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Furnace, PS 1, Exit Art and the
Kitchen as well as The Whitney Museum of American Art, The Museum of Modern Art, The Guggenheim Museum, The New Museum, and the Walker Art Center, The New Museum, The Museum of Contemporary Art, Chicago; the San Francisco Museum of Modern Art, San Francisco and numerous other venues in Canada, Europe, Korea, Japan, and Australia have exhibited Millers work. In particular, Miller's art has appeared at the Venice Bienalle, Italy; Akademie Der Kunste, Daadgalerie and Bonner Kunstverein, Germany; Ecole Nationale Des Beaux Arts, Galerie 1900-2000, France.
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information, can be shaped into novel products -- bought, sold, and distributed like any other commodity. Miller riffs on the increasing commodification of the double helix, in the form of patents on natural genes... He portrays 11 artists, each with a vial of his own blood or other cells, and offers to license, for a price and one-time-only use, the genes that undergird his creativity."
246:, featuring more than 40 vehicles in the historic Dom Platz adjacent to the famous Cologne cathedral the following day. With a large local audience in attendance, the event spectacle, broadcast live on German television, utilized fire trucks, police and military vehicles and vintage automobiles as sound instruments to bring Brecht's classic score to life.
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historic context these events were organised by means of open calls for participation, in which artists carried out their proposals, thus nourishing the movement's collaboration and communication grid. Later, artists such as Larry Miller and Sara
Seagull became the main promoters of this type of activity.
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Miller's official association with the Fluxus group dates to 1969 when the founder of the group George
Maciunas took him on as a protege, leading to close collaborations. Many of Miller's original compositions have become part of the Fluxus collective's standard repertoire of works. Miller has become
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A form on Miller's website provides a declaration of copyright of the user's DNA genome. Subsequent works emerging from this activity have created speculation on the genetic science applications. Miller's "Genomic
License series postulates that DNA is a malleable material which, like clay or digital
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Larry Miller's work has been supported by the New York State
Foundation for the Arts, Creative Artists Program and the National Endowment for the Arts. He has exhibited at the 112 Greene Street Gallery, Gallery LeLong, Stux Gallery, and Emily Harvey Gallery, New York. Institutions such as Franklin
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According to his website, "Whether presented as live performance, specific site installation, or gallery exhibition, Miller considers all of his works -- as well as himself -- to be 'performing objects.' In this view, there are no fixed boundaries between objects, events, time and space, or between
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at AI - Art
Interactive - in Cambridge, Massachusetts, Miller took on the role of curatorial consultant for recreation that offered viewers experiential interactive participation in Maciunas's original design of the historic Flux Labyrinth, a large, complex maze built by George Maciunas at Akademie
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In addition to Fluxus, Miller is best known for his works with genetics. "Basing lines of conceptual inquiry on his 1989 'copyright' claim to his personal genome, he focused on questions of the ownership of DNA, and of the commercial applications of genetic technology. In 1992, Miller launched an
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Miller has been active with the FluxOlympics, unproductive group activity staged as sports events which were altered to the point of being unrecognisable as Fluxus practice went from being housed in concert halls or theatre spaces to having more urban settings the end of the 1960s. "In Fluxus'
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Miller’s early works already demonstrate his personal understanding of the artist as an investigator of experience and of art as an experiment. In addition to his work with Fluxus and DNA, Miller's work can be divided into two distinct categories: 1) Miller's own video pieces, which were often
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A notable contribution to the spirit of Fluxus-related works by Miller has been the "Flux-Tour", a form of performance whereby artist-performers conducted alternative museum and gallery tours in which guides focused attention to the architectural spaces themselves rather than discussing or
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in a 2015 interview. "The fundamental idea behind the Flux-Labyrinth is
Maciunas was taking that essential idea of the puzzle of consciousness... and trying to translate it in basic 20th Century terms which to me were existential." Miller created a new version of the Flux Labyrinth at the
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at Museum Ludwig, Cologne in 2005, Miller organized fellow Fluxus artists Alison
Knowles, Ben Vautier and others to convey the ideas behind Brecht's original "event" scores in a performance program that embodied the subtleties of the genre including a rare reenactment of Brecht's 1960
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components of his larger installations and performances and 2) documentary videotapes of Fluxus interviews, performances and events. Since the 1960s, Miller has shot and collected an impressive number of Fluxus related materials, including the 1978 interview with
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The interview that Miller conducted with
Maciunas shortly before the latter's death is an outstanding documentation, which has made a great contribution to the reconstruction of early Fluxus history in particular. Miller has also done interviews with artists
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has said, "Miller has produced a diverse body of experimental art works as a key figure in the emergent installation and performance movements in New York in the 1970s... His installations and performances have integrated diverse mediums and materials."
