165:
33:
325:
360:), showing his characteristic trees with windswept foliage framing a finely detailed panorama depicted from a high viewpoint. Many of his drawings depict landscapes including urban views and often feature bridges. Usually, cities and landscapes occupy most of the space while the human figures are of small scale. The cities are typically characterized by high towers. The landscapes are mountainous and suggest distance. He often placed an object such as a tree on the left or right side of his drawings in order to link the front and back of the composition. An example is the
208:
249:
108:
689:
141:, near Venice, where he lived and worked for the rest of his life. It is possible that the artist moved from Venice to Treviso because the Venetian painter's guild did not grant him membership and thus the right to work in Venice. Despite his residence in Treviso, Toeput kept in touch with Venice where he met with artistic personalities such as
182:. The artist married Laudamia Aproino in 1601 in Treviso. In Italy, the painter was known as Ludovico Pozzoserrato, the literal translation into Italian of his Flemish name Toeput which can be read to mean â'Closed Well'â. After he established his residence in Treviso, the artist referred to himself as Lodovico Pozzo da Trevigi.
60:/1550 â between 1603 and 1605) was a Flemish landscape painter and draftsman active in Italy. He is mainly known for his canvases and frescoes of landscapes and formal gardens with banquets and music-making groups. His landscapes had an important influence on the next generation of Flemish landscape artists such as
200:. He made many religious paintings for the Venetian churches. Toeput was principally known for his landscape frescoes and canvases, which combine Flemish and Venetian styles. These landscapes typically depict spacious vistas, full of atmospheric and picturesque effects. His paintings and frescoes can be found
136:
Toeput is recorded in
Florence in the late 1570s. A stay in Rome is not documented, but it is believed on the basis of drawings of ancient Roman churches that at the beginning of the 1580s Toeput stayed in this city. He then probably resided in Venice for a brief period but was documented in February
217:
Toeput is also known for his allegorical compositions. In the frescoes of the Villa
Chiericati-Mugna, executed between 1587 and 1590, he developed a series of allegorical landscapes, which represent the months of the year, each recognizable by their astrological sign. The series is complemented by a
193:
Toeput painted frescoes, altarpieces and paintings with
Biblical scenes, landscapes, city views and genre scenes of Venetian social life depicting formal gardens with banquets and music-making groups. He painted several historical allegories from the Bible and mythological themes from the
259:
317:). It shows his closeness to his presumed master Maerten de Vos. The influence of his Venetian master Tintoretto is also palpable. This work and other works by Toeput are also close to, and have often been confused with, those of his Flemish compatriot
224:
of a door that reveals a page with a dog, a painting above the fireplace with Apollo holding a lyre and friezes containing mythological figures along the walls. Toeput left various drawings representing the seasons and months of the year. The
549:, DĂ©partement dâhistoire de lâart et dâĂ©tudes cinĂ©matographiques, FacultĂ© des arts et des sciences, MĂ©moire prĂ©sentĂ© Ă la FacultĂ© des Ă©tudes supĂ©rieures, En vue de lâobtention du grade MaĂźtre (M.A.) en histoire de lâart, DĂ©cembre 2014, p. 21
646:
Suzanne
Boorsch, John Marciari, 'Master Drawings from the Yale University Art Gallery', John and Mable Ringling Museum of Art, Yale University. Art Gallery, Blanton Museum of Art, Yale University Press, 2006, pp.
361:
232:
297:
226:
373:
Toeput was in demand as a designer of prints. Flemish engravers who travelled through Venice such as Rafael I Sadeler would engrave after his existing designs or order new designs from him.
258:
Toeput painted various elegant gardens with figures engaging in courtly love or concerts. Many of his garden scenes were likely inspired by contemporary
Flemish prints. For instance, his
321:(Pauwels Franck) who also resided in Venice at the same time. Toeput drew many biblical and mythological scenes, but was primarily a draftsman of cityscapes and panoramic landscapes.
287:
84:
The early life of
Lodewijk Toeput in his native Flanders is not documented and the date and place of his birth are not known with certainty. The late 16th century biographer
164:
607:
Larry Silver, 'Peasant Scenes and
Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market', University of Pennsylvania Press, 2012, p. 195
174:
In
Treviso there was at the time a high demand by religious and civilian patrons for artwork. One important assignment was for decorations for the
117:
While the date of his departure from his home country is not documented, it is believed the artist arrived around 1573â74 in Venice. According to
32:
749:
734:
504:
443:
739:
719:
324:
744:
389:
Name variations: Lodewyk Toeput, Lodewijck Toeput, Lodewyck Toeput, Ludovico
Fiammingo, Lodovico Pozzo da Treviso, il Pozzoserrato
269:
283:
178:, a communal pawnshop, for which Toeput created frescos of scenes from the Old and New Testament and parables alluding to the
754:
724:
133:(Pauwels Franck), who was also residing and working in Venice. The artists may actually have met in Tintoretto's workshop.
