464:, 1952–53, a work not in this show but inspired by the films of Josephine Baker, reiterates racialized clichés in the enlarged belly and hips and in the abstracted yellow form that represents Baker's notorious banana skirt. (In the catalogue, the curators celebrate Matisse's invention of a new visual sign for the skirt, but it is a sign utterly reliant on ready-made stereotypes.)"
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Starting in the 1930s, Matisse began to experiment with creating art by cutting paper into shapes. By 1950, he had primarily shifted to this mode of art making, perhaps because his health and disabilities made painting on a large scale difficult. These "cut-outs" were often
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190:. Matisse's depiction has been criticized as reiterating "racialized clichés in the enlarged belly and hips." Others have proposed that Matisse presented black women as beautiful.
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322:. Buchberg, Karl D.; Cullinan, Nicholas; Hauptman, Jodi; Sirota, Nicholas; Friedman, Samantha; Frigeri, Flavia|. New York: The Museum of Modern Art. p. 196.
362:. Buchberg, Karl D.; Cullinan, Nicholas; Hauptman, Jodi; Sirota, Nicholas; Friedman, Samantha; Frigeri, Flavia. New York: The Museum of Modern Art. p. 196.
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Richard, Paul (1977). "The
Cutouts of Matisse: Seabirds, Ponies and Acrobats: Masterpieces from Scissors Seabirds and Ponies: The Designs of Matisse."
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around 1952. He rearranged the composition until early 1953. It takes up an entire wall. A newspaper review called the figure "a giantess."
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209:, who Matisse had seen perform. The work may also be an imagined dancer or amalgamation of the previously discussed figures.
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The work has been praised as "the culmination of
Matisse's art." It was acquired by the National Gallery of Art in 1973.
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515:' Review: A Groundbreaking Look; an Exhibition at Columbia Includes Manet, Matisse, Bearden and Many Others."
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453.9 cm × 623.3 cm (178 11/16 in × 245 3/8 in)
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during the 1920s and 1930s. One of Baker's famous outfits was a skirt made from
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may have also inspired
Matisse, who had previously designed a book titled
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483:. Wallach Art Gallery, Musée d'Orsay. New Haven: Yale University Press.
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Other scholars propose that the figure may be of another famous dancer,
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Posing modernity : the black model from Manet and
Matisse to today
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Posing
Modernity: The Black Model from Manet and Matisse to Today
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Wright, Alistair (Sept. 2014). "Henri
Matisse: The Cut-Outs".
197:. Matisse had created an earlier work about a dancer (
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For the painting by
Abigail May Alcott Nieriker, see
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131:-sized and made from pieces of paper painted with
220:In 2018, the work was referenced in the title of
628:A Glimpse of Notre-Dame in the Late Afternoon
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511:Tompkins Lewis, Mary (December 3, 2018). "'
356:Hauptman, Jodi (2014). "Bodies and Waves".
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229:Posing Modernity: the Black Model from
118:, made of cut pieces of colored paper.
19:For the painting by Édouard Manet, see
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530:"Henri Matisse, La Négresse, 1952"
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1080:Goldfish paintings and etchings
28:La Négresse (Nieriker painting)
1026:Black Leaf on Green Background
716:Blue Nude (Souvenir de Biskra)
244:List of works by Henri Matisse
1:
286:"Henri Matisse: The Cut-Outs"
275:. Retrieved 25 December 2007.
407:Millard, Charles W. (1978).
359:Henri Matisse: the cut-outs
319:Henri Matisse: the cut-outs
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1251:Paintings by Henri Matisse
903:Odalisque with Raised Arms
458:Artforum International, 53
160:in the banana skirt, 1927.
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879:The Painter and His Model
783:Still Life with Geraniums
636:Luxury, Calm and Pleasure
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16:Painting by Henri Matisse
938:Purple Robe and Anemones
612:Landscape, the Pink Wall
477:Murrell, Denise (2018).
1018:The Sorrows of the King
534:National Gallery of Art
394:Sept. 9, 1977, B1, B11.
91:National Gallery of Art
71:Cut paper painted with
946:Woman in a Purple Coat
748:Portrait of Greta Moll
676:Landscape at Collioure
620:Academy Study of a Man
409:"The Matisse Cut-Outs"
201:1950) that art critic
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149:Subject or Inspiration
1154:(great-granddaughter)
855:Woman on a High Stool
740:Bathers with a Turtle
156:
1105:Chapel of the Rosary
815:Zorah on the Terrace
517:Wall Street Journal.
392:The Washington Post,
290:Museum of Modern Art
1218:An Essay on Matisse
1158:Lydia Delectorskaya
692:The Young Sailor II
684:Le bonheur de vivre
167:may be inspired by
21:La Négresse (Manet)
1221:(1996 documentary)
954:La Blouse Roumaine
871:Bathers by a River
863:The Yellow Curtain
847:View of Notre-Dame
267:2008-08-04 at the
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1010:Beasts of the Sea
1002:The Plum Blossoms
986:The Knife Thrower
823:Window at Tangier
668:View of Collioure
490:978-0-300-25764-9
413:The Hudson Review
369:978-0-87070-915-9
329:978-0-87070-915-9
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1225:Matisse (crater)
911:Yellow Odalisque
895:The Piano Lesson
887:The Music Lesson
839:Arab Coffeehouse
799:The Conversation
660:Woman with a Hat
644:The Green Stripe
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107:(1952–53) by
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293:. Retrieved
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227:and catalog
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203:Louis Aragon
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143:Nice, France
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1125:(1947 book)
1082:(1912–1929)
1076:(1909–1930)
1034:La Négresse
922:1930s–1950s
842:(1912–1913)
802:(1908–1912)
759:1910s–1920s
623:(1900-1901)
596:1890s–1900s
462:La Négresse
233:to Matisse.
165:La Négresse
139:La Négresse
104:La Négresse
36:La Négresse
1240:Categories
1148:(grandson)
1087:Blue Nudes
539:2021-01-20
499:1161990675
419:(2): 326.
295:2021-01-20
250:References
225:exhibition
181:jazz music
79:Dimensions
1185:Le Cateau
1166:(teacher)
1114:Art books
1042:The Snail
519:ProQuest.
433:0018-702X
378:859305247
338:859305247
213:Reception
1050:The Boat
807:Goldfish
265:Archived
238:See also
116:découpée
87:Location
1212:Fauvism
1205:Related
1174:Museums
1160:(model)
1098:Chapels
441:3849913
177:bananas
133:gouache
113:gouache
73:gouache
63:1952–53
1133:People
1090:(1952)
1065:Series
1053:(1953)
1045:(1953)
1037:(1952)
1029:(1952)
1021:(1952)
1013:(1950)
1005:(1948)
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981:(1946)
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949:(1937)
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933:(1932)
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188:(1947)
122:Medium
50:Artist
1142:(son)
775:Music
767:Dance
588:Works
437:JSTOR
231:Manet
173:Paris
129:mural
111:is a
1195:Nice
1122:Jazz
970:Asia
495:OCLC
485:ISBN
429:ISSN
374:OCLC
364:ISBN
334:OCLC
324:ISBN
186:Jazz
68:Type
60:Year
421:doi
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