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247:, England, Sweden, Turkey, Australia and America. A total of 49,807 guldens was collected, which, as Potocki emphasized, did not cover the value of the painting. The committee retained the right to show the painting at exhibitions, and Matejko retained the right to reproduce the work. The Committee transferred the money to Matejko in installments. In November 1883, he transferred 20,000 guldens to the artist as an "advance", another installment of 15,000 was transferred in May 1884, and another 20,000 on March 25, 1887.
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The painting was handed over on May 14, 1888 in the hall of the
National Museum in the Cloth Hall (Kraków) in the presence of invited guests. Matejko and the committee members stood under the hanging painting. Matejko spoke first and said that he was very happy that he had managed to keep the promise
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in 1884. It was preceded by pencil sketches (six of which are preserved to this day in the
National Museum in Kraków) and an oil sketch, currently in the National Museum in Warsaw. In February 1887, the canvas was brought from Paris and hung in the studio in the building of the Academy of Fine Arts.
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at Vienna) collected funds to purchase that painting, but during the celebration of the 200th anniversary of the relief of Vienna, Matejko announced that he had decided to donate the painting to the Pope on behalf of the Polish nation. This decision surprised the committee, which, after an
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to make landscape sketches from nature. The second break in his work occurred in
February 1888 and was caused by his serious illness. Ultimately, the work was completed at the end of April of the same year. In May 1888, preparations for the construction of the
176:, who was to be his successor in the event of Kościuszko's death. In the painting, it also symbolizes the reluctance of the Polish nobility to join the uprising, and especially to follow the Commander's orders, which were regularly sabotaged.
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extraordinary meeting on
September 13, 1883, announced that it would ask Matejko to paint a copy of the painting; and if he did not agree, to paint another painting with historical content, which would be donated to the National Museum in
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The
Artistic and Literary Circle in Kraków proposed, with the artist's consent, to make a reproduction of the painting. To raise funds for this, a festival was organized during which peasants who were the painter's extras appeared in a
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he had made five years earlier. The chairman of the committee, Artur
Potocki, thanked Matejko for "this great work of art and thought". He then submitted a report on the fundraising. The largest amount, over 20,000, was collected in
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In May 1888, a department of the Kościuszko
Society, in gratitude for the painting, decided to award Matejko the title of honorary member for the first time in the history of the association.
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On March 12, 1887, Matejko began working on the final shape of the painting. He probably encountered some difficulties, because he interrupted his work until August 20 and went once again to
275:. Over 4,000 people took part in the festival and the income was 630 guldens. As part of the campaign of the Artistic and Literary Circle to get the painting into people's homes, in 1888
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165:(wearing a Napoleonic cap and leaning against a tree), also deserved to be presented. Matejko painted a very beautiful noble costume for
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283:. The first edition, of 12,000 copies, sold out within a few months. In the spring of 1889, a second edition was published.
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began. The cost of the frame was 3,000 guldens, and the work was supervised by Władysław Chrośnikiewicz.
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Wskazówki do najnowszego obrazu J. Matejki Kościuszko pod Racławicami, wykończonego w kwietniu 1888 r.
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after a painting by Jan
Matejko, commissioned by Juliusz Przeworski, which is currently in the
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The interpretation of the painting was greatly influenced by Marian
Gorzkowski's feuilleton
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did not allow Warsaw magazines to publish articles about the painting, even critical ones.
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Hints to Jan
Matejko's latest painting "Kościuszko at Racławice", finished in April 1888.
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388:. Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych Universitas. p. 759–782.
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for the exhibition of the United Society of Friends of Fine Arts and exhibited in the
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and papal chamberlain, served as a model. The second hero of the Battle of Racławice,
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608:"Akt odebrania obrazu Matejki Kościuszko pod Racławicami na rzecz Muzeum Narodowego"
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142:. Father Antoni Gruszecki, then vicar at St. Mary's Church, later parish priest of
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343:. Warszawa: Instytut Sztuki Polskiej Akademii Nauk, Arkady. 1993. p. 230.
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Matejko: obrazy olejne: katalog pod redakcją i ze wstępem Krystyny Sroczyńskiej
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Podróże pisarzy: Adam Mickiewicz, Juliusz Słowacki, Henryk Sienkiewicz i inni
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Błońska, Diana; Betlej, Andrzej; Mróz, Sławomir; Gołubiew, Zofia (2019).
