Knowledge (XXG)

Luigi Ferdinando Tagliavini

Source đź“ť

90: 25: 223:. Together with his good friend and colleague Oscar Mischiati he is seen to have been the first promoter of the historical organ movement in Italy. This movement was and is concerned with the restoration of historical organs using old methods and techniques, reestablishing the original value of the instruments and enabling them to be appreciated. Some of the restorations guided by the movement, in particular those of the two organs in the Basilica San Petronio in Bologna, one (1471–75) by 291:. The aims of the gift, to perpetuate, display and enlarge the collection are matched by study facilities in the library, guided tours through the collection, a continuing programme of restoration and conservation of the instruments in the workshop on the premises, conferences on related themes and concerts on the instruments. The most important instruments include a spinet of about 1540 attributed to Alesandro Trasuntino, a harpsichord by 231:
Among the most successful concert organists of his generation, he not only performed on the most important organs in Italy but also those elsewhere in Europe. He made a number of recordings and received several awards including the "Premio della discografia Italiana", the "Schallplattenpreis
270:
During his life he assembled a unique collection of musical instruments from the sixteenth to the twentieth century. These comprise about 70 instruments, half of which are of the harpsichord family. The others not only include
302:
He frequently sat on juries for competitions at home and abroad, for instance in 1991 and 1994 when he was a jury member for the Internationaal Orgel Competition at the Festival of Ancient Music in Bruges.
227:
and (1531) Giovan Battista Fachinetti, and the other (1596) by Baldassarre Malamini, have contributed to a new awareness of historical organs in Italy and a new consciousness of their extraordinary value.
196:. Together with Renato Lunelli he founded the journal "L'Organo" in 1960, continued together with Oscar Mischiati and still running today. He taught regularly at the summer courses at 580: 510: 482:, Commemorazione di Luigi Ferdinando Tagliavini nel Primo Anniversario della Morte, Pieve di Cadore (8 luglio 2018), Monopoli, Istituto Mediterraneo di Musicologia, 2019. 295:
of 1679, a harpsichord by Fabio da Bologna of 1686 and a combination of a harpsichord and a piano with two keyboards, one for the hammers, the other for the plectra, by
54: 172:; he taught organ at Bologna Conservatory where he also held the post of librarian; he became lecturer and later professor of organ at the Monteverdi Conservatory in 590: 585: 263:
in the disciplines of the arts, music and entertainment in 1999, and an honorary doctorate in sacred music from the Pontifical Institute of Sacred Music in
565: 560: 184:(Switzerland). He was guest professor at various universities in the U.S.A.; he was widely active as a concert organist in Italy and abroad. Together with 283:
but also wind instruments and automatic musical instruments. The collection, together with a large library, he recently donated to the Foundation of the
449:(in Thomas Steiner, ed., Instruments à claviers – expressivité et flexibilité; actes des rencontres internationales harmoniques, Lausanne, 2002, 13–32) 306:
He wrote numerous papers in the field of musicology, was a member of National Academy of Santa Cecilia and published critical editions of the works of
