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Tombeau

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253:(1604). These genres offered many suitable expressive characteristics: the suspirans figure (a three-note upbeat), dotted rhythms, particularly in repeated notes, and slow-moving harmonies in the minor mode whose gravity is heightened by a tendency to settle on pedal points. Later examples also tend to use chromatic progressions related to the lamento bass. The few courante tombeaux exploit the same rhythmic features in triple metre." 22: 126:) is a musical composition (earlier, in the early 16th century, a poem) commemorating the death of a notable individual. The term derives from the French word for "tomb" or "tombstone". The vast majority of tombeaux date from the 17th century and were composed for 248:
on the Death of Ferdinand III or the Meditation sur ma Mort Future would be a prime example of such a form. Some tombeaux include a motif of four descending notes, a metaphor for grief given influential expression by John Dowland in his
196:, 1599). In France, where this musical genre emerged first, strong influence of literary models, particularly of memorial poems that were popular from the 16th to the end of the 17th centuries, may have been another important factor." 696: 697: 920:, edited by Martha Tupinambá de Ulhôa and José Maria Neves, 323–26. Rio de Janeiro: Associação Nacional de Pesquisa e Pós-Graduação em Música (ANPPOM), 1996. 1071: 969: 867: 964:, edited by Philippe Albèra, Vincent Barras, Jean-Marie Bergère, Joseph G. Cecconi, and Daniel Galasso, 45–48. Geneva: Contrechamps, 2003. 229:, the tombeau should not have used expressive elements of mourning, which were skeptically viewed in France. Nevertheless, certain typical 661: 359: 1002: 808: 130:
or other plucked string instruments. The genre gradually fell out of use during the 18th century, but reappeared in the early 20th.
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features were used: repeated note motifs depicting the knocking of Death at the door, ascending or descending
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The tombeau genre went into decline at the end of the 18th century. It reappeared in the 20th century with
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Wood, C. "Orchestra and Spectacle in the tragédie en musique, 1673–1715: Oracle, sommeil and tempête".
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McClary, Susan. "Temporality and Ideology: Qualities of Motion in Seventeenth-Century French Music".
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already long out of date for the era of tombeaux, but with all the trappings of the allemande (cf.
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Stilisierung als kunstvermittelnder Prozess: die französischen Tombeau-Stücke im 17. Jahrhundert
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Rollin, M. "Le tombeau chez les luthistes Denys Gautier, Jacques Gallot, Charles Mouton".
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Depersin, Françoise. "Figures rhétoriques et pièces instrumentales baroques: L’exemple du
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of the 17th and 18th centuries. Of some 60+ surviving pieces, most are intended for the
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und die 'Franzosche Art': Zur deutschen Rezeption des Tombeau im 17. Jahrhundert". In
1055: 862:, edited with a commentary by Robert Piencikowski. Vienna: Universal Edition, 2010. 720: 532: 351: 339: 334: 304: 241: 230: 79: 222:; that is because the gigue grave resembles the allemande in a number of respects." 146:= tomb). The musical genre of the tombeau is generally connected with music for the 588: 582: 355: 364: 245: 167: 21: 912:
Lanzelotte, Rosana. "Aspectos retóricos da música do século XVII: Um estudo do
803:. John Owen Ward (2d ed.). London: Oxford University Press. p. 578. 1008:
van den Borren, Charles. "Esquisse d'une histoire des 'tombeaux' musicaux".
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Tombeau: Facsimilés de l'épure et de la première mise au net de la partition
250: 238: 200: 818: 635: 277: 257: 234: 1048:- Overview of Lute video's of the famous tombeaux of the great composers 880:
Dart, R. Thurston. "Miss Mary Burwell's Instruction Book for the Lute".
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Green, Robert A. "François Dufaut and the Origins of the Tombeau".
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which depict the soul's tribulation and transcendence. Froberger's
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Vendrix, P. "Le tombeau en musique en France Ă  l'Ă©poque baroque".
