175:. That work, as Weiner later developed his practice as a painter, became an epiphany for the turning point in his career. His work in the early 1960s included six years of making explosions in the landscape of California to create craters as individual sculptures. Weiner's early body of work is also known for his having created gestures described in simple statements leading to the ambiguity of whether the artwork was the gesture or the statement describing the gesture: e.g."Two minutes of spray paint directly on the floor.." or " A 36" x 36" removal of lathing or support wall ..." (both 1968). In 1968, when
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also published by Seth
Siegelaub in 1968. Weiner's composed texts describe process, structure, and material, and though Weiner's work is almost exclusively language-based, he regarded his practice as sculpture, citing the elements described in the texts as his materials. In the late 1960s Weiner's
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Lawrence
Charles Weiner was born on February 10, 1942, in Manhattan, to Toba (Horowitz) and Harold Weiner. His parents owned a candy store. After graduating from
1102:"[:cs]LAWRENCE WEINER: ODEBRĂNO VÄTRU A PĆIKOVĂNO K ZEMI[:en]LAWRENCE WEINER: TAKEN FROM THE WIND AND BOLTED TO THE GROUND[:] on ArtyÄok"
512:, City University of New York City, (2013), the Roswitha Haftmann Prize, Zurich, Switzerland (2015), and the Aspen Award for Art (2017). On the occasion of the
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Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion of receivership.
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at 16, he had a variety of jobsâhe worked on an oil tanker, on docks, and unloading railroad cars. After studying philosophy and literature at
104:(February 10, 1942 – December 2, 2021) was an American conceptual artist. He was one of the central figures in the formation of
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228:(1993) he recast the iron weighbridge of the Dean Clough carpet factory, incorporating the words of the title as an embossing inscription.
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1152:"Lawrence Weiner: Inherent in the Rhumb Line : New Visions : Art & New Visions : Explore online : RMG"
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A comprehensive retrospective of Weiner's nearly 50-year career was organized by Ann
Goldstein and Donna De Salvo at the
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in 1968, a small 64-page paperback with texts describing projects. Published by The Louis
Kellner Foundation and
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508:(1995), a Skowhegan Medal for Painting/Conceptual Art (1999), An Honorary Doctorate of Humane Letters from the
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516:'s 2012 Spring Gala, where Weiner was being honored for his contributions to contemporary art, fellow artist
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September 21, 2013 â January 5, 2014 â Lawrence Weiner: written in the wind, Stedelijk Museum, Amsterdam
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From the early 1970s on wall installations have been Weiner's primary medium, and he has shown at the
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gallery. Recent examples can be found in numerous museum walls across the United States such as the
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October 10 â December 20, 2015, WITHIN A REALM OF DISTANCE: Lawrence Weiner at
Blenheim Palace at
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Zerschmettert in StĂŒcke (im
Frieden der Nacht) / Smashed to pieces (in the still of the night)
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May 19 â June 19, 2010, Lawrence Weiner in the House of Art, ÄeskĂ© BudÄjovice, Czech
Republic
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for less than a year, he traveled throughout North
America before returning to New York.
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An important aspect of audience participation in Weiner's work is site-specificity. In
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November 15, 2007 â February 10, 2008, Lawrence Weiner: As Far The Eye Can See at the
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May 27 â July 19, 2008, Lawrence Weiner: Water in Milk Exists at Kino
Mascotte, Basel
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Alberro, Alexander; Zimmerman, Alice; Buchloch, Benjamin H.D. and
Batchelor, David.
