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Leon Gaspard

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208:. She married him despite her mother's' objections, on December 24, 1908, at the civil ceremony at the Mayor's office of the 14th arrondissement of the city of Paris. The couple had another marriage ceremony on July 19 (Julian calendar; August 1, Gregorian calendar),1912, at the Ilyinskaya Russian Orthodox church in Vitebsk, which must have been predated by Schulman's conversion from Judaism to Russian Orthodoxy. In 1911, Schulman started adding his wife's slightly modified maiden name to his own, using several variations: LĂ©on-Gaspar Schulman(n). LĂ©on S. Gaspar, before he settled on the name under which he is known today: LĂ©on Gaspard. Later, living in the United States, he used the French-sounding last name to create a fictional biography, claiming that his father was Maxim Gaspard, a wealthy merchant of French descent, with whom young LĂ©on traveled to Siberia. This new biography required a new maiden name for Evlyn since it could cast doubts on the veracity of her husband's claim. Therefore, she began using the name Adel(l), which was a shortened version of her mother's maiden name, Adelmann. 212:
1915, he joined his wife in the United States, where she had been living since May 1915. For the next two years, the couple resided in New York before moving to Chicago in 1918. In 1918, they visited Taos, New Mexico. Gaspard was enchanted by the beauty of this little town, nestled at the foot of the Sangre de Christo mountains. They spend the following two summers in Taos before settling there permanently in the fall of 1921. In 1930, they moved into their own house, a whimsical architectural structure that combines features of a southwestern mudbrick house, a Gothic church, and a Russian peasant hut.
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Salon des Artistes Français. Together with his friend Abel Pfefferman (Abel Pann), he exhibited at the gallery Maison des Arts in May 1908. In October, Schulman and Pfefferman traveled to Vitebsk, where they exhibited their works together with Pen and Yanina Pavlovskaya. In February 1908, Schulman exhibited with Pen, Pavlovskaya, and Karl Kahl in Mogilev. He participated in group shows at the gallery Georges Petit (December 1911) and gallery Devambez (June 1912) and had two personal exhibitions - at the gallery Boute in Brussels (May 1912) and at the gallery Salle Arti in Antwerp (November 1912).
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well-known story of Gaspard's two-and-a-half year-long wanderings through China, Mongolia, and Tibet is untrue. The dates of their departures and arrivals are documented in the contemporary press. His last transatlantic journey took place in 1959 when, after Evlyn's death, the artist married Dora Kaminsky. The newly weds traveled to Egypt, Moscow, and Paris.
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Schulman debuted at the Salon d'Automne in 1906 and since then became a regular exhibitor; he also regularly exhibited at the Salon des Indépendants. In 1907 he exhibited at the Salon de la Société Nationale des Beaux-Arts (Salon du Champs-de-Mars) and in three times (in 1909, 1910, and 1913) at the
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Leon and Evlyn made three transatlantic voyages: to Eastern China and Mongolia in 1921, the Middle East in 1926, and to North Africa (Morocco, Algeria, and Tunis) in 1932-33. Each journey lasted about 5 months, from the day of their departure from the United States to the day of their return. The
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After his arrival in the United States, Gaspard actively exhibited his work at personal and group exhibitions, many of them at such prestigious venues at the National Academy of Design, the Art Institute of Chicago, the Corcoran Gallery, and at the international exhibitions at Carnegie Institute,
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Gaspard died of a heart attack on February 21, 1964, and, according to his wishes, was buried on his property. A few years later, his widow Dora Kaminsky-Gaspard-Blackman, reburied his remains at the Sierra Vista Cemetery. His name on the headstone is written as "Leon Maximovich Gaspard." ("Maxim"
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When the Great War broke out, Gaspard enlisted in the French Army and was seriously injured the following year. Later, the artist claimed that he served as an aerial observer in the fledgling French aviation. This story is disproved by the photograph of Gaspard in the military uniform. In July
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held a retrospective exhibition of Gaspard in his memory. In 1967, three years after Gaspard's death, the Maxwell Galleries held a retrospective exhibition of his work. His post-humous reputation began to take shape in 1982, with a retrospective exhibition by the Fenn Galleries in Santa Fe (now
155:(1 or 2 October 1883 - 21 February 1964) was a Russian Empire-born painter, known for his paintings of indigenous cultures and folk traditions. He tended to paint scenes with throngs of people, and his favorite locations were in small towns in Belarus, Russia, 179:
Gaspard was born Leiba Schulman, a son of a Jewish carpenter Shmuel Schulman and his wife Cyra Abram. His birthplace was either Vitebsk or Ulla, a small town about 35 miles west of Vitebsk. He pursued art studies in his hometown,
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Till 1921, his dealer was Reinhardt's Galleries that had branches in both New York and Chicago and after 1921 Milch Galleries in New York. Since 1936, he also exhibited and sold work at the Stendahl's Galleries in Los Angeles.
