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where she first appeared in different roles. From 1899 however she sang only the part of Fricka, which was described as her most brilliant role. She proved to be formative for the style of these Wagner-Festspiele. From 1908 to 1933 she was also dramaturgical assistant of the plays.
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163:(1851-1911) and from then bore the double name by which she became known. Her daughter Elisabeth Reuss became a concert singer and educator; her son
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198:(1894). From 1897 to 1901 she was engaged at the then newly opened
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in London. She also appeared at various other places in
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with Fritz Plank (1848-1900). She made her debut in 1881 at the
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in New York. From 1901 to 1907 she was a guest at the
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167:(1886–1945) became a conductor and composer.
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