衛 六兵衞 買取について｜骨董品・茶道具等の買取、販売の古美術やかた【京都】"
189:". In 1771, he opened his own studio in the
142:Birth name: Shōtarō (章太郎), Gō: Rokusei (禄晴)
2083:. Tokyo: Kodansha International Ltd., 1981.
1982:http://iwano.biz/art/art-ka/post_1001.html
302:making up Kiyomizu (清水). He used the same
945:http://story.turuta.jp/2011/05/o4-33.html
531:
41:
2081:Biographical Dictionary of Japanese Art
636:
2119:http://www.taiken-kiyomizu.com/zuikou/
2009:古美術やかた (Kobijutsu yakata). "清水六兵衛 歴代 (
216:Temple, and is the first character in
1814:"清水六兵衞│作家・店舗紹介│-清水寺参道- 京都清水 五条坂・茶わん坂"
119:Shimizu Rokubei V/ Kiyomizu Rokubei V
91:Kotō Rokubei III/ Shimizu Rokubei III
7:
1778:"陶業時報社 － キヨミズヒロシ展－清水九兵衛・七代清水六兵衛の原象"
1764:"陶業時報社 － キヨミズヒロシ展－清水九兵衛・七代清水六兵衛の原象"
1163:"【清水六兵衛(3代)】美術品の買取作家・取扱い一覧 - いわの美術"
1113:"【清水六兵衛(3代)】美術品の買取作家・取扱い一覧 - いわの美術"
1046:"【清水六兵衛(3代)】美術品の買取作家・取扱い一覧 - いわの美術"
68:Birth name: Kotō Kuritarō (古藤栗太郎),
1969:Gendai meiko shokunin jinmei jiten
506:Kyoto University of Art and Design
14:
767:Roberts 1990, 130; Brinkley 211;
434:(日本芸術院会) in 1962 and awarded the
850:Roberts 1990, 130; Brinkley, 211
1997:. Stuttgart: Arnoldische, 2004.
2064:. New York: Weatherhill, 1990.
268:. In later life, he worked in
1:
2040:Catalogue of Japanese Pottery
1398:"Museum Garden and Teahouses"
626:Unit 88-9 (Kiyomizu Masahiro)
470:Kyoto City University of Arts
2125:http://www.zuikou.com/about/
1728:"六代清水六兵衛 三和堂（東京・日本橋）京都 略歴印刷"
1625:"六代清水六兵衛 三和堂（東京・日本橋）京都 略歴印刷"
462:Tokyo University of the Arts
2013:)." Accessed May 26, 2013.
603:Birth name: Kikutarō (菊次郎)
592:Birth name: Kōzaburō (光三郎)
563:Birth name: Takejirō (竹次郎)
552:Birth name: Takejirō (竹次郎)
521:(清) surrounded by a double
464:(東京芸術大学), where he studied
460:In 1953, he graduated from
2196:
1149:"思文閣 美術品・古書古典籍の販売・買取、学術出版"
1135:"思文閣 美術品・古書古典籍の販売・買取、学術出版"
1032:"思文閣 美術品・古書古典籍の販売・買取、学術出版"
170:Birth name: Masahiro (柾博)
26:-based Kiyomizu family of
512:Kiyomizu family branches
329:Rokubei III traveled to
270:blue and white porcelain
193:district of Kyoto, near
614:Birth name: Minoru (稔)
436:Order of Cultural Merit
568:Kiyomizu Shichibei III
181:Born Kotō Kuritarō in
2060:Roberts, Laurence P.
1434:"五代清水六兵衛/Web書画ミュージアム"
1331:"清水六兵衛(4代)とは - コトバンク"
1291:www.britishmuseum.org
1207:"清水六兵衛(4代)とは - コトバンク"
577:Kiyomizu Shichibei IV
557:Kiyomizu Shichibei II
487:Kiyomizu Rokubei VIII
375:Tokyo National Museum
161:Kiyomizu Rokubei VIII
38:Kiyomizu family heads
1796:www.kyoto-yakata.net
1483:www.kyoto-yakata.net
1380:www.kyoto-yakata.net
1313:www.kyoto-yakata.net
1247:www.kyoto-yakata.net
983:www.kyoto-yakata.net
733:www.kyoto-yakata.net
608:Tsuchitani Zuikō III
546:Kiyomizu Shichibei I
449:Kiyomizu Rokubei VII
297:Kiyomizu Rokubei III
147:Kiyomizu Rokubei VII
597:Tsuchitani Zuikō II
421:Kiyomizu Rokubei VI
350:Kiyomizu Rokubei IV
255:Kiyomizu Rokubei II
133:Kiyomizu Rokubei VI
2170:Japanese sculptors
2165:Japanese ceramists
2093:2013-10-04 at the
2020:2009-08-26 at the
1987:2015-03-15 at the
1873:"清水六兵衛 買取 天平堂古美術店"
1842:"教員紹介｜大学案内｜京都芸術大学"
1742:"清水六兵衛 買取 天平堂古美術店"
1706:"清水六兵衛 買取 天平堂古美術店"
1684:"清水六兵衛 買取 天平堂古美術店"
1648:"清水六兵衛 買取 天平堂古美術店"
1603:"清水六兵衛 買取 天平堂古美術店"
1567:"清水六兵衛 買取 天平堂古美術店"
1553:2013-10-04 at the
1523:"清水六兵衛 買取 天平堂古美術店"
1501:"清水六兵衛 買取 天平堂古美術店"
1448:"清水六兵衛 買取 天平堂古美術店"
1412:"清水六兵衛 買取 天平堂古美術店"
1354:"清水六兵衛 買取 天平堂古美術店"
1265:"清水六兵衛 買取 天平堂古美術店"
1221:"清水六兵衛 買取 天平堂古美術店"
1185:"清水六兵衛 買取 天平堂古美術店"
1010:"清水六兵衛 買取 天平堂古美術店"
957:"清水六兵衛 買取 天平堂古美術店"
915:"清水六兵衛 買取 天平堂古美術店"
884:"清水六兵衛 買取 天平堂古美術店"
774:2013-10-04 at the
698:"清水六兵衛 買取 天平堂古美術店"
676:"清水六兵衛 買取 天平堂古美術店"
586:Tsuchitani Zuikō I
381:Kiyomizu Rokubei V
177:Kiyomizu Rokubei I
105:Shimizu Rokubei IV
45:Professional name
2180:People from Kyoto
2175:Japanese artisans
2038:Morse, Edward S.