555: 540: 550: 535: 149: 570: 219:, he made a considerable contribution to the rediscovery and promotion of historical performance practice on the Baroque organ and also the 76: 525: 575: 545: 530: 520: 284: 353: 37: 47: 41: 33: 515: 89: 58: 292: 189: 453: 315: 288: 181: 369: 169: 444: 296: 224: 145: 505: 500: 307: 177: 141: 208: 480:
Luigi Ferdinando Tagliavini e l'Early Music Revival: dalla Musicologia alla Poetica della Musica
180:
and in 1971 he was appointed as Professor and as Director of the Institute of Musicology at the
452:
Collezione Tagliavini, catalogo degli strumenti musicale, 2 vols., Bologna 2008, together with
332: 244:
on the organs of San Petronio and the "Premio Antonio Vivaldi" and the "Premio Massimo Mila".
237: 232:
Phono-Akademie der Deutschen," the distinction "Choc de la musique" for the CD dedicated to
216: 377: 328: 311: 233: 161: 362: 358: 344: 340: 241: 185: 113: 494: 280: 212: 133: 117: 468:
in "Dizionario Enciclopedico Universale della Musica e dei Musicisti", Turin 1988
485: 426:
La situazione degli antichi organi in Italia: problemi di censimento e di tutela
220: 418: 272: 440:(in AA.VV., Bachiana et alia musicologica: Festschrift A. DĂĽrr, Kassel, 1983) 247:
Honours bestowed on him include the Tiroler Adler-Orden in Gold conferred in
404: 252: 248: 121: 109: 260: 201: 197: 193: 173: 153: 105: 101: 256: 486:
biografia dettagliata e bibliografia di Luigi Ferdinando Tagliavini
475:
in "The New Grove's Dictionary of Music and Musicians", London 1980
168:
in 1951 with a dissertation on the texts of the sacred cantatas of
276: 165: 157: 137: 88: 264: 200:, Netherlands and at the course the "Academy of Organ Music" at 251:
in 1982, an honorary doctorate in music from the University of
385:
Luigi Ferdinando Tagliavini and his collection of harpsichords
255:, an honorary fellowship of the Royal College of Organists in 18: 432:
Note introduttive alla storia del temperamento in Italia
438:
J. S. Bach Musik in Italien im 18. und 19. Jahrhundert
352:
Maestri Padani e Fiamminghi. Gli organi storici della
376:, with the Corale S. Michele Arcangelo di Corsanico ( 428:, together with Oscar Mischiati (in "L'organo" 1969) 259:in 1996, an honorary degree from the University of 176:. He was appointed to teach music history at the 287:and is displayed in the buildings and Church of 46:but its sources remain unclear because it lacks 581:Conservatorio Giovanni Battista Martini alumni 8: 511:Fellows of the Royal College of Organists 337:Gli organi della Basilica di San Petronio 77:Learn how and when to remove this message 417:Studi sui testi delle cantate sacre di 150:Conservatorio Giovanni Battista Martini 7: 188:he was appointed as organist at the 164:. He graduated at the University of 132:Luigi Ferdinando Tagliavini studied 591:21st-century Italian male musicians 586:20th-century Italian male musicians 354:Basilica di San Petronio in Bologna 566:21st-century Italian musicologists 561:20th-century Italian musicologists 14: 93:Luigi Ferdinando Tagliavini, 2012 556:21st-century classical musicians 541:20th-century classical musicians 23: 551:21st-century Italian musicians 536:20th-century Italian musicians 1: 571:Conservatoire de Paris alumni 285:Cassa di Risparmio in Bologna 16:Italian musician (1929–2017) 473:Luigi Ferdinando Tagliavini 466:Luigi Ferdinando Tagliavini 156:and at the Conservatory in 98:Luigi Ferdinando Tagliavini 607: 403:Passacaglia su un tema di 392:L'organo Gaetano Callido 293:Giovanni Battista Giusti 190:Basilica of San Petronio 32:This article includes a 526:Italian harpsichordists 454:John Henry van der Meer 394:(La Bottega Discantica) 316:Wolfgang Amadeus Mozart 61:more precise citations. 