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and published it in several language, a document that, when signed, guarantees the multiplication of one’s own genome. In 1990 and 1993, Miller traveled to actions and exhibitions in Poland, where, among other things during the festival
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Through Miller, Fluxus attracted media coverage such as the worldwide CNN coverage of Off Limits exhibit at Newark Museum, 1999. Other Miller activities as organizer, performer and presenter within the Fluxus milieu include
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movement after 1969. He is "an intermedia artist whose work questions the borders between artistic, scientific and theological disciplines. He was in the vanguard of using DNA and genetic technologies as new art media."
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Since the late 1980s, Larry Miller has questioned such boundaries in works exploring issues raised by science, exploring subjects as diverse as DNA, hypnosis and turning ordinary chocolate and carrots into art objects.
225:"The Flux-Labyrinth was essentially a giant Fluxbox. Because when we did it we were trying to engage all these aspects of experience— aural, optic, olfactory, epithelial and tactile," Miller told post-Fluxus artist
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From an event realized under the influence of hypnosis, Larry Miller created an installation "Mom-Me," from 1973, which featured snapshots, family photos by the artist, video freeze frames and video as part of
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Before Fluxus founder George
Maciunas died in 1978 from complications due to pancreatic cancer, he left behind his thoughts on Fluxus in a series of important video conversations with Miller called
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a frequent interpreter of "classic" Fluxus scores and is credited with enlarging the group's works to a wider audience, often straddling the boundaries between research, art, and producer.
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at Rutgers University, and has been active in the Fluxus network since the late 1960s. He lives in New York with artist Sara Seagull, who is also associated with the
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interpreting works of art on display, resulting in the examination of minute detail such as the floors, structural elements and lighting present in the spaces.
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Miller reprised examples of earlier Flux-Tours at the Grey Gallery at New York University, New York, in 2011 in conjunction with the exhibitions,
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international public action, which has since facilitated thousands of individuals in making claims to their genetic rights. Miller created the
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Hendricks, Geoffrey, editor. Critical Mass: Happenings, Fluxus, Performance, Intermedia, and Rutgers. Mead Art Museum, Amherst, Massachusetts
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Hendricks, Geoffrey. Critical Mass: Happenings, Fluxus, Performance, Intermedia, and Rutgers... Mead Art Museum (Amherst College). Pg. 151
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who taught film and mixed media at Rutgers University from the 1950s to the 1980s and remained a lifelong friend of both artists.
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Marcus, Griel. Real Life Rock: The Complete Top Ten Columns, 1986-2014. Yale University Press, New Haven, Connecticut pg. 114.
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Marter, Joan M. and Anderson, Simon. Off Limits: Rutgers University and the Avant-garde, 1957-1963. Newark Museum. Newark, NJ
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at the Anderson Gallery, Virginia Commonwealth University in Richmond and Washington Project for the Arts, Washington, D.C.
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Miller's performance residencies have included Portland School of Art, Maine; Lafayette College, Easton, Pennsylvania;
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and others. Miller has helped produce, organize and develop exhibitions for Fluxus artists such as Maciunas and
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158:, New Brunswick, New Jersey in 1970 when he began exhibiting his work in New York. Larry Miller studied under
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exhibit at the Walker Art Center in 1994, where Griel Marcus said, "Miller was... fine tuning the monster."
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in Amsterdam; and Centraal Fluxus Festival at Centraal Museum, Utrecht, Netherlands. In 2004, for
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movement. Miller and Seagull met in the early 1970s under the mutual influence of Fluxus artist
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Der Kunst, Berlin in 1976 featuring sections by many Fluxus artists with Miller's assistance.
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Critical Mass: Happenings, Fluxus, Performance, Intermedia and Rutgers University 1958-1972
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Miller and three collaborators Alison Knowles, Geoffrey Hendricks and art critic
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which has been screened internationally and translated into numerous languages.
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Larry Miller's genetics works have been seen in numerous exhibitions including
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referenced in Mr Fluxus, E Williams and A Noel, Thames and Hudson, 1997, p114.
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by the International Artists' Museum in Łódź, he registered the DNA of poet
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which featured documentation from prior Flux-Tours, dating back to 1976.
386:"Bowling Green State University, Monitor Newsletter Oct 2005, Book 1579"
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did a live performance of Pre-Fluxus, Pre-Happenings artist Al Hansen's
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Miller and Seagull live in New York City. They maintain a studio near
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Higgins, Hannah. "Great Expectations," in Fluxus Experience. Pg. 150.
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definitions that societies offer for science, art, and religion."
