31:
314:, Corrêa wrote about how underdeveloped UNESCO's music department was and that the only official documents were a survey on the conditions of "musical life" in several countries and a half-finished project about international discography. Corrêa also attempted to connect music organizations all over the world. This network would later evolve into the
309:
Corrêa's contributions to musicology centered on systemizing and cataloging national music and folklore. He created the first accurate mapping of
Brazilian musical culture and made folkloric information accessible to researchers and to potential listeners. In his book
429:
1986 - Etat sommaire de nos connaissances actuelles sur la musique Latino-Américaine et son passé: la contribution européenne, Le
Nouveau Monde et l’intelligence de la musique européenne au XVI e siècle, Brussels Museum of Musical Instruments Bulletin, XVI, 1–11,
259:. In 1939, he became a faculty member in the national folklore department at Brazil's National School of Music and later taught music history at the Brazilian Music Conservatory. During this time, he began developing the
298:'s music and worked on archival, research, and recording projects for many types of music. He also led the Section for Cooperation with Non-Governmental Organizations from 1953-1965. Between 1953 and 1968, he taught
423:
1980 - Preliminary Study on the
Project of Preparing a Universal History of Music and the Role of the Music of Latin America and the Caribbean in History, World of Music, XXII/3, 56–62.
534:
Drach, Henrique. “A rabeca de José Gerôncio: Luiz Heitor Correa de
Azevedo - Música, Folclore e Academia na Primeira Metade do Séc. XX” Thesis. Fluminense Federal University. 2011.
662:
420:
1972 - The
Present State and Potential of Music Research in Latin America, Perspectives in Musicology, ed. B.S. Brook, E.O.D Downes and S. Van Solkema (New York), 249–69.
531:
Cavalcante, Jairo J. B. “Luiz Heitor Correa de
Azevedo na Historiografia Musical Brasileira: história, ideologia e sociabilidade." Thesis. University of São Paulo. 2011.
294:
and took it upon himself to advertise
Brazilian concerts and performances to the larger European community. He also published his first music catalogue based on
404:
1966 - Le chant de la liberté: compositeurs de l’Amérique latine à l’époque des luttes pour l’Indépendence, hymnographie patriotique, Mélanges à la mémoire de
657:
642:
647:
356:
1939 - Introdução ao curso de folclore nacional da Escola nacional de música da
Universidade do Brasil, Revista brasileira de música, VI, 1–10.
263:
curriculum and in 1943 founded Centro de
Pesquisas Folclóricas, a folklore research center. He also continued writing for magazines such as
652:
627:
466:
375:(8Washington DC, 1948; Eng. trans., 1948 - Divisão de Música e Artes Visuais, Departamento de Assuntos Culturais, União Pan Americana)
637:
411:
1968 - Music and
Society in Imperial Brazil, 1822–1889, Portugal and Brazil in Transition, ed. R.S. Sayers (Minneapolis,), 303–9.
401:
1965 - Vissungos: Negro Work Songs of the Diamond District in Minas Gerais, Brazil, Music in the Americas: Bloomington, IN, 64–7.
244:
573:
552:
436:
1987 - As primeiras óperas: “A Noite do Castelo” (1861); “Joanna de Flandres” (1863), Revista brasileira de música, III, 201–45.
417:
1971 - Arthur Napoléon 1843–1925: un pianiste portugais au Brésil, Arquivos do Centro cultural português, iii (Paris), 572–602.
279:
275:
632:
433:
1986 - O compositor latino-americano e o universo sonoro deste fim de século, Latin American Music Review, VII/2, 248–53.
426:
1983 - José Maurício no panorama da música brasileira, Estudos mauricianos, ed. J.C. A. Muricy (Rio de Janeiro), 35–40.
333:
1936 - Carlos Gomes e Francisco Manuel: correspondência inédita (1864–1865), Revista brasileira de música, III, 323–38.
414:
1969 - La musique à la cour portugaise de Rio de Janeiro, 1808–1821, Arquivos do Centro cultural português, I, 335–52.
315:
385:
1952 - with C. Person de Matos and M. de Moura Reis: Bibliografia musical brasileira (1820–1950) (Rio de Janeiro).
256:
439:
1987 - Carlos Gomes: Projeção no exterior, Carlos Gomes, uma obra em foco, ed. V. Salles (Rio de Janeiro), 67–88
489:
299:
622:
617:
362:
1941 - Tupynambá melodies in Jean de Léry’s “Histoire d’unvoyage fait en la terre du Brésil”, 85–96.
303:
207:
under Paulo Silva. Corrêa initially intended to be a composer but by the late 1920s had decided on
159:
30:
597:
Três musicólogos brasileiros: Mário de Andrade, Renato Almeida, Luiz Heitor Correa de Azevedo
291:
260:
212:
145:
196:
57:
611:
405:
200:
180:
98:
195:
Luiz Heitor Corrêa de Azevedo studied piano at the National Institute of Music in
595:
330:
1935 - José Maurício Nunes Garcia, Boletín latino-americano de música, I, 133–50.
477:
274:
Between 1941 and 1942, he was Brazil's Division of Music representative at the
365:
1943 - Mário de Andrade e o folclore, Revista brasileira de música, IV, 11–14.
