29:
364:
211:
587:
508:
440:
287:
635:
1553:
657:, and has remained one of his more popular works. The orchestral version clarifies the harmonic language of the suite and brings sharpness to its classical dance rhythms. The oboe features prominently, taking the melody in the Prélude and the Menuet, as well as for the pastoral C minor section of the Rigaudon, where it is accompanied by guitar-like pizzicati.
727:. Round's version of the Toccata adds percussion, requiring up to five players. Kalmus omitted the percussion parts from the published score so as to exactly match the orchestration of the rest of the suite, but these parts are available separately, directly from the orchestrator. In 2013 the British composer
718:
produced his own version of both the Fugue and the
Toccata. However, here, the Toccata, scored for a very large orchestra, goes far beyond the limits of Ravel's own, small orchestra, and the Fugue is set for winds only. Another instrumentation of Fugue and Toccata by pianist Michael Round was
618:
391:
238:
538:
459:
393:
239:
540:
707:(working under the pseudonym of Roger Branga) produced a version of the piece for 'small orchestra' with a piano-conductor, consisting of the Prélude, Menuet and Rigaudon. He had previously transcribed the full suite for piano four hands in 1919.
461:
314:
75:
in the title is a musical term popular from the 17th century, meaning "a piece written as a memorial". The specific
Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be
316:
1789:
1918:
617:
731:
orchestrated the Fugue and
Toccata for the exact orchestration of the original four-movement orchestral suite. The first performance was given by the Goettingen Symphony Orchestra conducted by
392:
240:
539:
616:
460:
140:
is a light-hearted, and sometimes reflective work rather than a sombre one which Ravel explained in response to criticism saying: "The dead are sad enough, in their eternal silence."
237:
390:
1990:
458:
787:
The four orchestral movements (Prélude, Forlane, Menuet and
Rigaudon) were arranged by Elena González Arias (Adliswil: Ed.Kunzelmann, 2014) for oboe and piano in 2014.
537:
315:
1589:
92:, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.
1995:
2010:
313:
107:, and this piece invokes Ravel's Forlane structurally. The other movements are similarly based on Baroque forms, with the Toccata taking the form of a
1061:
1905:
1310:
1128:
887:
780:
re-arranged the orchestral version of four movements (Prélude, Forlane, Menuet, and
Rigaudon) down to a quintet (ob/cl/vn/vcl/pft), premiered at
1441:
1293:
649:
In 1919 Ravel orchestrated four movements of the work (Prélude, Forlane, Menuet and
Rigaudon); this version was premiered in February 1920 by
1148:
1415:
28:
1783:
1582:
1348:
1765:
1429:
1265:
1057:
922:
57:
suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in
363:
210:
1985:
1338:
1173:
710:
Several other composers have since created orchestrations of those two movements which Ravel omitted, the Fugue and the
Toccata.
2020:
453:
in memory of Pierre and Pascal Gaudin (two brothers and childhood friends of Ravel, killed by the same shell in
November 1914)
20:
2025:
1575:
860:
1845:
1487:
1473:
586:
507:
439:
286:
1795:
939:
1850:
1840:
1358:
1353:
1315:
1121:
61:. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.
2015:
2005:
2000:
1900:
1895:
1855:
1801:
1778:
1181:
781:
103:
1882:
1272:
1286:
1808:
732:
711:
1889:
1744:
522:
888:"Synthesis of Tradition and Innovation: A Study of Ravel's Le Tombeau de Couperin (Doctor of Music thesis)"
1954:
1875:
1758:
1556:
1521:
1516:
1494:
1459:
1363:
1114:
130:
1598:
1216:
1018:, arranged for mixed quintet by Trevor P. Wagler. No. 000115 (Waterloo, Ontario: Trevor P. Wagler, n.d.)