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538:"Flux-Labyrinth: an Interview with Larry Miller, New York City"
88:(born 1944) is an American artist, most strongly linked to the
720:"CRITIC'S NOTEBOOK; The Art of the Code, Or, at Play With DNA"
458:"Larry Miller Homage to Nam June Paik at James Cohan Gallery"
348:, Clifford Art Gallery, Colgate University, New York, 2003,;
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Interview: Larry Miller on the Flux Labyrinth by Mark Bloch
352:, International Center of Photography, New York, 2003 and
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434:"Fluxus East: Fluxus Networks in Central Eastern Europe"
611:"Guide to the Larry Miller Fluxus Collection 1976-2011"
413:"Biography of Larry Miller, Electronic Arts Intermix"
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at the Guggenheim Museum from January to April 2009.
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Gene(sis): Contemporary Art Explores Human Genomics
336:, Exit Art, NYC, 2000 (touring U.S. through 2004);
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846:Library holdings of works referencing Larry Miller
302:The Third Mind: American Artists Contemplate Asia
705:"Paradise Now: Picturing the Genetic Revolution"
138:. Miller also organized several evenings at the
338:From Code to Commodity: Genetics and Visual Art
334:Paradise Now: Picturing the Genetic Revolution
321:, and installed a sound sculpture in honor of
205:at Musee d'Art et d'Art Contemporain in Nice;
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356:Bowling Green State University, Ohio 2005.
244:Motor Vehicle Sundown (Event) For John Cage
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752:"Contemporary Art Explores Human Genomics"
340:, New York Academy of Science, NYC, 2003;
273:Fluxus and the Essential Questions of Life
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792:"Gordon Matta-Clark at 112 Greene Street"
652:Museo Nacional Centro de Arte Reina Sofía
648:"Actions- Fluxolympics and street events"
513:"Larry Miller, Intermedia, Fluxus Artist"
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154:in 1944. He earned his MFA degree at
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826:Larry Miller performances on Youtube
687:"Truth, Beauty And The Double Helix"
615:Fales Library, New York University
583:http://artforum.com/diary/id=10844
310:Genetic Code Copyright Certificate
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666:"The Carrot Piece 30 Years Later"
257:at Andrea Rosen Gallery in 2006.
179:As If the Universe Were An Object
585:. ArtForum Magazine. April 2006.
277:Fluxus at NYU: Before and Beyond
239:George Brecht - A Heterospective
1102:Topographie Anécdotée du Hasard
1247:People from Marshall, Missouri
456:Fry, Warren (April 14, 2007).
262:Interview With George Maciunas
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1232:American performance artists
1170:Fluxus at Rutgers University
237:During the opening night of
718:Boxer, Sarah (2003-03-14).
596:Interview with Larry Miller
315:Constructions in Process IV
44:1944 (age 79–80)
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632:Lee, Rooni (6 June 2014).
255:Alice Denham in 48 Seconds
1252:Rutgers University alumni
150:Larry Miller was born in
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95:Electronic Arts Intermix
232:In the Spirit of Fluxus
1237:American video artists
1194:Critics and historians
542:artistorganizedart.org
415:. 2011. Archived from
670:Göteborgs universitet
654:. September 23, 2012.
390:Scholarworks.bgsu.edu
219:Do-it Yourself Fluxus
1185:Something Else Press
816:Larry Miller website
693:. February 23, 2003.
536:Bloch, Mark (2015).
419:on January 21, 2011.
790:Picchi, Francesca.
621:on August 18, 2016.
392:. October 24, 2005.
323:Nicolaus Copernicus
1160:Art & Language
1084:Carolee Schneemann
941:Geoffrey Hendricks
724:The New York Times
354:DNA: Do Not Assume
346:Codes and Identity
211:Geoffrey Hendricks
156:Rutgers University
152:Marshall, Missouri
120:Carolee Schneemann
60:Rutgers University
48:Marshall, Missouri
34:Speaking Portraits
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1110:Poème symphonique
1074:Charlotte Moorman
462:The Brooklyn Rail
207:Fluxus a la Carte
175:Walker Art Center
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956:Milan Knížák
946:Dick Higgins
931:Ken Friedman
911:Joseph Beuys
795:. Retrieved
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759:. Retrieved
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1222:1944 births
1138:Spice Chess
1079:Dieter Roth
1064:Ray Johnson
1059:Henry Flynt
1011:Ben Vautier
821:Fluxus East
360:Exhibitions
251:Peter Frank
124:Ben Vautier
1216:Categories
1175:Intermedia
1124:Grapefruit
1093:Flux-works
737:2023-02-21
369:References
227:Mark Bloch
32:Miller in
1117:Water Yam
1054:John Cale
1049:John Cage
951:Joe Jones
936:Al Hansen
732:0362-4331
146:Biography
116:Joe Jones
1180:Neo-Dada
1155:Anti-art
1131:Fluxus 1
981:Yoko Ono
691:Newsweek
518:July 10,
467:July 10,
74:Movement
797:10 July
672:. 2011.
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799:2016
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728:ISSN
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