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Académie royale de Belgique: bulletin de la classe des beaux-arts
761: 199:"The tombeau preeminently comes in two forms, as a slow elegiac 151: 147: 127: 997:, edited by Wolfgang Sandberger, 114–31. Kassel: Bärenreiter. 15: 375:. In the 21st century a series of tombeaux was written by 889:
Tombeau fait Ă  Paris sur la mort de Monsieur Blancheroche
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Harpsichord and Lute Music in Seventeenth-Century France
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Tombeau fait Ă  Paris sur la mort de Monsieur Blancrocher
218:). There are also a few unique tombeaux that appear as 170:. The earliest example of this genre seems to be the 962:
Pli selon pli de Pierre Boulez: Entretiens et Ă©tudes
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François Couperin and the French Classical Tradition
46:. Unsourced material may be challenged and removed. 292:in 1652) and was then spread into Central Europe ( 995:Bach, LĂĽbeck und die norddeutsche Musiktradition 506:Tombeau sur la mort de M. Cajetan Baron d'Hartig 982:Rollin, M. "Les tombeaux de Robert de VisĂ©e". 332:for clarinet and piano, the last movement of 313:(1919). Other 20th century tombeaux include 8: 1021:Proceedings of the Royal Musical Association 941:, new revised edition. London: Faber, 1950. 203:grave in 4/4 or as a pavan, a tri-partite 388:Lute and other plucked string instruments 106:Learn how and when to remove this message 142:signifies a musical 'tombstone' (French 893:Musurgia: Analyse et pratique musicales 743: 510:Tombeau sur la mort de M. Comte de Losy 873:Brenet, M. "Les tombeaux en musique". 800:The concise Oxford dictionary of music 760:Turovsky-Savchuk, Roman (2022-07-04). 755: 753: 751: 749: 747: 853:Die Musik in Geschichte und Gegenwart 350:. Surely between the tombeau and the 7: 288:, both on the death of their friend 276:), the genre was soon taken over by 44:adding citations to reliable sources 360:Cantus in Memoriam Benjamin Britten 184:"Musical predecessors are memorial 1072:Funerary and memorial compositions 909:39, no. 3 (September 2004): 29–34. 708:, performed by Barbara Day Turner. 497:Tombeau de Mesdemoiselles de VisĂ©e 14: 991:Fried- und Freudenreiche Hinfarth 907:Lute Society of America Quarterly 989:Schneider, Matthias. 2002. "Die 477:Tombeau de Mr. Francisque Corbet 20: 1046:Another Lute Website (Tombeaux) 848:, second edition (1995): 4:247. 672:Tombeau de Monsieur Blancrocher 424:Tombeau de Monsieur Blancrocher 398:Tombeau de Monsieur Blancrocher 194:Countess of Pembrokes Funeralle 31:needs additional citations for 932:ECHO: A Music-Centered Journal 927:" (diss., U. of Oxford, 1985). 846:Brockhaus-Riemann Musiklexikon 1: 902:(Laaber: Laaber-Verlag, 1987) 851:Birkner, GĂĽnther. "Tombeau". 841:, second edition (1995): 3:9. 979:, nos. 21–22 (1954): 463–79. 835:Anon. "Lamento". Brockhaus, 782:(in Spanish). Archived from 762:"De Temporum Fine Postludia" 608:Tombeau de M. de Ste-Colombe 600:Tombeau pour Marais le cadet 918:IX encontro anual da ANPPOM 895:12, nos. 1–2 (2005): 35–47. 702:Tombeau for Michael Collins 690:Tombeau for Michael Collins 344:Tombeau for Michael Collins 225:"As opposed to the Italian 1088: 1041:Tombeau & Baroque Lute 914:Tombeau de Mr. Blancrocher 797:Scholes, Percy A. (1964). 623:Monsieur de Sainte-Colombe 613:Monsieur de Sainte-Colombe 519:Tombeau sur la mort de Mr 177:(1638) by French lutenist 952:Piencikowski, Robert T. " 877:3 (1903), 568–75, 631–38. 