420:
729:
175:
207:
486:
Teréz Gerszi. "Toeput, Lodewijk." Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 19 September 2020
238:
468:
693:
73:
349:
248:
357:
69:
107:
275:
522:
416:
714:
709:
265:
574:, in: Saggi e Memorie di Storia dell'Arte No. 1 (1957), Neri Pozza Editore S.p.a., pp. 165, 167-223
367:
293:
547:
Les jardins dans l'oeuvre de Lodewijk Toeput : entre tradition flamande et culture vénitienne
220:
526:
158:
85:
65:
345:
318:
146:
130:
40:
303:
242:
179:
150:
142:
101:
61:
457:
703:
196:
154:
118:
100:
there is still no consensus view. In Antwerp he is believed to have studied with
625:
341:
17:
470:
Lodewijk Toeput in the 'Jahrbuch des Kunsthistorischen Institutes, Graz, 1968'
126:
96:. While many contemporary art historians tend to identify his birthplace as
314:
688:
185:
He died in Treviso some time between 1 January 1604 and 9 September 1605.
93:
352:(Cologne, 1572â1618). He also created imaginary landscapes, such as the
439:
138:
97:
89:
366:(Hermitage. Moscow). His urban views recall those of the Venetian
204:
in various Italian cities such as Padua, Treviso and Conegliano.
206:
106:
31:
585:
583:
407:, Master Drawings Vol. 30, No. 4 (Winter, 1992), pp. 367-395
129:. Here he likely was in contact with his fellow countryman
292:
Musei civici di Treviso) appears to draw inspiration from
332:
Toeput's drawings show his interest in topography. His
104:, a leading history painter who had studied in Italy.
340:were engraved and included in volume V (1598) of
125:(1648), Toeput initially worked in the studio of
507:View of an Italian Town with an Arched Bridge
8:
459:Lodewijk Toeput at Art Institute of Chicago
302:after a design by Toeput's presumed master
363:Landscape with Heracles and the Ox-Driver
328:Landscape with Heracles and the Ox-Driver
323:
247:
163:
382:
405:The Draughtsmanship of Lodewijk Toeput
444:Netherlands Institute for Art History
435:
433:
431:
399:
397:
395:
7:
500:
498:
496:
494:
492:
482:
480:
478:
476:
286:. Toeput's best known garden scene
245:'s own treatment of this subject.
88:who claimed to have met Toeput in
25:
572:Ludovico Toeput (il Pozzoserrato)
510:at Museum Boijmans Van Beuningen
309:Toeput's earliest known drawing,
687:
354:Landscape with St John on Patmos
92:, placed Toeput's birthplace in
294:Crispijn van de Passe the Elder
284:Pieter van der Borcht the Elder
1:
750:16th-century Italian painters
665:Anne-Sophie Banner, pp. 26â27
656:Anne-Sophie Banner, pp. 42â43
637:Anne-Sophie Banner, pp. 32â33
421:Museum Boijmans Van Beuningen
268:) was likely inspired by the
54:
735:Flemish Renaissance painters
289:Concert in a villa courtyard
212:Concert in a villa courtyard
261:Pleasure garden with a maze
239:Yale University Art Gallery
169:Pleasure garden with a maze
37:Portrait of Lodewijk Toeput
771:
740:Flemish landscape painters
720:Flemish Mannerist painters
674:Anne-Sophie Banner, p. 25
616:Anne-Sophie Banner, p. 27
598:Anne-Sophie Banner, p. 29
589:Anne-Sophie Banner, p. 24
561:Anne-Sophie Banner, p. 23
348:'s six-volume atlas, the
237:in the collection of the
74:Frederik van Valckenborch
27:Flemish landscape painter
745:Flemish history painters
350:Civitates orbis terrarum
358:Pierpont Morgan Library
123:Le maraviglie dell'Arte
329:
276:Hans Vredeman de Vries
255:
214:
171:
114:
43:
755:Italian male painters
725:Painters from Antwerp
327:
311:Lot and his daughters
271:Garden with labyrinth
253:The flight into Egypt
251:
210:
167:
110:
35:
696:at Wikimedia Commons
545:Anne-Sophie Banner,
338:View of Aquapendente
266:Hampton Court Palace
730:People from Treviso
368:Domenico Campagnola
334:Panorama of Treviso
313:, dates from 1573 (
282:, both engraved by