743:
126:
118:
1394:
777:
1932:
1772:
1722:
1480:
1189:
304:
114:
77:
1949:
1868:
1827:
1682:
1652:
1511:
1165:
654:
634:
1677:
1244:
1197:
228:
1911:
1821:
1727:
1387:
1343:
1279:
894:
720:
604:
156:
53:, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional
1074:
1964:
1657:
1617:
918:
856:
770:
762:
639:
382:
1834:
1697:
1627:
1466:
1435:
758:
751:
715:
109:
19:
This article is about the Ravel piano composition. For George
Balanchine's 1975 ballet, see
1751:
1717:
1712:
1692:
1672:
1647:
1622:
1096:
1081:
908:
747:
728:
724:
608:
180:
144:
723:(Exton, 2003): the score is published (as two separate titles, 'Fugue' and 'Toccata') by
136:
Written after the death of Ravel's mother in 1917 and of friends in the First World War,
993:, arranged for wind quintet by Gunther Schuller (Newton Centre, MA: Margun Music, 1995).
1861:
1687:
1662:
1408:
1251:
1031:, arranged for oboe and piano by Elena González Arias (Adliswil: Ed. Kunzelmann, 2014).
697:
650:
980:, arranged for wind quintet by Hans Abrahamsen (Copenhagen: Ed. Wilhelm Hansen, n.d.).
1979:
1702:
1642:
1632:
1612:
1137:
795:
750:
has also transcribed four movements for wind quintet, and further, American composer
704:
378:
299:
89:
85:
81:
54:
50:
46:
1667:
739:
148:
122:
714:
orchestrated the second movement Fugue, while the
Hungarian pianist and conductor
143:
The first performance of the original piano version was given on 11 April 1919 by
912:
527:
1959:
1637:
1538:
685:
673:
58:
1066:
1707:
1532:
1526:
1100:
1092:
1086:
738:
Four movements (Prélude, Fugue, Menuet, and Rigaudon) have been arranged for
1223:
1237:
677:
410:
967:, transcribed for wind quintet by Mason Jones (Paris: Ed. Durand, 1970).
1422:
1369:
1321:
1258:
853:
Le Tombeau de Couperin and Valses nobles et sentimentales in Full Score
689:
681:
665:
597:
557:
516:
448:
333:
221:
97:
71:
1339:
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
117:. Ravel also revives Baroque practices through his distinctive use of
1567:
478:
159:, to whom the last movement of the piece, the Toccata, is dedicated.
133:
melody and piquant harmonies, particularly in the dissonant Forlane.
80:"the Great" (1668–1733). Ravel stated that his intention was to pay
1790:
Divertimento for chamber orchestra after keyboard pieces by Couperin
1815:
661:
633:
614:
535:
456:
388:
311:
257:
235:
152:
27:
1106:
693:
669:
1571:
1110:
226:
in memory of First Lieutenant Jacques Charlot (transcriber of
298:
in memory of Second Lieutenant Jean Cruppi (to whose mother,
129:
also shines through with Ravel's pointedly twentieth-century
101:(an Italian folk dance) from the fourth suite of Couperin's
32:
Cover of the first printed edition designed by Ravel himself
532:(at whose home Ravel recuperated after he was demobilized)
169:
757:
In 1986 an orchestration of the Prélude was created by
735:. The scores are available from Schott Music, London.
1942:
1736:
1605:
1504:
1451:
1379:
1331:
1303:
1208:
1157:
95:As a preparatory exercise, Ravel had transcribed a
1919:Tanzsuite aus Klavierstücken von François Couperin
703:Only a few years after Ravel's own orchestration,
835:(Van Nuys: Alfred Publishing, 2003), p. 14.
1087:Youtube: Orchestration of the Fugue and Toccata
1042:The Music of Paul Ben-Haim: A Performance Guide
876:(Van Nuys: Alfred Publishing, 2003), p. 1.
822:(Van Nuys: Alfred Publishing, 2003), p. 9.
1071:- free complete recording at The Piano Society
1583:
1122:
917:. New York: Dover Publications. p. 234.
8:
802:is "indebted" to the Toccata from Tombeau.
660:The orchestrated version is scored for two
84:more generally to the sensibilities of the
1590:
1576:
1568:
1129:
1115:
1107:
1062:International Music Score Library Project
855:. Mineola, NY: Dover Publications, 2001.
847:Le Tombeau de Couperin: Suite d'orchestre
1991:Solo piano compositions by Maurice Ravel
1093:Youtube: Jazz arrangement of the Prelude
940:"Le tombeau de Couperin, for orchestra"
811:
1311:Piano Concerto in D for the Left Hand
1044:(Metuchen, NJ: Scarecrow Press, 1992)
831:Nancy Bricard, "About the Music", in
818:Nancy Bricard, "About the Music", in
754:has made a wind-quintet arrangement.
