28:
129:
385:
436:
401:
420:
366:
178:, most painters from Sint-Martens-Latem fled Belgium: Gustaaf Van de Woestijne, LĂ©on de Smet and others lived in London, where they continued working in a late Impressionistic style. Permeke also lived in England but already painted in a monumental, dark expressionism. Gustave De Smet and Frits Van den Berghe lived in the Netherlands, where in about 1916 they changed their style from a melancholy Impressionism to the new Expressionism, influenced by Dutch painters like
61:. Contrary to the more rebellious and erotic nature of many German Expressionist works, the Flemish art of the School of Latem was more oriented towards the farming life, and was expressed in earthy colours and vigorous brushwork. It was also in general more oriented towards France and Brussels than to Germany, and incorporated elements of Fauvism and Cubism, for example the interest in "primitive" art, of both the ethnic and
384:
435:
400:
190:
who also lived in the
Netherlands during the war. This version of Flemish Expressionism, influenced by constructivism, futurism and cubism, continued after the war in the short-lived art colony in
27:
224:
developed his
Expressionist style rather later than the others. Concentrating on story telling, he presented a somewhat satirical view of mankind, especially in his paintings of men and women.
128:
419:
365:
65:
traditions. Flemish
Expressionists like Spilliaert were more influenced by Ensor and Symbolism, or like Wouters were closer to the vibrant colours used by the
105:
of the previous generation of
Flemish artists towards a darker palette and a mystical tension. From 1911 on, his influence became visible in the work of
201:
After the war, most artists went to live in and around Sint-Martens-Latem, establishing what has been called the second school of Latem.
638:
586:
501:
491:
472:
628:
576:
665:
212:
which became closely associated with the evolving
Flemish Expressionist scene. By 1930, Van den Berghe had been attracted by
137:
36:
371:
277:
102:
164:
660:
559:
171:
in particular was attracted by the
Fauvists but he died in 1916 after suffering from a serious illness.
93:, an artist associated with the first artist colony at Sint-Martens-Latem, als referred to as the first
261:
670:
295:
243:
148:
78:
58:
331:
319:
325:
187:
183:
283:
114:
267:
634:
582:
518:
497:
227:
Flemish
Expressionism has been called "Belgium's most important contribution to modern art".
313:
307:
271:
125:. Permeke had studied art in Ghent, together with Gustave de Smet and Frits Van den Berghe.
106:
74:
54:
605:
249:
144:
109:, who is usually considered the foremost master of the movement. It was centred around an
349:
195:
343:
337:
301:
217:
160:
90:
654:
255:
221:
98:
493:
The Oxford
Critical and Cultural History of Modernist Magazines: Europe 1880 - 1940
179:
94:
70:
406:
289:
237:
175:
168:
118:
50:
240:(1860-1949) (more a precursor and influence than a real member of the movement)
213:
110:
17:
209:
191:
62:
152:
66:
156:
204:
In the 1920s, while
Permeke, De Smet and Van den Berghe painted in
205:
127:
122:
53:. Influenced by artists like James Ensor and the early works of
49:, was one of the dominant art styles in Flanders during the
151:, Gustave De Smet and Constant Permeke were inspired by
220:
had influenced the work of De Smet. On the other hand,
97:. From 1905 Servaes' art gradually moved away from the
521:(in Dutch). Aspecten van de Belgische kunst na '45
159:, emulating the bright Impressionist approach of
117:, an idyllic village on the banks of the river
565:, Ons Erfdeel. Jaargang 33(1990), pp. 438-439
562:Het Vlaams expressionisme in Europese context
8:
600:
598:
466:
464:
462:
460:
194:, where van den Berghe and De Smet joined
147:, emerging Belgian Expressionists such as
540:
538:
536:
89:The movement originated with the painter
496:. Oxford University Press. p. 354.
26:
456:
361:
7:
57:, it was a distinct contemporary of
445:, 1922, Museum of Fine Arts, Ghent
429:, 1928, Museum of Fine Arts, Ghent
413:, 1915, Museum of Fine Arts, Ghent
378:, 1925, Museum of Fine Arts, Ghent
25:
471:Cygelman, Adele (December 1986).
517:Elias, Willen (5 October 2012).
434:
418:
399:
383:
364:
578:Art of the 20th Century, Part 1
208:, at the European level it was
1:
274:and Expressionism in his art
549:. Elsevier. pp. 84–87.
519:"Het Vlaams expressionisme"
411:Woman sitting at the window
69:. The main proponents were
687:
630:Dutch Art: An Encyclopedia
627:Muller, Sheila D. (2013).
138:Museum of Fine Arts, Ghent
37:Museum of Fine Arts, Ghent
633:. Routledge. p. 41.
394:, 1926, Mu.ZEE in Ostend
372:Gustave Van de Woestijne
278:Gustave Van de Woestijne
186:, and the French cubist
606:"Vlaams-Expressionisme"
581:. Taschen. p. 65.
575:Ruhrberg, Karl (2000).
545:Peeters, Guido (1979).
490:Brooker, Peter (2013).
