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EAI was founded in 1971 as one of the first nonprofit organizations in the United States dedicated to the support of video as an art form. As one of the earliest organizations in the emergent video art movement, EAI was created to provide an alternative system of support for this nascent art form and
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that explored the nexus of art and technology. The gallery featured several groundbreaking exhibitions, including On the Move (1964), Lights in Orbit (1967), and TV as a
Creative Medium (1969). Seeking to create new paradigms to support artists working in the nascent video underground, Wise closed
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EAI supports artists through the distribution, preservation, exhibition and representation of their media artworks, and works closely with educators, curators, programmers and collectors to facilitate exhibitions, acquisitions and educational uses of media artworks. EAI provides access to video art
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have participated in artists' talks and performances at EAI. In addition to these public programs, EAI's viewing room is open o the public for free viewing of works in the collection. In addition to the EAI collection, the organization published two online resource guides on the current industry
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In 1973, the
Artists' Videotape Distribution Service was founded to answer a need for a new paradigm for the dissemination of artists' video works, apart from the conventional gallery system. Many artists of that time were drawn to the utopian notion of a medium that was easily reproducible and
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In 1972, EAI began the
Editing/Post Production Facility in response to a need for a creative workspace and equipment access for artists. This facility was one of the first nonprofit services of its kind in the U.S., and enabled the creation of many seminal video works, by artists including
49:. An advocate of media art and artists since 1971, EAI's core program is the distribution and preservation of a collection of over 3,500 new and historical video works by artists. EAI has supported the creation, exhibition, distribution and preservation of
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EAI provides an art historical and cultural framework for the collection, with related activities that include extensive online resources, educational initiatives, and public programs. In recent years artists such as
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166:. Through EAI's Artists Media Distribution Service, the collection is made available for screenings, exhibitions and acquisitions to museums, collectors, and educational, arts and cultural institutions.
121:, this service remains the oldest existing distributor of artists' video. In 1986, the EAI Preservation Program began as a way to facilitate the restoration and archiving of works in the EAI collection.
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the gallery in 1970 to found the nonprofit organization
Electronic Arts Intermix. The founding mission was to support video as "a means of personal and creative expression and communication.
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therefore democratic and widely accessible. Videotapes were distributed in unlimited editions at relatively low prices. Created around a core of seminal video artists, including
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EAI was founded by Howard Wise, an art dealer and supporter of video as art. From 1960 to 1970, the Howard Wise
Gallery on 57th Street in New York was a locus for
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In
September 2011 an exhibition commemorating the 40th anniversary of Electronic Arts Intermix, Circa 1971: Early Video and Film from the EAI Archive, opened at
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The EAI collection spans the mid-1960s to the present. The works in the collection range from seminal videos by pioneering figures — such as
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100:. The facility has served thousands of artists and organizations with low-cost access to analogue and digital technical facilities.
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Samberg, Michael (March 2008). "Tapehead: Michael
Shamberg Recounts His Journey from Renegade Video Maker to Hollywood Producer".
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173:. The exhibition, curated by current EAI Executive Director Lori Zippay, featured early video works by
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Oppenheimer, Robin (March–April 2007). "Video
Installation: Characteristics of an Expanding Medium".
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921:"Electronic Arts Intermix Circa 1971: Early Video & Film from the EAI Archive"
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Sturken, Marita (May 1974). "TV as a
Creative Medium: Howard Wise and Video Art".
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Sturken, Marita (May 1974). "TV as a
Creative Medium: Howard Wise and Video Art".
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Below is a list of a few of the artists included in the EAI collection.
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standards for display, preservation, and collection of media art.
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Margolies, John (September–October 1969). "TV The Next Medium".
843:"Magnetic Memory: A Day-Long Video Tribute to Nam June Paik"
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900:"Early Video & Film from the EAI Archive at Dia:Beacon"
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Electronic Arts Intermix, Inc: At the Leading Edge of Art
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Electronic Arts Intermix, Inc: At the Leading Edge of Art
877:"Gastro-Vision: Martha Rosler's Kitchen Mise-en-Scène"
150:— to new digital works by emerging artists, including
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619:"OC Loves NY Art Book Fair: Electronic Arts Intermix"
971:"Tony Oursler: The Man Behind the Moving Camera"
776:Wise, Howard (June 1977). "What is Video Art?".
