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in one scene. Terri
Francis, a cinema and media studies academic, notes that there are several contrasts in the film between a number of white women who appear nude, in immobile posed groups, and Baker, who is dressed, dances, and appears individually.
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Sociologist
Bennetta Jules-Rosette wrote in 2007 that "Although this film would be considered softcore pornography today, it is difficult to determine the extent of its distribution and the responses of its audience when it was released in 1928." The
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performance entitled "Un Vent desfolies at the Folies-Bergere." The fireman, inspired by seeing the Folies Bergère, imagines that people that he encounters are naked women.
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Baker appears in two scenes as subway driver who transforms into a "scantily dressed ... unnamed, seductive showgirl" in part of the fireman's fantasies, and dances the
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Powrie, Phil; Rebillard, Éric (2017). "Josephine Baker and Pierre
Batcheff in La Sirène des tropiques". In Henderson, Mae G.; Regester, Charlene B. (eds.).
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The film was produced in 1927 and released in 1928. The storyline involves the erotic fantasies of a fireman, and includes elements from Baker's
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Francis, Terri (2010). "Sighting the 'real' Josephine Baker: Methods and Issues of Black Star
Studies". In Willis, Deborah (ed.).
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in her banana skirt, from the Folies Bergère production "Un Vent de Folie", elements of which were repeated in
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168:. The director is unknown. The film is about seven-and-a-half minutes long.
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Josephine Baker in art and life : the icon and the image
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371:. Chicago: University of Illinois Press. pp. 78–79.
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This article related to a French film of the 1920s is a
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Francis, Terri Simone (2021). "4. Parody and desire in
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Black Venus, 2010 : they called her "Hottentot"
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280:. British Film Institute. Archived from
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278:"Hallucination d'un pompier (1928)"
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246:Josephine Baker's Cinematic Prism
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189:Bibliothèque nationale de France
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191:has a video copy of the film.
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284:on 16 September 2021
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