7:
769:. Marsalis played the melody with a
1996:Compositions for symphony orchestra
1784:Concerto in E-flat (Dumbarton Oaks)
2011:Funerary and memorial compositions
14:
630:Orchestrations and transcriptions
1552:
1551:
1099:(piano), Marco Panascia (bass),
585:
506:
438:
362:
285:
209:
1430:Pavane pour une infante défunte
1266:Pavane pour une infante défunte
21:Le Tombeau de Couperin (ballet)
1442:Valses nobles et sentimentales
1294:Valses nobles et sentimentales
872:Nancy Bricard, "Foreword", in
377:in memory of First Lieutenant
167:The movements are as follows:
1:
874:Ravel: Le Tombeau de Couperin
833:Ravel: Le tombeau de Couperin
820:Ravel: Le tombeau de Couperin
800:Five Pieces for Piano, Op. 34
746:(1919–2009). Danish composer
607:(musicologist and husband of
1512:Pierre-Joseph Ravel (father)
16:Piano suite by Maurice Ravel
1906:Symphony in Three Movements
1851:Piano Sonata No. 3 (Enescu)
1846:Piano Sonata No. 3 (Chávez)
1841:Piano Sonata No. 1 (Enescu)
1349:Sonata for Violin and Cello
302:, Ravel had also dedicated
2042:
1856:Piano Suite No. 2 (Enescu)
1174:L'enfant et les sortilèges
782:Wilfrid Laurier University
18:
1883:El retablo de maese Pedro
1547:
1416:Menuet sur le nom d'Haydn
1273:Pictures at an Exhibition
1144:
1089:by Jack M. Jarrett (1982)
886:Chen Chih-Yi (May 2013).
733:Christoph-Mathias Mueller
1766:Le bourgeois gentilhomme
1488:Trois poèmes de Mallarmé
1474:Don Quichotte à Dulcinée
851:. Reprinted, as part of
849:. Paris: Durand et fils.
742:by American horn player
155:. Long was the widow of
1986:Suites by Maurice Ravel
1890:Sonatine bureaucratique
1075:Listen to Toccata from
914:Ravel: Man and Musician
381:(a Basque painter from
2021:Music with dedications
1955:Neoromanticism (music)
1926:Le Tombeau de Couperin
1522:Impressionism in music
1517:Close and open harmony
1402:Le Tombeau de Couperin
1231:Le Tombeau de Couperin
1077:Le Tombeau de Couperin
1068:Le Tombeau de Couperin
1058:Le Tombeau de Couperin
1029:Le Tombeau de Couperin
1016:Le Tombeau de Couperin
1004:Romances for Saxophone
991:Le Tombeau de Couperin
978:Le Tombeau de Couperin
965:Le Tombeau de Couperin
845:Maurice Ravel (1919).
794:from Israeli composer
767:Romances for Saxophone
646:
644:Le Tombeau de Couperin
622:
544:
465:
397:
320:
244:
138:Le Tombeau de Couperin
38:Le Tombeau de Couperin
33:
2026:Neoclassicism (music)
1344:Piano Trio in A minor
1217:Alborada del gracioso
642:where Ravel composed
637:
621:
603:in memory of Captain
543:
464:
396:
319:
243:
43:The Grave of Couperin
31:
1796:Harpsichord Concerto
1745:Antiche arie e danze
1723:Germaine Tailleferre
1481:Histoires naturelles
1182:L'Ă©ventail de Jeanne
1149:List of compositions
1002:Branford Marsalis -
938:Gene Tyranny, Blue.