823:Roberts 1990, 130
814:Roberts 1990, 131
665:Roberts 1990, 130
618:
617:
535:Professional name
493:Kiyomizu Masahiro
432:Japan Art Academy
237:Tanomura Chikuden
220:. This mark, the
174:
173:
2187:
2131:External sources
2079:Tazawa, Yutaka.
1950:
1949:
1946:"京都東山山麓清水焼【瑞光窯】"
1942:
1936:
1935:
1928:
1922:
1921:
1914:
1908:
1905:
1899:
1898:
1895:"初代 清水七兵衛 大酒呑み。"
1891:
1885:
1884:
1879:. Archived from
1877:www.tenpyodo.com
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1748:. Archived from
1746:www.tenpyodo.com
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1710:www.tenpyodo.com
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1688:www.tenpyodo.com
1680:
1674:
1673:
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1654:. Archived from
1652:www.tenpyodo.com
1644:
1638:
1637:Tazawa 1981, 555
1635:
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1609:. Archived from
1607:www.tenpyodo.com
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1571:www.tenpyodo.com
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1505:www.tenpyodo.com
1497:
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1468:Tazawa 1981, 554
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1454:. Archived from
1452:www.tenpyodo.com
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1269:www.tenpyodo.com
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1016:. Archived from
1014:www.tenpyodo.com
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961:www.tenpyodo.com
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921:. Archived from
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888:www.tenpyodo.com
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859:Tazawa 1981, 555
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749:Tazawa 1981, 554
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702:www.tenpyodo.com
694:
688:
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682:. Archived from
680:www.tenpyodo.com
672:
666:
663:
657:
656:website as 1738.
654:Kobijutsu yakata
650:
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641:
532:
455:Aichi Prefecture
438:(文化功労) in 1976.
316:Ulysses S. Grant
233:Matsumura Goshun
51:Year of headship
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20:Kiyomizu Rokubei
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77:Kotō Rokubei II
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1907:Kato 1972, 274
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1883:on 2013-10-04.
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1802:on 2009-08-26.
1783:
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1697:
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1492:
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1439:
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1403:
1389:
1386:on 2009-08-26.
1367:
1364:on 2013-10-04.
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1300:
1297:on 2008-08-05.
1278:
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1256:
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1234:
1231:on 2013-10-04.
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1123:on 2015-03-15.
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1066:Jahn 2004, 238
1059:
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989:on 2009-08-26.
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541:Other names
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62:c. 1735–1799
59:Kotō Rokubei
54:Other names
19:
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498:Sidney Myer
399:Art Nouveau
387:Kōno Bairei
2159:Categories
1957:References
1854:While the
538:Life dates
48:Life dates
1167:iwano.biz
1117:iwano.biz
1050:iwano.biz
600:1898–1978
589:1867–1918
560:1843–1918
549:1818–1891
312:Modernism
262:Seto ware
245:overglaze
214:Tenryū-ji
202:Raku ware
150:1922–2006
136:1901–1980
122:1875–1959
108:1848–1920
94:1820–1883
80:1790–1860
28:ceramists
2091:Archived
2018:Archived
1985:Archived
1918:"瑞光窯の歴史"
1551:Archived
870:"瑞光窯の歴史"
772:Archived
621:See also
523:heptagon
403:Maiolica
377:garden.
222:rokumoku
218:Kiyomizu
191:Gojōzaka
32:Kyō ware
611:b. 1928
335:celadon
291:Niigata
283:Nagaoka
187:faience
164:b. 1954
1860:shichi
778:; etc.
428:Bunten
344:Nagoya
331:Hikone
287:Echigo
278:daimyō
235:, and
183:Settsu
631:Notes
339:Nanga
249:iro-e
24:Kyoto
1856:roku
401:and
370:tōrō
264:and
167:2000
153:1981
139:1945
125:1913
111:1883
97:1838
83:1811
65:1771
519:sei
285:in
281:of
210:kyo
208:or
206:sei
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