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for over thirty years before moving to another residence and studio also in the
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September 26, 2014 â November 23, 2014, Lawrence Weiner: All in due course at
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167:. His debut public work/exhibition was at the age of 19, with what he called
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March 22 â December 9, 2007, Lawrence Weiner: Inherent in the Rhumb Line at
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969:"Lawrence Weiner al Museo Nivola: l'Installazione dell'artista newyorkese"
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Weiner began his career as an artist as a very young man at the height of
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in Berlin (2000), Museo Tamayo Arte ContemporĂĄneo in Mexico City (2004),
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1080:"The Jewish Museum New York | Art Exhibition | Lawrence Weiner: NO TREâŠ"
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Having Been Said: Writings & Interviews of Lawrence Weiner 1968â2003
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A Wall Built to Face the Land and Face the Water at the Level of the Sea
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1120:"Water in Milk Exists | The Art Newspaper | Swiss Institute"
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1220:"Lawrence Weiner receives 2015 Roswitha Haftmann Prize / Art Review"
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April 22 - November, 2022, THE LANGUAGE OF LAWRENCE WEINER at the
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Time-Space-Existence" a project which was initiated by the artist
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Weiner died on December 2, 2021, in Manhattan, at the age of 79.
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http://www.southlondongallery.org/page/144/Lawrence-Weiner/1015
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691:"Lawrence Weiner, Artist Whose Medium Was Language, Dies at 79"
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March 1 â May 13, 2012, Lawrence Weiner: NO TREE NO BRANCH at
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Fellowships (1976 and 1983), a Guggenheim Fellowship (1994),
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created a three-minute tribute in the form of a parody of
935:"Trilingual Lawrence Weiner on View at the Jewish Museum"
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V (1972), VI (1977), and VII (1982), as well as the 2005
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Lawrence Weiner: En Route, February 24 â April 2, 2005
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SOME LIMESTONE SOME SANDSTONE ENCLOSED FOR SOME REASON
353:(1992), The Arnhem (Sonsbeek) The Netherlands (1993)
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The Society Architect Ponders the Golden Gate Bridge
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263:. In 2008 an excerpt from his opera with composer
489:Arsenale Institute for Politics of Representation
605:Beate Reifenscheid und Dorothea van der Koelen;
401:in 2013 with his work 'The Grace of a Gesture'.
1027:"ARTIST ROOMS: Lawrence Weiner â London | Tate"
828:Lawrence Weiner, October 19 â November 23, 2002
212:of the era. He was a contributor to the famous
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144:'s Conceptual art, which includes artists like
1195:"Commencement 2013: Honorary Degree Citations"
247:using audio tape, sculpture, performance art,
108:in the 1960s. His work often took the form of
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637:Fietzek, Gerti and Stemmrich, Gregor. (eds.)
281:. In 2009 he participated in the art project
255:. In 2007, he participated at the symposium "
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910:"Artworks Archive âą PĂ©rez Art Museum Miami"
140:Weiner is regarded as a founding figure of
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1245:"Lawrence Weiner wins Aspen Award for Art"
632:Lawrence Weiner: As Far as the Eye Can See
630:De Salvo, Donna and Goldstein, Ann (eds.)
385:, Orani, Italy (2019). He participated in
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419:Straight Down to Below: Lawrence Weiner
327:Museum of Contemporary Art, Los Angeles
187:1. The artist may construct the piece.
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271:â was issued on the compilation album
885:"Collection | Carnegie Museum of Art"
641:. Ostfildern-Ruit: Hatje Cantz, 2004.
607:Arte in Movimento â Kunst in Bewegung
397:in 2006, and the Venice Biennale and
339:Hirshhorn Museum and Sculpture Garden
97:Lawrence Wiener in Speaking Portraits
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550:GREEN AS WELL AS BLUE AS WELL AS RED
539:Skimming The Water â Menage A Quatre
689:Kennedy, Randy (December 5, 2021).
561:Weiner and his wife Alice lived on
417:October 25, 2014 â April 19, 2015
351:San Francisco Museum of Modern Art
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1275:Karen Wright (January 17, 2014),
1029:. October 3, 2015. Archived from
792:Marian Goodman Gallery, New York.