576:Musicians from Bologna 546:21st-century organists 531:20th-century organists 521:Italian male organists 289:San Colombano, Bologna 182:University of Fribourg 94: 370:Giuseppe Gherardeschi 170:Johann Sebastian Bach 92: 434:(in "L'organo" 1980) 422:, Padua-Kassel, 1956 308:Girolamo Frescobaldi 178:University of Parma 100:(7 October 1929 in 209:Marie-Claire Alain 108:), was an Italian 104:– 11 July 2017 in 95: 34:list of references 516:Italian organists 333:Giovanni Gabrieli 238:Giovanni Gabrieli 87: 86: 79: 598: 447:e il suo cembalo 445:Giovanni Ferrini 374:Messa per organo 297:Giovanni Ferrini 225:Lorenzo da Prato 217:Gustav Leonhardt 146:Riccardo Nielsen 82: 75: 71: 68: 62: 57:this article by 48:inline citations 27: 26: 19: 606: 605: 601: 600: 599: 597: 596: 595: 491: 490: 462: 413: 401: 324: 312:Domenico Zipoli 234:Andrea Gabrieli 130: 83: 72: 66: 63: 52: 38:related reading 28: 24: 17: 12: 11: 5: 604: 602: 594: 593: 588: 583: 578: 573: 568: 563: 558: 553: 548: 543: 538: 533: 528: 523: 518: 513: 508: 503: 493: 492: 489: 488: 483: 476: 471:E. Darbellay, 469: 461: 458: 457: 456: 450: 441: 435: 429: 423: 412: 409: 400: 397: 396: 395: 388: 381: 366: 359:Liuwe Tamminga 348: 341:Liuwe Tamminga 323: 320: 242:Liuwe Tamminga 207:Together with 186:Liuwe Tamminga 129: 126: 114:harpsichordist 85: 84: 42:external links 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 603: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 557: 554: 552: 549: 547: 544: 542: 539: 537: 534: 532: 529: 527: 524: 522: 519: 517: 514: 512: 509: 507: 504: 502: 499: 498: 496: 487: 484: 481: 478:D. Morgante, 477: 474: 470: 467: 464: 463: 459: 455: 451: 448: 446: 442: 439: 436: 433: 430: 427: 424: 421: 420: 415: 414: 410: 408: 406: 398: 393: 389: 386: 382: 379: 375: 371: 367: 364: 360: 356: 355: 349: 346: 342: 338: 334: 330: 326: 325: 321: 319: 317: 313: 309: 304: 300: 298: 294: 290: 286: 282: 278: 274: 268: 266: 262: 258: 254: 250: 245: 243: 239: 235: 229: 226: 222: 218: 214: 213:Anton Heiller 210: 205: 203: 199: 195: 191: 187: 183: 179: 175: 171: 167: 163: 159: 155: 151: 147: 143: 139: 135: 127: 125: 123: 119: 115: 111: 107: 103: 99: 91: 81: 78: 70: 60: 56: 50: 49: 43: 39: 35: 30: 21: 20: 479: 472: 465: 460:Bibliography 443: 437: 431: 425: 416: 411:Publications 402: 399:Compositions 391: 384: 373: 351: 336: 305: 301: 269: 246: 230: 206: 162:Marcel Dupré 131: 118:musicologist 97: 96: 73: 64: 53:Please help 45: 506:2017 deaths 501:1929 births 322:Discography 273:clavichords 221:harpsichord 142:composition 59:introducing 495:Categories 419:J. S. Bach 387:(Ermitage) 240:made with 67:April 2014 405:Hindemith 299:of 1746. 253:Edinburgh 249:Innsbruck 128:Biography 267:(2011). 122:composer 110:organist 407:(1953) 390:2004 – 383:1996 – 368:1993 – 357:, with 350:1991 – 339:, with 327:1991 – 261:Bologna 202:Pistoia 198:Haarlem 194:Bologna 174:Bolzano 154:Bologna 148:at the 106:Bologna 102:Bologna 55:improve 363:Tactus 345:Tactus 329:Andrea 281:organs 277:pianos 257:London 166:Padua 160:with 158:Paris 144:with 138:piano 134:organ 40:, or 378:Fonè 331:and 314:and 279:and 265:Rome 236:and 215:and 140:and 120:and 192:in 152:in 497:: 372:, 335:, 318:. 310:, 275:, 211:, 204:. 136:, 124:. 116:, 112:, 44:, 36:, 380:) 365:) 361:( 347:) 343:( 80:) 74:( 69:) 65:( 51:.

Index

list of references
related reading
external links
inline citations
improve
introducing
Learn how and when to remove this message

Bologna
Bologna
organist
harpsichordist
musicologist
composer
organ
piano
composition
Riccardo Nielsen
Conservatorio Giovanni Battista Martini
Bologna
Paris
Marcel Dupré
Padua
Johann Sebastian Bach
Bolzano
University of Parma
University of Fribourg
Liuwe Tamminga
Basilica of San Petronio
Bologna

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