115:Alessandro Scarlatti
1950:Neoclassical ballet
1876:The Rake's Progress
1759:Le baiser de la fée
1460:Chansons madécasses
1364:String Quartet in F
1359:Violin Sonata No. 2
1354:Violin Sonata No. 1
1316:Piano Concerto in G
1040:Hadassah Guttmann,
655:Pasdeloup Orchestra
1912:Symphony of Psalms
1728:Heitor Villa-Lobos
1599:Neoclassical music
1388:Gaspard de la nuit
1280:Rapsodie espagnole
895:Indiana University
721:Vladimir Ashkenazy
647:
623:
605:Joseph de Marliave
596:E minor ending in
545:
466:
398:
321:
245:
157:Joseph de Marliave
49:for solo piano by
34:
2016:Orchestral suites
2006:1919 compositions
2001:1917 compositions
1973:
1972:
1965:Modernism (music)
1773:Concert champĂŞtre
1658:Camargo Guarnieri
1565:
1564:
1190:L'heure espagnole
771:soprano saxophone
763:Branford Marsalis
627:
626:
619:
541:
483:Allegro moderato
462:
394:
383:Saint-Jean-de-Luz
317:
305:L'heure espagnole
262:Allegro moderato
241:
78:François Couperin
2033:
1809:Mathis der Maler
1698:Sergei Prokofiev
1683:Bohuslav MartinĹŻ
1653:Radamés Gnattali
1592:
1585:
1578:
1569:
1555:
1554:
1467:Two Hebrew Songs
1166:Daphnis et Chloé
1131:
1124:
1117:
1108:
1080:orchestrated by
1060:: Scores at the
1045:
1038:
1032:
1025:
1019:
1012:
1006:
1000:
994:
987:
981:
974:
968:
961:
955:
954:
952:
950:
935:
929:
928:
905:
899:
898:
892:
883:
877:
870:
864:
850:
842:
836:
829:
823:
816:
778:Trevor P. Wagler
759:Michel Colombier
752:Gunther Schuller
620:
590:
589:
579:
578:
577:
576:
542:
531:
511:
510:
500:
499:
498:
497:
463:
443:
442:
432:
431:
430:
429:
395:
369:
368:
366:
355:
354:
353:
352:
318:
290:
289:
279:
278:
277:
276:
242:
232:for piano solo)
216:
215:
213:
202:
201:
200:
199:
170:
110:perpetuum mobile
88:French keyboard
2041:
2040:
2036:
2035:
2034:
2032:
2031:
2030:
1976:
1975:
1974:
1969:
1938:
1822:Octet for winds
1732:
1718:Igor Stravinsky
1713:Richard Strauss
1693:Francis Poulenc
1673:Arthur Honegger
1648:Manuel de Falla
1623:Alfredo Casella
1601:
1596:
1566:
1561:
1543:
1500:
1447:
1375:
1327:
1299:
1204:
1153:
1140:
1135:
1097:Tamir Hendelman
1082:Kenneth Hesketh
1054:
1049:
1048:
1039:
1035:
1027:Maurice Ravel,
1026:
1022:
1014:Maurice Ravel,
1013:
1009:
1001:
997:
989:Maurice Ravel,
988:
984:
976:Maurice Ravel,
975:
971:
963:Maurice Ravel,
962:
958:
948:
946:
937:
936:
932:
925:
909:Arbie Orenstein
907:
906:
902:
890:
885:
884:
880:
871:
867:
844:
843:
839:
830:
826:
817:
813:
808:
748:Hans Abrahamsen
729:Kenneth Hesketh
725:Edwin F. Kalmus
632:
615:
609:Marguerite Long
600:
592:
584:
580:
575:
570:
569:
568:
567:
566:
554:
536:
525:
513:
505:
501:
496:
491:
490:
489:
488:
487:
475:
457:
445:
437:
433:
428:
423:
422:
421:
420:
419:
407:
389:
371:
361:
360:
356:
351:
346:
345:
344:
343:
342:
330:
312:
292:
284:
280:
275:
270:
269:
268:
267:
266:
254:
236:
218:
208:
207:
203:
198:
193:
192:
191:
