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ARISTOTLES, cum doceret
Alexandrum ut se contineret ab accessu frequenti uxoris suae, quae erat pulcra valde, ne animum suum a communi providentia impediret, et Alexander ei acquiesceret, hoc advertens regina et dolens, coepit Aristotelem trahere ad amorem suum, quia multociens sola transibat cum
635:
76:
and the famous intellectual was taken up by artists from the 12th century onwards, in media from stone sculpture in churches to panels of wood or ivory, textiles such as carpets and tapestries, engravings, oil paintings, brass jugs
500:
485:
566:
670:
689:
655:
457:
752:
1137:
Eine
Warnung vor dominanten Frauen oder Behajung der Sinnenlust? Zur Ambivalenz des 'Aristoteles-und-Phyllis-Motivs' as Tragezeichen im Spiegel deutscher Dichtungen des späten Mittelalters
585:
431:, jugs in the forms of scenes with human or other figures, depicting Phyllis and Aristotle. The story was depicted in a variety of media including stone, ivory, brass, carpet,
782:
604:
712:
620:
464:
1261:
968:
441:
1218:
1191:
121:. Phyllis has secretly told Alexander what to expect, and he witnesses Phyllis proving that a woman's charms can overcome even the greatest
1104:
993:
427:
of the dominatrix who made a fool of the famous philosopher became popular across medieval Europe. Medieval sculptors in
Maasland created
1235:
1145:
473:
1051:
512:
1271:
1017:, n° 68, 2004, pp. 57–78, and "Henri de Valenciennes, auteur du Lai d'Aristote et de la Vie de saint Jean l'Évangéliste", in
183:(in English, unlike his other major works), a collection of stories of immoral love told in verse. It appears in the poem on
1281:
125:'s male intellect. Phyllis is also described as Alexander's mistress or possibly wife, rather than his father's.
55:
about the triumph of a seductive woman, Phyllis, over the greatest male intellect, the ancient Greek philosopher
155:(The Lay of Aristotle) is known from manuscripts dating from as early as 1220, attributed by scholars to either
862:
338:
ignores the king's order not to see his lover, as requested by
Aristotle for not concentrating on his lessons
680:
541:
90:
703:
545:
160:
560:, the mistress of Alexander. The media used include engraving, stained glass, wood, and oil painting.
1276:
1045:
1013:
François
Zufferey, "Un problème de paternité: le cas d'Henri d'Andeli. II. Arguments linguistiques",
762:
308:
165:
117:, but is himself captivated by her. She agrees to ride him, on condition that she play the role of
110:
1155:
1086:
890:
886:
184:
943:
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1266:
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138:
149:
1167:
743:
424:
267:
52:
642:
60:
32:
1255:
1090:
1066:
1032:
L'Émergence de l'auteur dans l'historiographie médiévale en prose en langue française
858:
767:
626:
448:
912:
806:
792:
739:
533:
82:
40:
17:
1044:
699:
549:
407:
flees to a far country, where he meditates on the wickedness of feminine wiles.
122:
335:
is lectured by
Aristotle for neglecting his duty as head of state and the army
491:
428:
230:
174:
118:
78:
73:
386:
observed by the queen and her retinue, and
Phyllis roundly insults Aristotle
357:
promises he will speak to
Alexander on her behalf, in return for her favours
595:
591:
366:
243:
221:
192:
106:
56:
506:
Phyllis riding and slapping
Aristotle, Aquamanile, Maasland, c. 1400, brass
720:
572:
557:
519:
432:
1134:
Briski, Marija Javor (2004). Winkelman, Johan H.; Wolf, Gerhard (eds.).
552:
continued to exploit the theme, eventually with
Phyllis entirely naked.
835:
36:
494:
in the form of Phyllis and Aristotle, prob. Maasland, 1400–1450, brass
947:
212:
134:
969:"Object Lesson: Did Aristotle Really Humiliate Himself for Phyllis?"