776:"Tombeaux y lamenti (II)" 565:Tombeau de Mr. de Maltot 428:Tombeau de Mlle Gaultier 138:"In instrumental music, 1012:43 (1961); abridged in 916:de Louis Couperin". In 538:Tombeau sur la mort de 531:Tombeau sur la mort de 485:Tombeau du Vieux Gallot 436:Tombeau de Mr. Raquette 256:"Developed by Parisian 986:, no.34 (1957): 73–78. 960:de Pierre Boulez". In 882:Galpin Society Journal 709: 677:Johann Jakob Froberger 656:Jean-Henri d'Anglebert 630:Roman Turovsky-Savchuk 527:Roman Turovsky-Savchuk 432:Tombeau de Mr. Lenclos 377:Roman Turovsky-Savchuk 310:Le Tombeau de Couperin 282:Johann Jakob Froberger 1067:17th century in music 1023:108 (1981–82): 25–46. 700: 604:Tombeau de M. Meliton 502:Sylvius Leopold Weiss 489:Tombeau de Mr. Mouton 298:Sylvius Leopold Weiss 838:Riemann Musiklexikon 617:Tombeau 'Les regrets 515:Jacques de Saint-Luc 445:Tombeau de Mezangeau 158:, 5 for the baroque 40:improve this article 1016:, 25 (1962), 56–67. 731:The Enchanted Grove 726:Tombeau de Couperin 662:M. de Chambonnières 330:Le Tombeau de Ravel 937:Mellers, Wilfrid. 855:(1986): 13:477–78. 710: 540:Petro Kalnyshevsky 415:Tombeau de Turenne 369:for Morton Feldman 970:978-2-940068-23-4 884:11 (1958): 33–69. 868:978-3-7024-6861-3 844:Anon. "Tombeau". 715:Other instruments 698: 467:Tombeau de Madame 441:Ennemond Gaultier 411:Tombeau de Madame 324:for solo guitar, 205:renaissance dance 179:Ennemond Gaultier 116: 115: 108: 90: 1079: 934:2, no. 2 (2000). 858:Boulez, Pierre. 823: 822: 794: 788: 787: 772: 766: 765: 757: 699: 562: 546:François Campion 481:Tombeau de Dubut 450:Jan AntonĂ­n Losy 407:Tombeau de CondĂ© 383:List of tombeaux 373:Stephen L. Mosko 294:Jan AntonĂ­n Losy 274:François Dufault 213:Tombeau pour M. 190:Anthony Holborne 111: 104: 100: 97: 91: 89: 48: 24: 16: 1087: 1086: 1082: 1081: 1080: 1078: 1077: 1076: 1052: 1051: 1037: 923:Ledbetter, D. " 891:de Froberger". 832: 830:Further reading 827: 826: 811: 796: 795: 791: 774: 773: 769: 759: 758: 745: 740: 717: 693: 652: 573: 548: 521:Francois Ginter 473:Robert de VisĂ©e 463:Tombeau de Gogo 394:François Dufaut 390: 385: 326:Arthur Benjamin 315:Manuel de Falla 136: 112: 101: 95: 92: 49: 47: 37: 25: 12: 11: 5: 1085: 1083: 1075: 1074: 1069: 1064: 1054: 1053: 1050: 1049: 1043: 1036: 1035:External links 1033: 1032: 1031: 1024: 1017: 1006: 987: 980: 973: 950: 935: 928: 921: 910: 903: 896: 885: 878: 871: 856: 849: 842: 831: 828: 825: 824: 809: 789: 786:on 2023-10-04. 780:www.sineris.es 767: 742: 741: 739: 736: 735: 734: 729:(adapted into 716: 713: 712: 711: 706:Mona Lyn Reese 686:Mona Lyn Reese 683: 674: 668:Louis Couperin 665: 651: 648: 647: 646: 627: 610: 593:Tombeau de M. 586: 572: 571:Viola da gamba 569: 568: 567: 543: 524: 512: 499: 470: 459:Charles Mouton 456: 447: 438: 420:Denis Gaultier 417: 403:Jacques Gallot 400: 389: 386: 384: 381: 348:Mona Lyn Reese 319:Le Tombeau de 286:Louis Couperin 270:Jacques Gallot 266:Charles Mouton 262:Denis Gaultier 209:Denis Gaultier 188:like those by 164:viola da gamba 135: 132: 114: 113: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 1084: 1073: 1070: 1068: 1065: 1063: 1060: 1059: 1057: 1047: 1044: 1042: 1039: 1038: 1034: 1029: 1025: 1022: 1018: 1015: 1011: 1007: 1004: 1003:3-7618-1585-9 1000: 996: 992: 988: 985: 981: 978: 974: 971: 967: 963: 959: 958:Pli selon pli 956:, extrait de 955: 951: 948: 944: 940: 936: 933: 929: 926: 922: 919: 915: 911: 908: 904: 901: 898:Goldberg, C. 897: 894: 890: 886: 883: 879: 876: 872: 869: 865: 861: 857: 854: 850: 847: 843: 840: 839: 834: 