176:. Despite his name, Lancelot Andrewes Lamar seems partly based on King Arthur: like Arthur, he is cuckolded; like Arthur, he wants to build a new order. Through this monologue, the reader learns Lancelot Lamar's view of the world. He makes accusations, but also questions his own accusations, knowing his own limited ability to view things with clarity and objectivity. He sees that there is a problem with modern American culture. Lancelot seeks to create a New Order based on his own code of honor, and this code of honor includes the preferred actions and roles of women and an avoidance of self-knowledge. He hopes to start this "Third Revolution" (the first two being the
184:, respectively) with a female mental patient and gang rape victim in the cell next to him, Anna. He sees her as having a restored innocence, because she has been violated so completely. Lancelot sees himself as a leader among other male leaders in his New Order, and other citizens will be followers. He will be part of an elite group that has knowledge of the world like himself.
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Lancelot's monologue also serves to develop themes such as the importance of innocence in sexual identity and the issues concerning human sexuality. These are seen in his commentary of when he sees Lucy, his daughter, as she engages in sexual activity with the two lead actors in Merlin's movie, Troy
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that has little fictional resonance." He also took issue with the characters' Arthurian-inspired names, likening this to "merely...an elbow in the ribs." Lehman-Haupt ultimately felt the story was "a portrait of a philosophical quest rather than an argument for the quest's objectives."
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Dana and Raine
Robinette. It is also seen in observation of his wife's infidelity, and in his comparisons of his first wife, Lucy, to his second wife, Margot. Lancelot also values innocence in the rape victim, Anna, who resides in the room next to his in the mental institution.
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gave the novel a negative review. He felt it was "bitter," "provocative," and "upsetting." He criticized the narrative voice for being "uneven and unconvincing," and the story for " on a
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A dejected lawyer, Lancelot Lamar, murders his wife after discovering that he is not the father of her youngest daughter, Siobhan. He ends up in a
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movie, he becomes obsessed with and corrupted by the immorality he seeks to condemn.
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Desmond, John F. (2012). "Fyodor
Dostoevsky, Walker Percy and the Demonic Self".
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Desmond, John F. (1994). "Revisioning The Fall: Walker Percy and
Lancelot".
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references. Most obviously, it includes characters named after
364:"Books of the Times:"Camelot Lost" Lancelot by Walker Percy"
229:"Walker Percy, Is Dead at 74; A Novelist of the New South"
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on his disturbing past, thus having him serve as an
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259:Thompson, Raymond H. (1991). "Walker Percy". In
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267:. New York: Garland. pp. 356–357.
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265:The New Arthurian Encyclopedia
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59:Farrar, Straus & Giroux
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160:The novel is replete with
16:1977 novel by Walker Percy
492:The Message in the Bottle
291:The Mississippi Quarterly
227:Eric Pace (11 May 1990).
197:Christopher Lehmann-Haupt
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551:Modern Arthurian fiction
571:Fiction about uxoricide
524:A Confederacy of Dunces
518:William Alexander Percy
117:by the American author
556:Novels by Walker Percy
473:The Thanatos Syndrome
333:10.1353/slj.2012.0005
546:1978 American novels
370:. The New York Times
235:. The New York Times
368:archive.nytimes.com
178:American Revolution
139:unreliable narrator
125:Overview and Themes
90:257 (first edition)
63:McGraw-Hill Ryerson
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500:Lost in the Cosmos
441:The Last Gentleman
202:The New York Times
182:American Civil War
131:mental institution
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540:Categories
484:Nonfiction
214:References
151:Holy Grail
135:monologues
113:is a 1977
416:Works by
349:159696221
303:i40226105
207:melodrama
192:Reception
162:Arthurian
155:Hollywood
147:Wasteland
55:Publisher
20:Lancelot
457:Lancelot
341:24389011
180:and the
174:Percival
166:Lancelot
143:Lancelot
110:Lancelot
47:Language
263:(ed.).
50:English
503:(1983)
495:(1975)
476:(1987)
468:(1980)
460:(1977)
452:(1971)
444:(1966)
436:(1961)
425:Novels
374:19 Oct
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239:19 Oct
172:, and
170:Merlin
37:Author
345:S2CID
337:JSTOR
299:JSTOR
297:(4).
115:novel
87:Pages
376:2023
269:ISBN
241:2023
96:ISBN
74:1977
329:doi
199:of
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