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Catalogue général des élèves répertoire alphabetique, 31, rue de Dragon, atelier de gauche, Bouguereau at Ferrier, 1903-1905; et atelier Toudouze et Baschet, 1905-1907, Archives Nationales de France, microfilm 63 AS 1,
273:(1984), and Berry-Hill Galleries, New York (1986). Gaspard's work has sold well at auction houses, and in the early 2000s, prices for his paintings increased dramatically. On November 29, 2007, the 1918 painting, 244:, and far off places, rather than focus on the local Native Americans and landscape. Though an anomaly, Gaspard's work was respected; in 1961, Gaspard had a one-man show in Taos. His work sold steadily in 163:. He spent his youth in Russia and later studied in Paris, where he became a well-respected painter. He moved with his wife, Evlyn Gasper, to the United States. They eventually settled in 501:
Officiers et Soldats de l'Armée Française de la Grand Guerre,1914-1918, vol. 2, insignia of a warrant officer in a balloon unit (model-type of December 30, 1912, inventory number 31368
808: 188:, a well-known Jewish-Belarusian artist. From 1899 or 1900 to 1904. Schulman continued his education at the Odessa Art School. In 1905, he departed for Paris and enrolled at the 192:, where he studied two months (May 8 - June 12 and October 30 - November 27, 1905). Despite his later claims that his teacher was William-Adolphe Bouguereau, his mentors at the 924: 220:
was name of his father in his fictional biography; in reality, it was the name of his godfather that was given to him at the time of his conversion to the Russian Orthodoxy.)
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San Francisco, 1967. "Leon Gaspard 1882 - 1964," exhibition catalogue, Maxwell Galleries, LTD. Hogan and Kaus Lithograph Co: 1967.
269:. The following galleries have also held major posthumous exhibitions: Hammer Galleries, New York (1968), Gerald Peters Gallery, 954: 355: 751:
Bernaerts Auctioneers, Verlatsraat, Museumstraat 25, 2000 Antwerp. Belgium, notes for lot 466, Auction December 11–12, 2017.
240:, where Gaspard moved in 1918 and remained until his death. Unlike many of his contemporaries, Gaspard continued to paint 265:
Nedra Matteucci Galleries). In November 2013, Nedra Matteucci Galleries held another major exhibition for the artist,
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Lubbock, Texas."Leon Gaspard: The Artist, the Land," exhibition catalogue, The Museum of Texas Tech University: 1986.
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Dictionnaire du Salon d'Automne: répertoire des expositions et liste des oeuvres presentées, 1903-1945, vol. 3
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In 1908, Schulman met Evlyn Gasper, a daughter of a wealthy American widow Eugenia Ward who was visiting
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Schulman et Gasper, décembre 24, 1908. Actes des mariages, Mairie de Paris, no. 1460, Archives de Paris.
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Sailing from Bordeaux on August 21, 1926, arriving at the Port of New York on September 2, 1926, no. 24
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Leon Gaspard Papers, 1917-1964, Archives of American Arts, Smithsonian Institution, Washington, D.C.
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Les expositions de la Galerie Berthe Weil (1901-1942) et de la Galerie Devambez (1907-1926), vol. 2
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were Marcel Baschet and Edouard Toudouze. In Paris, he started calling himself LĂ©on Schulman(n).
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La Kermesse, Russian Forest, Falconry in Central Asia, Souvenir of Manchuria, San Geronimo Fiesta
193: 189: 899: 874: 601: 448: 412: 387: 351: 303: 237: 171:, though he continued to devote much of his time to traveling to paint in remote locations. 164: 64: 908: 278: 249: 245: 160: 185: 168: 544:"To Paint the Orient: Leon Gaspard, Whose Work Was Exhibited Here, Sails". 653:
Les Catalogues des Salons de la Société Nationale des Beaux-Arts, vol. 4
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Vitebskiye Gubernskyie Vedomosti, Number 230, October 17, 1907, p. 3
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Yury (Yudel) Pen, Kiriak Kostandi, Marcel Baschet, Edouard Toudouze
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Les Expositions de la Galerie Georges Petit (1881-1934), vol. 1
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School of Yury (Yudel) Pen, Odessa Art School, Academie Julian
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Les Catalogues des Salons des Beaux-Arts, vol. 22, Salon 1909
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Les catalogues des Salons des Beaux-Arts, vol 22, Salon 1910
894: 711:"Mogilevsky Vestnik, Number 49, February 28, 1908, p.3". 571:
New York Passenger Lists, 1932, no 2, 925, lines 4, 5.