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prepared a watercolor based on the painting, which was popularized as a
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The Matejko Jubilee Committee which intended to purchase his painting
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in 1888, exhibited in the Gallery of 19th Century Polish Art in the
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is dressed in a fashionable uniform tailcoat, identical to that in
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According to Matejko, the two generals at the head of the staff,
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554:. Kraków: Muzeum Narodowe w Krakowie. p. 21.
782:(in Polish), no. 133, p. 3, 1888-05-13
235:. Money was also transferred from the Duchy of
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210:collected by December 1 had been withdrawn.
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460:"Jan Matejko, Kościuszko pod Racławicami"
799:Kościuszko pod Racławicami Jana Matejki
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504:Kłobukowski, Antoni Red (1883-12-16).
486:Kłobukowski, Antoni Red (1883-09-15).
414:(in Polish). Kraków: L. Knobl. 1888.
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606:Chyliński, Michał Red (1888-05-15).
551:Muzeum Narodowe w Krakowie 1879–2019
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140:Kościuszko's Oath on the Main Square
751:"Józef Nałęcz Hakowski (1834–1897)"
776:"Obraz Matejki i cenzura rosyjska"
250:In June, the painting was sent to
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435:"Kościuszko ma twarz z Łodygowic"
707:(in Polish) (131): 2. 1888-05-11
682:(in Polish) (133): 2. 1888-05-13
651:"Towarzystwo imienia Kościuszki"
626:"Wystawę obrazu mistrza Matejki"
582:"Komitet zakupna obrazu Matejki"
379:"Jana Matejki droga do Racławic"
506:"Otrzymujemy następujące pismo"
488:"Komitet jubileuszu Matejki..."
433:Kachel, Jacek (11 April 2013).
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105:) is an oil painting of the
377:Ziejka, Franciszek (2019).
121:Description of the painting
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102:Kościuszko pod Racławicami
28:Kościuszko pod Racławicami
464:National Museum in Kraków
303:Hungarian National Museum
297:made a silver bas-relief
213:Matejko decided to paint
187:Jan Sobieski pod Wiedniem
87:National Museum in Kraków
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848:Paintings by Jan Matejko
281:chromolithographic print
208:Austro-Hungarian guldens
299:Kościuszko at Racławice
215:Kościuszko at Racławice
180:History of the painting
96:Kościuszko at Racławice
22:Kościuszko at Racławice
260:Exposition Universelle
797:Halina Blak (1983),
657:(129): 3. 1888-05-09
632:(173): 5. 1888-06-16
588:(131): 2. 1888-05-11
530:(109): 5. 1888-04-19
109:of 1794, painted by
16:Jan Metejko painting
838:Kościuszko Uprising
439:Dawniej niż wczoraj
286:From 1890 to 1894,
107:Battle of Racławice
701:"Koło artyst.-lit"
321:Racławice Panorama
309:Russian censorship
132:Tadeusz Kościuszko
561:978-83-7581-317-3
395:978-83-242-3493-6
239:, Royal Prussia,
159:Antoni Madaliński
136:Michał Stachowicz
115:Sukiennice Museum
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78:465 × 897 cm
57:Oil painting
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757:(in Polish)
732:(in Polish)
441:(in Polish)
291: [
190: [
170: [
111:Jan Matejko
47:Jan Matejko
827:Categories
761:2022-08-20
736:2022-08-19
730:artinfo.pl
711:2022-08-03
686:2022-08-03
661:2022-08-03
636:2022-08-04
592:2022-08-04
567:2024-01-10
534:2022-08-03
469:2023-12-22
445:2015-09-03
327:References
262:in Paris.
117:(Kraków).
75:Dimensions
817:823777165
614:(110): 2.
512:(286): 2.
493:(209): 2.
420:836596370
220:Racławice
315:See also
245:Bukowina
144:Podgórze
83:Location
64:Movement
241:Silesia
233:Galicia
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237:Poznań
204:Kraków
53:Medium
43:Artist
382:(PDF)
295:]
194:]
174:]
813:OCLC
803:ISBN
612:Czas
556:ISBN
510:Czas
491:Czas
416:OCLC
390:ISBN
345:ISBN
252:Lviv
161:and
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