Knowledge (XXG)

Luminosity (performance art)

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1279: 24: 487: 165:. However, this posture places painful pressure where her genitals make contact with the seat. Throughout the performance, the artist is bathed in light of changing intensity. 155:
Abramović appears nude, balancing herself on a bicycle seat on a pedestal apparatus, mounted high on the wall. The artist keeps her arms and legs fully extended, evoking
34: 1320: 409: 551: 897: 631: 527: 92: 365: 64: 1072: 807: 1148: 175:. The work was reperformed in continually, in shifts, by the artist's trainees for 700 hours during the retrospective exhibition, 71: 962: 566: 1251: 49: 78: 1313: 402: 655: 60: 699: 663: 607: 822: 535: 455: 1354: 1153: 479: 1339: 1306: 1246: 687: 511: 503: 471: 395: 639: 270: 1087: 852: 832: 679: 441: 85: 1349: 1032: 204: 182: 374: 877: 847: 762: 707: 519: 177: 126: 41: 1256: 1133: 1052: 812: 671: 130: 1344: 1241: 1082: 967: 615: 320: 248: 156: 1290: 1188: 1123: 1067: 1042: 987: 947: 312: 240: 122: 787: 747: 722: 418: 119: 1278: 1180: 1102: 1027: 1022: 867: 777: 772: 767: 742: 559: 495: 1333: 1231: 1211: 1062: 1047: 1007: 1002: 977: 957: 942: 937: 927: 857: 837: 827: 623: 463: 229:"Marina Abramović's Performance: Stresses on the Body and Psyche in Installation Art" 194: 172: 161: 1216: 1143: 1138: 1107: 1097: 1017: 972: 952: 922: 917: 892: 887: 862: 802: 792: 782: 757: 752: 717: 712: 1261: 1163: 1057: 982: 907: 732: 647: 244: 199: 23: 338: 1286: 1128: 1037: 992: 932: 902: 882: 872: 817: 316: 228: 324: 252: 1236: 1226: 1012: 842: 797: 727: 575: 433: 300: 1206: 997: 912: 737: 599: 591: 583: 1077: 1221: 448: 387: 1158: 1092: 488:
Couple in The Cage: Two Undiscovered Amerindians Visit the West
391: 17: 301:"Twice Real: Marina Abramović And the Performance Archive" 1294: 45: 271:"Preparing for Performance Art with Marina Abramovic" 233:
Camera Obscura: Feminism, Culture, and Media Studies
1199: 1172: 1116: 698: 425: 145:formed part of a larger work by Abramović called 339:"Marina Abramović. Luminosity. 1997/2010 | MoMA" 1314: 403: 8: 50:introducing citations to additional sources 1321: 1307: 410: 396: 388: 552:Mattress Performance (Carry That Weight) 40:Relevant discussion may be found on the 216: 178:Marina Abramović: The Artist Is Present 528:How to Explain Pictures to a Dead Hare 7: 1275: 1273: 294: 292: 290: 264: 262: 222: 220: 1293:. You can help Knowledge (XXG) by 14: 299:Grobe, Christopher (2011-02-01). 61:"Luminosity" performance art 1277: 33:relies largely or entirely on a 22: 370:- Provocateur: Marina Abramovic 1252:Survival Research Laboratories 1: 227:Turim, Maureen (2003-12-01). 