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On 10 March 1992 Loong announced her retirement and moved to Canada. A number of factors played a role in her decision. In 2012 and 2014, Loong disclosed that before her retirement she had been in poor health, particularly since the death of her mentor Yam in 1989. In her later years Yam had advised
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Loong performed nine times for a week in 1973 and in a total of 11 weeks in 1973/74. Investors and theatre managers would hire the troupe and, if they proved to be profitable, extend their season. Troupes were expected to perform a large repertoire at very short notice. From 1973 to the early 1990s,
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Many of the people she had worked closely with in her earlier career were no longer with her by 1992. Two Chu brothers were musicians who had composed scores for Yam as well as for Loong herself, died in 1981 and 1985. Two associates from her dance class of 1960 moved on in 1988 when her godfather
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Loong was born Lee Pui Sang on 4 November 1944 (Lunar 19 September 1944), the fourth child of a teacher father and a homemaker mother, who had one son and seven daughters. In 1960, against the wishes of her father and brother but with the financial support of her mother and sisters, she applied to
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The press praised the effort in 2014 and called for continuation of opportunities in the future for other up-and-coming performers. Loong responded with 16 shows in 2015/2016 at the Lyric
Theatre, HKAPA, where all the performers except her were up-and-coming performers in main roles. The headline
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in the decade of training from 1960 to 1970, Loong could honor new requests without even a day's notice in the evening by studying the manuscript overnight and rehearsing in the afternoon. This was the only way to survive extension after extension since repeating of titles was not acceptable to
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From
September 2005 to September 2008 Loong gave 80 charity performances to full houses (mostly full versions of two titles) in Hong Kong and Macau. Despite having undergone keyhole surgery just two months before performances started Loong took on a very demanding iconic role as male lead in
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roles. From 1968 to 1970 she shared the stage with Yam Kim-fai and debuted in 1969 "Farewell, My
Husband". Loong was recognized as promising during the late 1960s and 1970s, and acted in various types of Cantonese opera as male leads in full versions with several female leads as co-stars.
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In
November 2004, in commemoration of 15th anniversary of her passing, her mentor Yam Kim Fai, Loong returned to the stage. Her work from 2005 onwards received great critical acclaim and Loong remains the Cantonese Opera performer with the best box-office record.
668:(Chinese: 龍劍笙 - 牡丹亭驚夢全劇) was staged in 2017/8 to complete the 2014 events in remembrance of mentor Yam. In 2019 Loong staged 13 performances of “Di Nü Hua” (28 November - 14 December) to commemorate 30 years (1989-2019) since the passing of mentor
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Loong work and studied under Yam's tutelage for several years. In 1972 when Yam was invited to perform in
Vietnam, Loong went in her place. In 1973 she made her home debut in Hong Kong with the Chor Fung Ming (Young Phoenix) Cantonese Opera Troupe
799:. Note that photo "Yam-Loong backstage" for Happy Valley Athletic Association (HVAA) Fundraising 05 March 1976 was annotated erroneously as 1979. That event erroneously referred to in the news article actually happened in 1980, the year before
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Loong to consider retiring because of the lack of good new scripts. She did not want Loong to simply continue performing legacy works to make a living. By the time she retired Loong was exhausted from close to 150 performances per year.
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In 2014, Loong shared stage for the first time with some new "love interests" to commemorate the quarter of a century since the passing of her mentor Yam. The title of this event in
Chinese was "Ren Yi Sheng Hui Nian Long Qing"
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Loong performed in over 50 well-known plays, usually one or two titles a day. These might be requested only the day before by theatre owners, and on overseas tours patrons might send requests written on a beverage napkin.
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Charity performance by Hong Kong
Cantonese opera troupe at Kreta Ayer People's Theatre, Ministry of Information and the Arts Collection, courtesy of National Archives of Singapore
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371:, 117 shows in 102 days: Loong's troupe returned to Singapore in 1976 because there were requests for more performances after 77 sold-out performances the year before.