473:"Flemish Expressionism"
392:Landscape with red roof
121:in East Flanders, near
425:Frits Van den Berghe,
155:and to some extent by
140:
45:, also referred to as
39:
33:The idiot by the river
31:Frits Van den Berghe,
666:Belgian art movements
477:Orange Coast Magazine
165:Théo van Rysselberghe
131:
47:Belgian Expressionism
43:Flemish Expressionism
30:
608:(in Dutch). Kunstbus
560:Hector Waterschoot,
296:Frits Van den Berghe
149:Frits Van den Berghe
79:Frits Van den Berghe
59:German Expressionism
547:Kunst in Vlaanderen
270:(1881-1946), mixed
188:Henri Le Fauconnier
184:Heinrich Campendonk
141:
115:Sint-Martens-Latem
40:
427:Sitting Pink Nude
390:LĂ©on Spilliaert,
262:Prosper de Troyer
132:Gustave De Smet,
16:(Redirected from
678:
645:
644:
624:
618:
617:
615:
613:
602:
593:
592:
572:
566:
557:
551:
550:
542:
531:
530:
528:
526:
514:
508:
507:
487:
481:
480:
468:
438:
422:
403:
387:
368:
314:Constant Permeke
308:Jean Brusselmans
107:Constant Permeke
75:Constant Permeke
55:Vincent van Gogh
21:
686:
685:
681:
680:
679:
677:
676:
675:
651:
650:
649:
648:
641:
626:
625:
621:
611:
609:
604:
603:
596:
589:
574:
573:
569:
558:
554:
544:
543:
534:
524:
522:
516:
515:
511:
504:
489:
488:
484:
470:
469:
458:
453:
446:
439:
430:
423:
414:
404:
395:
388:
379:
369:
360:
355:
268:LĂ©on Spilliaert
250:Gustave De Smet
244:Hippolyte Daeye
233:
145:First World War
87:
23:
22:
15:
12:
11:
5:
684:
682:
674:
673:
668:
663:
653:
652:
647:
646:
639:
619:
594:
587:
567:
552:
532:
509:
502:
482:
455:
454:
452:
449:
448:
447:
440:
433:
431:
424:
417:
415:
405:
398:
396:
389:
382:
380:
370:
363:
359:
356:
354:
353:
347:
344:Frans Masereel
341:
338:Floris Jespers
335:
329:
323:
320:Albert Saverys
317:
311:
305:
302:Albert Servaes
299:
293:
287:
281:
275:
265:
259:
253:
247:
241:
234:
232:
229:
134:The Good House
91:Albert Servaes
86:
83:
24:
14:
13:
10:
9:
6:
4:
3:
2:
683:
672:
669:
667:
664:
662:
661:Expressionism
659:
658:
656:
642:
640:9781135495749
636:
632:
631:
623:
620:
607:
601:
599:
595:
590:
588:9783822859070
584:
580:
579:
571:
568:
564:
563:
556:
553:
548:
541:
539:
537:
533:
520:
513:
510:
505:
503:9780199659586
499:
495:
494:
486:
483:
478:
474:
467:
465:
463:
461:
457:
450:
444:
437:
432:
428:
421:
416:
412:
408:
402:
397:
393:
386:
381:
377:
373:
367:
362:
357:
351:
348:
345:
342:
339:
336:
333:
330:
327:
326:Oscar Jespers
324:
321:
318:
315:
312:
309:
306:
303:
300:
297:
294:
291:
288:
285:
282:
279:
276:
273:
269:
266:
263:
260:
257:
256:Edgard Tytgat
254:
251:
248:
245:
242:
239:
236:
235:
230:
228:
225:
223:
222:Edgard Tytgat
219:
215:
211:
207:
202:
199:
197:
193:
189:
185:
182:, the German
181:
177:
172:
170:
166:
162:
158:
154:
150:
146:
139:
135:
130:
126:
124:
120:
116:
112:
108:
104:
100:
99:impressionism
96:
92:
84:
82:
80:
76:
72:
68:
64:
60:
56:
52:
48:
44:
38:
34:
29:
19:
629:
622:
610:. Retrieved
577:
570:
561:
555:
546:
523:. Retrieved
512:
492:
485:
476:
442:
426:
410:
391:
375:
350:Jozef Cantré
284:LĂ©on De Smet
226:
203:
200:
196:Jozef Cantré
180:Jan Sluyters
173:
142:
133:
95:Latem School
88:
71:Gust De Smet
46:
42:
41:
32:
18:Latem School
671:Flemish art
443:The Painter
407:Rik Wouters
352:(1890-1957)
346:(1889-1972)
340:(1889-1965)
334:(1887-1947)
328:(1887-1970)
322:(1886-1964)
316:(1886-1952)
310:(1884-1953)
304:(1883-1966)
298:(1883-1939)
292:(1882-1916)
290:Rik Wouters
286:(1881-1966)
280:(1881-1947)
264:(1880-1961)
258:(1879-1957)
252:(1877-1943)
246:(1873-1952)
238:James Ensor
176:World War I
169:Rik Wouters
161:Émile Claus
143:Before the
85:Development
51:interbellum
655:Categories
214:Surrealism
111:art colony
272:Symbolism
612:30 March
525:30 March
210:Brussels
192:Blaricum
136:, 1926,
103:luminism
67:Fauvists
35:, 1926,
441:Ramah,
358:Gallery
231:Artists
218:Realism
174:During
153:Fauvism
637:
585:
500:
216:while
157:Cubism
451:Notes
332:Ramah
206:Ghent
123:Ghent
635:ISBN
614:2018
583:ISBN
527:2018
498:ISBN
376:Fuga
163:and
101:and
77:and
63:folk
119:Lys
113:in
657::
597:^
535:^
475:.
459:^
409:,
374:,
198:.
167:.
81:.
73:,
643:.
616:.
591:.
529:.
506:.
479:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