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Leon Gaspard: Impressions from Russia and the Faraway
252:, and he was well-known and financially successful. 131: 123: 113: 105: 95: 87: 79: 71: 53: 28: 21: 625:(in French). L'Echelle de Jacob. pp. 1238–39. 793:Dorfman, John (2009). "From Russia, With Love". 638:Dictionnaire des IndĂ©pendents, 1884-1914, vol. 3 514:"Leon Gaspard Famous Painter, Visits the City". 771:Leon Gaspard : A Retrospective Exhibition 640:(in French). L'Echelle de Jacob. p. 1561. 811:. matteucci.com. 1 March 2013. Archived from 8: 925:Emigrants from the Russian Empire to France 655:(in French). Echelle de Jacob. p. 163. 325:Artists of the Rockies and the Golden West 18: 581:"The Gaspards Return Home From Travels". 558:List of the United States Citizens, S.S. 529:"Artist Finds Work in China Interests". 342: 340: 338: 336: 334: 75:Sierra Vista Cemetery (Taos, New Mexico) 773:. Santa Fe: Museum of New Mexico. 1965. 290: 323:Jellico, John (1981). "Leon Gaspard". 930:French emigrants to the United States 871:Leon Schulman Gaspard: The Real Story 598:Leon Schulman Gaspard: The Real Story 485: 483: 445:Leon Schulman Gaspard: The Real Story 409:Leon Schulman Gaspard: The Real Story 384:Leon Schulman Gaspard: The Real Story 300:Leon Schulman Gaspard: The Real Story 7: 844:"Leon Shulman Gaspard (1882 - 1964)" 377: 375: 260:In 1965, the Museum of New Mexico's 184:. He studied at the school of Yury 960:20th-century American male artists 741:. L'Echelle de Jacob. p. 448. 236:Gaspard found artistic success in 14: 846:. christies.com. 29 November 2007 726:. L'Echelle de Jacob. p. 35. 533:. September 12, 1921. p. 11. 386:. Mascot Books. pp. 40, 48. 935:Painters from the Russian Empire 600:. Mascot Books. pp. 92–93. 548:. February 21, 1926. p. 14. 411:. Mascot Books. pp. 10–11. 16:Belarusian-born American painter 302:. Mascot Books. pp. 9–10. 950:20th-century American painters 900:Arts and Antiques Leon Gaspard 1: 945:Artists from Taos, New Mexico 873:. Mascot Books Incorporated. 585:. August 20, 1959. p. 5. 447:. Mascot Books. p. 53. 518:. April 7, 1921. p. 3. 248:, Detroit, Los Angeles and 135:Evlyn Gasper, Dora Kaminsky 976: 636:Lobstein, Dominic (2003). 516:The Honolulu Star-Bulletin 503:. Histoire et Collections. 275:The Finish of the Kermesse 685:(in French). p. 144. 670:(in French). p. 134. 350:. Northland Press, 1964. 737:Sanchez, Pierre (2009). 722:Sanchez, Pierre (2011). 621:Sanchez, Pierre (2006). 499:Jouineau, AndrĂ© (2009). 175:Early life and education 869:Ivanova, Elena (2023). 596:Ivanova, Elena (2023). 531:San Francisco Chronicle 443:Ivanova, Elena (2023). 407:Ivanova, Elena (2023). 382:Ivanova, Elena (2023). 298:Ivanova, Elena (2023). 955:American male painters 940:AcadĂ©mie Julian alumni 651:Dugnat, GaĂŻte (2000). 149: 146:Russian Peasant Parade 47:Vitebsk, possibly Ulla 256:Posthumous reputation 153:Leon Schulman Gaspard 144: 23:Leon Schulman Gaspard 815:on 21 September 2013 696:"Vystavka kartin". 795:Art & Antiques 546:The New York Times 150: 895:Site Leon Gaspard 880:978-1-63755-245-2 681:Sanchez, Pierre. 666:Sanchez, Pierre. 607:978-1-63755-245-2 454:978-1-63755-245-2 418:978-1-63755-245-2 393:978-1-63755-245-2 309:978-1-63755-245-2 281:for $ 2,001,000. 