1149:LaBeouf, Rönkkö & Turner 171:is considered an example of 245:10.1215/02705346-18-3_54-99 1371: 1272: 456:Breathing in/breathing out 1154:Los Angeles Urban Rangers 317:10.1215/01610775-2010-025 1247:Performance art in China 512:Empathy and Prostitution 343:The Museum of Modern Art 640:The Death of The Artist 536:I'm too sad to tell you 133:, New York. Along with 1289:-related article is a 1088:Mierle Laderman Ukeles 480:Ceci N'est Pas Un Viol 680:Untitled (Rape Scene) 632:The Artist Is Present 442:Amen or The Pederasty 823:Guillermo Gómez-Peña 205:Experimental theatre 183:Museum of Modern Art 46:improve this article 878:Natalie Jeremijenko 520:Food for the Spirit 1257:Viennese Actionism 1134:COUM Transmissions 1053:Carolee Schneemann 898:Ragnar Kjartansson 672:Three Weeks in May 269:Bailey, Brittney. 239:(3 (54)): 99–117. 131:Sean Kelly Gallery 125:by Serbian artist 1302: 1301: 1270: 1269: 1242:Participatory art 1083:Melati Suryodarmo 968:Charlotte Moorman 616:Seven Easy Pieces 368:New York Magazine 157:Leonardo da Vinci 111: 110: 96: 1362: 1355:Modern art stubs 1323: 1316: 1309: 1281: 1274: 1189:Kusama: Infinity 1068:Barbara T. Smith 1043:Rachel Rosenthal 988:Pauline Oliveros 708:Marina Abramović 412: 405: 398: 389: 353: 352: 350: 349: 335: 329: 328: 296: 285: 284: 282: 281: 266: 257: 256: 224: 127:Marina Abramović 106: 103: 97: 95: 54: 26: 18: 1370: 1369: 1365: 1364: 1363: 1361: 1360: 1359: 1340:Performance art 1330: 1329: 1328: 1327: 1271: 1266: 1195: 1168: 1112: 848:Newton Harrison 788:James Lee Byars 748:Rebecca Belmore 723:Laurie Anderson 694: 688:Untitled , 2008 560:One & Other 421: 419:Performance art 416: 381:Theatre Journal 362: 357: 356: 347: 345: 337: 336: 332: 298: 297: 288: 279: 277: 268: 267: 260: 226: 225: 218: 213: 191: 120:performance art 107: 101: 98: 55: 53: 39: 27: 12: 11: 5: 1368: 1366: 1358: 1357: 1352: 1347: 1342: 1332: 1331: 1326: 1325: 1318: 1311: 1303: 1300: 1299: 1282: 1268: 1267: 1265: 1264: 1259: 1254: 1249: 1244: 1239: 1234: 1229: 1224: 1219: 1214: 1209: 1203: 1201: 1197: 1196: 1194: 1193: 1185: 1181:Mondo New York 1176: 1174: 1170: 1169: 1167: 1166: 1161: 1156: 1151: 1146: 1141: 1136: 1131: 1126: 1120: 1118: 1114: 1113: 1111: 1110: 1105: 1103:Robert Whitman 1100: 1095: 1090: 1085: 1080: 1075: 1070: 1065: 1060: 1055: 1050: 1045: 1040: 1035: 1030: 1028:Dorothy Podber 1025: 1023:Petr Pavlensky 1020: 1015: 1010: 1005: 1000: 995: 990: 985: 980: 975: 970: 965: 960: 955: 950: 945: 940: 935: 930: 925: 920: 915: 910: 905: 900: 895: 890: 885: 880: 875: 870: 868:Tehching Hsieh 865: 860: 855: 850: 845: 840: 835: 830: 825: 820: 815: 810: 805: 800: 795: 790: 785: 780: 778:Nancy Buchanan 775: 770: 768:Stuart Brisley 765: 760: 755: 750: 745: 743:Matthew Barney 740: 735: 730: 725: 720: 715: 710: 704: 702: 696: 695: 693: 692: 684: 676: 668: 660: 652: 644: 636: 628: 620: 612: 604: 596: 588: 580: 572: 564: 556: 548: 540: 532: 524: 516: 508: 500: 492: 484: 476: 468: 460: 452: 446: 438: 429: 427: 423: 422: 417: 415: 414: 407: 400: 392: 386: 385: 372: 361: 360:External links 358: 355: 354: 330: 311:(1): 104–113. 