1099:Non-profit organizations based in New York City
57:within an educational and cultural framework.
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8:
1047:. New York, NY: Cross River Press. pp.
816:. New York, NY: Cross River Press. pp.
994:"Some Art Spaces are Not Open All the Time"
53:, and more recently, digital art projects.
1018:. Electronic Arts Intermix. Archived from
41:arts organization that is a resource for
641:"Survey: Hybrid Art Spaces in New York"
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104:Artists' Videotape Distribution Service
1094:Arts organizations established in 1971
1044:Artists' Video: An International Guide
948:"Kalup Linzy for Hire (well, sort of)"
813:Artists' Video: An International Guide
992:Kimball, Whitney (13 February 2012).
7:
923:. Dia Art Foundation. Archived from
87:Editing and Post Production Facility
875:Caruth, Nicole (21 January 2011).
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125:Collection and Public Services
1:
361:Radical Software Group (RSG)
66:the artists engaged with it.
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597:Bruce and Norman Yonemoto
740:10.1525/aft.2007.34.5.14
31:Electronic Arts Intermix
16:Not to be confused with
862:10.1525/fq.2006.60.2.12
841:Hamlyn, Nicky (2006).
551:Bernadette Corporation
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1041:Zippay, Lori (1991).
810:Zippay, Lori (1991).
761:Wise, Howard (1973).
666:Wise, Howard (1973).
592:Charlemagne Palestine
26:
950:. Time Out New York
927:on October 14, 2011
647:on 3 September 2012
898:Barron, Benjamin.
617:Nicole, Brigitte.
498:Michael Bell-Smith
441:Carolee Schneemann
305:Gordon Matta-Clark
212:Carolee Schneemann
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570:David Wojnarowicz
409:Charlotte Moorman
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513:Dennis Oppenheim
399:Jaime Davidovich
310:Raymond Pettibon
263:Marina Abramović
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80:multimedia works
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332:Cynthia Maughan
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931:September 3,
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649:. Retrieved
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622:. Retrieved
612:
587:Chris Marker
577:Joseph Beuys
540:Tony Oursler
530:General Idea
486:Bruce Nauman
453:VALIE EXPORT
382:Ana Mendieta
348:Seoungho Cho
322:Sophie Calle
317:Peggy Ahwesh
290:Vito Acconci
250:
240:Tony Oursler
192:
168:
140:Bruce Nauman
133:
111:Peter Campus
107:
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73:
64:
55:
34:
30:
29:
1016:"Resources"
797:After Image
728:After Image
713:After Image
560:Mary Lucier
545:Andy Warhol
535:Kalup Linzy
457:Ken Kobland
431:Mike Kelley
404:Stanya Kahn
232:Kalup Linzy
115:Juan Downey
94:Mary Lucier
76:kinetic art
70:Howard Wise
1088:Categories
605:References
582:Dan Graham
518:Bill Viola
476:Forcefield
377:Joan Jonas
372:Tony Cokes
337:Seth Price
327:Ken Jacobs
300:Nancy Holt
216:Nancy Holt
200:Joan Jonas
196:Dan Graham
175:Joan Jonas
171:Dia:Beacon
152:Seth Price
148:Joan Jonas
130:Collection
98:Joan Jonas
748:251852714
503:Terry Fox
295:John Cage
283:Paper Rad
273:Gary Hill
204:Paper Rad
156:Paper Rad
51:video art
47:media art
39:nonprofit
1026:28 March
1000:28 March
977:28 March
973:. Artnet
954:28 March
905:28 March
883:28 March
879:. art:21
700:: 63–65.
685:: 48–55.
651:28 March
624:28 March
436:Muntadas
344:Ant Farm
183:Ant Farm
784:(6): 1.
247:Artists
61:History
37:) is a
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824:
799:: 5–9.
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715:: 5–9.
181:, and
117:, and
1049:1–271
846:(PDF)
818:1–271
744:S2CID
43:video
1053:ISBN
1028:2012
1002:2012
979:2012
956:2012
933:2011
907:2012
885:2012
822:ISBN
653:2012
626:2012
352:JODI
238:and
228:JODI
162:and
146:and
96:and
78:and
45:and
858:doi
736:doi
234:,
138:,
35:EAI
1090::
1051:.
854:60
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