918:江雪鷺是以「雛鳳鳴劇團」六、七十年代開山戲《辭郎州》和《英烈劍中劍》著名的刀馬旦,《戲曲之旅》 第109期 34-37頁、 第110期 32-33頁、 第111期 28-31頁、 第112期 34-37頁、 第115期 23頁、 第116期 30-31頁、 第125期 28-29頁。 淡出舞台多時,身懷優質演藝細胞的江雪鷺。
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In August 2010, when a new manuscript was sent to her in Canada, Loong replied within couple of days that she had no plans to return to the stage.
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close up image from left to right:- Loong, Madam Choo Sow Yin (Cau Daan) as grandmother character and female lead Kong as sister
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Masculine traits (字字鏗鏘) of Yam style(任腔) is one of the more famous exponent of Kwai Ming Yeung style. (3) Detail description
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924:有血有淚有汗︰「當年考上了仙鳳鳴劇團當舞蹈藝員,在八個月的訓練中要學會合步及舞蹈,例如一字馬、雲步、採海等。現在回想起來真的有血有汗又有淚。」有「仙派文武旦后」美譽的江雪鷺說從前的戲迷,熱情不比現今流行歌手的歌迷遜色︰「我和戲迷已經成為了好朋友。」
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Midweek, New Nation, 10 November 1976, Page 10 to 11, departed after 72 days of Kreta Ayer People's
Theater performance
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2011 IFPI awards: (credited as Lung Kim Sheng), Award for
Excellent Contribution to Cantonese Opera IFPI (香港粵劇貢獻大獎).
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HK show a success, The
Straits Times, 5 June 1981, Page 12, Mr. Phua Bah Lee, Parliamentary Secretary (1968-1988)
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In 1963 the Chu Fengming Opera Troupe was founded and Loong was one of 12 of the finalists invited back to learn
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2015 IFPI awards: (credited as Lung Kim Sheng), received recognition for her effort to remember her mentor
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List of Best Sales Releases, Classical and Operatic Works Recording (Order in Chinese Stroke Counts)
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Per RTHK radio 1 【Free as the Wind】 02 January 2017 Episode with Yuen as the guest.
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audiences, except for a small number of popular ones during first overseas tour in
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A souvenir for top HK artiste from Goh, The Straits Times, 13 July 1975, Page 6
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also left China for the United States. Other veterans of the group, including
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Women Pioneer in Hong Kong, population Seven million, the Debut guest 七百萬人的先鋒
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All aglow again to lure new fans, The Straits Times, 9 February 1986, Page 12
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762:龍劍笙 - 細說當年 創藝文化企業有限公司出版 (Publisher:Chuang Yi Wen Hua Qi Ye You Xian Gong Si)
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had been honored in the 1930s after the performance at the Sun Sing Theatre.
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2016 IFPI awards: (credited as Lung Kim Sheng), DVD "Zi Chai Ji (Quan Ju)"
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A rightful place in opera front, The Straits Times, 11 June 1981, Page 4
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The IFPI Hong Kong Award for Excellent Contribution to Cantonese Opera.
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Loong made only four films, including three remakes of works by Yam.
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266:” lead male roles, combining literary opera and martial arts scenes.
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1982, Loong was invited to perform for the Christmas season by the
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Big come-back for Chinese opera, New Nation, 16 July 1976, Page 13
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1343:「任白」得意門生龍劍笙(阿刨)演出共25場《任藝笙輝念濃情》折子戲圓滿結束,阿刨在尾場淚浸戲台,教人動容。爆106歲母親長壽秘訣
345:, doing more than over 40 shows in 37 days, at a theatre in
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performer. She is widely regarded as a pioneer in playing “
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invited the troupe to attend the celebration of the tenth
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and to bring up-and-coming performers onto stage in 2014.
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Having learnt the essential basics like ending rhyme
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production in this series was “The Purple Hairpin”(
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408:1984 North America tour, the Mayor of New York,
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1236:開售前六天(10月2日),已有不少刨迷在售票處門外排隊。龍劍笙十場折子戲門票30分鐘賣清光!
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1005:Ending scene Loong fighting the villain,
332:trip was extended to 66 days (77 shows).