1082:
234:
188:
105:
The tale varies in the telling, but the core of it is as follows:
31:
944:"Phyllis and Aristotle | The Triumph of Seduction over Intellect"
795:(1870–1907), 1902. The woman wears modern stockings and shoes
187:(Book 8, 271–2018), where Gower quips that the philosopher's
81:), and stained glass. Artists attracted to the theme include
27:
Medieval tale of a woman making a fool of an aged philosopher
1210:
Routledge Revivals: Medieval Germany (2001): An Encyclopedia
113:
to avoid Phyllis, the seductive mistress of his father, the
998:, publié d'après tous les manuscrits par Maurice Delbouille
63:
stories from that time. Among early versions is the French
360:
asks her to spend the night with him, in return for money
273:
In the 15th century, it was featured in the German comedy
1186:. Liverpool University Press. 2017. pp. 130–133.
327:
is Phyllis, of noble birth, in the queen's entourage
742:
continued to adapt the Phyllis and Aristotle theme.
1122:
pedibus nudis et dissoluto crine, ut eum alliceret.
825:
The source of the work was still contested in 2007.
913:"Aristotle Plays Horsey and Other Strange Tales"
270:John Herold wrote a Latin version of the story.
1236:"The Curious History of Phyllis on Aristotle"
8:
1183:Twenty-Four Lays from the French Middle Ages
1055:. London: Smith, Elder & Co. 1885–1900.
1034:, Ph.D., New York University, 2007, p. 103.
881:
879:
133:The entirely invented story is said by the
645:decoration meant for Nuremberg Town Hall,
349:decides to get revenge on the philosopher
346:decides to get revenge on the philosopher
973:The National Endowment for the Humanities
402:(Love conquers all, and all shall conquer
313:is a victorious king, conqueror of India
286:Comparison of French and German versions
1213:. Taylor & Francis. pp. 22–23.
938:
936:
934:
284:
1002:Revue belge de philologie et d'histoire
850:
818:
748:
562:
479:Carpet, Freiburg, Germany, 14th century
437:
1163:
1153:
664:, the Master of Ottobeuren, wood, 1523
575:of Aristotle ridden by Phyllis by the
177:included a summary of the tale in his
1140:(in German). Rodopi. pp. 37–66.
316:is a young man in his father's court
141:in the 13th century. The French work
7:
1004:, 1953, Vol. 31, n° 31-1, pp. 84–87.
394:excuses himself to Alexander, saying
734:Nineteenth and twentieth centuries
251:Thurgh which it mihte ben excluded
137:to derive from the German work by
39:of Aristotle ridden by Phyllis by
25:
1069:(1930). "Aristotle and Phyllis".
404:As long as the world shall last)
383:observed by a laughing Alexander
1262:Cultural depictions of Aristotle
1052:Dictionary of National Biography
781:
751:
711:
688:
669:
654:
634:
619:
603:
584:
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511:
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472:
456:
440:
275:Ain Spil van Maister Aristotiles
261:To love, and dede his obeissance
206:Whom that the queene of Grece so
397:Amour vainc tot, et tot vaincra
465:casket with scenes of romances
380:She rides on Aristotle's back
277:(A play of Master Aristotle).
266:Also in the 14th century, the
256:That he ne was fully concluded
1:
728:(attrib.) Oil on canvas, 1713
528:Early Modern to Enlightenment
1019:Revue de linguistique romane
1015:Revue de linguistique romane
746:produced a version in 1913.
324:is just called "the Indian"
1021:, n° 69, 2004, pp. 335–358.
1298:
1107:(in Latin). Archived from
992:Wathelet-Willem, Jeanne. "
467:, France, ivory, 1330–1350
200:I syh there Aristotle also
173:In 1386, the English poet
891:"Phyllis Rides Aristotle"
761:(The Chariot), poster by
706:, engraving, 16th century
863:Art Institute of Chicago
399:tant com li monde durera
375:takes place in a garden
372:takes place in a garden
354:The contract: Aristotle
242:Ther was non art of his
1105:"Phyllis and Aristotle"
917:Classical Wisdom Weekly
859:"Aristotle and Phyllis"
681:Lucas Cranach the Elder
542:Lucas Cranach the Elder
301:Aristoteles und Phyllis
91:Lucas Cranach the Elder
59:. It is one of several
1272:Fictional dominatrices
1207:Jeep, John M. (2017).