286: 275:Gnome Magazine 258: 215: 214: 212: 209: 208: 207: 202: 197: 190: 187: 109: 108: 44:. Please help 30: 28: 21: 13: 10: 9: 6: 4: 3: 2: 1367: 1356: 1353: 1351: 1348: 1346: 1343: 1341: 1338: 1337: 1335: 1324: 1319: 1317: 1312: 1310: 1305: 1304: 1298: 1296: 1292: 1288: 1283: 1280: 1276: 1263: 1260: 1258: 1255: 1253: 1250: 1248: 1245: 1243: 1240: 1238: 1235: 1233: 1232:Hunger artist 1230: 1228: 1225: 1223: 1220: 1218: 1215: 1213: 1212:Endurance art 1210: 1208: 1205: 1204: 1202: 1198: 1191: 1190: 1186: 1183: 1182: 1178: 1177: 1175: 1171: 1165: 1162: 1160: 1157: 1155: 1152: 1150: 1147: 1145: 1142: 1140: 1137: 1135: 1132: 1130: 1127: 1125: 1122: 1121: 1119: 1115: 1109: 1106: 1104: 1101: 1099: 1096: 1094: 1091: 1089: 1086: 1084: 1081: 1079: 1076: 1074: 1073:Michael Smith 1071: 1069: 1066: 1064: 1063:Aliza Shvarts 1061: 1059: 1056: 1054: 1051: 1049: 1048:Martha Rosler 1046: 1044: 1041: 1039: 1036: 1034: 1031: 1029: 1026: 1024: 1021: 1019: 1016: 1014: 1011: 1009: 1008:Nam June Paik 1006: 1004: 1001: 999: 996: 994: 991: 989: 986: 984: 981: 979: 978:Shirin Neshat 976: 974: 971: 969: 966: 964: 961: 959: 958:Linda Montano 956: 954: 951: 949: 948:Marta Minujín 946: 944: 943:Eric Millikin 941: 939: 936: 934: 931: 929: 928:Phoebe Legere 926: 924: 921: 919: 916: 914: 911: 909: 906: 904: 901: 899: 896: 894: 891: 889: 886: 884: 881: 879: 876: 874: 871: 869: 866: 864: 861: 859: 858:Lynn Hershman 856: 854: 851: 849: 846: 844: 841: 839: 838:David Hammons 836: 834: 831: 829: 828:Cai Guo-Qiang 826: 824: 821: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 794: 791: 789: 786: 784: 781: 779: 776: 774: 771: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 744: 741: 739: 736: 734: 731: 729: 726: 724: 721: 719: 716: 714: 711: 709: 706: 705: 703: 701: 697: 690: 689: 685: 682: 681: 677: 674: 673: 669: 666: 665: 661: 658: 657: 653: 650: 649: 645: 642: 641: 637: 634: 633: 629: 626: 625: 624:Shot Marilyns 621: 618: 617: 613: 610: 609: 605: 602: 601: 597: 594: 593: 589: 586: 585: 581: 578: 577: 573: 570: 569: 565: 562: 561: 557: 554: 553: 549: 546: 545: 541: 538: 537: 533: 530: 529: 525: 522: 521: 517: 514: 513: 509: 506: 505: 501: 498: 497: 493: 490: 489: 485: 482: 481: 477: 474: 473: 469: 466: 465: 464:Body Pressure 461: 458: 457: 453: 450: 447: 444: 443: 439: 436: 435: 431: 430: 428: 424: 420: 413: 408: 406: 401: 399: 394: 393: 390: 384: 382: 378: 373: 371: 369: 364: 363: 359: 344: 340: 334: 331: 326: 322: 318: 314: 310: 306: 302: 295: 293: 291: 287: 276: 272: 265: 263: 259: 254: 250: 246: 242: 238: 234: 230: 223: 221: 217: 210: 206: 203: 201: 198: 196: 195:Endurance art 193: 192: 188: 186: 184: 180: 179: 174: 173:endurance art 170: 166: 164: 163: 162:Vitruvian Man 158: 154: 149: 148: 147:Spirit House. 144: 140: 136: 132: 128: 124: 121: 118:(1997) was a 117: 116: 105: 94: 91: 87: 84: 80: 77: 73: 70: 66: 63: –  62: 58: 57:Find sources: 51: 47: 43: 37: 36: 35:single source 31:This article 29: 25: 20: 19: 16: 1295:expanding it 1284: 1217:Feminist art 1187: 1179: 1144:General Idea 1139:Fallen Fruit 1108:Hannah Wilke 1098:Wolf Vostell 1018:Mark Pauline 973:Bruce Nauman 953:Kent Monkman 923:Suzanne Lacy 918:Yayoi Kusama 893:Andy Kaufman 888:Allan Kaprow 863:Rebecca Horn 853:Sharon Hayes 833:Ann Hamilton 808:Bob Flanagan 803:Valie Export 793:Sophie Calle 783:Chris