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389:. This followed the in stage success of
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1130:Hong Kong Cinema: The Extra Dimensions
922:文武全才江雪鷺,《戲曲之旅》第134期 106-109頁 第十一期《大學線》
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696:) and "Long Qing Shi Yi Ban Shi Ji" (
412:, honored the troupe she led just as
341:1972, Her first overseas tour was in
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1530:21st-century Hong Kong women singers
1525:20th-century Hong Kong women singers
1432::聲含情 字含韻 (2) Mainly influenced by -
1535:Hong Kong Cantonese opera actresses
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1520:21st-century Hong Kong actresses
1515:20th-century Hong Kong actresses
590:Sabbatical and return, 1992-2014
559:The Legend of the Purple Hairpin
328:. Thus in 1975 a planned 21-day
1347:對兩位年輕花旦而言,此乃天上掉下來、千載難逢的機會也!阿刨風采
920:江雪鷺 的新搞作 2006年《戲曲之旅》第50期第16至17頁
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904:戲曲視窗:我看香港青苗粵劇團的成長(中)2010-12-21
893:變通是本土粵劇妙藥 – am730 (02-04-2015)
845:Maybe The Cantonese Opera Diva
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1233:11月騷 10月8日開售 頭條日報 20140914 報導
818:戲迷情人任劍輝 轉自1973年12月1日出版《大成》第一期
279:troupe created by her mentor
752:. 細說任、龍、雛 香港 : 香港周刊出版社.
405:) to adapt it for the stage.
401:. Loong hired Yip Shiu-Tak (
258:(born 4 November 1944) is a
275:train as a dancer with the
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1127:Stephen Teo (2019-07-25).
868:戲曲視窗:重視流派有助粵劇承傳 2010-11-02
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1473:IFPI HKG 2012, first year
1438:戲曲視窗:任劍輝唱片曲知多少?2013-01-15
964:"龍情詩意半世紀(第十七篇):師傅英明 脫離危城"
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1371:"龍劍笙秘密練兵 11月返港開鑼 - 東方日報"
1292:戲曲視窗:身段是戲曲的標誌 2010-05-04
1284:戲曲視窗:粵劇導演不懂粵劇 2010-06-15
1238:【on.cc東網專訊】 20141008 報導
1197:戲曲視窗:粵劇寒風何時減退 2003-12-09
1172:"獻醜不如藏拙" - Loong's motto
1092:梨園青黃不接 記者:曾錦玲/黃渭瑜 編輯:陳綺娜
1080:戲曲視窗:粵劇觀眾大量流失 2009-12-29
872:戲曲視窗:香港粵劇不重流派?2010-10-19
607:, also left or retired.
458:Tragedy of the Poet King
398:Tragedy of the Poet King
374:1978, United States and
347:Cholon, Ho Chi Minh City
164:Traditional Chinese
777:The Illuminated Lantern
392:The Story of Emperor Li
178:Simplified Chinese
111:1972-1992, 2004 onwards
1209:戲曲視窗:粵劇前途未卜 2009-10-06
1187:原發表於1990年3月23日《信報》文化版。
1076:戲曲視窗:有聲粵劇歷史 2011-01-04
378:, 89 shows in 71 days.
362:Singapore National Day
270:Childhood and training
1410:梁煒康飾演崔允明及黃衫客。再刨紫釵 輕羽【
1290:2008年12月16日【文滙報】 and
1288:戲曲視窗:冬寒花更香 2008-12-16
1221:戲曲視窗:粵劇新世代 2009-12-22
773:"Princess Chang Ping"
1450:1982 Gold Disc Award
1308:龍劍笙不作「回巢燕」2009年9月19日
1304:龍劍笙壓軸演國慶騷 2009年5月23日
681:1982 Gold Disc Award
449:Director In Chinese
1375:orientaldaily.on.cc
1358:台語國寶x粵劇國寶 江蕙香港交流龍劍笙
968:orientaldaily.on.cc
941:orientaldaily.on.cc
835:【明報專訊】2014.10.09 發表
736:頭條日報 Headline Daily
526:Princess Chang Ping
493:Laugh in the Sleeve
440:Character In Movie
1352:2014-12-03 at the
1286:2010年06月15日【文滙報】,
1258:【澳門日報】20141014 報導
1248:阿刨開心賀壽(農曆生日)宣布加10場
816:跟著她「吃飯」的人可不少 - 呂大呂
666:The Peony Pavilion
67:Lee Pui Sang (李菩生)
1274:【澳門日報】20160509 報導
1140:978-1-83871-625-7
1078:2011年01月04日【文滙報】
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89:Occupation(s)
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79:(age 79)
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18:Lung Kim Sang
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1394:任藝笙輝後 誰再念濃情?