190:
189:
177:
165:
145:Marguerite Long
113:reminiscent of
104:Concerts royaux
67:
24:
17:
12:
11:
5:
2039:
2037:
2029:
2028:
2023:
2018:
2013:
2008:
2003:
1998:
1993:
1988:
1978:
1977:
1971:
1970:
1968:
1967:
1962:
1957:
1952:
1946:
1944:
1940:
1939:
1937:
1936:
1929:
1922:
1915:
1908:
1903:
1898:
1896:Symphony No. 1
1893:
1886:
1879:
1872:
1865:
1862:Premier Menuet
1858:
1853:
1848:
1843:
1838:
1831:
1824:
1819:
1812:
1805:
1798:
1793:
1786:
1781:
1776:
1769:
1762:
1755:
1748:
1740:
1738:
1734:
1733:
1731:
1730:
1725:
1720:
1715:
1710:
1705:
1700:
1695:
1690:
1688:Darius Milhaud
1685:
1680:
1675:
1670:
1665:
1663:Paul Hindemith
1660:
1655:
1650:
1645:
1640:
1635:
1630:
1625:
1620:
1615:
1609:
1607:
1603:
1602:
1597:
1595:
1594:
1587:
1580:
1572:
1563:
1562:
1560:
1559:
1548:
1545:
1544:
1542:
1541:
1536:
1529:
1524:
1519:
1514:
1508:
1506:
1502:
1501:
1499:
1498:
1495:Trois Chansons
1491:
1484:
1477:
1470:
1463:
1455:
1453:
1449:
1448:
1446:
1445:
1438:
1433:
1426:
1419:
1412:
1409:Menuet antique
1405:
1398:
1391:
1383:
1381:
1377:
1376:
1374:
1373:
1366:
1361:
1356:
1351:
1346:
1341:
1335:
1333:
1329:
1328:
1326:
1325:
1318:
1313:
1307:
1305:
1301:
1300:
1298:
1297:
1290:
1283:
1276:
1269:
1262:
1255:
1252:Menuet antique
1248:
1241:
1234:
1227:
1220:
1212:
1210:
1206:
1205:
1203:
1202:
1194:
1186:
1178:
1170:
1161:
1159:
1155:
1154:
1152:
1151:
1145:
1142:
1141:
1136:
1134:
1133:
1126:
1119:
1111:
1105:
1104:
1103:(drums) (2010)
1090:
1084:
1072:
1064:
1053:
1052:External links
1050:
1047:
1046:
1033:
1020:
1007:
995:
982:
969:
956:
930:
923:
900:
878:
865:
837:
824:
810:
809:
807:
804:
672:(one doubling
664:(one doubling
640:Lyons-la-ForĂŞt
631:
628:
625:
624:
612:
601:
595:
593:
583:
581:
571:
565:
563:
560:
555:
550:
547:
546:
533:
519:
514:
504:
502:
492:
486:
484:
481:
476:
471:
468:
467:
454:
451:
446:
436:
434:
424:
418:
416:
413:
408:
403:
400:
399:
386:
375:
372:
359:
357:
347:
341:
339:
336:
331:
326:
323:
322:
309:
296:
293:
283:
281:
271:
265:
263:
260:
255:
250:
247:
246:
233:
224:
219:
206:
204:
194:
188:
186:
183:
178:
173:
164:
161:
66:
63:
15:
13:
10:
9:
6:
4:
3:
2:
2038:
2027:
2024:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2002:
1999:
1997:
1994:
1992:
1989:
1987:
1984:
1983:
1981:
1966:
1963:
1961:
1958:
1956:
1953:
1951:
1948:
1947:
1945:
1941:
1935:
1934:
1930:
1928:
1927:
1923:
1921:
1920:
1916:
1914:
1913:
1909:
1907:
1904:
1902:
1901:Symphony in C
1899:
1897:
1894:
1892:
1891:
1887:
1885:
1884:
1880:
1878:
1877:
1873:
1871:
1870:
1866:
1864:
1863:
1859:
1857:
1854:
1852:
1849:
1847:
1844:
1842:
1839:
1837:
1836:
1832:
1830:
1829:
1825:
1823:
1820:
1818:
1817:
1813:
1811:
1810:
1806:
1804:
1803:
1802:Jeu de cartes
1799:
1797:
1794:
1792:
1791:
1787:
1785:
1782:
1780:
1779:Concerto in D
1777:
1775:
1774:
1770:
1768:
1767:
1763:
1761:
1760:
1756:
1754:
1753:
1749:
1747:
1746:
1742:
1741:
1739:
1735:
1729:
1726:
1724:
1721:
1719:
1716:
1714:
1711:
1709:
1706:
1704:
1703:Maurice Ravel
1701:
1699:
1696:
1694:
1691:
1689:
1686:
1684:
1681:
1679:
1678:Zoltán Kodály
1676:
1674:
1671:
1669:
1666:
1664:
1661:
1659:
1656:
1654:
1651:
1649:
1646:
1644:
1643:George Enescu
1641:
1639:
1636:
1634:
1633:Aaron Copland
1631:
1629:
1628:Carlos Chávez
1626:
1624:
1621:
1619:
1616:
1614:
1613:Georges Auric
1611:
1610:
1608:
1604:
1600:
1593:
1588:
1586:
1581:
1579:
1574:
1573:
1570:
1558:
1550:
1549:
1546:
1540:
1537:
1535:
1534:
1530:
1528:
1525:
1523:
1520:
1518:
1515:
1513:
1510:
1509:
1507:
1503:
1497:
1496:
1492:
1490:
1489:
1485:
1483:
1482:
1478:
1476:
1475:
1471:
1469:
1468:
1464:
1462:
1461:
1457:
1456:
1454:
1450:
1444:
1443:
1439:
1437:
1434:
1432:
1431:
1427:
1425:
1424:
1420:
1418:
1417:
1413:
1411:
1410:
1406:
1404:
1403:
1399:
1397:
1396:
1392:
1390:
1389:
1385:
1384:
1382:
1378:
1372:
1371:
1367:
1365:
1362:
1360:
1357:
1355:
1352:
1350:
1347:
1345:
1342:
1340:
1337:
1336:
1334:
1330:
1324:
1323:
1319:
1317:
1314:
1312:
1309:
1308:
1306:
1302:
1296:
1295:
1291:
1289:
1288:
1284:
1282:
1281:
1277:
1275:
1274:
1270:
1268:
1267:
1263:
1261:
1260:
1256:
1254:
1253:
1249:
1247:
1246:
1245:Ma mère l'Oye
1242:
1240:
1239:
1235:
1233:
1232:
1228:
1226:
1225:
1221:
1219:
1218:
1214:
1213:
1211:
1207:
1200:
1199:
1198:Ma mère l'Oye
1195:
1192:
1191:
1187:
1184:
1183:
1179:
1176:
1175:
1171:
1168:
1167:
1163:
1162:
1160:
1156:
1150:
1147:
1146:
1143:
1139:
1138:Maurice Ravel
1132:
1127:
1125:
1120:
1118:
1113:
1112:
1109:
1102:
1098:
1094:
1091:
1088:
1085:
1083:
1079:
1078:
1073:
1070:
1069:
1065:
1063:
1059:
1056:
1055:
1051:
1043:
1037:
1034:
1030:
1024:
1021:
1017:
1011:
1008:
1005:
999:
996:
992:
986:
983:
979:
973:
970:
966:
960:
957:
945:
941:
934:
931:
926:
924:9780486266336
920:
916:
915:
910:
904:
901:
897:. p. 15.
896:
889:
882:
879:
875:
869:
866:
862:
858:
854:
848:
841:
838:
834:
828:
825:
821:
815:
812:
805:
803:
801:
797:
796:Paul Ben-Haim
793:
788:
785:
783:
779:
774:
772:
768:
765:on his album
764:
760:
755:
753:
749:
745:
741:
736:
734:
730:
726:
722:
717:
716:Zoltán Kocsis
713:
712:David Diamond
708:
706:
705:Lucien Garban
701:
699:
695:
691:
687:
683:
679:
675:
671:
667:
663:
658:
656:
652:
645:
641:
638:The house in
636:
629:
613:
610:
606:
602:
599:
594:
588:
582:
574:
564:
561:
559:
556:
553:
549:
548:
534:
529:
524:
521:in memory of
520:
518:
515:
509:
503:
495:
485:
482:
480:
477:
474:
470:
469:
455:
452:
450:
447:
441:
435:
427:
417:
414:
412:
409:
406:
402:
401:
387:
384:
380:
379:Gabriel Deluc
376:
373:
365:
358:
350:
340:
337:
335:
332:
329:
325:
324:
310:
307:
306:
301:
300:Louise Cruppi
297:
294:
288:
282:
274:
264:
261:
259:
256:
253:
249:
248:
234:
231:
230:
229:Ma mère l'oye
225:
223:
220:
212:
205:
197:
187:
184:
182:
179:
176:
172:
171:
168:
162:
160:
158:
154:
150:
146:
141:
139:
134:
132:
128:
127:Neoclassicism
124:
120:
119:ornamentation
116:
112:
111:
106:
105:
100:
99:
93:
91:
87:
83:
79:
74:
73:
64:
62:
60:
56:
52:
51:Maurice Ravel
48:
44:
40:
39:
30:
26:
22:
1943:Other topics
1931:
1925:
1924:
1917:
1910:
1888:
1881:
1874:
1867:
1860:
1833:
1826:
1814:
1807:
1800:
1788:
1771:
1764:
1757:
1750:
1743:
1737:Compositions
1668:Vagn Holmboe
1531:
1493:
1486:
1479:
1472:
1465:
1458:
1440:
1428:
1421:
1414:
1407:
1401:
1400:
1393:
1386:
1368:
1320:
1292:
1285:
1278:
1271:
1264:
1257:
1250:
1243:
1236:
1230:
1229:
1222:
1215:
1196:
1188:
1180:
1172:
1164:
1076:
1067:
1041:
1036:
1028:
1023:
1015:
1010:
1003:
998:
990:
985:
977:
972:
964:
959:
947:. Retrieved
944:AllMusic.com
943:
933:
913:
903:
881:
873:
868:
852:
846:
840:
832:
827:
819:
814:
799:
791:
789:
786:
775:
766:
756:
740:wind quintet
737:
719:recorded by
709:
702:
659:
648:
643:
572:
551:
523:Jean Dreyfus
493:
472:
425:
404:
348:
327:
303:
272:
251:
227:
195:
174:
166:
149:Salle Gaveau
142:
137:
135:
108:
102:
96:
94:
70:
68:
42:
37:
36:
35:
25:
1960:Neotonality
1933:Gli uccelli
1828:Oedipus rex
1638:Louis Durey
1618:BĂ©la BartĂłk
1539:Les Apaches
1304:Concertante
1287:Shéhérazade
744:Mason Jones
674:cor anglais
651:Rhené-Baton
526: [
338:Allegretto
163:Composition
59:World War I
1980:Categories
1869:Pulcinella
1708:Erik Satie
1533:The Bolero
1527:Ravel Peak
1395:Jeux d'eau
1380:Solo piano
1209:Orchestral
1101:Lewis Nash
949:13 October
861:0486418987
806:References
415:Assez vif
1606:Composers
776:In 2013,
678:clarinets
147:, in the
131:chromatic
125:harmony.
69:The word
1557:Category
1436:Sonatine
1238:La valse
1201:(ballet)
1185:(ballet)
1169:(ballet)
911:(1991).
682:bassoons
653:and the
411:Rigaudon
374:E minor
295:E minor
65:Overview
1835:Orpheus
1505:Related
1423:Miroirs
1370:Tzigane
1332:Chamber
1322:Tzigane
1259:Miroirs
1193:(opera)
1177:(opera)
792:Toccata
698:strings
690:trumpet
676:), two
668:), two
666:piccolo
598:E major
558:Toccata
517:G major
449:C major
334:Forlane
222:E minor
181:Prélude
98:forlane
86:Baroque
72:tombeau
55:Baroque
45:) is a
1752:Apollo
1224:Boléro
921:
859:
696:, and
684:, two
680:, two
662:flutes
479:Menuet
82:homage
1816:Mavra
1452:Vocal
1158:Stage
891:(PDF)
686:horns
670:oboes
591:= 144
530:]
444:= 120
258:Fugue
153:Paris
123:modal
90:suite
47:suite
951:2012
919:ISBN
857:ISBN
790:The
761:for
694:harp
562:Vif
512:= 92
370:= 96
291:= 84
217:= 92
185:Vif
121:and
1095:by
798:'s
328:III
151:in
1982::
942:.
893:.
784:.
773:.
700:.
692:,
688:,
611:)
552:VI
528:nl
405:IV
385:)
308:)
252:II
196:16
1591:e
1584:t
1577:v
1130:e
1123:t
1116:v
953:.
927:.
863:.
573:4
494:4
473:V
426:4
367:.
349:8
273:4
214:.
175:I
41:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