1030:Mihai Cristian Bratu,
451:, France, 12th century
391:In the end, Aristotle
299:
293:
290:
44:
704:Bartholomeus Spranger
696:Phyllis and Aristotle
677:Phyllis and Aristotle
662:Aristotle and Phyllis
546:Bartholomeus Spranger
332:Situation: Alexander
220:Sche made him such a
215:, that in thilke time
161:Henri de Valenciennes
49:Phyllis and Aristotle
35:
893:. Justin E. H. Smith
683:, oil on panel, 1530
1111:on 22 November 2012
1046:"Gower, John"
887:Smith, Justin E. H.
287:
18:Lai d'Aristote
834:See above for his
629:, Germany, c. 1520
435:, and engravings.
285:
185:Apollonius of Tyre
109:advises his pupil
45:
1220:978-1-351-66540-7
1193:978-1-78138-368-1
996:Le lai d'Aristote
726:Alessandro Turchi
556:called the woman
554:Alessandro Turchi
447:Stone sculpture,
411:
410:
195:do not save him:
180:Confessio Amantis
95:Alessandro Turchi
72:The story of the
16:(Redirected from
1289:
1282:Medieval legends
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889:(2 April 2013).
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738:Artists such as
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612:Lucas van Leyden
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577:Housebook Master
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532:Artists such as
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444:
343:The young woman
321:The young woman
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139:Jacques de Vitry
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919:. 10 March 2014
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425:cautionary tale
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53:cautionary tale
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719:Aristotle and
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647:Albrecht DĂĽrer
643:Power of Women
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538:Albrecht DĂĽrer
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522:, Basel, 1470s
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295:Lai d'Aristote
292:
291:Story element
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157:Henri d'Andeli
145:Lai d'Aristote
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87:Albrecht DĂĽrer
66:Lai d'Aristote
61:Power of Women
51:is a medieval
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838:illustration.
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774:Émile Pessard
772:for opera by
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627:Stained glass
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449:Cadouin Abbey
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414:Illustrations
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19:
1239:. Retrieved
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1129:
1120:
1113:. Retrieved
1109:the original
1099:
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1039:
1031:
1026:
1018:
1014:
1009:
1001:
995:
988:
976:. Retrieved
972:
963:
951:. Retrieved
921:. Retrieved
916:
907:
895:. Retrieved
866:. Retrieved
853:
830:
821:
807:Rishyasringa
793:Julio Ruelas
788:
758:
740:Julio Ruelas
737:
718:
695:
676:
661:
641:Detail of a
534:Hans Baldung
531:
422:
396:
300:
294:
274:
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255:
250:
241:
228:
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178:
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83:Hans Baldung
71:
69:from 1220.
65:
64:
48:
47:The tale of
46:
41:Hans Baldung
29:
1277:Iconography
1164:|work=
766: [
700:Jan Sadeler
610:Engraving,
550:Jan Sadeler
164: [
148: [
123:philosopher
1256:Categories
846:References
518:Detail of
492:Aquamanile
429:aquamanile
193:syllogisms
175:John Gower
119:dominatrix
79:aquamanile
74:dominatrix
1166:ignored (
1156:cite book
1091:144789717
978:13 August
614:, c. 1520
598:, c. 1500
596:Master MZ
592:Engraving
579:. c. 1490
463:Panel of
367:seduction
309:Alexander
303:– German
297:– French
268:Dominican
244:Practique
111:Alexander
107:Aristotle
57:Aristotle
1267:Folklore
1077:: 8–19.
953:22 March
923:31 March
897:31 March
868:22 March
801:See also
789:Sokrates
721:Campaspe
573:Drypoint
558:Campaspe
520:tapestry
433:tapestry
419:Medieval
281:Analysis
229:That he
222:Silogime
1241:1 April
1115:1 April
836:woodcut
759:Le Char
235:logique
233:al his
213:bridled
129:Origins
37:Woodcut
1217:
1190:
1144:
1089:
1000:", in
948:Louvre
776:, 1878
702:after
649:, 1521
369:scene
231:foryat
135:Louvre
93:, and
43:, 1515
1087:S2CID
813:Notes
770:]
211:Hath
189:logic
168:]
152:]
101:Story
1243:2018
1215:ISBN
1188:ISBN
1168:help
1142:ISBN
1117:2018
1071:Isis
980:2023
955:2018
925:2018
899:2018
870:2018
548:and
423:The
365:The
191:and
115:king
1079:doi
159:or
143:Le
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