112:Banquet in the Park
330:
299:Adolescentia Amori
256:
234:Allegory of Winter
228:Allegory of Spring
215:
172:
115:
44:
692:Media related to
570:Luigi Menegazzi,
531:Het Schilderboeck
505:Lodewijk Toeput,
280:Party in a garden
149:, members of the
16:(Redirected from
762:
691:
675:
672:
666:
663:
657:
654:
648:
644:
638:
635:
629:
623:
617:
614:
608:
605:
599:
596:
590:
587:
578:
577:
568:
562:
559:
553:
552:
543:
537:
536:
527:Karel van Mander
523:Lodewijck Toeput
520:
514:
513:
502:
487:
484:
471:
466:
460:
455:
449:
448:
437:
426:
425:
414:
408:
401:
390:
387:
296:'s engraving of
241:likely inspired
159:Pieter de Jode I
86:Karel van Mander
66:Tobias Verhaecht
59:
56:
21:
770:
769:
765:
764:
763:
761:
760:
759:
700:
699:
694:Lodewijk Toeput
684:
679:
678:
673:
669:
664:
660:
655:
651:
645:
641:
636:
632:
626:Lodewijk Toeput
624:
620:
615:
611:
606:
602:
597:
593:
588:
581:
575:
569:
565:
560:
556:
550:
544:
540:
534:
521:
517:
511:
503:
490:
485:
474:
467:
463:
456:
452:
446:
440:Lodewijk Toeput
438:
429:
423:
417:Lodewijk Toeput
415:
411:
402:
393:
388:
384:
379:
346:Frans Hogenberg
319:Paolo Fiammingo
191:
147:Hans von Aachen
131:Paolo Fiammingo
82:
57:
51:il Pozzoserrato
47:Lodewijk Toeput
41:Hans von Aachen
28:
23:
22:
18:Ludovico Toeput
15:
12:
11:
5:
768:
766:
758:
757:
752:
747:
742:
737:
732:
727:
722:
717:
712:
702:
701:
698:
697:
683:
682:External links
680:
677:
676:
667:
658:
649:
639:
630:
618:
609:
600:
591:
579:
563:
554:
538:
515:
488:
472:
461:
450:
427:
409:
403:Teréz Gerszi,
391:
381:
380:
378:
375:
304:Maerten de Vos
243:Joos de Momper
190:
187:
180:works of mercy
176:Monte di PietĂ
151:Sadeler family
143:Jacopo Bassano
102:Maerten de Vos
81:
78:
62:Joos de Momper
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
767:
756:
753:
751:
748:
746:
743:
741:
738:
736:
733:
731:
728:
726:
723:
721:
718:
716:
713:
711:
708:
707:
705:
695:
690:
686:
685:
681:
671:
668:
662:
659:
653:
650:
643:
640:
634:
631:
627:
622:
619:
613:
610:
604:
601:
595:
592:
586:
584:
580:
573:
567:
564:
558:
555:
548:
542:
539:
532:
528:
524:
519:
516:
509:
508:
501:
499:
497:
495:
493:
489:
483:
481:
479:
477:
473:
469:
465:
462:
458:
454:
451:
445:
441:
436:
434:
432:
428:
422:
418:
413:
410:
406:
400:
398:
396:
392:
386:
383:
376:
374:
371:
369:
365:
364:
359:
355:
351:
347:
343:
339:
335:
326:
322:
320:
316:
312:
307:
305:
301:
300:
295:
291:
290:
285:
281:
277:
273:
272:
267:
263:
262:
254:
250:
246:
244:
240:
236:
235:
230:
229:
223:
222:
213:
209:
205:
203:
199:
198:
197:Metamorphoses
188:
186:
183:
181:
177:
170:
166:
162:
160:
156:
155:Otto van Veen
152:
148:
144:
140:
134:
132:
128:
124:
120:
119:Carlo Ridolfi
113:
109:
105:
103:
99:
95:
91:
87:
79:
77:
75:
71:
67:
63:
52:
48:
42:
38:
34:
30:
19:
670:
661:
652:
642:
633:
628:at Hadrianus
621:
612:
603:
594:
576:(in Italian)
571:
566:
557:
546:
541:
530:
518:
506:
464:
453:
412:
404:
385:
372:
362:
353:
337:
333:
331:
310:
308:
298:
288:
279:
270:
260:
257:
252:
233:
227:
221:trompe-l'Ćil
219:
216:
211:
201:
195:
192:
184:
173:
168:
135:
122:
116:
111:
83:
50:
46:
45:
36:
29:
715:1605 deaths
710:1550 births
551:(in French)
356:(New York,
342:Georg Braun
58: 1540
704:Categories
535:(in Dutch)
512:(in Dutch)
447:(in Dutch)
424:(in Dutch)
377:References
127:Tintoretto
49:, called
137:1582 in
94:Mechelen
533:, 1604
442:at the
419:at the
202:in situ
139:Treviso
98:Antwerp
315:StÀdel
90:Venice
70:Gillis
647:92â95
525:in:
344:and
336:and
278:and
231:and
189:Work
157:and
80:Life
72:and
68:and
274:by
121:'s
39:by
706::
582:^
529:,
491:^
475:^
430:^
394:^
370:.
306:.
161:.
153:,
145:,
76:.
64:,
55:c.
264:(
53:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
