Knowledge (XXG)

Las Noches del Hombre Lobo

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183: 121: 22: 448:, nor is there a record of a director named René Govar ever working in the French film industry. Most Naschy fans regard the film listing as either a hoax or an error, with some theorizing that Naschy may have fabricated the existence of this film to enrich his film résumé. Despite this, he has argued that the film exists and continued to do so until his death in 2009. 63: 444:
film for collateral and then later misplaced it or discarded it. Lead actors whom Naschy attributed to this film (Peter Beaumont and Monique Brainville) apparently were not actual people who ever existed. Naschy could not even recall the names of any other actors who starred in this film. René Govar has no other directorial credits on
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Seeing how this is a lost film, little is known about its plot. All that is known of it, as mentioned in an interview by Naschy himself, is that the story deals with a professor who learns that a student of his suffers from lycanthropy, and under the guise of helping him, uses him as an instrument of
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was filmed. He claimed in interviews that the scenes were shot in Paris. Supposedly the director, a man named René Govar, was killed in a car accident in Paris the week after the film was sent off to the lab for processing, and that since no one ever paid the negative costs, the lab held onto the
415:. It has been credited as the second part of Paul Naschy's 12 "Hombre Lobo" films. However, it's been heavily disputed if the film was ever made or exists at all. No one, including Naschy himself, has ever viewed the film and it has never seen a theatrical or home media release. 630: 200: 35: 73: 84: 247: 219: 780: 471:
no longer exists. Someone on a fan site claimed they saw a still photo from this film, but it could have actually been a still from
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revenge by controlling him by means of sound waves whenever he transforms. It is possible this film later became the 1970
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that states a Knowledge (XXG) editor's personal feelings or presents an original argument about a topic.
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Note - None of these actors have any other credits (with the exception of Naschy and Novak)
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with a variant title printed on it by the distributor, especially since
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was only released to theaters five years after it was completed.
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personal reflection, personal essay, or argumentative essay
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was followed by the third film in the series in 1969,
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Lost Films an initiative of the 14: 31:This article has multiple issues. 181: 119: 61: 20: 192:needs additional citations for 39:or discuss these issues on the 1: 715:The Beast and the Magic Sword 407:film that centers around the 572:"Las noches del Hombre Lobo" 546:"Las noches del hombre loco" 216:"Las Noches del Hombre Lobo" 687:Dr. Jekyll y el Hombre Lobo 145:the claims made and adding 802: 708:El Retorno del Hombre Lobo 659:Las Noches del Hombre Lobo 596:Las Noches del Hombre Lobo 441:Las Noches del Hombre Lobo 419:Las Noches del Hombre Lobo 387:Las Noches del Hombre Lobo 303:Las Noches del Hombre Lobo 701:La Maldicion de la Bestia 646: 781:Waldemar Daninsky series 666:Los Monstruos del Terror 640:Waldemar Daninsky series 459:La Furia del Hombre Lobo 423:Los Monstruos del Terror 694:El Retorno de Walpurgis 673:The Fury of the Wolfman 652:The Mark of the Wolfman 464:The Fury of the Wolfman 428:The Monsters of Terror 756:Spanish werewolf films 393:Nights of the Wolf Man 83:by rewriting it in an 680:La Noche de Walpurgis 729:Tomb of the Werewolf 473:Fury of the Wolf Man 201:improve this article 751:French horror films 550:Deutsche Kinemathek 786:1960s French films 