1086:. April 16, 2013. Archived from
646:Lawrence Weiner: Books 1968â1989
274:Crosstalk: American Speech Music
193:3. The piece need not be built.
190:2. The piece may be fabricated.
1154:. April 3, 2012. Archived from
502:National Endowment for the Arts
1259:How Do Artists Say I Love You?
475:Whitney Museum of American Art
431:National Galleries of Scotland
343:Institute of Contemporary Arts
331:Whitney Museum of American Art
200:Weiner created his first book
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1859:Stuyvesant High School alumni
1331:"Lawrence Weiner (1942â2021)"
1313:Studio Visit: Lawrence Weiner
1134:"LAWRENCE WEINER: Exhibition"
730:The Well-Shaped Phrase as Art
277:(Bridge Records) produced by
1839:Wolf Prize in Arts laureates
1333:. Artforum. December 2, 2021
1293:Geoff Manaugh (April 2010),
837:Regen Projects, Los Angeles.
454:Museu d'Art Contemporani de
181:Paragraphs on Conceptual Art
1824:American conceptual artists
500:Among his many honors were
341:, Washington, D.C. (1990),
16:American artist (1942â2021)
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1854:20th-century American Jews
1844:21st-century American Jews
1257:Bill Power (May 1, 2012),
889:collection.carnegieart.org
849:MoMA Collection, New York.
833:December 31, 2010, at the
592:painted on pilings in the
437:, Northumberland, Scotland
381:, Austria (2016), and the
359:Philadelphia Museum of Art
335:Stedelijk Museum Amsterdam
776:February 7, 2012, at the
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482:National Maritime Museum
399:European Cultural Centre
289:, in company of artists
173:Marin County, California
1829:Jewish American artists
1766:Michelangelo Pistoletto
1707:Michelangelo Pistoletto
1013:Blenheim Art Foundation
545:Art Projects Number 01)
412:Blenheim Art Foundation
347:Dia Center for the Arts
102:Lawrence Charles Weiner
47:Lawrence Charles Weiner
1834:Artists from the Bronx
1499:Eduardo Souto de Moura
914:PĂ©rez Art Museum Miami
864:PĂ©rez Art Museum Miami
780:Guggenheim Collection.
644:Schwarz, Dieter (ed.)
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357:, Minneapolis (1994),
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299:PĂ©rez Art Museum Miami
297:, Pittsburgh, and the
295:Carnegie Museum of Art
241:PĂ©rez Art Museum Miami
217:work was published in
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165:Abstract Expressionism
126:Stuyvesant High School
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940:The New York Observer
728:(November 16, 2007),
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395:Biennale de SĂŁo Paulo
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279:Mendi + Keith Obadike
120:Early life and career
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1560:Krzysztof Penderecki
1247:. February 24, 2017.
484:, Greenwich, England
442:South London Gallery
1525:Yoshiharu Tsukamoto
1361:Guggenheim bio page
1033:on October 3, 2015.
543:Personal Structures
541:- Lawrence Weiner (
506:Wolfgang Hahn Prize
367:Deutsche Guggenheim
257:Personal Structures
1489:David Chipperfield
1477:Ălvaro Siza Vieira
1447:Giancarlo De Carlo
1423:Wolf Prize in Arts
1090:on April 16, 2013.
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590:At the Same Moment
373:in London (2006),
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1542:Vladimir Horowitz
1421:Laureates of the
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955:"Lawrence Weiner"
943:. March 16, 2012.
748:"Lawrence Weiner"
615:978-3-926663-44-3
596:, as seen in 2011
462:The Jewish Museum
379:Kunsthaus Bregenz
375:The Jewish Museum
355:Walker Art Center
345:, London (1991),
179:came up with his
112:texts, a form of
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76:New York City, US
60:New York City, US
57:February 10, 1942
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1600:Daniel Barenboim
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1505:Phyllis Lambert
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391:Venice Biennale
329:(MOCA) and the
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