Burden 758:David Blaine 753:Joseph Beuys 718:Bas Jan Ader 713:Vito Acconci 686: 678: 670: 662: 654: 646: 638: 630: 622: 614: 606: 598: 590: 582: 574: 567: 558: 550: 543: 542: 534: 526: 518: 510: 502: 494: 486: 478: 470: 462: 454: 440: 432: 380: 376: 367: 346:. Retrieved 342: 333: 308: 304: 278:. Retrieved 274: 236: 232: 176: 168: 167: 160: 152: 150: 146: 142: 138: 134: 123:installation 114: 113: 112: 99: 89: 82: 75: 68: 56: 32: 15: 1350:1997 in art 1262:Process art 1192:(2018 film) 1184:(1988 film) 1164:The Yes Men 1058:Tino Sehgal 1033:Jim Pomeroy 983:Pat Oleszko 963:Frank Moore 908:Terence Koh 773:Günter Brus 733:Abel Azcona 648:The Fathers 568:Rest Energy 555:(2014–2015) 200:Avant-garde 153:Luminosity, 139:Dissolution 1334:Categories 1287:modern art 1129:Concept 21 1038:Duke Riley 1003:Eiko Otaki 993:Mihai Olos 938:Miki Malör 933:James Luna 903:Yves Klein 883:Joan Jonas 873:Zhang Huan 818:Coco Fusco 763:Mark Bloch 656:The Shadow 544:Luminosity 383:- May 2006 375:Review of 366:Interview 348:2021-11-04 280:2021-11-04 211:References 169:Luminosity 143:Luminosity 115:Luminosity 72:newspapers 1237:monochrom 1227:Happening 1013:Gina Pane 843:Jo Hanson 813:Terry Fox 798:Papo Colo 728:Ron Athey 664:The Shame 576:Rhythm 10 539:(1970–71) 496:Cut Piece 491:(1992–93) 434:7000 Oaks 325:0161-0775 253:0270-5346 185:in 2010. 102:July 2015 42:talk page 1345:Body art 1207:Body art 1124:Ant Farm 998:Yoko Ono 913:Paul Kos 738:Franko B 600:Rhythm 0 592:Rhythm 2 584:Rhythm 5 189:See also 135:Insomnia 1078:Stelarc 700:Artists 608:Seedbed 377:Seedbed 305:Theater 181:at the 86:scholar 1222:Fluxus 1117:Groups 691:(2008) 683:(1973) 675:(1977) 667:(2018) 659:(2014) 651:(2016) 643:(2018) 635:(2010) 627:(1964) 619:(2005) 611:(1972) 603:(1974) 595:(1974) 587:(1974) 579:(1973) 571:(1980) 563:(2009) 547:(1997) 531:(1965) 523:(1971) 515:(2013) 507:(2012) 504:Eating 499:(1964) 483:(2015) 475:(2015) 472:Buried 467:(1974) 459:(1977) 451:(1969) 449:Bed-in 445:(2015) 437:(1982) 323:  251:  88:  81:  74:  67:  59:  1285:This 1200:Other 1173:Media 93:JSTOR 79:books 1291:stub 1159:Mavo 1093:Ulay 426:Work 321:ISSN 249:ISSN 137:and 65:news 313:doi 241:doi 159:'s 151:In 129:at 48:by 1336:: 379:, 341:. 319:. 309:41 307:. 303:. 289:^ 273:. 261:^ 247:. 237:18 235:. 231:. 219:^ 141:, 1322:e 1315:t 1308:v 1297:. 411:e 404:t 397:v 351:. 327:. 315:: 283:. 255:. 243:: 104:) 100:( 90:· 83:· 76:· 69:· 52:. 38:.

Index


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talk page
improve this article
introducing citations to additional sources
"Luminosity" performance art
news
newspapers
books
scholar
JSTOR
performance art
installation
Marina Abramović
Sean Kelly Gallery
Leonardo da Vinci
Vitruvian Man
endurance art
Marina Abramović: The Artist Is Present
Museum of Modern Art
Endurance art
Avant-garde
Experimental theatre


"Marina Abramović's Performance: Stresses on the Body and Psyche in Installation Art"
doi
10.1215/02705346-18-3_54-99
ISSN
0270-5346

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