1389:
1378:. Retrieved
1374:
1365:
1345:【on.cc東網專訊】
1338:
1327:. Retrieved
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972:. Retrieved
967:
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803:passed away.
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780:. Retrieved
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605:Lang Chi Bak
597:
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480:Lee Sun-Fung
434:Movie Title
424:
396:
390:
318:
314:
311:Early career
301:
289:
273:
255:
254:
208:Hanyu Pinyin
158:Chinese name
116:
36:
29:Chinese name
1510:1944 births
1415:】2016年1月08日
782:26 December
750:"梨園客(1986)"
705:Yam Kim Fai
670:Yam Kim Fai
601:Luo Pinchao
503:Tong Pak-Fu
469:Li Congshan
443:In Chinese
414:Mei Lanfang
281:Yam Kim-fai
33:family name
1504:Categories
1380:2020-11-03
1329:2020-11-03
1324:朱開通的專訪報導文章
1146:30 October
1116:02/12/1977
1112:01/30/1976
1108:02/08/1975
974:2 November
947:2 November
732:"Headlife"
718:References
645:Since 2014
385:casino in
264:Wenwusheng
133:Instrument
73:1944-11-04
1170:Hong Kong
1094:第十一期《大學線》
857:Hong Kong
849:Australia
676:Accolades
660:龍劍笙:紫釵記全劇
617:Di Nü Hua
446:Director
387:Las Vegas
330:Singapore
296:Xiaosheng
97:Performer
83:Hong Kong
1350:Archived
1256:阿刨慶生宣佈加場
544:John Woo
229:Jyutping
27:In this
1434:聽"桂派"名曲
1250:【東方日報】
1246:【蘋果日報】
1240:龍劍笙宣布加場
1182:牡丹亭來的男人
962:徐, 蓉蓉.
935:徐, 蓉蓉.
853:舞台下的龍劍笙
712:紫釵記(全劇)
698:龍情詩意半世紀
652:任藝笙輝念濃情
579:Lee Tit
513:Lee Tit
410:Ed Koch
369:SE Asia
354:SE Asia
343:Vietnam
326:Vietnam
93:Actress
38:Lee (李)
1486:"2016"
1360:【蘋果日報】
1356:【澳門日報】
1254:【頭條日報】
1137:
1013:, and
376:Canada
367:1976,
352:1975,
292:Huadan
123:Genres
31:, the
1242:【文滙報】
797:1961年
634:" in
569:Li Yi
555:1977
522:1976
489:1975
454:1968
431:Year
137:Voice
1306:but
1272:粵劇不死
1148:2020
1135:ISBN
1114:and
1001:and
976:2020
949:2020
784:2010
693:任曲笙韻
498:三笑姻緣
484:李晨風
421:Film
294:and
283:and
63:Born
1430:林燕妮
1413:大公報
1398:大公報
1185:周耀輝
851:or
662:).
583:李鐵
564:紫釵記
549:吳宇森
539:周世顯
531:帝女花
517:李鐵
508:唐伯虎
475:李從善
463:李後主
403:葉紹德
307:).
305:雛鳳鳴
184:龙剑笙
170:龍劍笙
101:文武生
56:龍劍笙
35:is
1506::
1488:.
1426:任腔
1373:.
1322:.
1156:^
1110:,
1106:,
1066:^
1009:,
966:.
939:.
911:^
823:^
808:^
775:.
734:.
700:).
672:.
638:.
626:,
619:.
574:李益
473:皇弟
321:韻腳
95:,
75:)
1492:.
1424:"
1396:【
1383:.
1332:.
1150:.
978:.
951:.
786:.
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650:(
364:.
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303:(
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99:(
71:(
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20:)
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