327:
1933 - Luciano Gallet, Revista da Associação brasileira de música, II/4, 2–20.
208:
176:
135:
102:
336:
1936 - Carlos Gomes folclorista, Revista brasileira de música, III, 177–84.
184:
94:
512:
Dicionário biográfico musical: compositores, intérpretes e musicólogos
295:
287:
155:
83:
61:
442:
1988 - O Villa-Lobos que eu conheci, Revista do Brasil, IV/1, 25–30.
505:
Publicação comemorativa dos 80 anos de Luiz Heitor Correade Azevedo
368:
1947 - La música en el Brasil, Cuadernos americanos, no.33, 250–73.
353:(Rio de Janeiro: Serviço gráfico do Ministério da educação e saúde)
339:
1938 - Dois pequenos estudos de folclore musical (Rio de Janeiro).
283:
215:. He worked as a librarian at the Institute following graduation.
204:
79:
398:
1962 - Música y cultura en el siglo XVIII, nos.81–2, 135–52.
199:
under Alfredo Bevilacqua and Charley Lachmund, and harmony,
162:, National School of Music, Brazilian Conservatory of Music
344:
Escala, ritmo e melodia na música dos índios brasileiros
388:
1956 - La musique en Amérique latine (Rio de Janeiro).
175:(13 December 1905 – 10 November 1992) was a Brazilian
507:. São Paulo: SBM; Rio de Janeiro: INM-FUNARTE. 1985.
472:
462:
395:(1800–1950) (Rio de Janeiro: Livraria José Olympio)
151:
141:
131:
126:
118:
113:
90:
68:
43:
21:
290:. While in Paris, he was dedicated to promoting
267:and directed a classic music radio show called
35:Luiz Heitor Corrêa de Azevedo, first editor of
359:1940 - La musique au Brésil, nos.195–6, 74–81.
555:(in Portuguese). Escola de Música. 2016-09-20
382:(Rio de Janeiro: Casa do estudante do Brasil)
8:
16:Brazilian folklorist and musicology scholar
459:
450:
286:and became a music program specialist for
231:, for which he was editor until 1942, and
29:
18:
663:Academic staff of the University of Paris
351:Relação das óperas de autores brasileiros
278:and served as a music consultant for the
239:first publishing contained music such as
478:Luiz Heitor Corrêa de Azevedo collection
223:In 1928, Corrêa wrote for the newspaper
544:
453:
235:, which supplemented the magazine. The
373:A música brasileira e seus fundamentos
7:
514:. Rio de Janeiro: Villa Rica, 1991.
467:Music Division, Library of Congress
658:20th-century Brazilian journalists
521:. Brasil: Imprensa Nacional, 1947.
14:
643:20th-century Brazilian historians
282:. In the late 1940s, he moved to
37:Revista Brasileira de Musicologia
648:20th-century Brazilian musicians
280:Organization of American States
576:. Escola de Música. 2010-02-17
553:"Revista Brasileira de Música"
1:
173:Luiz Heitor Corrêa de Azevedo
23:Luiz Heitor Corrêa de Azevedo
490:How to use archival material
393:150 anos de música no Brasil
322:Books and articles published
312:150 anos de música no Brasil
233:Arquivo de Música Brasileira
229:Revista Brasileira de Música
316:International Music Council
227:and, in 1934, founded both
122:National Institute of Music
679:
653:20th-century musicologists
628:Brazilian male journalists
380:Música e músicos do Brasil
245:José Maurício Nunes Garcia
257:Francisco Manuel da Silva
166:
109:
28:
574:"Publicações Acadêmicas"
265:Revista Cultura Política
638:Brazilian musicologists
300:Latin American studies
633:Brazilian folklorists
304:University of Paris
160:University of Paris
114:Academic background
519:A Música no Brasil
276:Pan American Union
517:Melo, Guilherme.
495:
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346:(Rio de Janeiro).
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72:November 10, 1992
54:December 13, 1905
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408:(Paris), 259–79.
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447:Further reading
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292:Brazilian music
261:ethnomusicology
249:Canto Religioso
221:
213:music criticism
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146:Brazilian music
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510:Mariz, Vasco.
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197:Rio de Janeiro
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76:(aged 86)
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58:Rio de Janeiro
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526:Dissertations
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578:. Retrieved
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557:. Retrieved
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201:counterpoint
194:
181:musicologist
172:
171:
152:Institutions
99:musicologist
74:(1992-11-10)
36:
623:1992 deaths
618:1905 births
454:Archives at
253:O Salutaris
241:Tantum Ergo
225:O Imparcial
612:Categories
580:2022-08-02
559:2022-08-02
539:References
209:musicology
185:folklorist
177:journalist
136:Musicology
132:Discipline
103:journalist
95:Folklorist
50:1905-12-13
237:Arquivo's
191:Education
119:Education
463:Location
105:, author
391:1956 -
378:1950 -
371:1948 -
349:1939 -
342:1938 -
302:at the
473:Source
296:Chopin
288:UNESCO
219:Career
203:, and
156:UNESCO
84:France
62:Brazil
498:Books
430:41–9.
284:Paris
247:and
205:fugue
80:Paris
251:and
211:and
183:and
69:Died
44:Born
255:by
243:by
614::
318:.
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271:.
187:.
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52:)
48:(
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