833: 829: 820: 816: 812: 810:0-19-311307-4 806: 802: 801: 793: 790: 785: 781: 777: 771: 768: 763: 756: 754: 752: 750: 748: 744: 737: 732: 728: 727: 722: 721:Maurice Ravel 719: 718: 714: 707: 703: 691: 687: 684: 682: 678: 675: 673: 669: 666: 664: 663: 657: 654: 653: 649: 645: 644: 638: 637: 631: 628: 626: 624: 621:Tombeau pour 618: 614: 611: 609: 605: 601: 597: 596: 590: 587: 585: 584: 578: 577:Charles DollĂ© 575: 574: 570: 566: 560: 556: 552: 547: 544: 542: 541: 535: 534: 533:Omelyan Kovch 528: 525: 523: 522: 516: 513: 511: 507: 503: 500: 498: 494: 490: 486: 482: 478: 474: 471: 468: 464: 460: 457: 455: 451: 448: 446: 442: 439: 437: 433: 429: 425: 421: 418: 416: 412: 408: 404: 401: 399: 395: 392: 391: 387: 382: 380: 378: 374: 370: 366: 362: 361: 357: 353: 349: 345: 341: 340:Pierre Boulez 337: 336: 335:Pli selon pli 331: 327: 323: 322: 316: 312: 311: 306: 305:Maurice Ravel 301: 299: 295: 291: 287: 283: 279: 275: 271: 267: 263: 259: 254: 252: 247: 243: 240: 236: 232: 231:onomatopoetic 228: 223: 221: 217: 216: 210: 206: 202: 197: 195: 191: 187: 182: 180: 176: 175: 169: 165: 161: 157: 153: 149: 145: 141: 133: 131: 129: 125: 121: 110: 107: 99: 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: â€“  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 1062:Music genres 1030:, 25 (1987). 1027: 1020: 1013: 1009: 994: 990: 984:XVIIe siècle 983: 977:XVIIe siècle 976: 961: 957: 953: 938: 931: 917: 913: 906: 899: 892: 888: 881: 874: 859: 852: 845: 836: 799: 792: 784:the original 779: 770: 730: 724: 701: 689: 680: 671: 659: 640: 633: 620: 616: 607: 603: 599: 592: 589:Marin Marais 583:Marin Marais 580: 564: 537: 530: 518: 509: 505: 496: 492: 488: 484: 480: 476: 466: 462: 453: 444: 435: 431: 427: 423: 414: 410: 406: 397: 368: 358: 356:instrumental 343: 333: 329: 318: 308: 302: 278:clavecinists 255: 224: 212: 198: 193: 183: 171: 162:, 7 for the 143: 139: 137: 123: 119: 117: 102: 96:January 2009 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 733:, a ballet) 660:Tombeau de 650:Harpsichord 641:Tombeau de 634:Tombeau de 581:Tombeau de 549: [ 493:Le Tombeau 290:Blancrocher 246:Lamentation 172:Tombeau de 168:harpsichord 1056:Categories 947:0571139833 738:References 371:(1987) by 346:(1987) by 166:and 3 for 144:le tombeau 66:newspapers 643:Forqueray 365:Arvo Pärt 258:lutenists 251:Lachrimae 239:chromatic 215:Racquette 201:allemande 174:Mezangeau 55:"Tombeau" 636:Telemann 235:diatonic 124:tombeaux 122:(plural 954:Tombeau 625:le père 454:Tombeau 352:hommage 321:Debussy 227:lamento 156:theorbo 140:tombeau 134:History 120:tombeau 80:scholar 1001:  968:  945:  866:  819:509554 817:  807:  342:, and 242:scales 220:gigues 186:pavans 160:guitar 82:  75:  68:  61:  53:  595:Lully 561:] 87:JSTOR 73:books 1028:RMFC 999:ISBN 966:ISBN 943:ISBN 875:RHCM 864:ISBN 815:OCLC 805:ISBN 367:and 354:the 300:)." 152:lute 148:lute 128:lute 59:news 1014:SMw 704:by 363:by 338:by 328:'s 317:'s 307:'s 237:or 181:." 154:or 42:by 1058:: 813:. 778:. 746:^ 723:: 688:: 679:: 670:: 658:: 639:, 632:: 619:, 615:: 606:, 602:, 598:, 591:: 579:: 563:: 559:pl 557:; 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"Tombeau"
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books
scholar
JSTOR
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lute
lute
lute
theorbo
guitar
viola da gamba
harpsichord
Mezangeau
Ennemond Gaultier
pavans
Anthony Holborne
allemande
renaissance dance
Denis Gaultier
Racquette
gigues
lamento
onomatopoetic
diatonic

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