776:Lost Spanish films 504:Monique Brainville 348:Monique Brainville 130:possibly contains 85:encyclopedic style 72:is written like a 771:Lost horror films 738: 737: 493:Waldemar Daninsky 383: 382: 295: 294: 287: 277: 276: 269: 251: 175: 174: 167: 132:original research 113: 112: 105: 54: 793: 766:1960s lost films 633: 626: 619: 610: 582: 581: 568: 562: 561: 559: 557: 542: 300: 290: 283: 272: 265: 261: 258: 252: 250: 209: 185: 177: 170: 163: 159: 156: 150: 147:inline citations 123: 122: 115: 108: 101: 97: 94: 88: 65: 64: 57: 46: 24: 23: 16: 801: 800: 796: 795: 794: 792: 791: 790: 741: 740: 739: 734: 642: 637: 606: 591: 586: 585: 570: 569: 565: 555: 553: 544: 543: 530: 525: 485: 454: 437: 368: 356: 346: 342: 328: 324: 298: 291: 280: 279: 278: 273: 262: 256: 253: 210: 208: 198: 186: 171: 160: 154: 151: 136: 124: 120: 109: 98: 92: 89: 81:help improve it 78: 66: 62: 25: 21: 12: 11: 5: 799: 797: 789: 788: 783: 778: 773: 768: 763: 758: 753: 743: 742: 736: 735: 733: 732: 725: 718: 711: 704: 697: 690: 683: 676: 669: 662: 655: 647: 644: 643: 638: 636: 635: 628: 621: 613: 604: 603: 590: 589:External links 587: 584: 583: 563: 527: 526: 524: 521: 520: 519: 516: 514:Helene Vatelle 511: 506: 501: 498:Peter Beaumont 495: 484: 481: 453: 450: 436: 433: 381: 380: 375: 371: 370: 365: 361: 360: 357: 354: 351: 350: 344:Peter Beaumont 337: 333: 332: 330:Jacinto Molina 319: 315: 314: 309: 305: 304: 296: 293: 292: 275: 274: 189: 187: 180: 173: 172: 127: 125: 118: 111: 110: 69: 67: 60: 55: 29: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 798: 787: 784: 782: 779: 777: 774: 772: 769: 767: 764: 762: 759: 757: 754: 752: 749: 748: 746: 731: 730: 726: 724: 723: 719: 717: 716: 712: 710: 709: 705: 703: 702: 698: 696: 695: 691: 689: 688: 684: 682: 681: 677: 675: 674: 670: 668: 667: 663: 661: 660: 656: 654: 653: 649: 648: 645: 641: 634: 629: 627: 622: 620: 615: 614: 611: 607: 602: 598: 597: 593: 592: 588: 579: 578: 573: 567: 564: 551: 547: 541: 539: 537: 535: 533: 529: 522: 517: 515: 512: 510: 507: 505: 502: 499: 496: 494: 490: 487: 486: 482: 480: 478: 474: 470: 466: 465: 460: 451: 449: 447: 442: 434: 432: 431: 427: 424: 420: 416: 414: 410: 406: 403: 399: 395: 394: 389: 388: 379: 376: 372: 366: 362: 358: 352: 349: 345: 341: 338: 334: 331: 327: 323: 320: 316: 313: 310: 306: 301: 289: 286: 271: 268: 260: 257:December 2015 249: 246: 242: 239: 235: 232: 228: 225: 221: 218: â€“  217: 213: 212:Find sources: 206: 202: 196: 195: 190:This article 188: 184: 179: 178: 169: 166: 158: 155:December 2015 148: 144: 140: 134: 133: 128:This article 126: 117: 116: 107: 104: 96: 93:December 2015 86: 82: 76: 75: 70:This article 68: 59: 58: 53: 51: 44: 43: 38: 37: 32: 27: 18: 17: 727: 720: 713: 706: 699: 692: 685: 678: 671: 664: 658: 657: 650: 605: 595: 575: 566: 554:. Retrieved 476: 472: 468: 462: 458: 455: 440: 438: 435:Authenticity 429: 425: 418: 417: 392: 391: 386: 385: 384: 355:Release date 297:Spanish film 281: 263: 254: 244: 237: 230: 223: 211: 199:Please help 194:verification 191: 161: 152: 129: 99: 90: 71: 47: 40: 34: 33:Please help 30: 489:Paul Naschy 413:Paul Naschy 340:Paul Naschy 308:Directed by 761:1968 films 745:Categories 722:Licántropo 523:References 509:Beba Novak 390:(English: 359:Unreleased 326:RenĂ© Govar 322:C. Bellard 318:Written by 312:RenĂ© Govar 227:newspapers 139:improve it 36:improve it 364:Countries 143:verifying 42:talk page 409:werewolf 374:Language 336:Starring 556:5 April 402:Spanish 396:) is a 378:Spanish 241:scholar 137:Please 79:Please 469:Nights 405:horror 369:France 243:  236:  229:  222:  214:  400:1968 367:Spain 248:JSTOR 234:books 601:IMDb 577:IMDb 558:2015 483:Cast 477:Fury 452:Plot 446:IMDb 398:lost 220:news 599:at 491:as 203:by 141:by 747:: 574:. 531:^ 430:). 45:. 632:e 625:t 618:v 580:. 560:. 552:) 461:( 426:( 288:) 282:( 270:) 264:( 259:) 255:( 245:· 238:· 231:· 224:· 197:. 168:) 162:( 157:) 153:( 135:. 106:) 100:( 95:) 91:( 87:. 52:) 48:(

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"Las Noches del Hombre Lobo"
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René Govar
C. Bellard
René Govar
Jacinto Molina
Paul Naschy
Peter Beaumont

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