139: 138: 57:February 21, 1964 967: 884: 856: 855: 853: 851: 840: 834: 831: 825: 824: 822: 820: 805: 799: 798: 790: 784: 781: 775: 774: 767: 761: 758: 752: 749: 743: 742: 734: 728: 727: 719: 713: 712: 708: 702: 701: 693: 687: 686: 678: 672: 671: 663: 657: 656: 648: 642: 641: 633: 627: 626: 618: 612: 611: 593: 587: 586: 578: 572: 569: 563: 556: 550: 549: 541: 535: 534: 526: 520: 519: 511: 505: 504: 496: 490: 487: 478: 475: 469: 465: 459: 458: 440: 434: 429: 423: 422: 404: 398: 397: 379: 370: 365: 359: 344: 329: 328: 320: 314: 313: 295: 161:Taos, New Mexico 127:Romantic realism 116: 83:Russian-American 65:Taos, New Mexico 60: 42: 40: 19: 975: 974: 970: 969: 968: 966: 965: 964: 905: 904: 891: 881: 868: 865: 863:Further reading 860: 859: 849: 847: 842: 841: 837: 832: 828: 818: 816: 807: 806: 802: 792: 791: 787: 782: 778: 769: 768: 764: 760:Waters, p. 111. 759: 755: 750: 746: 736: 735: 731: 721: 720: 716: 710: 709: 705: 695: 694: 690: 680: 679: 675: 665: 664: 660: 650: 649: 645: 635: 634: 630: 620: 619: 615: 608: 595: 594: 590: 580: 579: 575: 570: 566: 557: 553: 543: 542: 538: 528: 527: 523: 513: 512: 508: 498: 497: 493: 488: 481: 476: 472: 466: 462: 455: 442: 441: 437: 430: 426: 419: 406: 405: 401: 394: 381: 380: 373: 366: 362: 346:Waters, Frank. 345: 332: 322: 321: 317: 310: 297: 296: 292: 287: 258: 226: 224:Artistic career 202: 190:AcadĂ©mie Julian 177: 114: 96:Alma mater 67: 62: 58: 49: 44: 43:October 1, 1883 38: 36: 35: 34: 24: 17: 12: 11: 5: 973: 971: 963: 962: 957: 952: 947: 942: 937: 932: 927: 922: 917: 907: 906: 903: 902: 897: 890: 889:External links 887: 886: 885: 879: 864: 861: 858: 857: 835: 826: 800: 785: 776: 762: 753: 744: 729: 714: 703: 688: 673: 658: 643: 628: 613: 606: 588: 573: 564: 551: 536: 521: 506: 491: 479: 470: 460: 453: 435: 424: 417: 399: 392: 371: 360: 330: 315: 308: 289: 288: 286: 283: 257: 254: 225: 222: 201: 198: 176: 173: 137: 136: 133: 129: 128: 125: 121: 120: 117: 111: 110: 107: 106:Known for 103: 102: 97: 93: 92: 89: 85: 84: 81: 77: 76: 73: 69: 68: 63: 61:(aged 81) 55: 51: 50: 45: 33:Leiba Schulman 32: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 972: 961: 958: 956: 953: 951: 948: 946: 943: 941: 938: 936: 933: 931: 928: 926: 923: 921: 918: 916: 913: 912: 910: 901: 898: 896: 893: 892: 888: 882: 876: 872: 867: 866: 862: 845: 839: 836: 830: 827: 814: 810: 809:"Exhibitions" 804: 801: 796: 789: 786: 780: 777: 772: 766: 763: 757: 754: 748: 745: 740: 733: 730: 725: 718: 715: 707: 704: 699: 692: 689: 684: 677: 674: 669: 662: 659: 654: 647: 644: 639: 632: 629: 624: 617: 614: 609: 603: 599: 592: 589: 584: 583:The Taos News 577: 574: 568: 565: 561: 555: 552: 547: 540: 537: 532: 525: 522: 517: 510: 507: 502: 495: 492: 486: 484: 480: 474: 471: 464: 461: 456: 450: 446: 439: 436: 433: 428: 425: 420: 414: 410: 403: 400: 395: 389: 385: 378: 376: 372: 369: 364: 361: 357: 353: 349: 343: 341: 339: 337: 335: 331: 326: 319: 316: 311: 305: 301: 294: 291: 284: 282: 280: 276: 272: 268: 263: 255: 253: 251: 250:San Francisco 247: 246:New York City 243: 239: 234: 230: 223: 221: 217: 213: 209: 207: 200:Personal life 199: 197: 195: 191: 187: 183: 174: 172: 170: 166: 162: 158: 154: 147: 143: 134: 130: 126: 122: 118: 112: 108: 104: 101: 98: 94: 90: 86: 82: 78: 74: 72:Resting place 70: 66: 56: 52: 48: 31: 27: 20: 870: 848:. 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Index

Vitebsk, possibly Ulla
Taos, New Mexico
School of Yury (Yudel) Pen, Odessa Art School, Academie Julian

Asia
Taos, New Mexico
Taos
New Mexico
Vitebsk
(Yehuda) Pen
Académie Julian
Académie
Paris
Taos
Russia
New York City
San Francisco
art museum
Santa Fe
Christie's
ISBN
978-1-63755-245-2





ISBN
0873582993
Benezit

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